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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "C Arnold"/1) | (@(roleclean,performerclean) "C Arnold")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3803 results for: Keyword - C. Arnold
We found 1696 matches on Author, 1442 matches on Event Comments, 878 matches on Performance Comments, 132 matches on Performance Title, and 0 matches on Roles/Actors.

2576
09 July 1781 @ Haymarket Theatre

Event Comment: Mainpiece [1st time; CO 3, by Miles Peter Andrews. Prologue by Frederick Pilon. Epilogue by Edward Topham (see text)]: With Music High and Low Dutch [ascribed to Dr Arnold]. New Dresses and Decorations. The new Scenes painted by Rooker. Books of the Songs to be had at the Theatre. Public Advertiser, 30 July 1781: This Day is published The Baron....(price not listed)

Performances

Mainpiece Title: The Baron Kinkvervankotsdorsprakengatchdern

Related Works
Related Work: The Baron Kinkvervankotsdorsprakengatchdern! Author(s): Samuel Arnold

Afterpiece Title: The Apprentice

Dance: As17810612

2577
18 July 1781 @ Haymarket Theatre

Event Comment: Mainpiece: Not acted these 2 years. Afterpiece [1st time; MF 2, by Elizabeth, Baroness Craven, later Margravine of Anspach. Larpent MS 564; not published. Author of Prologue unknown]: After the Prologue, a Naval Overture. The Airs from the most eminent Composers [with new music by Dr Arnold, Lady Craven, and Tommaso Giordani]. The Scenes new painted by Rooker. Books of the Songs to be had at the Theatre. Public Advertiser, 19 July 1781: This Day is published the Songs in The Silver Tankard (6d.)

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: The Silver Tankard; or, The Point at Portsmouth

2578
02 July 1782 @ Haymarket Theatre

Event Comment: Afterpiece: A New Dramatic Proverb with Songs [1st time; mf 2, by Charles Dibdin, based on the unpublished L'Aveugle Pretendu, by Louis Francois Archambault, dit Dorvigny. MS: Larpent 594; not published; synopsis of plot in European Magazine, July 1782, p. 67]. The Music by Dr Arnold. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: None are so Blind as Those Who Won't See

2579
25 March 1784 @ Covent Garden

Event Comment: Paid Dr Arnold in full for composing Music #92 8s. Receipts: #274 9s. (269/14; 4/15)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Poor Soldier

2580
03 March 1786 @ Drury Lane Theatre

Event Comment: Tickets to be had and Places [for the boxes] to be taken of Fosbrook, at the Stage Door of the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Books of the Performance to be had at the Theatre. New Lady's Magazine, Mar 1786, p. 110: performance under the direction of Dr Arnold, who conducted from the organ. I know that my redeemer liveth sung by Miss George; He was despised and rejected by Master Pring; How beautiful are the feet by Mrs Forster

Performances

Mainpiece Title: The Messiah

2581
03 July 1786 @ Haymarket Theatre

Event Comment: Afterpiece: The Overture and Music composed by Dr Arnold. The Scenes painted by Rooker. [Grimaldi was from DL.]

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Here, and There, and Every Where

Related Works
Related Work: Here and There and Every Where Author(s): Samuel Arnold

Dance: In afterpiece, by Byrn, Rochfort, Giorgi Jun., the two Miss Simonets

2582
01 March 1787 @ King's Theatre

Event Comment: A Serious Opera in 2 acts; the music entirely by Handel, and selected from the various Operas set by that admirable composer, under the direction of [i.e. arranged and added to by] Dr Arnold. Benefit for Carnevale, deputy manager. No receipts listed. "In order to induce the king to visit the theatre called his own [see 17 Mar.], but which he seldom frequented, the Giulio Cesare of Handel was revived, or rather a medley from his Italian works, for little of the original music was retained, and many of his most favorite songs from other operas were introduced, Verdi prati [from Alcina], Dove sei [from Rodelinda], Rendi sereno il ciglio [from Sosarme], and others. This ancient music was particularly suited to Rubinelli, and was familiar to Mara, both of whom sung it incomparably well" (Mount-Edgcumbe, 61)

Performances

Mainpiece Title: Giulio Cesare In Egitto

Dance: End I: a new ballet, representing The Muses on Mount Parnassus-; End Opera: a new ballet, The Triumph of Julius Caesar-

2583
27 February 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: A Prelude, On The Happy Recovery Of His Majesty

Afterpiece Title: The Triumph of Truth 0

Performance Comment: Selected by Dr Arnold from Works of the following Great Masters: Handel, Purcell, Dr Arne, Corelli, Jomelli, Sacchini, Haydn, Principal Vocal Parts-Reinhold, Dignum, Kelly, Mrs Crouch, Miss Lockhart, Miss Hagley (pupil of Linley? Sen.), Mrs Ambrose; 1st Violin-Shaw. For a detailed account of what was sung, see17880320 .

2584
25 March 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: A Grand Concerto Spirituale 0

Afterpiece Title: Grand Concerto Spirituale 1

Afterpiece Title: Grand Concerto Spirituale 2

Performance Comment: Honor and Arms-Reinhold (Samson); New concerto hautboy-W. Parke; On the Charmer fondly gazing-Miss Hagley (Dr Arnold); Concerto bassoon-Parkinson; Let me wander not unseen-Mrs Ambrose (L'Allegro); Concerto violoncello (1st time)-Mason; Why does the God of Israel sleep?-Kelly (Samson); Farewell ye limpid springs-Mrs Crouch (Jephtha); Quest' alma sventurata-Mrs Ambrose (Sacchini); Coronation Anthem, God save the King-.

Afterpiece Title: Grand Concerto Spirituale 3

Music: As17890311

2585
18 May 1789 @ Haymarket Theatre

Event Comment: Afterpiece [1st time; M. INT I, by George Colman elder. Prologue by the author (see text, T. Cadell, 1789)]: Founded on Hogarth. With new Scenes, Dresses and Decorations. The Music by Dr Arnold. The Scenes painted by Rooker. Books of the Entertainment to be had at the Theatre. "A burlesque, taken from Hogarth's celebrated print of 'The Enraged Musician,' in which the poet has given a very entertaining personification of the ideas of the painter" (Universal Magazine, May 1789, p. 268). Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. Places for the Boxes to be had of Rice, at the Theatre. The Doors to be opened at 6:00, and begin at 7:00 [same throughout season]

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: Ut Pictura Poesis

Related Works
Related Work: Ut Pictura Poesis!; or, The Enraged Musician Author(s): Samuel Arnold

2586
11 March 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: A Grand Selection 0 From The Works Of Handel

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Part III Fifth Grand Concerto-; Is not the King most mighty, On the Charmer fondly gazing-Miss Hagley [Dr Arnold]; For unto us a Child is born-Chorus (The Messiah); Every Day will I give thanks-Miss Broadhurst (Chandos Anthems); Jehovah crown'd-Bellamy; He comes-Chorus (Esther); Prophetic Raptures-Miss Cecilia Davies (Joseph); O come let us worship-Spence (Coronation Anthems); Hallelujah for the Lord God Omnipotent reigneth-Grand Chorus (The Messiah).

2587
13 April 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: Israel In Egypt; Messiah; Grand Selection 0

Cast
Role: Conductor Actor: Dr Arnold

Afterpiece Title: A New Selection

Performance Comment: Concerto on the violin-Master Clement; Gentle Airs Melodious Strains-Miss Broadhurst (Athalia); Let me wander not unseen, Or let the merry Bells-Dignum; And young and old-Chorus; Sweet bird that shun'st-Miss Hagley; accompanied on the violin-Shaw (L'Allegro); Pleasure my former ways resigning-Spence (Time and Truth); Solo on the violoncello-Mason; From rosy Bowers-Mrs Crouch (Purcell); Ah! d'ascolta gia parmi-Miss Davies (Martin y Soler); Awake Eolian Lyre-Reinhold (Dr Arnold); Gird on thy Sword-Chorus (Saul).

2588
18 May 1791 @ Covent Garden

Event Comment: Benefit for Wilson. Afterpiece [1st time; M. ENT 3]: The Dialogue and part of the Songs written by Richard? Wilson. The Overture, new Music and accompaniments composed by Reeve. The Songs, Duets, Glees compiled from Arnold, Rogers, Giordani, Shield, Hook, Dibdin, W. Wilson, Stevens, Broderip and David Rizzio. [Larpent MS 908; not published. Prologue probably by Richard Wilson. Epilogue by Joseph Haynes.] Public Advertiser, 14 May: Tickets to be had of Wilson. No. 10, Bow-street, Covent Garden. Receipts: #354 14s. 6d. (165.17.6; 5.4.0; tickets: 183.13.0)

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Union; or, St

Dance: Afterpiece conclude: Highland Fling-the Scotch Characters

Song: End II: Black Eyed Susan-Incledon

Music: In afterpiece: will be introduced the Highland Competition Prizeexactly as represented annually in the City of Edinburgh,-McLane, McGregor, McTavish; several Strathpays, Laments, Pebruchs-several other celebrated Pipers

Entertainment: Monologue End: Epilogue (riding on an Ass,)-Wilson

2589
29 February 1792 @ King's Theatre

Performances

Mainpiece Title: Acis And Galatea 0; Redemption 0

Afterpiece Title: Acis and Galatea 1

Afterpiece Title: Acis and Galatea 2

Afterpiece Title: A Miscellaneous Act

Performance Comment: Sono imbrogliato gia-Morelli (Paisiello); Fallen is the foe-Chorus (Judas Maccabaeus); Let the bright Seraphim-Miss Barclay (Samson); Concerto violin-Master Bridgetower; Awake! Awake! Aeolian lyre-Reinhold (Alexander's Feast, by Dr Arnold); O Liberty-Miss Hagley; accompanied on the violoncello-Mason (Judas Maccabaeus); Gird on thy sword-Chorus (Saul); Shall I in Mamre's fertile plain-Morelli, Chorus (Joshua); Sin not O King-Mrs Bland (Saul); The many rend the skies-Chorus (Alexander's Feast, by Handel); What tho' I trace-Mrs Crouch (Solomon); Coronation Anthem-Chorus.

Music: End I: concerto on the hautboy-[J.] Parke

2590
07 March 1792 @ King's Theatre

Performances

Mainpiece Title: Acis And Galatea 0; Redemption 0

Afterpiece Title: Acis and Galatea 1

Afterpiece Title: Acis and Galatea 2

Afterpiece Title: A Grand Miscellaneous Act

Performance Comment: Awake! Awake! Aeolian lyre-Reinhold (Arnold); Ye sons of Israel-Chorus (Joshua); Let the bright Seraphim-Miss Barcly (Samson); Concerto on the violoncello-Lindley (1st performance at this theatre); Ask if yon damask rose be sweet-Mrs Bland (Susanna); The many end the skies-Chorus (Alexander's Feast); Angels ever bright and fair-Master Welsh (Theodora); Search round the world-; May no rash intruder-Chorus (Solomon); Ye sacred priests-Mrs Crouch (Jephtha); Glory be to the Father-Chorus (Jubilate).

Music: As17920229

2591
30 March 1792 @ King's Theatre

Performances

Mainpiece Title: A Grand Selection 0principally From The Works Of handel; Redemption 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Behold! I tell, The trumpet shall sound-Reinhold (The Messiah); Is not the King?, Nn the charmer fondly gazing-Miss Hagley (Arnold); Non vi par-Morelli, Kelly, Mrs Crouch (Sarti); Fair Rosale-Master Welsh (Linley); Softly rise-Dignum; Ye southern breezes-Chorus (Solomon, Boyce); O magnify the Lord-Mrs Crouch; Every day will I give thanks-Incledon (Coronation Anthems); Worthy is the lamb-Chorus (The Messiah).

Song: End II: Mad Bess-Mrs Crouch (Purcell)

2592
02 October 1793 @ Covent Garden

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: Harlequin's Chaplet

Entertainment: Afterpiece: [To conclude with Three Entire New Scenes, representing the Town and Harbour of Toulon; with a View of the Manoeuvring of the British, Spanish, and French Fleets, after the Surrender of the Town and Fortifications to the English] on the Twenty-ninth of August [1793]. In which, When in War on the Ocean-Davies; an Entire New Song [composed by Shield,-Incledon; The Music- [Selected by Shaw from Pepusch, Dr Arne, Arnold, Fisher, [Michael] Arne, Vincent, Dibdin, Reeve, Shield; The Dances-Byrn, Holland[; The Scenery-Hodgins, Walmsley, Phillips

Performance Comment: In which, When in War on the Ocean-Davies; an Entire New Song [composed by Shield,-Incledon; The Music- [Selected by Shaw from Pepusch, Dr Arne, Arnold, Fisher, [Michael] Arne, Vincent, Dibdin, Reeve, Shield; The Dances-Byrn, Holland[; The Scenery-Hodgins, Walmsley, Phillips.
Related Works
Related Work: The Spanish Barber; or, The Fruitless Precaution Author(s): Samuel Arnold

2593
23 November 1793 @ Haymarket Theatre

Event Comment: 2nd piece [1st time; CO 3, author unknown. Music selected from Dr Arnold, Storace, et al. MS: Larpent 996; not published]: Altered from THE COQUET of [Charles] Molloy. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: WIVES IN PLENTY

Afterpiece Title: THE DEAF LOVER

Song: 2nd piece: To conclude with a Musical Medley by Bannister Jun. and Sga Storace

2594
26 March 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: A Grand Selection

Performance Comment: Principal Vocal Performers as17940321eader as17940312verture (OCCASIONAL ORATORIO). He smote all the first born by Chorus (ISRAEL IN EGYPT). Beold, the Lord's arm is not shortened and Lo! he is our God by Miss Leak (RESURRECTION, by Dr Arnold). Tyrants would in impious throngs by Sga Storace and Chorus (ATHALIA). Loud as the thunder by Master Welsh (SAMSON). I feel the Deity within and Arm, arm ye brave by Meredith; We come in bright array by Chorus (JUDAS MACCABAEUS). The prince unable by Sga Storace; The many rend the skies by Chorus (ALEXANDER'S FEAST). Concerto on the flute by Ashe .

Afterpiece Title: ACIS AND GALATEA

Music: End of Part I of oratorio concerto on violin by Giornovichi

2595
20 February 1795 @ King's Theatre

Event Comment: A Sacred Oratorio; the music entirely by Guglielmi, composed purposely for Mme Banti at the Royal Theatre of St.@Charles at Naples [in l788]; with Grand Chorusses under the direction of Dr Arnold, who will himself preside at the organ. At the harpsichord, Federici. Leader of the Band, Cramer. The Orchestra, vocal and instrumental, will consist of nearly two hundred performers

Performances

Mainpiece Title: Debora And Sisara

Music: End Part I: a Grand Overture by Haydn-; conducted-Haydn

Song: At commencement Part II: Angels ever bright and fair-Mme Banti

2596
27 February 1795 @ King's Theatre

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music Chiefly From handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Grand Overture- (Haydn); Angels ever bright and fair-Mme Banti; May no rash intruder-Chorus; Oft on a plat of rising ground-Harrison; Lo he is our God-Miss Leak (Dr Arnold); For unto us-Chorus; Air accompanied on harp by Mrs Dussek-Mme Banti (Gulielmi); Recitativo-Miss Leak, Harrison; Sing ye to the Lord-Mme Banti; The horse and his rider-Chorus.

2597
02 May 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: Douglas

Afterpiece Title: A Musical Olio

Performance Comment: SCENE I. A Chamber. A favourite Song (composed by Dr Arnold)-Miss Leak; SCENE II. The Sea Shore. Ye Gentlemen of England (composed by Callcott)-Sedgwick, Dignum, Mrs Bland; SCENE III. A Village. A new Song (composed by Ross)-Master Welsh.

Afterpiece Title: The Pannel

2598
18 May 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Prisoner

Song: End IV: Listen to the Voice of Love-Master Welsh

Music: End: A Lilliputian Performance-; consisting of a Quintetto for First Violin-Master Pinto, aged 11 years; Second Violin-Master Sharp, aged 11; Violoncello-Master Ware, aged 10; Piano Forte-Miss Hoffman, aged 9; Voice-Master Welsh. The Musick composed expressly for the Occasion by Dr Arnold

Performance Comment: The Musick composed expressly for the Occasion by Dr Arnold.

2599
06 July 1798 @ Haymarket Theatre

Event Comment: Afterpiece [1st time; MF 2, by Henry Lee. Larpent MS 1221; not published in this form, but altered by the author in 3 acts, as Caleb Quotem and His Wife!; or, Paint, Poetry, and Putty (J. Roach, 1809)]: The Musick by Dr Arnold. Books of the Songs to be had at the Theatre. "Suett was, as he always is on a first night, most shamefully imperfect" (Monthly Mirror, July 1798, p. 52). [For Lee's accusing Colman, in his The Review, of plagiarism, see Genest, VII, 387-90. And see 1 Sept. 1800.

Performances

Mainpiece Title: The Battle Of Hexham

Related Works
Related Work: The Battle of Hexham; or, Days of Old Author(s): Samuel Arnold

Afterpiece Title: Throw Physick to the Dogs

Related Works
Related Work: Throw Physick to the Dogs! Author(s): Samuel Arnold

2600
05 July 1660 @ The City, London

Performances

Mainpiece Title: London's Glory Represented By Time, Truth, And Fame