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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "British"/1) | (@(roleclean,performerclean) "British")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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366 results for: Keyword - British
We found 187 matches on Roles/Actors, 142 matches on Event Comments, 119 matches on Performance Title, 44 matches on Performance Comments, and 0 matches on Author.

126
08 August 1765 @ Haymarket Theatre

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Citizen

Dance: I: The Dutchman, as17650719

Song: II, IV: The British Fair, Through the Wood, Laddie-a young Lady

Entertainment: CComic Post Haste Observations in his Journey to Paris-Shuter; followed by Dance The English Sailor at Marseilles-Mas. Clinton, Miss Street

127
13 December 1770 @ Drury Lane Theatre

Performances

Mainpiece Title: King Arthur; Or, The British Worthy

Afterpiece Title: The Miller of Mansfield

128
12 November 1772 @ Drury Lane Theatre

Performances

Mainpiece Title: King Arthur; Or, The British Worthy

Afterpiece Title: Wits Last Stake

129
12 May 1775 @ Covent Garden

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Cross Purposes

Dance: A New Comic Dance call'dThe Country Macaroni Assembly-Daguville, Daguville's Scholar; in which (by Desire) Minuet-Helme, Sga Vidini; End Opera: A New Dance call'd The British Bacchanalian , or The Hop-Pickers, an Interlude of Singing and Dancing,-Helme, Sga Vidini; in which The Wooden Shoe Dance- introduced by Daguville

Ballet: II: A New Grand Historical Dance of Warriors, call'd Boadicea Queen of Britain. Queen-Mrs Daguville; her Two Daughters-Miss Ross, Miss Armstrong (Scholars to Daguville); Helme, Daguville

130
16 May 1775 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The What D'Ye Call It

Dance: I: The Country Macaroni Assembly, as17750512; With Minuet, as17750512; End Opera: The British Bacchanalian, as17750512; with Wooden Shoe Dance, as17750512

Ballet: II: Boadicea Queen of Britain. As17750512, but in addition are Twenty@three Combatants-, dressed after the manner of the ancient Britons and Romans

131
07 July 1775 @ Haymarket Theatre

Performances

Mainpiece Title: Eldred; Or, The British Freeholder

Afterpiece Title: The Mock Doctor

Dance: The Medley-

132
01 May 1776 @ Covent Garden

Performances

Mainpiece Title: Eldred; Or, The British Freeholder

Afterpiece Title: The Two Misers

Dance: End: Mirth and Jollity, as17760102

133
02 May 1778 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Commissary

Dance: End I: a new Comic Dance-Langrish, Master Jackson, Miss Parish, Miss Lings (pupils of Aldridge); End II: [The Cricket@Match [sic]The Cricketters, as17780128; [in which part of the celebrated Tambourine Dance-Aldridge[, originally composed and danced by him; III: Hornpipe, as17771017

Ballet: End: a new, Grand Marine Pantomimical Dance, suited to the times, The Sailors' Revels at Portsmouth; or, British Glory. in which an accurate view of the Isle of Wight and the Fleet now riding at Spithead. Principal Characters: Bobby Flip the Boatswain-Aldridge; Powder Monkey-Master Jackson; Mat Mizen-Langrish; Molly Topknot-Miss Besford; Susan Constant-Miss Valois; with variety of other Characters, and Hornpipe Dancing-in an entire new stile

134
05 May 1778 @ Covent Garden

Performances

Mainpiece Title: The British Heroine

Afterpiece Title: Midas

Entertainment: Monologue.End: Tony Lumpkin's Ramble through London-Quick

135
28 December 1778 @ Haymarket Theatre

Performances

Mainpiece Title: The Macaroni Adventurer; Or, Woman's A Riddle

Afterpiece Title: Fashionable Love; or, The Happy British Tar

Afterpiece Title: The Covent Garden Tragedy

Dance: Entertainments ofDancing-

Entertainment: Monologue.End III: Imitations [Vocal and Rhetorical, never attempted, a Trumpet-a Choice Spirit [who will (to his vocal performances) accompany himself with the Symphonies (his 1st appearance on the stage [unidentified])

136
10 March 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: Dissipation

Afterpiece Title: Comus

Song: III: Smiling love to thee belong-Miss Field, Miss Wright (British Union-Catalogue, p. 621)

137
19 October 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: King Arthur; Or, The British Worthy

Afterpiece Title: Who's the Dupe

Dance: In mainpiece by Zuchelli, Henry, Miss Armstrong, Miss M. Stageldoir. [This was the same, as here assigned, in all subsequent performances, but beginning with 11 Dec. Henry is omitted.]

Song: In mainpiece the Vocal Parts by Du-Bellamy, Williams, Fawcett, Chaplin, Phillimore, &c.; Miss Phillips, Miss Collett, Miss Wright, Miss Stageldoir, Mrs Wrighten

138
15 August 1788 @ Haymarket Theatre

Performances

Mainpiece Title: The Election

Afterpiece Title: Inkle and Yarico

Afterpiece Title: The Minor

Dance: End 2nd piece: The British Soldier Triumphant-Byrn, Ratchford, Miss DeCamp, Mrs Goodwin

139
01 September 1788 @ Haymarket Theatre

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: Peeping Tom

Afterpiece Title: A Mogul Tale

Dance: End 1st piece: Dance-[probably The British Soldier Triumphant, as17880813

140
30 April 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Blade-Bone; or, Harlequin's Frolic

Afterpiece Title: The Virgin Unmask'd

Entertainment: Monologue Preceding: British Loyalty[; or, A Squeeze for St. Paul's by George Colman ynger]-Bannister Jun

141
22 May 1789 @ Covent Garden

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The British Sailor; or, The Fourth of June

Afterpiece Title: The Quaker

Entertainment: Monologue End 2nd piece: Ned Shuter's Observations in a Post Haste Journey to Paris-Bernard

142
01 July 1789 @ Haymarket Theatre

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: Peeping Tom

Entertainment: Monologue British Loyalty ; or, A Squeeze for St Paul's, as17890617 God save the King, as17890617 but Reeve

143
23 April 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Pannel

Dance: As17900308

Entertainment: MonologuePrevious: his being the Anniversary of His Majesty's Happy Recovery, British Loyalty; or, a Squeeze for St. Paul's-Bannister Jun

Song: After which: the Stage being decorated and illuminated in the same Superb Stile which it was for the Reception of his Majesty on Dec. the 16 last, God save the King-Dignum, Sedgwick, Alfred, Danby, Fawcett, Haymes, Hollingsworth, Lyons, Maddocks, Phillimore

144
06 June 1791 @ Covent Garden

Performances

Mainpiece Title: Double Falsehood; Or, The Distrest Lovers

Afterpiece Title: Tippoo Saib; or, British Valour in India

Afterpiece Title: Barnaby Brittle

Dance: In 2nd piece: Battle Dance-, and a Representation of English and British Grand Martial Procession

Song: I: Hark the Lark at Heaven's Gate sings (set by Dr Cooke)-Bannister, Johnstone, Incledon, Mrs Mountain; End II: Black Eyed Susan-Incledon; IV: Fond Echo Forbear thy fond sigh (written by Shakspeare [recte Lewis Theobald], and composed new for the Evening's Performance by Shield)-Mrs Mountain; In Pantomime: Poor Orra tink on Yanco dear (the music by Dibdin)-Mrs Mountain; The Gallant Soldier born to Arms (composed by Hook)-Incledon; Indian War Song-Bannister; The Tobacco Box: Tho' the Fate of Battle on Tomorrow wait-Johnstone, Mrs Warrell

145
24 October 1791 @ Haymarket Theatre

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Taste; or, Diversion in the Morning

Dance: I afterpiece: Mock Minuet-Alderman, Lady Pentweazel

Song: End: The Tobacco Box-Johnson, Miss Chatterley

Entertainment: Monologues After Singing: British Loyalty[; or, A Squeeze to St. Paul's-Wilkinson; End II afterpiece: Bucks have at Ye All-a Gentleman (1st appearance on any stage [unidentified])

Music: Between Acts: several pieces of Martial Music-his Royal Highness the Duke of Gloucester's Band(, in full uniform, by Permission)

146
15 October 1792 @ Haymarket Theatre

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Who's the Dupe

Song: End I: song-a Young Lady; End II: song-Incledon; End III: song-a Lady; End IV: song-Johannot

Entertainment: Monologues End: Roxana's Epilogue-; British Loyalty; or, A Squeeze to St. Paul's-Lyon

147
02 October 1793 @ Covent Garden

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: Harlequin's Chaplet

Entertainment: Afterpiece: [To conclude with Three Entire New Scenes, representing the Town and Harbour of Toulon; with a View of the Manoeuvring of the British, Spanish, and French Fleets, after the Surrender of the Town and Fortifications to the English] on the Twenty-ninth of August [1793]. In which, When in War on the Ocean-Davies; an Entire New Song [composed by Shield,-Incledon; The Music- [Selected by Shaw from Pepusch, Dr Arne, Arnold, Fisher, [Michael] Arne, Vincent, Dibdin, Reeve, Shield; The Dances-Byrn, Holland[; The Scenery-Hodgins, Walmsley, Phillips

148
02 May 1794 @ Covent Garden

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: NAPLES BAY; or, The British Seamen at Anchor

Afterpiece Title: THE FOLLIES OF A DAY

Dance: In 2nd piece A Medley Hornpipe in Wooden Shoes by Byrn

Song: End of 1st piece Black-Eyed Susan by Incledon

149
23 June 1794 @ King's Theatre

Performances

Mainpiece Title: La Serva Padrona

Dance: End of opera concerto, as17940603 after which La Vittoria (a Grand Cantata, composed by Paisiello, and performed by Mme Banti at Naples, adapted [by Da Ponte] to the glorious occasion of the triumph of the British flag [on 1 June 1794]), The Goddess of Victory-Mme Banti, accompanied by Chorusses, and a grand Allegorical Ballet, composed by Noverre; to conclude with Rule Britannia by Mme Banti

150
28 March 1795 @ Covent Garden

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: The British Recruit

Afterpiece Title: The Absent Man

Song: As17950316