SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Brander Matthews"/1) | (@(roleclean,performerclean) "Brander Matthews")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 179 matches on Performance Title, 141 matches on Performance Comments, 89 matches on Author, 43 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: At the New Wells, London Spa. To begin at two o'clock and at five o'clock. [This house managed by Matthews, Dancer, and Yeates. See Daily Advertiser 13 March.

Performances

Mainpiece Title: The Sacrifice Of Iphigenia

Afterpiece Title: Harlequin Mountebank; or, The Squire Electrified

Dance: Matthews, M'Neil, Mrs Addison, Miss Rayner (1750 ed.)

Performances

Mainpiece Title: London's Great Jubilee

Performances

Mainpiece Title: The Spendthrift

Performances

Mainpiece Title: The Parthian Hero; Or, Love In Distress

Afterpiece Title: The Sharpers; or, The Female Match-Maker

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Dramatic Puffers

Afterpiece Title: Vertumnus and Pomona

Dance: End of Epilogue a new Pastoral Dance, Palemon and Lavinia, by Aldridge, Langrish, Mrs Davenett, Miss Francis, Miss Rowson, Miss Besford

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Virgin Unmask'd

Event Comment: Benefit for Lee and Matthews. Tickets and places to be had of Lee at Mr Oliphant's Exeter St., and of Matthews, at the Golden Ball in Duke's, late Earl's Court, Drury Lane. Receipts: #150 (Cross); house charges, #63 (Powel); cash, #77 2s.; tickets, #82 7s. (Clay MS)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The School Boy

Dance: I: Tambourine-Anne Auretti; II: New Dance-Matthews, Mrs Addison; III: Dutch Dance, as17471128; IV: Savoyards, as17471215; V: Hornpipe (By Desire)-Matthews

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; With several New Solos and Concertos-Matthew Dubourg; Singing-Mrs Fletcher

Event Comment: Music of Afterpiece entirely new Composed by Dibdin. [An adaptation of Goldoni's Il Filosofo di Campagna.] Book of Songs to be had at Theatre (playbill). The Wedg R. a Comic Opera of Two Acts wrote & composed by Mr Dibdin. The Music very pretty--as the Author was kept a Secret The Town fancy'd that is one of Mr Bickerstaff & call'd out to know who was the Author. Mr Garrick inform'd them that he had no power to declare who the Author was but he could assure them that it was not Mr Bickerstaffs this did not Satisfy them at last Mr Dibdin went on & declard himself to be the Author & made an Affidavit of it & then the Farce went on with Applause (Hopkins Diary). [Account of The Wedding Ring in Westminster Magazine for Feb. 1773.] Paid #4 4s. for licensing The Wedding Ring and Alonzo (Treasurer's Book). [Maria Macklin, in a MS letter to her father, 3 Feb. 1773, commented fully on this night's performance: "Written as it was suppos'd by Bickerstaffe. The music by Dibdin. I went with a party into the Gallery to see the event as there was a great riot expected, & indeed never did I see an audience more inflamed. They would not suffer them to begin the piece. At last Mr King came on with a written paper in his hand, which he said he was desir'd to read in the name of the managers. After a great noise they let him read it. He said just before the play began the managers had receiv'd a letter from Mr Dibdin in which he declared that Bickerstaff was not the author of that piece, that he had made oath of it, and was ready to do the same again, but that for very particular reasons the author could not be given up. Then they stopp'd him & roar'd out that the author should be given up then. He continued as loud as he possibly could, reading on that 'but that if Mr Dibdin did not very soon given up the author he never should be suffered to appear again on that stage or any other.' Very luckily that turn'd them as I believe the House would have come down. The piece then began. Before the end of the first act one of Bannister's songs were encor'd. The other party were against it and would not let it go on. They all stood up and insisted that the author should be known then. After some time the house being nothing but confusion, Dibdin was push'd upon the stage ready to drop with fright, and declared that he was the author himself. Then they were as noisy the other way. Made them finish the piece, but how you may guess in a storm. It is like the Padlock, but the songs not so good." (Brander Matthews, Actors and Actresses, extra illustrated, Vol. I. Harvard Theatre Collection.). Westminster Magazine this month included in parallel columns flattering "Characters of Mr Garrick and Mr Colman," the Rival managers. The article especially praised Garrick's acting.] Receipts: #252 3s. 6d

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Wedding Ring

Performances

Mainpiece Title: Macbeth

Afterpiece Title: My Grandmother

Song: In: Chorus of Witches and Spirits-Sedgwick, Dignum, Miss Leak, Miss DeCamp, Miss Arne, Miss Wentworth

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Anatomist

Dance: Matthews, Mrs Addison

Song: Master Mattocks

Performances

Mainpiece Title: The Ugly Club

Afterpiece Title: The Castle-Spectre

Afterpiece Title: A Nosegay of Weeds; or, Old Servants in New Places

Performances

Mainpiece Title: Tartuffe; Or, The French Puritan

Performances

Mainpiece Title: The Spendthrift

Afterpiece Title: The Jealous Taylor

Performances

Mainpiece Title: The Spendthrift

Afterpiece Title: The Jealous Taylor

Performances

Mainpiece Title: The Spendthrift

Afterpiece Title: The Jealous Taylor

Performances

Mainpiece Title: The Spendthrift

Afterpiece Title: The Jealous Taylor

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: The Wives Revenged

Afterpiece Title: The Spendthrift

Dance: End: The Embarkment for Cytherea, as17781127

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: Primrose Green; or, Love in the Country

Dance: After Monologue: The Jockies, as17910507

Song: End II: Black Eyed Susan-Incledon

Entertainment: Monologue. End: Dissertation on Hobby@Horses: The Statesman's Hobby; The Soldier's Hobby; The Beau's Hobby; The Lady's Hobby; The Fidler's Hobby; Mrs Mountain's Hobby; The Manager's Hobby; and His Own Hobby-Bernard

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Smugglers

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Humourist

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: Comus

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Quaker

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: Katharine and Petruchio

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Wandering Jew