Event Comment: Mainpiece: Not acted these 6 years. [Didier was from the Bath theatre. Afterpiece in place of The Poor Soldier, announced on playbill of 12 Dec.] Receipts: #159 15s. (156.15; 3.0)

Event Comment: By Command of Their Majesties. [afterpiece in place of Rosina, announced on playbill of 13 Dec.] Receipts: #312 4s. (309.3; 3.1)

Event Comment: [Afterpiece in place of The Poor Soldier, announced on playbill of 14 Dec.] Receipts: #264 6s. 6d. (261.8.6; 2.18.0)

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #179 11s. 6d. (150.7.0; 27.7.0; 1.17.6; tickets: none listed) (charge: #105)

Event Comment: "A new Tragedy, called Eloisa [and Richard Coeur de Lion, both announced on playbill of 16 Dec. were] to have been represented last night; but on account of the illness of Farren [were] obliged to be deferred, and Fontainbleau, with Hob in the Well were announced [in playbill of this present night], but on account of the sudden indisposition of Edwin...both pieces were obliged to be changed to Henry IV, with Barataria" (Public Advertiser, 19 Dec.). Receipts: #117 0s. 6d. (115.0.0; 2.0.6)

Event Comment: Mainpiece [1st time; T 5, by Frederick Reynolds. Larpent MS 750; not published; synopsis of plot in Universal Magazine, Dec. 1786, pp. 333-34. Prologue by the author (London Chronicle, 23 Dec.). Epilogue by Miles Peter Andrews (World, 4 Jan. 1787); and see Epilogue to Such Things Are, 10 Feb. 1787]. Receipts: #165 14s. (156.1; 9.13)

Event Comment: Afterpiece: A Dramatic Entertainment of Singing, Dancing, and Dialogue, in Honour of Shakespeare. In which a Pageantv, the Music by Dibdin. Books of the Songs to be had at the Theatre. Receipts: #224 12s. 6d. (181.14.0; 41.13..6; 1.5.0)

Event Comment: Afterpiece; Never acted here. Receipts: #119 8s. 6d. (112.2.0; 7.6.6)

Event Comment: Benefit for the Author [of mainpiece]. Receipts: #121 6s. 6d. (113.1.6; 8.5.0; tickets: none listed)

Event Comment: [As mainpiece the playbill announces the 7th night of A School for Grey-Beards (see 3 Mar. 1787), but "Parsons was in bed so ill as to make it impossible for him to play-the play was in course changed" (Morning Chronicle, 26 Dec.). Its substitute is listed in the Account-Book.] Receipts: #163 16s. 6d. (121.18.0; 39.18.0; 2.0.6)

Event Comment: Afterpiece: Not acted these 5 years. With Alterations and Restorations, particularly the admired Shades and Transparencies representing the Amusements of Harlequinv, and the Destruction of the Pantomimical Fleetv. [These were included in all subsequent performances.] Receipts: #194 3s. (173.4; 17.10; 3.9)

Event Comment: Afterpiece [1st time; P 2, by Miles Peter Andrews. Larpent MS 752, as The Castle of Wonders; not published; synopsis of action in Morning Post, 27 Dec.]: With new Music, Scenes, Machinery, Dresses, and Decorations. A few of the Airs compiled from Purcell, Travers, Sacchini, &c. The Rest of the Music composed by Shield. The Scenery and Machinery designed by Richards and Carver, and executed by them, Hodgins, and many Assistants. To conclude with a Representation of the Inside of a Nabob's Palacev. Books of the Songs [which assign only Colombine ] to be had at the Theatre. Nothing under Full Price will be taken. Account-Book, 6 Mar. 1787: Paid Shield in full for Compositions #100. Receipts: #242 4s. (239.8; 2.16)

Event Comment: Mainpiece: With Accompaniments to the Airs composed by Linley? Sen. Receipts: #157 10s. 6d. (119.2.0; 38.0.6; 0.8.0)

Event Comment: A Trip to Scarborough [announced on playbill of 28 Dec.] and A School for Grey-Beards are obliged to be deferred, on Account of the Indisposition of Miss Farren. Receipts: #201 4s. 6d. (153.16.0; 45.8.6; 2.0.0)

Event Comment: Mainpiece: Not acted these 2 years. Receipts: #233 10s. (230.4; 3.6)

Event Comment: [Mainpiece in place of Venice Preserv'd, announced on playbill of 30 Dec. 1786.] Receipts: #222 4s. (220.0; 2.4)

Event Comment: Mainpiece: Not acted these 7 years [not acted since 12 May 1779]. Receipts: #210 18s. 6d. (207.4.0; 3.14.6)

Event Comment: Love for Love [announced on playbill of 2 Jan.] is obliged to be deferred on account of the Indisposition of two principal Performers. Receipts: #186 18s. (137.13.0; 44.6.6; 4.18.6)

Event Comment: Artaxerxes [announced on playbill of 5 Jan.] is obliged to be deferred on account of Mrs Billington's Hoarseness. Receipts: #127 6s. (125.15; 1.11)

Event Comment: The Winter's Tale and the new Farce of The First Floor [both announced on playbill of 8 Jan.] are obliged to be deferred, on Account of the Indisposition of two principal Performers. Paid Parrott, Coal Merchant, #76 6s. 6d. Receipts: #150 9s. (120.10.0; 27.18.0; 1.8.6; tickets not come in: 0.12.6)

Event Comment: A Comic Opera, 2 acts; the music [entirely new, composed by Domenico Cimarosa [with additions by Cherubini and Gazzaniga]. Under the direction of Mazzinghi. Receipts: #58 7s. 6d. [non-subscription]

Event Comment: Paid Whitfield for making Cloaths to Decr. inclusive #59 2s. Receipts: #203 19s. (201.4; 2.15)

Event Comment: The Country Girl [announced on playbill of 11 Jan.] is obliged to be deferred, on Account of the Indisposition of Dodd. Receipts: #205 14s. 6d. (160.5.0; 41.9.6; 4.0.0)