Event Comment: Pepys, Diary: At Wotton's, the shoemaker's, who tells me the reason of Harris's going form Sir Wm. Davenant's house, that he grew very Proud and demanded #20 for himself extraordinary, more than Betterton or any body else, upon every new play, and #10 upon every revive; which with other things Sir W. Davenant would not give him, and so he swore he would never act there more, in expectation of being received in the other House; but the King will not suffer it, upon Sir W. Davenant's desire that he would not, for then he might shut up house, and that is true. He tells me that his going is at present a great loss to the House, and that he fears he hath a stipend from the other House privately. He tells me that the fellow grew very proud of late, the King and every body else crying him up so high, and that above Betterton, he being a more ayery man, as he is indeed. But yet Betterton, he says, they say do act some parts that none but himself can do

Event Comment: A Comparison Between the Two Stages (1702), commenting upon Betterton's success with I Henry IV (see 9 Jan. 1699@1700) pictures Betterton entering his Closet and praying to Shakespeare for further assistance (p. 25), with the result that "tho' some of those Plays that Batterton Acted were Historical, and consequently highly irregular, yet they never fail'd to please" (p. 26). Sullen adds: Well, this lucky hit of Batterton's put D. Lane in a non-plus! Shakespear's Ghost was rais'd at the New-house, and he seem'd to inhabit it for ever: What's to be done then? Oh, says Rich I'll pray as well as he-What? Shall a Heathen Player have more Religion than a Lawyer? No, it shall never be said--with that Mr R@@ goes up to the Garret (a pair of Stairs higher than his own Apartment) and taking Ben Johnson's Picture with him, he implores. This work implies that Betterton presented Henry VIII in addition to I Henry IV and that Rich revived Volpone, The Alchymist, and The Silent Woman, which had, according to the author of this work, lain unacted for twenty years (p. 26)

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125: The Schoole of Complements at Court. See also Nicoll, Restoration Drama, p. 346. The edition of 1667 was licensed 24 May 1667. Gildon, Life of Betterton (1710), states that Betterton had a role in it

Event Comment: Newdigate newsletters, 14 Aug. 1683: The Manager of ye Kings Theatre intend wth in short time to pforme an Opera in like manner of yt of ffrance. Mr Betterton wth other Actrs are gone over to fetch Ye designe [Wilson, Theatre Notes from the Newdigate Newsletters, p. 82). See also a letter from Lord Preston to the Earl of Sunderland, Paris, 25 Aug. 1683 N.S. concerning Betterton's visit to Paris (HMC, 7th Report, Appendix, p. 288)

Event Comment: According to the testimony of Sir Thomas Skipwith, 10 Dec. 1694, the young actors played during the vacation nearly thirty days without Betterton, Williams, Bright, Kinaston, Sandford, or Mrs Betterton, and made sufficient money to keep them over the vacation. L. C. 7@3, 17 Dec. 1694, in Nicoll, Restoration Drama, p. 374

Event Comment: Cibber, Apology, I, 203-9, refers to an incident which occurred after the division of the companies, perhaps early in their competition. Essentially, Drury Lane, learning that Lincoln's Inn Fields was to act Hamlet on a Tuesday, posted it for Monday at Drury Lane, whereupon Betterton's Company, having announced The Old Batchelor for Monday, cancelled it in favor of Hamlet. As a countermove, Drury Lane altered its program to The Old Batchelor on Monday, Powell to mimic Betterton. A last-minute discovery that no one had been assigned to Fondlewife, originally played by Dogget, gave Cibber an opportunity to play the role, which he learned on short notice and which he acted with applause; he was pleased to see Dogget in the pit watching his performance

Event Comment: Possibly on this day, Davenant and Killigrew, with a united company, began acting at this theatre. In L. C. 5@137, p. 332 (6 Oct. 1660) is a list of His Majesty's Comedians: Burt, Hart, Mohun, Robert Shatterell, Lacy, Wintershell, Clunne, Cartwright, Edward Shatterell, Baxter, Loveday, Kynaston, Betterton. (See Nicoll, Restoration Drama, p. 294; Hotson, Commonwealth and Restoration Stage, p. 204.) Hotson, p. 205, states that the company acted daily from 8 to 16 Oct. 1660

Event Comment: The Duke's Company. Pepys, Diary: Mr Creed and I to White-Fryars, where we saw The Bondman acted most excellently, and though I have seen it often, yet I am every time more and more pleased with Betterton's action

Event Comment: The Duke's Company. Pepys, Diary: I to the Cockpitt, with much crowding and waiting, where I saw The Valiant Cidd acted, a play I have read with great delight, but is a most dull thing acted, which I never understood before, there being no pleasure in it, though done by Betterton and by Ianthe [Mrs Saunderson], and another fine wench [Mrs Norton] that is come in the room of Roxalana [Mrs Davenport]; nor did the King or Queen once smile all the whole play, nor any of the company seem to take anyPleasure but what was in the greatness and gallantry of the company

Event Comment: Pepys, Diary: And took my wife out immediately to the King's Theatre, it being a new month, and once a month I may go, and there saw The Indian Queen acted; which indeed is a most pleasant show, and beyond my expectation; the play good, but spoiled with the ryme, which breaks the sense. But above my expectation most, the eldest Marshall did do her part most excellently well as I ever heard woman in my life; but her voice not so sweet so Ianthe's [Mrs Betterton's]; but, however, we came home mightily contented

Event Comment: The Duke's Company. Pepys, Diary: I away before to White Hall and into the new play-house there, the first time I ever was there, and the first play I have seen since before the great plague. By and by Mr Pierce comes, bringing my wife and his, and Knipp. By and by the King and Queene, Duke and Duchesse, and all the great ladies of the Court; which, indeed, was a fine sight. But the play being Love in a Tub, a silly play, and though done by the Duke's people, yet having neither Betterton nor his wife, and the whole thing done ill, and being ill also, I had no manner of pleasure in the play. Besides, the House, though very fine, yet bad for the voice, for hearing. The sight of the ladies, indeed, was exceeding noble; and above all, my Lady Castlemayne. The play done by ten o'clock. I carried them all home, and then home myself, and well satisfied with the sight, but not the play