SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Betterton"/1) | (@(roleclean,performerclean) "Betterton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 537 matches on Roles/Actors, 298 matches on Performance Comments, 291 matches on Author, 179 matches on Event Comments, and 2 matches on Performance Title.

Performances

Mainpiece Title: Hamlet

Cast
Role: Horatio Actor: Betterton

Afterpiece Title: The Miser

Song: In V: a Dirge, as17980917

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide

Dance: As17981211

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide

Dance: As17981211

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Albert and Adelaide

Dance: As17981211

Song: Mainpiece: Vocal Parts-Incledon, Johnstone, Townsend, Hill, Linton, Blurton, Street, Gray, Little, Lee, Sawyer, Tett, Dyke, Mrs Chapman, Miss Mitchell, Miss Wheatley, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Mrs Martyr

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide

Dance: As17981211

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: Albert and Adelaide

Dance: As17981211

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide

Dance: As17981211

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide

Dance: As17981211

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide

Dance: As17981211

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide

Dance: As17981211

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide

Dance: As17981211

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide

Dance: As17981211

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: Albert and Adelaide

Dance: As17981211

Performances

Mainpiece Title: Five Thousand A Year

Cast
Role: Maria Actor: Miss Betterton

Afterpiece Title: The Old Cloathsman

Afterpiece Title: The Tobacconist

Cast
Role: Headlong Actor: Betterton

Performances

Mainpiece Title: Five Thousand A Year

Cast
Role: Maria Actor: Miss Betterton

Afterpiece Title: The Old Cloathsman

Cast
Role: Headlong Actor: Betterton

Afterpiece Title: The Mouth of the Nile

Performances

Mainpiece Title: Alexander The Great

Cast
Role: Lysimachus Actor: Betterton
Role: Roxana Actor: Miss Betterton.

Afterpiece Title: Raymond and Agnes

Song: II: Grand Triumphal Entry and Vocal Parts Entry of Alexander into Babylon, as17990409

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Vanguard; or, British Tars Regaling after Battle

Cast
Role: Jack Connor Actor: Betterton

Afterpiece Title: Tom Thumb

Song: In course Evening: Lovely Nan (By permission of Dibdin), Black Ey'd Susan-Incledon; A Bundle of Proverbs-Munden; In the Dead of the Night-Miss Poole; Together let us range-Incledon, Miss Poole

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: The Tars of Old England Regaling after a Victory [i

Cast
Role: Coupee Actor: Betterton

Afterpiece Title: The Honest Thieves

Song: End III: The Tight Little Island-Townsend; End IV: Black Ey'd Susan-Incledon

Performances

Mainpiece Title: The Mysteries Of The Castle

Cast
Role: Count Montoni Actor: Betterton

Afterpiece Title: The Guardian

Performances

Mainpiece Title: The Mad Lover

Performance Comment: Betterton. Downes (Roscius Anglicanus, p. 18) refers to Betterton's playing a role.
Event Comment: Betterton's Company. The fee of #20 was paid to John Miles, an officer of Betterton's Company. See Calendar of the Inner Temple Records, III, 342

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Event Comment: Betterton's Company. This performance is known from a playbill apparently no longer extant: W. R. At the Desire of several Persons of Quality. At the New Theatre in Little Lincoln's-Inn Fields, this present Tuesday, being the 27th of February, will be presented, a Tragedy call'd The Mourning Bride. The Moorish? Entry perform'd by The Little? Boy. Vivant Rex. (W. J. Lawrence, The Elizabethan Playhouse and Other Studies (Stratford, 1913). See also R. W. Lowe, Thomas Betterton (London, 1891), and Fitzgerald, A New History, I, 389

Performances

Mainpiece Title: The Mourning Bride

Event Comment: Betterton's Company. The date of the premiere is not known, but the Epilogue refers to it as a summer production and the play was advertised in the London Gazette, No 3108, 22-26 Aug. 1695; hence, it appeared first not later than August. A song, Stretch'd in a dark and dismall grove, composed by John Eccles and sung by Mrs Hudson, is in Deliciae Musicae, The Third Book, 1696. A Comparison Between the Two Stages (p. 16): Sullen: Imprimis, Here's Pyrrhus King of Epire. Ramble: Whose is that? Sullen: Charles Hopkin's, an Irish Gentleman of good Sense, and an excellent Ovidian. Ramble: What was it's Fate? Sullen: Damn'd

Performances

Mainpiece Title: Pyrrhus King Of Epirus

Event Comment: Betterton's Company. The date of the first production is not known, but the play was probably not acted later than September 1695, as it was advertised in the London Gazette, No. 3122, 10-14 Oct. 1695. Preface, Edition of 1696: It was the first I ever made Publick by appearing on the Stage, which (with the Advantage it met with, of admirable Acting) is all the Recommendations I have for exposing it...Ariadne. A song, Restless, in thought disturbed, set by John Eccles and sung by Mrs Hodgson, is in A Collection of Songs, 1696

Performances

Mainpiece Title: She Ventures And He Wins

Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 25-28 April 1696, suggests that it was acted not later than the period preceding Passion Week (6-11 April 1696). In addition, the large number of minor performers in the cast suggests a Lenten performance by the young actors. In Act I, Scene i, there is an Entertainment of Instrumental Musick, Compos'd by Signior Finger: Then a Song, set by Mr John Eccles, and Sung by Young La Roche. In III, iii: A Dialogue set by Seignior Baptist. The play is an adaptation of John Webster's Cure for a Cuckold. A Comparison Between the Two Stages (1702): The City Bride, by another Player, Damn'd

Performances

Mainpiece Title: The City Bride; Or, The Merry Cuckold