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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Benoit Joseph Marsollier des Vivetieres"/1) | (@(roleclean,performerclean) "Benoit Joseph Marsollier des Vivetieres")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2734 results for: Keyword - Benoit Joseph Marsollier des Vivetieres
We found 1061 matches on Author, 1018 matches on Performance Title, 631 matches on Performance Comments, 232 matches on Event Comments, and 0 matches on Roles/Actors.

2401
18 March 1786 @ Covent Garden

Performances

Mainpiece Title: The Peruvian

Afterpiece Title: The Country Wife

2402
01 June 1786 @ King's Theatre

Performances

Mainpiece Title: Armida

Dance: End of Act I Les Amans Surpris (not performed these 4 years [not since 30 June 1781]) by Vestris, Rochfort (1st appearance in England), Fabiani, Mlle Mozon, Mlle Baccelli; End of Opera Ninette a la Cour (not performed these 4 years [not since 3 July 1781]) by Vestris, Rochfort, Fabiani, Mlle Mozon, Mlle Baccelli. In the course of the ballet The Minuet de la Cour, with a favourite Gavotte, by Fabiani and Mlle Carolina, and a Pas de Deux of a particular Invention (the music newly composed by Mortellari) by Mlle Baccelli and Vestris

2403
02 February 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife [1st 3 Acts Only]

2404
11 May 1787 @ Covent Garden

Performances

Mainpiece Title: The Brothers

Performance Comment: As17870425, but Captain Ironsides-Fearon; Skiff-Stevens; Fanny Goodwin-Miss Rowson.
Cast
Role: Captain Ironsides Actor: Fearon
Related Works
Related Work: Fatal Love; or, The Degenerate Brother Author(s): Osborne Sidney Wandesford

Afterpiece Title: The Maid of Bath

Performance Comment: Mr Flint-Fearon; Major Racket-Davies; Sir Christopher Cripple-Booth; Poultice-Thompson; Fillup-Helme; De Jarsey-Gaudry; Sour Crout-Swords; Billy Button-Edwin; Miss Linnet (with a song)-Mrs Martyr; Mrs Linnet-Miss Platt; Lady Catherine Coldstream (by particular desire, and for that night only)-Mrs Fearon.

Dance: As17870425

2405
06 November 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Bon Ton; or, High Life above Stairs

Dance: End I: a New Dance, as17871026

Song: V: song-Mrs Forster

2406
20 November 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: The Carmelite

Afterpiece Title: The Virgin Unmask'd

2407
02 October 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Lying Valet

Dance: End I: As17880916

Song: In V: song-Mrs Forster

2408
28 November 1788 @ Covent Garden

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: A Bold Stroke for a Wife

Dance: As17880924

2409
17 December 1788 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Jordan. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants by Half past Four o'Clock. Afterpiece: Not acted these 10 years. Public Advertiser, 12 Dec.: Tickets to be had of Mrs Jordan, Gower-street, Bedford-square. Receipts: #282 6s. (143.1.0; 22.19.6; 0.10:6; tickets: 115.15.0) (charge: #107 9s. 7d.)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Devil to Pay; or, The Wives Metamorphosed

Dance: As17881113

Song: As17881002

2410
20 February 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: High Life below Stairs

Dance: End I: Dance-[probably Jamie's Return, as17890107

Song: In V: song-Miss Romanzini

2411
13 June 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Devil to Pay

Dance: End I: The Russian Minuet, as17890519

Song: V: song-Miss Barnes

Entertainment: Monologue. End: A Picture of a Play@house or Bucks have at ye all-Palmer

2412
22 September 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Jubilee

Song: In V: song-Miss Hagley

2413
24 November 1789 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Text 1st published (unauthorized), Dublin [1790]. Sga Storace had 1st appeared in concerts from 1774 to 1778, and at king's on 24 Apr. 1787 and thereafter]: With new Scenes, Dresses and Decorations. The new Music composed by Storace, the rest compiled from Linley? Sen., Purcell, Sarti, Paisiello, Martin y Soler?, Pleyel, &c. The Scenes designed and executed by Greenwood. Books of the Songs to be had at the Theatre. "In her own particular line on the stage [Sga Storace] was unrivalled, being an excellent actress, as well as a masterly singer. She settled entirely in England, and after quitting the opera (to which she was frequently recalled in times of distress, as was too often the case), she engaged at Drury Lane, where the English opera was raised to an excellence not known before, by her singing, with that of Mrs Crouch, Mrs Bland, Kelly, and Bannister, and under the direction of her brother Stephen Storace, who composed, or rather compiled, several very pretty operas, of which the Haunted Tower, and the Siege of Belgrade still remain favorites, and are frequently performed" (Mount-Edgcumbe, 65). Account-Book, 4 Jan. 1790: Paid Cobb on Acct. of the Purchase of the Copyright of the Haunted Tower #157 10s.; 27 Feb. 1790: Paid Cobb in full for Copyright #52 10s. Receipts: #219 9s. 6d. (200.13.0; 17.14.6; 1.2.0)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Miller of Mansfield

2414
05 December 1789 @ Covent Garden

Performances

Mainpiece Title: The Force Of Fashion

Afterpiece Title: The Citizen

2415
27 February 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Polly Honeycombe

Dance: As17900210

Song: As17890922

2416
04 September 1790 @ Haymarket Theatre

Event Comment: 2nd piece [1st time; CO 2, by John O'Keeffe. Text 1st published in O'Keeffe's Dramatic Works, Vol. II (T. Woodfall, 1798)]: The Overture and new Music composed by Dr Arnold. The Scenery designed and painted by Rooker. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: The Liar

Afterpiece Title: The Basket Maker

2417
11 September 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Deuce is in Him

2418
27 October 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Critic; or, A Tragedy Rehearsed

Song: In V: a song-Miss Hagley

2419
26 February 1791 @ Pantheon, Oxford Street

Performances

Mainpiece Title: Armida

Dance: End I: Divertisement, as17910217

Ballet: End II: Amphion et Thalie. As17910217, but Principal dancers-_Fialon, _Duchesne, _Rousseau, _Boisgirard, _St.Aumer, _Schweitzer, Mme _Vigano, Mlle _Puisieux, Mlle Bithmer _Cadette; Mme _Didelot; Mlle _Bithmer; Mlle _Rousseau; Nymphes a la suite des Muses-Mlle _Vedie, Mlle _Durand

Performance Comment: As17910217, but Principal dancers-_Fialon, _Duchesne, _Rousseau, _Boisgirard, _St.Aumer, _Schweitzer, Mme _Vigano, Mlle _Puisieux, Mlle Bithmer _Cadette; Mme _Didelot; Mlle _Bithmer; Mlle _Rousseau; Nymphes a la suite des Muses-Mlle _Vedie, Mlle _Durand.
Cast
Role: Nymphes a la suite des Muses Actor: Mlle _Vedie, Mlle _Durand.

2420
07 May 1791 @ King's Theatre

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End I: A Provencale=, as17910414

Ballet: End II: L'Amadriade. As17910505, but Minuet de la Cour-_

2421
19 May 1791 @ King's Theatre

Performances

Mainpiece Title: A New Kind Of Concert

2422
02 June 1791 @ King's Theatre

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End I: La Mort d'Hercule, as17910503; End II: a new dance (composed by Vestris Sen.), La Capricieuse-Casali, Mlle Aime (their first appearance); The Devonshire Minuet-Vestris Sen.; Pas de Trois, as17910526

2423
17 June 1791 @ King's Theatre

Event Comment: Benefit for Badini. Gazetteer, 18 June: The novelty of the evening was what was called the singing of a Tulip and a Rose; that is, of two performers concealed in pedestals, upon which were placed pots of flowers

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End I: Divertissement, as17910523

Ballet: End II: L'Amadriade. As17910517, but The Minuet de la Cour-Vestris Sen. as17910505

2424
09 July 1791 @ King's Theatre

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End I: Divertisement, as17910326but _Vestris? Jun., Casali

Ballet: End II: L'Amadriade. As17910517, but Minuet de la Cour-[as17910606Mlle Dorival, Vestris Sen

2425
27 August 1791 @ Haymarket Theatre

Event Comment: "The modest, tender Mrs Kemble deserves to be noticed for a faculty which she possesses, perhaps, more than any person upon the stage, more even than Mrs Siddons, who has it, however, in a very great degree. While she is upon the stage, she is always enacting, whether in speech or not; and never, for a moment, forgets the character, to look at her dress, or at the audience, or to discover any appearance of uneasiness at the consciousness of being looked at, when there is nothing to be said. The players call this bye-play; and it is a very important part of their art. We are perpetually reminding Bensley of his want of it, in speaking to the audience more than to the characters...[The playbill retains Aickin, but] Kemble read the part of the Governor for Aickin, and did not get through it very well" (Gazetteer, 29 Aug.)

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Surrender of Calais

Afterpiece Title: The Manager in Distress