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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Benoit Joseph Marsollier des Vivetieres"/1) | (@(roleclean,performerclean) "Benoit Joseph Marsollier des Vivetieres")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2734 results for: Keyword - Benoit Joseph Marsollier des Vivetieres
We found 1061 matches on Author, 1018 matches on Performance Title, 631 matches on Performance Comments, 232 matches on Event Comments, and 0 matches on Roles/Actors.

1976
10 February 1735 @ Haymarket Theatre

Performances

Mainpiece Title: La Double Inconstance

Afterpiece Title: Arlequin Sauvage

Dance:

1977
20 February 1735 @ Haymarket Theatre

Event Comment: At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: La Fille Capitaine Et Arlequin Serjeant

Afterpiece Title: Arlequin Sauvage

Dance:

1978
24 February 1735 @ Haymarket Theatre

Performances

Mainpiece Title: La Fausse Coquette

Afterpiece Title: Le Francois a Londres

Dance:

1979
26 February 1735 @ Haymarket Theatre

Event Comment: At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: La Double Inconstance

Afterpiece Title: Arlequin Sauvage

Dance:

1980
05 March 1735 @ Haymarket Theatre

Event Comment: At the particular Desire of several Ladies of Quality

Performances

Mainpiece Title: La Double Inconstance

Afterpiece Title: Arlequin Sauvage

Dance:

1981
21 March 1735 @ Haymarket Theatre

Event Comment: Benefit Davis and Bartlet. At the particular Desire of several Ladies of Quality. [A puff in Daily Advertiser, 21 March, extols Davis as having been trained by Nicolini Haym.]

Performances

Mainpiece Title: Arlequin Sauvage

Afterpiece Title: Les Deux Arlequins

Dance: The Jealousy between Three Lilliputians. A Harlequin by Young Cochoy

1982
18 April 1735 @ Haymarket Theatre

Event Comment: Benefit Liege, Boxkeeper. At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: Arlequin Tiresias

Afterpiece Title: Arlequin Sauvage

Dance: By Lilliputians

1983
21 March 1744 @ Crown and Anchor Tavern

Event Comment: A new English Pastoral Serenata. Set to Musick by William DeFesch. 6 p.m. 5s. At the particular Desire of several Ladies of Quality. Tickets at the Author's Lodgings, at Mrs Misaubain's, on the Pav'd Stones, in St. Martin's Lane

Performances

Mainpiece Title: Love And Friendship

1984
08 April 1746 @ Drury Lane Theatre

Event Comment: Mainpiece: By Particular Desire. Afterpiece a new Pastoral English Opera set to Music by Mr DeFesch. Tickets to be had at DeFesch's Lodgings, the Ironmonger's in St Martin's Court, Leicester-Fields; and of Hobson at the stage door. Tickets deliver'd out for As You Like It by Mr DeFesch will be taken

Performances

Mainpiece Title: The Lying Lover

Afterpiece Title: Love and Friendship

1985
14 November 1749 @ Haymarket Theatre

Performances

Mainpiece Title: Les Amans Reunis

Performance Comment: Parts-Desormes, Mauly, Hamond, Bureau, Toscano, M Durancy, Mme Durancy, Parant, Terodat, Kelly, Villiers, Chateauneuf, Dujoncel, Champville, StAmand.
Cast
Role: Parts Actor: Desormes, Mauly, Hamond, Bureau, Toscano, M Durancy, Mme Durancy, Parant, Terodat, Kelly, Villiers, Chateauneuf, Dujoncel, Champville, StAmand.

Afterpiece Title: Le Coq du Village

1986
14 February 1778 @ King's Theatre

Performances

Mainpiece Title: Erifile

Dance: As17780207

1987
21 February 1778 @ King's Theatre

Performances

Mainpiece Title: Erifile

Dance: As17780207

1988
28 February 1778 @ King's Theatre

Performances

Mainpiece Title: Erifile

Dance: As17780207

1989
07 March 1778 @ King's Theatre

Performances

Mainpiece Title: Erifile

Dance: As17780207

1990
14 March 1778 @ King's Theatre

Performances

Mainpiece Title: Erifile

Dance: End I: As17780303

1991
21 March 1778 @ King's Theatre

Performances

Mainpiece Title: Erifile

Dance: End I: Les Bohemiens, as17780207; End II: Divertisement, as17780207; End Opera: La Polonaise Favourite, as17780207

1992
28 March 1778 @ King's Theatre

Performances

Mainpiece Title: Erifile

Dance: End I: Les Bohemiens, as17771216; End II: Divertisement, as17780207; End Opera: La Serenade Interrompuee, as17780224

1993
11 June 1778 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Afterpiece Title: The Waterman; or, The First of August

Dance: End I: The Merry Lasses, as17780518; End: Provencalle Dance, as17780518

Song: Mainpiece: some additional songs-

Music: Mainpiece: With a new Fandango Overture-

1994
02 June 1779 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Afterpiece Title: Man and Wife

Dance: End: Tambourine Dance-Master and Miss Byrn; End II afterpiece: As17790531

1995
24 June 1780 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Afterpiece Title: Comus

Music: With a Fandango Overture-. [This was performed in all subsequent performances.

1996
30 May 1781 @ Haymarket Theatre

Event Comment: Afterpiece: An Original, Whimsical, Operatical, Pantomimical, Farcical, Electrical, Naval, Military, Temporary, Local Extravaganza. 12th time [i.e. in continuation of the reckoning for the previous season]. The views of the Temple of Health, and the Camp in St. James's Park designed and executed by Rooker. [Prologue by George Colman elder (Colman, Prose, III, 229). Miss Lyon is identified in playbill of 11 June. Delpini was from dl.] The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice at the Theatre

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Afterpiece Title: The Genius of Nonsense

Performance Comment: Harlequin Vocal and Rhetorical-Bannister Jun.; Ditto Mum!-Lamash; Agreeable Companion in a Post@Chaise-Webb; Landlord-Usher; Dame Turton-Edwin; Goody Burton-Burton [sic]; Gammer Gurton-Bannister; Pantaloon-Massey; Clown-Delpini (1st appearance on this stage); Head Boy of the Marine Society-Master Edwin; Officer in the Camp-Wood; Attendant-Stevens; Irishman-Egan; Emperor of the Quacks-Bannister Jun. [i.e. doubled Harlequin]; Columbine-Miss Wewitzer; Ballad Singer-A Gentlewoman (1st appearance on any stage [Miss Lyon]); Maid-Miss Wood; Chambermaid-Mrs W. Palmer; Goddess of Health, Genius of Nonsense-Mrs Cargill.

Dance: afterpiece: Master Byrn, Miss Byrn. [Danced, as here assigned, in all subsequent performances.

1997
13 June 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Afterpiece Title: The Son-in-Law

Dance: End of mainpiece, as17820606

1998
19 November 1782 @ King's Theatre

Performances

Mainpiece Title: Medonte

Dance: End of Act I New Divertisement, as17821114, but added: Pas Seul by Mlle Theodore; End of Opera Apelles and Campaspe, as17821102

1999
23 November 1782 @ King's Theatre

Performances

Mainpiece Title: Medonte

Dance: As17821119 throughout

2000
12 December 1782 @ King's Theatre

Performances

Mainpiece Title: Medonte

Dance: End of Act I New Divertisement, as17821130; End of Opera a new grand Ballet, composed by Lepicq, Il Ratto delle Sabine; or, The Rape of the Sabines, by Lepicq, Henry, Zuchelli, Degville Sen., Slingsby, Mlle Theodore, Sga Crespi, Mme Rossi. [Partial cast from Public Advertiser, 14 Dec: Romolo-Lepicq; Acronte-Zuchelli; Erfilia-Mme Rossi.]