SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ben Johnson"/1) | (@(roleclean,performerclean) "Ben Johnson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1591 matches on Performance Comments, 956 matches on Author, 424 matches on Event Comments, 15 matches on Performance Title, and 5 matches on Roles/Actors.
Event Comment: Paid Ben Johnson's Head a bill #3 10s. 11d. (Treasurer's Book).Receipts: #146 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Cunning Man

Event Comment: Mainpiece: By Particular Desire. Paid Ben Johnson's Head a bill #4 11s. 9d.; Paid Rollett on his note #10. (Treasurer's Book). Receipts: #242 19s. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Neck or Nothing

Event Comment: Afterpiece: By Particular Desire. For the Author. House Charges #73 10s. [Profit to Dr Franklin #98 8s.] Paid Ben Johnson's Head a bill #3 11s.; Barrow & Co., for oil, #56 13s. (Treasurer's Book). Receipts: #171 18s. (Treasurer's Book)

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: High Life below Stairs

Dance: End: The Vintage, as17661011

Event Comment: Paid Ben Johnson's Head #2 12s. 9d. (Treasurer's Book). Receipts: #172 12s. (Treasurer's Book)

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Musical Lady

Performance Comment: Mask-Dodd, 1st time; Old Mask-Yates; Freeman-Packer; Lady Scrape-Mrs Bennet; Laundress-Mrs Bradshaw; Sophy-Miss Pope; To Conclude with a Country Dance-.
Cast
Role: Lady Scrape Actor: Mrs Bennet

Dance: End: The Vintage, as17661011

Event Comment: Mainpiece: In three acts altered from Shakespeare. Afterpiece, a New Pastoral Masque and Pantomime interspersed. The Music composed by Fisher. The scenes painted by Messrs Dahl, Richards and Carver. Nothing under Full Prices will be taken. Books of Songs, &c. sold in Theatre. The words of the Masque taken chiefly from Ben Johnson (playbill). [DNB s.v. "Jonson," suggests The Haddington Masque, 1608, with the "Hue and Cry after Cupid" material as the source. The reviewer for the Westminster Magazine commented on the performance of 25 November, after outlining the story: "Such are the outlines of The Druids, whick is a hetereogeneous jumble of monstrous absurdities; and if considered merely as a vehicle for music, dances, and decorations, is, in our opinion, far inferior to the dramatic monstrum horrendum of the other House [The Maid of the Oaks]. Both pieces, however, are equally an insult on the understanding and judgments of the Public, and exhibit striking proofs of the miserably depraved state of the English theatre, whose entertainments are at present conducted by Managers either destitute of taste and abilities or actuated by no other than the paltry, despicable motives of vanity, prejudice, and avarice,"]

Performances

Mainpiece Title: The Winter's Tale

Performance Comment: Leontes-Melmoth; Clown-Woodward; Old Shepherd-Clarke; Autolicus-Quick; Florizel-Lewis; Polixenes-Bensley; Hermione-Mrs Melmoth; Perdita (with the Sheep Sheering Song)-the Lady who performed Indiana [Mrs Armstead].Mrs Armstead].
Cast
Role: Polixenes Actor: Bensley

Afterpiece Title: The Druids Masque

Event Comment: Mainpiece: Altered [by Charlotte Lennox] from [Eastward Hoe, by] Ben Johnson, and others [George Chapman and John Marston]. Receipts: #128 7s. 6d. (100.11.0; 23.8.0; 4.8.6)

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: Selima and Azor

Event Comment: Betterton's Company. The date of this performance, which coincides with the opening of the playhouse in Lincoln's Inn Fields by Betterton's Company, is established by Downes, Roscius Anglicanus, pp. 43-44: [Betterton, Mrs Bracegirdle, Mrs Barry, and others] set up a new Company, calling it the New Theatre in Lincolns-Inn-Fields; and the House being fitted up from a Tennis-Court, they Open'd it the last Day of April 1695, with a new Comedy: Call'd, Love for Love....This Comedy being Extraordinary well Acted, chiefly the Part of Ben the Sailor, it took 13 Days Successively. Three songs in the play were published separately: I tell thee, Charmion, the music by Finger, sung by Pate and Reading, is in Thesaurus Musicus, 1696, The Fifth Book. A Nymph and a Swain, the music by John Eccles and sung by Pate; and A Soldier and a Saylour, the music by John Eccles, and sung by Dogget, are in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 196-97: After we had stolen some few Days March upon them, the Forces of Betterton came up with us in terrible Order: In about three Weeks following, the new Theatre was open'd against us with veteran Company and a new Train of Artillery; or in plainer English, the old Actors in Lincoln's-Inn-Fields began with a new Comedy of Mr Congreve's, call'd Love for Love, which ran on with such extraordinary Success that they had seldom occasion to act any other Play 'till the End of the Season. This valuable Play had a narrow Escape from falling into the Hands of the Patentees; for before the Division of the Company it had been read and accepted of at the Theatre-Royal: But while the Articles of Agreement for it were preparing, the Rupture in the Theatrical State was so far advanced that the Author took time to pause before he sign'd them; when finding that all Hopes of Accomodation were impracticable, he thought it advisable to let it takes its Fortune with those Actors for whom he had first intended the Parts. A Comparison Between the Two Stages (1702), p. 10: Ramble: You know the New-house opened with an extraordinary good Comedy, the like has scarce been heard of. Critick: I allow that Play contributed not a little to their Reputation and Profit; it was the Work of a popular Author; but that was not all, the Town was ingag'd in its favour, and in favour of the Actors long before the Play was Acted. Sullen: I've heard as much; and I don't grudge 'em that happy beginning, to compensate some part of their Expence and Toil: But the assistance they receiv'd from some Noble Persons did 'em eminent Credit; and their appearance in the Boxes, gave the House as much Advantage as their Contributions. Ramble: Faith if their Boxes had not been well crowded, their Galleries wou'd ha' fallen down on their Heads. Sullen: The good Humour those Noble Patrons were in, gave that Comedy such infinite Applause; and what the Quality approve, the lower sort take upon trust. Gildon, The Lives and Characters (ca. 1698), p. 22: This Play, tho' a very good Comedy in it self, had this Advantage, that it was Acted at the Opening of the New House, when the Town was so prepossess'd in Favour of the very Actors, that before a Word was spoke, each Actor was clapt for a considerable Time. And yet all this got it not more Applause than it really deserv'd. An Essay on Acting (London, 1744), p. 10: The late celebrated Mr Dogget, before he perform'd the Character of Ben in Love for Love, took Lodgings in Wapping, and gather'd thence a Nosegay for the whole Town

Performances

Mainpiece Title: Love For Love

Performance Comment: Edition of 1695: A Prologue for the opening of the New Play-House-Mrs Bracegirdle in Man's Cloaths; Sent from an unknown Hand; Prologue Spoken at the opening of the New House-Mr Betterton; Epilogue Spoken at the opening of the New House-Mrs Bracegirdle; Sir Sampson Legend-Underhill; Valentine-Betterton; Scandal-Smith; Tattle-Boman; Ben-Dogget; Foresight-Sanford; Jeremy-Bowen; Trapland-Triffusis; Buckram-Freeman; Angelica-Mrs Bracegirdle; Mrs Foresight-Mrs Bowman; Mrs Frail-Mrs Barry; Miss Prue-Mrs Ayliff; Nurse-Mrs Leigh; Jenny-Mrs Lawson.
Cast
Role: Ben Actor: Dogget
Event Comment: Benefit for Townsend and Mrs Johnson. 3rd piece [1st time in London; F 1, by William Dunlap]: Performed with distinguished Applause at the John St.? Theatre, New York [on 9 Jan. 1797]; compressed into one act [from two], and adapted for the English Stage by a Gentleman [perhaps the author]. "Commencing at half past eleven o'clock, and after a tiresome variety of other entertainments, the audience thought they had had enough for their money, and demanded the fall of the curtain before the conclusion of [Tell Truth and Shame the Devil]" (Monthly Mirror, June 1799, p. 367). Morning Chronicle, 8 May: Tickets to be had of Townsend, No. 9, Leicester-place. [Mrs Johnson not listed.] Receipts: #442 17s. 6d. (108.1.0; 1.11.0; tickets: 333.5.6, of which Townsend sold 218.2.0; Mrs Johnson 115.3.6)

Performances

Mainpiece Title: The Iron Chest

Performance Comment: As17990423, but Fitzharding-Johnson (from the Park? Theatre, New York; 1st appearance on this stage); Samson (1st time)-Townsend; Helen (for that night only)-Mrs Johnson; Chorus of Robbers-_; Chorus of Servants-_.
Cast
Role: Fitzharding Actor: Johnson
Role: Helen Actor: Mrs Johnson

Afterpiece Title: Catherine and Petruchio

Performance Comment: As17990316but Catherine (for that night only)-Mrs Johnson.

Afterpiece Title: Tell Truth and Shame the Devil

Performance Comment: Principal Characters-H. Johnston, Murray, Johnson, Mrs Litchfield. [Probable cast: Tom Holton-H. Johnston; +Whitely-Murray; +Semblance-Johnson (see George C. D. Odell, Annals of the New York Stage, 1927, I, 429); Susan-Mrs Litchfield. Text $T. and J. Swords, New York, 1797) lists the American cast.]

Song: End: Mad Tom-Betts (1st appearance on the stage); Young William-Incledon; The Golden Days-Munden; The Tight Little Island-Townsend; The Wind blew fresh and fair-Townsend

Music: End I 1st piece: Concerto Clarionet-Orsato (of the Theatre Royal Venice; 1st appearance in this Metropolis); a duetto solo by means of the Pression and Repercussion of the Air-Orsato This his curious Discovery has received the greatest Applause in most of the Courts

Event Comment: Benefit Johnson. The Diary of Mary Countess Cowper, pp. 103-4; She [Mrs Clayton] and Lady W. Powlett, and I went to the Play together, for the Benefit of Johnson, who is the best Comedian this Day upon the Stage, and I believe as true and good a Player as ever was in any Age, for the Parts that he plays

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Performance Comment: Palmer-Johnson who never perform'd it before.

Song: As17151028

Dance: Dupre, Boval, Dupre Jr, Prince, Birkhead, Mrs Santlow, Mrs Bicknell; particularly The Original Dance of Linkmen-

Related Works
Related Work: The Fairy Prince, with the Installation of the Knights of the Garter Author(s): Ben Jonson
Related Work: Oberon, The Fairy Prince Author(s): Ben Jonson
Event Comment: By Authority. Benefit for Johnson

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock, in the Jewish Dialect-Johnson; Antonio-Lewis; Gratiano-Russell; Lorenzo (with a song)-Bradney; Duke-Saul; Launcelot-Jacobs; Gobbo-Lucas; Tubal-Errington; Bassanio-West; Nerissa-Mrs Simmons; Jessica (with a Song)-Mrs Moore; Portia-a Young Lady; first appearance on the English stage. An Occasional Epilogue written for and spoken-Johnson.

Afterpiece Title: The Snuff Box; or, A Trip to Bath

Performance Comment: Parts-Johnson, West, Bradney, Lewis, Herriman, Savigny, Mrs Russell, Mrs Moore (with song in character composed by Hook), a Young Lady; Prologue-West.
Event Comment: By authority [of the Lord Chamberlain]. At the Desire of the most noble Order of Bucks. Benefit for West and Johnson. Tickets to be had of West at the Black Lion, Russel-street; of Johnson at the Golden-cross, Charing-cross. Tickets delivered by Comerford will be receiv'd. Doors to be opened at 5:00. To be begin exactly at 6:30. [Mrs West was from the China Hall, Rotherhithe. Author of Prologue unknown.

Performances

Mainpiece Title: King Henry Iv; With The Humours Of Sir John Falstaff

Performance Comment: Falstaff-Johnson; King Henry-A Gentleman (1st appearance on any stage [unidentified]); Prince of Wales-Frodsham; Worcester-Comerford; Northumberland-Kenny; Hotspur-West (1st appearance in that character); Hostess Quickly-Mrs Fowler; Lady Percy-Mrs West (1st appearance in Town); Occasional Prologue, written by a gentleman eminent in the Republic of Letters,-West.
Cast
Role: Falstaff Actor: Johnson

Afterpiece Title: The Deuce is in Him

Entertainment: End: Imitations-Gentleman [unidentified]

Event Comment: Benefit for Wild, prompter. 2nd piece [1st time; M. INT 1]: The Words of the Ode will be given in the Theatre. 3rd piece: A Short Description of the Scenery, &c. The Hall of Fingal-the Banquet preparatory to the celebration of the Nuptials of Oscar and Malvina; The Mountain of Ben Lomond; The Military Procession of Carrol to the Hall of Fingal; A View of the Sea and Rock, from which Oscar escapes, by leaping from a precipice, 20 feet high, into the arms of his Soldiers; A View of the Bridge, with the Camp of Carrol-the Death of Carrol, by the hands of Malvina, with his Descent into the Sea, and the Burning of the Camp of Carrol. The new Music composed, and the Ancient Scots Music selected and adapted by Shield. The Overture by Reeve. Morning Herald, 3 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #394 13s. (187.9; 3.10; tickets: 203.14)

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: A Melocosmiotes

Performance Comment: Scene I. A Valley. The Primrose Girl (near bowery Richmond's) by Spofforth-Mrs Clendining; Scene II. A Kitchen. Fat Dolly the Cook-Munden; Scene III. A Landscape and Cottage. The Sportsman's snug little Cot (At the dawn of Aurora) by Shield-Incledon; Scene IV. A View in Ireland. The Heart of Steel (from The Lad of the Hills) by Shield-Bowden; Scene V. A Cathedral, with the Statue of Shakespeare. An Ode selected from Ben Jonson, in honor of Shakespeare, composed for Two Choirs by Shield expressly for the Evening's Performance,-Incledon, Bowden, Townsend, Richardson, Linton, Spofforth, Mrs Martyr, Mrs Mountain, Mrs Clendining, Mrs Serres, Chorus; To conclude with The Barber's Petition-Fawcett; Wigs-Fawcett, as17960506.

Afterpiece Title: Oscar and Malvina

Song: End II of 1st piece: The Sea Storm-Incledon; In 3rd piece: I am a jolly gay Pedlar-Townsend; Come every jovial Fellow-Rees, Mrs Martyr, Mrs Mountain; O ever in my bosom live-Mrs Martyr, Mrs Mountain

Event Comment: The Duke's Company. The date of the premiere is not known. Although the play was not in print until 1671, it was acted on 9 May 1670 and again at Dover on 19 or 20 May 1670. Downes (p. 29) placed the comedy among the plays of 1669, but the presence of Mrs Johnson (who, according to Downes, p. 31, did not join the company until 1670) and the performances in May 1670 suggest that the comedy was first given in the spring of 1670. Downes (pp. 29-30): The Play being Singularly well Acted, it took 12 Days together

Performances

Mainpiece Title: Sir Salomon; Or, The Cautious Coxcomb

Performance Comment: Edition of 1671: Prologue. No actors' names. Epilogue. Downes (Roscius Anglicanus, pp. 29-30): Sir Solomon-Betterton; Peregrine Woodland-Harris; Single-Smith; Wary-Sandford; Timothy-Underhill; Betty-Mrs Johnson; Julia-Mrs Betterton.
Cast
Role: Betty Actor: Mrs Johnson
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. There is no certainty that this is the premiere, but the fact that the play was given again on 4 Dec. 1672 suggests that this was the first performance and that it was also acted on Tuesday 3 Dec. 1672. A song, How pleasant is mutual love, set by John Bannister for this play, is in Choice Songs and Ayres, First Book, 1673. See Cibber, Apology, ed. Lowe, I, 155, for Underhill's acting of Justice Clodpate. Downes (p. 33): This Play in general being Admirably Acted, produc'd great Profit to the Company. Note, Mrs Johnson in this Comedy, Dancing a Jigg so Charming well, Loves power in a little time after Coerc'd her to Dance more Charming, else where

Performances

Mainpiece Title: Epsom Wells

Performance Comment: Edition of 1673: Prologue [by Sir C. S. [Sir Charles Sedley]-; Prologue to the King and Queen [spoken at Whitehall-; Epilogue-; [Downes (Roscius Anglicanus, p. 33): Rains-Harris; Bevil-Betterton; Woodly-Smith; Justice Clodpate-Underhill; Carolina-Mrs Johnson; Lucia-Mrs Gibbs; Mrs Jilt-Mrs Betterton; Bisket-Nokes; Fribble-Angel.
Cast
Role: Carolina Actor: Mrs Johnson
Event Comment: Rich's Company. The date of the first production is not certain, but tradition states that Dryden died on the third day (1 May 1700); if this report is correct, the first performance occurred on 29 April 1700. In A Collection of New Songs...Compos'd by Mr Daniel Purcel, Perform'd in the Revis'd Comedy call'd the Pilgrim (1700) is a song, Chronos, Chronos, mend thy pace, with Janus sung by Freeman, Momus by Pate, Diana by Mrs Erwin. Gottfried Finger apparently composed the passage sung by Venus, Calms appear when storms are past. William Egerton, Faithful Memoirs of...Mrs Anne Oldfield (1731): The Pilgrim was indeed reviv'd for the Benefit of Mr Dryden, Ann. 1700, but he dying on third Night of its Representation, his Son attended the Run of it, and the Advantages accrued to his Family. Cibber, Apology, I, 269-70: This Epilogue, and the Prologue the same Play [The Pilgrim], written by Dryden, I spoke myself, which not being usually done by the same Person, I have a mind, while I think of it, to let you know on what Occasion they both fell to my Share....Sir John Vanbrugh, who had given some light touches of his Pen to the Pilgrim to assist the Benefit Day of Dryden, had the Disposal of the Parts, and I being then as an Actor in some Favour with him, he read the Play first with me alone, and was pleased to offer me my Choice of what I might like best for myself in it. But as the chief Characters were not (according to my Taste) the most shining, it was no great Self-denial in me that I desir'd he would first take care of those who were more difficult to be pleased; I therefore only chose for myself two short incidental Parts, that of the stuttering Cook and the mad Englishman....Sir John, upon my being contented with so little a Share in the Entertainment, gave me the Epilogue to make up my Mess; which being written so much above the Strain of common Authors, I confess I was not a little pleased with. And Dryden, upon his hearing me repeat it to him, made a farther Compliment of trusting me with the Prologue. Cibber, Apology, I, 305-6: In theYear 1699, Mrs Oldfield was first taken into the House, where she remain'd about a Twelve-month almost a Mute and unheeded, 'till Sir John Vanbrugh, who first recommended her, gave her the Part of Alinda in the Pilgrim revis'd. This gentle Character happily became that want of Confidence which is inseparable from young Beginners, who, without it, seldom arrive to any Excellence: Notwithstanding, I own I was then so far deceiv'd in my Opinion of her, that I thought she had little more than her Person that appear'd necessary to the forming a good Actress; for she set out with so extraordinary a Diffidence, that it kept her too despondingly down to a formal, plain (not to say) flat manner of speaking. Nor could the silver Tone of her Voice 'till after some time incline my Ear to any Hope in he favour. A Comparison Between the Two Stages (1702), p. 27: [After Drury Lane and Lincoln's Inn Fields had revived Shakespeare and Johnson] Nay then, says the whole party at D. Lane, faith we'll e'en put the Pilgrim upon him--ay faith, so we will, says Dryden, and if youll let my Son have the Profits of the Third Night, I'll give you a Secular Mask: Done, says the House, and so the Bargain was struck

Performances

Mainpiece Title: The Pilgrim

Performance Comment: Edition of 1700: Prologue by Mr Dryden-Colley Cibber; Epilogue by Mr Dryden-Colley Cibber; Alphonso-Johnson; Pedro-Wilks; Roderigo-Powell; Governor-Simson; Scholar-Thomas; Parson-Haynes; Englishman-Cibber; Welshman-Norris; Taylor-Pinkethman; Alinda-Mrs Oldfield; Juletta-Mrs Moor.
Cast
Role: Alphonso Actor: Johnson
Event Comment: Benefit Johnson

Performances

Mainpiece Title: The Constant Couple

Performance Comment: See17031028, but Smuggler-Johnson.
Cast
Role: Smuggler Actor: Johnson.

Song: Purcell's From Rosy Bowers-Leveridge

Dance: duRuel, Cherrier, Devonshire Girl

Event Comment: Benefit Johnson. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: Don Sebastian, King Of Portugal

Performance Comment: Dorax-Betterton; Don Sebastian-Wilks; Muley Moluch-Mills; Benducar-Keene; Mufti-Johnson; Antonio-Booth; Mustapha-Estcourt; Almeyda-Mrs Knight; Morayme-Mrs Porter.
Cast
Role: Benducar Actor: Keene
Role: Mufti Actor: Johnson
Event Comment: Benefit Johnson. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performance Comment: See17170112, but Hamlet-Wilks; Ghost-Bowman; Gravedigger-Johnson; Queen-Mrs Porter; Ophelia-Mrs Mountfort.
Cast
Role: Gravedigger Actor: Johnson

Song: As17161022

Dance: As17161112

Event Comment: Benefit Johnson. Written by Sir John Vanbrugh

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Performance Comment: As17210106, but Foppington-Cibber; Loveless-Wilks; Worthy-Mills; Young Fashion-Walker; Sir Tunbelly-Shepard; Coupler-Johnson; Lory-Norris; Shoemaker-Miller; Amanda-Mrs Porter; Hoyden-Mrs Bicknell; Nurse-Mrs Baker.
Cast
Role: Coupler Actor: Johnson

Dance: As17201018; Scotch Dance-Mrs Bullock

Event Comment: Benefit Johnson. Written by Shakespear

Performances

Mainpiece Title: King Henry The Viii

Performance Comment: Henry-Booth; Wolsey-Cibber; Buckingham-Wilks; Cranmer-Mills; Gardiner-Johnson; Queen Katherine-Mrs Porter; Anna Bullen-Mrs Horton.
Cast
Role: Gardiner Actor: Johnson

Dance: Dancing, as17240407 but Boval; +The Hussars, as17240407 Scotch Lilt, as17240407

Event Comment: Benefit Johnson. At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: The Constant Couple

Performance Comment: As17281017, but Beau Clincher-Cibber Jr; Smugler-Johnson.
Cast
Role: Smugler Actor: Johnson.

Dance: Roger, Essex, Young Lally, Miss Robinson, Miss Brett; particularly Drunken Peasant-

Event Comment: Benefit Johnson

Performances

Mainpiece Title: Sir Courtly Nice

Performance Comment: Sir Courtly-Cibber; Testimony-Johnson; Crack-Cibber Jr; Surly-Harper; Belguard-Watson; Farewell-W. Mills; Hothead-Shepard; Leonora-Mrs Thurmond; Violante-Mrs Butler; Aunt-Mrs Wetherilt.
Cast
Role: Testimony Actor: Johnson

Afterpiece Title: The What D'ye Call It

Song: Mainpiece: With the Original Dialogue-Charke, Miss Raftor

Dance: Essex, Lally, Haughton, Rainton, Mrs Walter, Miss Robinson

Event Comment: Benefit Johnson. Mainpiece: Written by the late Sir Richard Steele

Performances

Mainpiece Title: The Funeral

Performance Comment: Lady Brumpton-Mrs Horton; Hardy-Cibber; Campley-Wilks; Charlot-Mrs Cibber; Harriet-Mrs Booth; Brumpton-Paget; Cabinet-Fielding; Puzzle-Shepard; Trusty-Mills; Trim-Cibber Jr; Mademoiselle D'Epingle-Mrs Shireburn; Tattleaid-Mrs Mills; Kate-Harper; Mrs Fardingale-Griffin; Sable-Johnson.
Cast
Role: Sable Actor: Johnson.

Afterpiece Title: The Devil to Pay

Dance: MMinuet-Denoyer, Mrs Booth; Miss Robinson

Event Comment: Benefit Johnson. Mainpiece: Written by the late Sir Richard Steele. Afterpiece: Taken from the French of Moliere

Performances

Mainpiece Title: The Funeral

Performance Comment: Sable-Johnson; Trusty-Mills; Lady Brumpton-Mrs Horton; Brumpton-Milward; Hardy-W. Mills; Campley-A. Hallam; Cabinet-Berry; Trim-Miller; Puzzle-Shepard; Torn-Oates; Lady Sharlot-Mrs Butler; Lady Harriet-Miss Holliday; Mademoiselle-Mrs Shireburn; Tattleaid-Mrs Grace; Kate-Harper .
Cast
Role: Sable Actor: Johnson

Afterpiece Title: The Mock Doctor

Dance: I: Dutchman and his Wife by Le Brun and Mrs Walter. III: Two Pierrots by Poitier and Nivelon. IV: Polish Dance, as17340318 but Miss Mann added. V: Revellers

Song: II: By Miss Arne

Event Comment: Benefit Johnson

Performances

Mainpiece Title: Venice Preserv'd

Performance Comment: Pierre-Johnson; Jaffier-Giffard; Belvidera-Mrs Giffard; but see17351003 . but see17351003 .
Cast
Role: Pierre Actor: Johnson

Afterpiece Title: The Lover's Opera

Dance: English Maggot by Haughton and Mrs Bullock. Dutch Skipper by Vallois and Mrs Bullock

Song: In Italian by Mrs Chambers