SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Behn"/1) | (@(roleclean,performerclean) "Behn")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 417 matches on Author, 30 matches on Event Comments, 4 matches on Performance Comments, 2 matches on Roles/Actors, and 0 matches on Performance Title.

Performances

Mainpiece Title: The Rover; Or, The Banished Cavaliers

Related Works
Related Work: The Rover; or, The Banish't Cavaliers Author(s): Aphra Behn
Related Work: The Rover Author(s): Aphra Behn
Related Work: The Second Part of the Rover Author(s): Aphra Behn
Related Work: The Rover, Part II Author(s): Aphra Behn
Related Work: The Rover, Part I Author(s): Aphra Behn
Related Work: Love In Many Masks Author(s): Aphra Behn

Afterpiece Title: Orpheus and Eurydice

Performances

Mainpiece Title: The Rover

Related Works
Related Work: The Rover; or, The Banish't Cavaliers Author(s): Aphra Behn
Related Work: The Rover Author(s): Aphra Behn
Related Work: The Second Part of the Rover Author(s): Aphra Behn
Related Work: The Rover, Part II Author(s): Aphra Behn
Related Work: The Rover, Part I Author(s): Aphra Behn
Related Work: Love In Many Masks Author(s): Aphra Behn

Afterpiece Title: Merlin (Harlequin Skeleton)

Dance: JJovial Coopers, as17571107

Performances

Mainpiece Title: The Rover

Related Works
Related Work: The Rover; or, The Banish't Cavaliers Author(s): Aphra Behn
Related Work: The Rover Author(s): Aphra Behn
Related Work: The Second Part of the Rover Author(s): Aphra Behn
Related Work: The Rover, Part II Author(s): Aphra Behn
Related Work: The Rover, Part I Author(s): Aphra Behn
Related Work: Love In Many Masks Author(s): Aphra Behn

Afterpiece Title: Harlequin Sorcerer

Performances

Mainpiece Title: The Rover; Or, The Banish'd Cavaliers

Related Works
Related Work: The Rover; or, The Banish't Cavaliers Author(s): Aphra Behn
Related Work: The Rover Author(s): Aphra Behn
Related Work: The Second Part of the Rover Author(s): Aphra Behn
Related Work: The Rover, Part II Author(s): Aphra Behn
Related Work: The Rover, Part I Author(s): Aphra Behn
Related Work: Love In Many Masks Author(s): Aphra Behn

Afterpiece Title: The Contrivances

Ballet: New Pantomime Ballet call'd% The Feast of Bacchus. Bacchus-Lucas; Satyrs-Granier, Leppie, Gosly, Dumai, Desse, Rochford; Cupid-Miss Valois; Bacchants-Mrs Granier, Mrs Jansolin, Mrs Viviez, Mrs Leppie, Mrs Dawson, Mrs Dulies; Tartars-Delaistre (1st time there), Mlle Capdeville

Performances

Mainpiece Title: The Rover

Related Works
Related Work: The Rover; or, The Banish't Cavaliers Author(s): Aphra Behn
Related Work: The Rover Author(s): Aphra Behn
Related Work: The Second Part of the Rover Author(s): Aphra Behn
Related Work: The Rover, Part II Author(s): Aphra Behn
Related Work: The Rover, Part I Author(s): Aphra Behn
Related Work: Love In Many Masks Author(s): Aphra Behn

Ballet: TThe Feast of Bacchus. As17581116

Performances

Mainpiece Title: The Rover

Related Works
Related Work: The Rover; or, The Banish't Cavaliers Author(s): Aphra Behn
Related Work: The Rover Author(s): Aphra Behn
Related Work: The Second Part of the Rover Author(s): Aphra Behn
Related Work: The Rover, Part II Author(s): Aphra Behn
Related Work: The Rover, Part I Author(s): Aphra Behn
Related Work: Love In Many Masks Author(s): Aphra Behn

Afterpiece Title: Florizel and Perdita

Dance: As17581016

Performances

Mainpiece Title: The Rover; Or, The Banish'd Cavaliers

Related Works
Related Work: The Rover; or, The Banish't Cavaliers Author(s): Aphra Behn
Related Work: The Rover Author(s): Aphra Behn
Related Work: The Second Part of the Rover Author(s): Aphra Behn
Related Work: The Rover, Part II Author(s): Aphra Behn
Related Work: The Rover, Part I Author(s): Aphra Behn
Related Work: Love In Many Masks Author(s): Aphra Behn

Afterpiece Title: The Fair

Performances

Mainpiece Title: The Rover

Related Works
Related Work: The Rover; or, The Banish't Cavaliers Author(s): Aphra Behn
Related Work: The Rover Author(s): Aphra Behn
Related Work: The Second Part of the Rover Author(s): Aphra Behn
Related Work: The Rover, Part II Author(s): Aphra Behn
Related Work: The Rover, Part I Author(s): Aphra Behn
Related Work: Love In Many Masks Author(s): Aphra Behn

Afterpiece Title: The Fair

Performances

Mainpiece Title: The Rover

Related Works
Related Work: The Rover; or, The Banish't Cavaliers Author(s): Aphra Behn
Related Work: The Rover Author(s): Aphra Behn
Related Work: The Second Part of the Rover Author(s): Aphra Behn
Related Work: The Rover, Part II Author(s): Aphra Behn
Related Work: The Rover, Part I Author(s): Aphra Behn
Related Work: Love In Many Masks Author(s): Aphra Behn

Afterpiece Title: The Fair

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Merry Counterfeit

Related Works
Related Work: The Merry Counterfeit; or, Viscount a-la-mode Author(s): Aphra Behn
Related Work: The False Count; or, A New Way to Play an Old Game Author(s): Aphra Behn

Song: Between Acts: some Favorite Songs from the English Opera Artaxerxes-; viz: I: In Infancy our hopes and fears-Tenducci; II: If e'er the Cruel Tyrant Love-Miss Brent; III: Water parted from the sea-Tenducci; IV: Let no rage thy bosom fire-Miss Brent

Dance: TThe Pleasures of Spring, as17620212

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Merry Counterfeit

Related Works
Related Work: The Merry Counterfeit; or, Viscount a-la-mode Author(s): Aphra Behn
Related Work: The False Count; or, A New Way to Play an Old Game Author(s): Aphra Behn

Song: IV: By Desire, the Song With Horns and Hounds, in the character of Diana -Mrs Abeg (From Apollo and Daphne)

Entertainment: H$Hippisley's Drunken Man-Shuter (for the last time this Season)

Dance: TThe Pleasures of Spring, as17620212

Performances

Mainpiece Title: Hamlet

Afterpiece Title: True Blue

Afterpiece Title: The Merry Counterfeit; or, Viscount a-la-Mode

Related Works
Related Work: The Merry Counterfeit; or, Viscount a-la-mode Author(s): Aphra Behn
Related Work: The False Count; or, A New Way to Play an Old Game Author(s): Aphra Behn

Performances

Mainpiece Title: Love In Many Masks

Related Works
Related Work: Love In Many Masks Author(s): Aphra Behn
Related Work: The Rover; or, The Banish't Cavaliers Author(s): Aphra Behn

Afterpiece Title: The Devil to Pay

Dance: As17900308

Performances

Mainpiece Title: Love In Many Masks

Related Works
Related Work: Love In Many Masks Author(s): Aphra Behn
Related Work: The Rover; or, The Banish't Cavaliers Author(s): Aphra Behn

Afterpiece Title: The Romp

Performances

Mainpiece Title: Love In Many Masks

Related Works
Related Work: Love In Many Masks Author(s): Aphra Behn
Related Work: The Rover; or, The Banish't Cavaliers Author(s): Aphra Behn

Afterpiece Title: The Adventurers

Performances

Mainpiece Title: Love In Many Masks

Related Works
Related Work: Love In Many Masks Author(s): Aphra Behn
Related Work: The Rover; or, The Banish't Cavaliers Author(s): Aphra Behn

Afterpiece Title: The Spoil'd Child

Performances

Mainpiece Title: Love In Many Masks

Related Works
Related Work: Love In Many Masks Author(s): Aphra Behn
Related Work: The Rover; or, The Banish't Cavaliers Author(s): Aphra Behn

Afterpiece Title: The Spoil'd Child

Dance: As17900308

Performances

Mainpiece Title: Love In Many Masks

Related Works
Related Work: Love In Many Masks Author(s): Aphra Behn
Related Work: The Rover; or, The Banish't Cavaliers Author(s): Aphra Behn

Afterpiece Title: The Spoil'd Child

Dance: As17900308

Performances

Mainpiece Title: Love In Many Masks

Related Works
Related Work: Love In Many Masks Author(s): Aphra Behn
Related Work: The Rover; or, The Banish't Cavaliers Author(s): Aphra Behn

Afterpiece Title: Harlequin Junior; or, The Magic Cestus

Performances

Mainpiece Title: Love In Many Masks

Related Works
Related Work: Love In Many Masks Author(s): Aphra Behn
Related Work: The Rover; or, The Banish't Cavaliers Author(s): Aphra Behn

Afterpiece Title: The Pannel

Event Comment: The King's Company. This play has generally been assigned to June 1669, partly on the basis of a suit--see Hotson, Commonwealth and Restoration Stage, pp. 252-53, 348-55-over a scene for it which Isaac Fuller, the scene designer, states was finished by 23 June 1669. The suit also states that the play ran for fourteen days, but it is not certain that the theatres played on consecutive days in the summer. The play has been assigned to 24 June 1669 on the basis of a letter from Charles II to Princess Henriette-Anne, dated 24 June [1669]: I am just now going to a new play that I heare very much commended (Cyril Hughes Hartmann, Charles II and Madame [London, 1934], p. 259). Elizabeth Cottington to Herbert Aston, ca. May 1669: Wee ar in expectation still of Mr Draidens play. Ther is a bowld woman [Aphra Behn (?)] hath oferd one: my cosen Aston can give you a better account of her then I can. Some verses I have seen which ar not ill; that is commentation enouf: she will think so too, I believe, when it comes upon the ptage. I shall tremble for the poor woman exposed among the critticks (Arthur Clifford, Tixall Letters [London, 1815], II, 60)

Performances

Mainpiece Title: Tyrannic Love; Or, The Royal Martyr

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. The same cast is listed in the Yale MS. See Davenant's Macbeth from the Yale Manuscript, ed. Christopher Spencer (New Haven, 1961), p. 78. Downes, Roscius Anglicanus, p. 34: Mr Nat. Lee, had the same Fate [as Otway in undertaking the King in Behn's The Jealous Bridgeroom] in Acting Duncan in Macbeth, ruin'd him for an Actor too

Performances

Mainpiece Title: Macbeth

Event Comment: In L. C. 5@191 and 5@16, p. 118 (Nicoll, Restoration Drama, p. 445) are notices of the arrest of Lady Slingsby and Mrs Aphra Behn

Performances

Event Comment: An unidentified letter, 22 March 1693@4. There is hardly anything now to make it acceptable to you, but an account of our winter diversions, and chiefly of the new plays which have been the entertainment of the town. The first that was acted was Mr Congreve's, called The Double Dealer [see October 1693]. It has fared with that play, as it generally does with beauties officiously cried up: the mighty expectation which was raised of it made it sink, even beneath its own merit. The character of The Double Dealer is artfully writt, but the action being but single, and confined within the rules of true comedy, it could not please the generality of our audience, who relish nothing but variety, and think any thing dull and heavy which does not border upon farce.--The criticks were severe upon this play, which gave the author occasion to lash 'em in his Epistle Dedicatory, in so defying or hectoring a style, that it was counted rude even by his best friends; so that 'tis generally thought he has done his business, and lost himself: a thing he owes to Mr Dryden's treacherous friendship, who being jealous of the applause he had gott by his Old Batchelour, deluded him into a foolish imitation of his own way of writing angry prefaces. The 2d play is Mr Dryden's, called Love Triumphant, or Nature will prevail [see 15 January 1694]. It is a tragi-comedy, but in my opinion one of the worst he ever writt, if not the very worst: the comical part descends beneath the style and shew of a Bartholomew-fair droll. It was damn'd by the universal cry of the town, nemine contradicente, but the conceited poet. He says in his prologue, that this is the last the town must expect from him; he had done himself a kindness had he taken his leave before. The 3d is Mr Southern's call'd The Fatal Marriage, or the Innocent Adultery [see February 1693@4]. It is not only the best that author ever writt, but is generally admired for one of the greatest ornaments of the stage, and the most entertaining play has appeared upon it these 7 years. The plot is taken from Mrs Behn's novel, called the Unhappy Vow-Breaker. I never saw Mrs Barry act with so much passion as she does in it; I could not forbear being moved even to tears to see her act. Never was poet better rewarded or incouraged by the town; for besides an extraordinary full house, which brought him about 140 #. 50 noblemen, among whom my Lord Winchelsea, was one, give him guineas apiece, and the printer 36 #. for his copy. This kind usage will encourage desponding minor poets, and vex huffing Dryden and Congreve to madness. [For the fourth play, see 21 March 1693@4; Edmond Malone, Plays and Poems of William Shakespeare (London, 1821), III, 162-64.

Performances

Event Comment: Christopher Rich's Company. The date of the resumption of playing is not certain, for Cibber (see below) beclouds the issue by referring to Easter-Monday in April, whereas the first Monday following Easter fell on 25 March 1694@5. Nevertheless, Monday 1 April 1695 seems the likely date of the resumption of playing, with Rich's Company ready to perform before the seceding company under Thomas Betterton was fully organized. A new song for Abdelazar, Lucinda is bewitching fair, the music by Henry Purcell and sung by "the Boy" (Jemmy? Bowen), is in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 195: [The Patentees] were not able to take the Field till the Easter-Monday in April following. Their first Attempt was a reviv'd Play call'd Abdelazar, or the Moor's Revenge, poorly written, by Mrs Behn. The House was very full, but whether it was the Play or the Actors that were not approved, the next Day's Audience sunk to nothing. However, we assured that let the Audiences be never so low, our Masters would make good all Deficiencies, and so indeed they did, till towards the End of the Season, when Dues to Ballance came too think upon 'em. [See I, 195-96, for Cibber's account of his Prologue.] A Comparison Between the Two Stages, 1702, p. 7: But in my Opinion, 'twas strange that the general defection of the old Actors which left Drury-lane, and the fondness which the better sort shew'd for 'em at the opening of their Newhouse, and indeed the Novelty it self, had not quite destroy'd those few young ones that remain'd behind. The disproportion was so great at parting, that 'twas almost impossible, in Drury-lane, to muster up a sufficient number to take in all the Parts of any Play; and of them so few were tolerable, that a Play must of necessity be damn'd that had not extraordinary favour from the Audience: No fewer than Sixteen (most of the old standing) went away; and with them the very beauty and vigour of the Stage; they who were left behind being for the most part Learners, Boys and Girls, a very unequal match for them who revolted. According to a statement made in litigation, the company in Drury Lane acted 84 times between 25 March 1694@5 and 7 July 1695; and the Young Actors played 68 times from 6 July 1695 to 10 Oct. 1695 to 10 Oct. 1695. See Hotson, Commonwealth and Restoration Stage, p. 308

Performances

Mainpiece Title: Abdelazar; Or, The Moor's Revenge

Related Works
Related Work: Abdelazer; or, The Moor's Revenge Author(s): Aphra Behn