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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Beaufort"/1) | (@(roleclean,performerclean) "Beaufort")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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440 results for: Keyword - Beaufort
We found 464 matches on Roles/Actors, 110 matches on Performance Comments, 23 matches on Event Comments, 0 matches on Performance Title, and 0 matches on Author.

426
16 April 1752 @ Drury Lane Theatre

Event Comment: Benefit for Mr Leviez. No Building on stage. Tickets at his, the lowest House on the Right-Hand in Beaufort Buildings in the Strand; and at Stage Door of Theatre. Receipts: #125 (Cross)

Performances

Mainpiece Title: The Comical Lovers

Afterpiece Title: A Duke and no Duke

Dance: II: A Peasant Dance-Master Piettro; III: A Comic Dance-Sg Piettro, Janeton Auretti; IV: a Hornpipe-the Little Swiss; V: L'Entree de Flore, as17511015; a Peasant Dance, as17511015

427
25 April 1753 @ Drury Lane Theatre

Event Comment: Benefit for Liviez, the Ballet Master (Cross). Full Prices. Part of Pit laid into Boxes. Tickets at last house on right hand in Beaufort Buildings, Strand; and at The Stage Door. Receipts: #220 (Cross)

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Afterpiece Title: Harlequin Inchanted

Dance: III: Country Amusements, as17530412

428
26 April 1754 @ Drury Lane Theatre

Event Comment: Benefit for Mr Leviez (Cross). Tickets of Leviez at the last House on the right hand in Beaufort Buildings. No Building on Stage. Receipts: #130 (Cross)

Performances

Mainpiece Title: The Man Of Mode

Afterpiece Title: The Chaplet

Dance: I: The Gipsey Tambourine- see17531012; II: The Country Amusements, as17540416 III: A Hornpipe-Granier, Harrison, Morris; IV: A Serious Dance-Devisse

429
01 April 1755 @ Drury Lane Theatre

Event Comment: Benefit for ye Sabatini's (Cross). Mainpiece: At the particular desire of several persons of quality. Tickets to be had of Sg Sabatini at Mr Leviez's in Beaufort Building in the Strand and at the Stage Door. Tickets delivered out for 18th of March will be taken. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: A Duke and no Duke

Dance: I: The Italian Fishermen-Sg and Sga Sabatini; III: New Comic Dance-Sg and Sga Sabatini; V: A Peasant Dance-Sg and Sga Sabatini, Sabatini the younger

430
16 April 1755 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Graham. Tickets of Mrs Graham, at Mr Robinson's in Beaufort Buildings in the Strand, and at the stage door. Last time of performing the mainpiece this season. Receipts: #80 (Cross)

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: Lethe

Song: I: By particular desire, Hooly and Fairly-Beard

Dance: II: As17550203

431
29 April 1757 @ Drury Lane Theatre

Event Comment: Benefit for Leviez. No Building on the stage. Tickets of Leviez at the last House on the right hand in Beaufort Buildings, Strand, &c. Receipts: #150 (Cross)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Author

Dance: New entertainment of dancing, particularly End: , by Desire a Minuet-Leviez, Miss Pritchard

432
10 March 1777 @ Drury Lane Theatre

Event Comment: Benefit for Smith. Public Advertiser, 18 Feb.; Tickets to be had of Smith at his House in Beaufort Buildings, Strand. Receipts: #260 4s. (144.4; 13.8; 0.19; tickets: 101.13) (charge: #74 14s.)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Harlequin's Invasion

Dance: End III: The Irish Fair, as17761031

433
26 March 1778 @ Drury Lane Theatre

Event Comment: Benefit for Smith. Morning Chronicle, 24 Mar.: Tickets to be had of Smith at his house, Beaufort-buildings, Strand. Part of the Pit will be laid into the Boxes. Ladies and Gentlemen are desired to send servants before Five o'Clock, to keep their Places; and those who have Places in the Pit are requested to come early, to prevent Confusion and Inconvenience to themselves. Receipts: #284 6s. (145.4: 10.15; 1.6; tickets: 127.1) (charge: #62 2s.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Selima and Azor

434
15 March 1779 @ Drury Lane Theatre

Event Comment: Benefit for Smith. Mainpiece: Not acted these 4 years [acted 31 Mar. 1777]. Public Advertiser, 2 Mar.: Tickets to be had of Smith at his house, Beaufort Buildings, Strand. Receipts: #243 17s. 6d. (129.3.0; 18.17.6; 2.9.0; tickets: 93.8.0) (charge: #74 15s. 6d.)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Camp

435
09 March 1780 @ Drury Lane Theatre

Event Comment: Benefit for Smith. Public Advertiser, 21 Feb.: Tickets to be had of Smith at his house in Beaufort Buildings, Strand. Receipts: #270 4s. 6d. (146.4.0; 14.1.6; 0.5.0; tickets: 109.14.0) (charge: #74 14s.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Fortunatus

436
18 March 1782 @ Drury Lane Theatre

Event Comment: Benefit for Smith. Public Advertiser, 2 Mar.: Tickets to be had of Smith, No. 7, Beaufort Buildings, Strand. Receipts: #267 10s. (139/17; 22/6; 0/16; tickets: 104/11) (charge: #71 2s. 10d.)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Critic

Dance: End of mainpiece the Minuet de la Cour, As17820104

437
21 March 1786 @ Drury Lane Theatre

Event Comment: Benefit for Smith. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Morning Chronicle, 25 Feb.: Tickets to be had of Smith, No. 7, Beaufort Buildings, Strand. Receipts: #325 17s. 6d.(163/2/0; 8/2/6; 0/16/0; tickets: 153/17/0) (charge: #65 10s.)

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Romp

Song: As17860223

Monologue: 1786 03 21 End of mainpiece A Sketch of the Fashions; or, Belles have ye all by Mrs Jordan

438
25 April 1788 @ Covent Garden

Event Comment: Benefit for Mrs Wells. Part of the Pit will be laid into the Boxes. General Advertiser, 16 Apr.: Tickets to be had of Mrs Wells, No. 15, Beaufort-buildings. Receipts: #337 17s. 6d. (178.3.0; 3.17.6; tickets: 155.17.0)

Performances

Mainpiece Title: Rosina

Afterpiece Title: Barnaby Brittle

Afterpiece Title: The Irish Widow

Entertainment: End I, end 1st piece: those Dramatic Imitations-Mrs Wells [of which the Public have deigned to think so flatteringly; In the First Part: Traits of Tragic Comic and Vocal Characters-; The Second will conclude: a Scene from Two great Tragic Actresses of this Country-. [The First Part consisted of imitations of Mrs Siddons in the "ring" scene in IV.ii of Isabella; Mrs Wrighten singing Tally ho; Sga Sestini as Jessamy in Lionel and Clarissa; Mrs Abington in The Way to Keep Him; Mrs Martyr in Robin Hood. The Second concluded with Mrs Siddons and Mrs Crawford as Jane Shore and Alicia in Jane Shore (World, 26 Apr.). Public Advertiser, 26 Apr., states that she also imitated Mrs Crouch, Mrs Cargill and Mrs Pope. The imitations were preceded by an Introduction written by Miles Peter Andrews (World, 28 Apr.).

439
15 May 1789 @ Covent Garden

Event Comment: Benefit for Mrs Wells, mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by Robert Merry. Epilogue by Miles Peter Andrews (World, 16 May)]. Morning Herald, 30 Mar. 1793: This Day is published The Dramatist (1s. 6d.). Public Advertiser, 29 Apr: Tickets to be had of Mrs Wells, No 15, Beaufort Buildings, Strand. Receipts: #291 8s. 6d. (173.19.0; 9.9.6; tickets: 108.0.0)

Performances

Mainpiece Title: The Dramatist; Or, Stop Him Who Can

Afterpiece Title: The Highland Reel

Entertainment: Imitations. In: Vocal Imitations-Mrs Wells [of Mrs Martyr, Sga Sestini, Kelly, Mrs Crouch (Diary, 16 May)]; End: a Scene from the two Great Tragic Actresses of the Country [Mrs Crawford as Alicia and Mrs Siddons as Jane Shore (Diary)]-Mrs Wells; [with one speech [afterwards pourtraying the different manners of both ["For ever! Oh, for ever!" i.e. the concluding speech of Act IV of Jane Shore (Diary)]-Mrs Wells

440
05 May 1792 @ Covent Garden

Event Comment: Benefit for Blanchard. Morning Herald, 2 May: Tickets to be had of Blanchard, No. 11, Beaufort's-buildings, Strand. Receipts: #254 18s. 6d. (103.14.6; 3.3.0; tickets: 148. .0) (charge: #105)

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: Linco's Travels

Afterpiece Title: The Padlock

Song: End IV: Wine cannot cure the Pain I endure, as17920412