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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Barthelemon"/1) | (@(roleclean,performerclean) "Barthelemon")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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201 results for: Keyword - Barthelemon
We found 126 matches on Roles/Actors, 71 matches on Performance Title, 56 matches on Performance Comments, 38 matches on Event Comments, and 0 matches on Author.

176
24 July 1770 @ Mary-le-Bone Gardens

Performances

Mainpiece Title: La Serva Padrona

Performance Comment: Cast not listed, but in the Concert the vocal parts by Reinhold, Bannister, Mas. Cheney, Mrs Thompson, Mrs Barthelemon, with Musical imitations by Bannister .

177
16 August 1770 @ Mary-le-Bone Gardens

Event Comment: [The Concert lists vocals by Mas. Cheney and Mrs Barthelemon.]

Performances

Mainpiece Title: La Serva Padrona

178
28 August 1770 @ Mary-le-Bone Gardens

Performances

Mainpiece Title: The Madman

Performance Comment: Parts: Reinhold, Bannister, Mrs Thompson, Mrs Barthelemon .

Dance: marly (By particular desire that night only) Hornpipe by Mrs Thompson. music, 1st Violin and Solo by Barthelemon

Performance Comment: music, 1st Violin and Solo by Barthelemon .

179
11 September 1770 @ Mary-le-Bone Gardens

Event Comment: marly Benefit for Hook. Price 3s. Vocals in Concert by Mas. Cheney, Two Young Ladies who never appeared in public, and Mrs Barthelemon

Performances

Mainpiece Title: La Serva Padrona

Music: marly First Violin and Solo by Fisher; Concerto on Organ by Hook ; Concerto on French Horn by the celebrated Mr Cohen, musician to the Stadtholder, being the 1st time of his performing since his arriving in England

180
27 April 1771 @ Drury Lane Theatre

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17710304 but Philario-Wright; in II, A New Song composed by Barthelemon to be sung-Mrs Scott.

Afterpiece Title: A Trip to Scotland

Song: End: (By Particular Desire, and by Permission of the Noblemen and Gentlemen of the Catch Club) some favourite Catches and Glees-Vernon, Champnes, Mrs Scott, Mrs Weichsel

181
22 April 1773 @ Drury Lane Theatre

Event Comment: Benefit for Sieur Daigville & Signa Vidini. Music for the Pantomime Dance entirely new, composed by Barthelemon. New Habits (playbill). Paid Mr Lutherbourg, on acct #50 (Treasurer's Book). Receipts. #154 18s. Charges: #64 9s. Profits to Daigville and Vidini #90 9s. (Treasurer's Book)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Author

Dance: I: A Minuet-Daigville, Sga Daigville; II: New Comic Dance-Daigville, Sga Vidini, Sga Daigville; III: A Louvre, Minuet-Two of Daigville's Scholars; V: A New Pantomime Dance call'd The Lutte Marine-Daigville, Sga Vidini, Sga Daigville, Daigville's scholars, in which Daigville will introduce a Pas de trois and a Mungo Dance, accompanied by the Tambourine, with variations

182
05 August 1773 @ Mary-le-Bone Gardens

Performances

Mainpiece Title: The Magnet

Performance Comment: As17730708 but Mrs Barthelemon.

183
19 April 1774 @ King's Theatre

Event Comment: A serious Opera, the Music entirely new composed by Sacchini. The Tempest Dance composed by Barthelemon. The last Serious Ballet composed by Jomelli

Performances

Mainpiece Title: Nitteti

Dance: I: Ballet-Mariottini, Nina Favier; II: The Tempest; or, The Happy Shipwreck, an Heroic Ballet with a Grand Chaconne-Pitrot, Mimi Favier, other parts-Nina Favier, Sga Mazzoni, Mariottini, Bocchini; End Opera: Ballet, Chaconne-Fierville

184
05 November 1774 @ Drury Lane Theatre

Event Comment: New Overture and Pieces of Music Between the Acts. Music by Barthelemon. New Scenes, Habits and Decorations. The Scenes designed by DeLoutherberg, and painted by Messrs French, Royer, and Greenwood. Books of the songs and Chorusses to be had at the Theatre. This piece is got up in a most Superb manner. The Scenery is beyond description fine -& the whole Performance tho' the most complicated upon the stage went off with uncommon Applause. Mrs Abington played finely--Mr Slingsby & Sga Hidou danc'd for the first time & were Amazingly well Rec'ed. The Ballets are very Grand (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Rec'd stopages #17 18s.; Paid salary list #567 16s.; J. French on Acct #5 5s. (Treasurer's Book). Mainpiece: Never performed before, by John Burgoyne. [The review in the Westminster Magazine, Nov. 1774, tells the plot, and concludes: "After some superb exhibitions of transparent scenery, several characteristic airs, and elegant dances, Mr Oldworth...proclaims Maria his only daughter and gives her to Sir Harry. After a dance of Cupids, Hymen, &c....offering them eternal wreaths, the Druid of the Oaks, freed by the present powers of Beauty from that sequestered habitation to which by mystic spells he had long been doomed, appears to ratify their union, and astonishes the spectators by his magic influence, in a glorious vision of that felicity the virtues of the happy pair had so justly insured. An admirable vaudeville, and a grand dance, conclude the dramatic entertainment....Had it not appeared obvious that the whole was intended as a mere vehicle for the splendid spectacle, we do not suppose, in spite of the managers Orders and Puffs, that the author's labors would have been tolerated. The very excellent scenery, however, of the ingenious Mr Loutherbourg preserved this piece from that damnation, which as a dramatic production, it justly merited."] Receipts: #263 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Miller of Mansfield

185
30 November 1774 @ Drury Lane Theatre

Event Comment: Paid Mr Barthelemon's Bill for Music, Maid of Oaks, #24 3s. Receipts: #199 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: Catharine and Petruchio

186
28 March 1775 @ Drury Lane Theatre

Event Comment: Ranger-Barthelemon">Mr Vernon-much Applause (Hopkins Diary). Benefit for Vernon. Paid $Mr Barthelemon for composing The Election &c. #30; Gratuity to Ralph Harwood #5 5s. Receipts: #196 18s. 6d. Charges: #67 4s. Profit to Vernon: #129 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Deserter

Dance: The Irish Fair, as17740917

187
02 October 1775 @ Covent Garden

Event Comment: [The Westminster Magazine for October commented in a paragraph in general on ten new performers at Covent Garden this month: Mrs Jewell (?), Mrs Jackson, Mahon, Mrs Hunter, Wilson, Leoni, Mrs Barthelemon, Sheridan, and the dance team of the Zuchellis.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: St Patrick's Day

188
16 March 1778 @ Drury Lane Theatre

Event Comment: [Bingham is identified by MS annotation on Kemble playbill.] Afterpiece [1st time; CO 2, by Miles Peter Andrews, based on Le Bucheron; ou, Les Trois Souhaits, by Jean Francois Guichard. Music by Francois Hippolyte Barthelemon]: With New Scenes, Dresses and Decorations. Books of the Songs, Chorusses, &c. to be had at the Theatre. Public Advertiser, 17 Mar, 1778: This Day is published the Songs in Belphegor (6d.). [Text 1st published in Dublin: For the Booksellers, 1788.] Receipts: #196 0s. 6d. (156.5.0; 38.13.6; 1.2.0)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Belphegor; or, The Wishes

189
02 December 1780 @ King's Theatre

Performances

Mainpiece Title: Ricimero

Performance Comment: [Principal Characters by Roncaglia, Ansani 1st appearance in England], Manzoletto, Micheli, Mrs Barthelemon, Mme LeBrun. [Morning Chronicle, 4 Dec. assigns Vitige-Roncaglia; [Public Advertiser, 4 Dec. Rodoaldo-Ansani. [Edition of 1755 (G. Woodfall) lists the other parts: Ricimero, Edelberto, Eduige, Ernelinda.Edition of 1755 (G. Woodfall) lists the other parts: Ricimero, Edelberto, Eduige, Ernelinda.

Dance: End I: new ballet (composed by Zuchelli) The Squire Outwitted-Sg and Sga Zuchelli, Henry, Sga Crespi; End II: The Fortunate Escape, as17801125, but Henry; End Opera: +The Country Gallant, as17801125

190
11 December 1781 @ King's Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Divertisement Dance, as17811117, but added: Pas Seal, as17811120; End of Act II a new Ballet Anacreontique (composed by Noverre), Les Petits Riens, by Gardel, Mmc Simonet, Nivelon, Mlle Baccelli, Slingsby, Mlle Theodore, Henry, Sga Crespi, &c. The Music entirely new by Barthelemon

Performance Comment: The Music entirely new by Barthelemon .

191
10 January 1782 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Performance Comment: Principal Characters by Viganoni, Morigi, Manzoletto, Micheli; Mrs Barthelemon, Sga Lorenzini, Sga Sestini (1st appearance this season). [Parts from libretto (T. Cadell, 1777): Il Cavaliere Armidoro, Il Marchese della Conchiglia, Tagliaferro, Mengotto; La Marchesa Lucinda, Paoluccia, Cecchina, Sandrina.] hathi.

Dance: End of Act I Pastoral Dance, as17811128; End of Act II Divertisement Dance, as17811117; End of Act in a new Serious Dance, composed by Noverre, Le Triompbe de l'Amour Conjugal, by Gardel, Mme Simonet, Nivelon, Mlle Theodore, Mlle Baccelli. [Cast from libretto of Giunio Bruto (E. Cox, 1781), where it is entitled Alceste: Admetus-Gardel; Alceste-Mme Simonet; Apollo-Nivelon; Hebe-Mlle Theodore; Iris-Mlle Baccelli.]

192
01 February 1782 @ Drury Lane Theatre

Event Comment: Afterpiece: The Music composed by Barthelemon. Receipts: #210 2s. 6d. (159/15/0; 50/0/0; 0/7/6)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Maid of the Oaks

Dance: As17820123

193
25 April 1783 @ Covent Garden

Event Comment: Benefit for Suett and Chapman. Public Advertiser, 22 Apr.: Tickets to be had of Suett, No. 24, King Street, Holbourn; of Chapman, No. 49, Carey Street, Lincoln's Inn Fields. Afterpiece: Not acted these 4 years. The Music by Barthelemon. Receipts: #160 15s. (39/5; 10/4; 0/4; tickets: 111/2) (charge: #108 18s. 8d.)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Belphegor; or, The Wishes

Dance: End of Act III of mainpiece Hornpipe by Miss J. Stageldoir; End of Act IV The Butterfly by the Miss Stageldoirs

194
03 June 1783 @ King's Theatre

Event Comment: Benefit for the Singers and Dancers. The Orchestra under the Direction of Barthelemon

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Il Riposo del Campo, as17830313but omitted: Slingsby, Mlle Theodore, La Recrue par Force; End of Act III he Tuteur Trompe, as17830506, with a Pas de Deux by Slingsby and Mme Simonet

195
17 January 1784 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo D'arianna

Dance: End of Act I Friendship leads to Love, as17840103; End of Act II an entirely new dance, connected with the Opera, composed by D'Auberval, The Slaves of Conquering Bacchus, with a Pas de Trots by Mme Rossi, Slingsby, Mme Simonet; a Pas de Deux by Vestris [Jun.], Mme Theodore; by Blake, Henry; [by] Zuchelli, Monetti. The Music by Barthelemon

Performance Comment: ], Mme Theodore; by Blake, Henry; [by] Zuchelli, Monetti. The Music by Barthelemon .

196
25 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a new ballet, composed for the occasion by D'Auberval, Pygmalion (taken from the Mono-drama of that name by Jean-Jacques Rousseau, with the original music composed by that very celebrated writer; the story founded on the fabulous account of Pygmalion animating his statue) by Lepicq, Vcstris (Jun.], Mme Rossi, Mme Theodore; End of Opera will be revived Le Tuteur Trompe (composed by Lepicq) in which the following new dances: A new Pas de Deux by Lepicq and Mme Rossi, the latter in the character of Niaise; a Pas Seul by Mme Theodore; a Pas de Troit by Lepicq, Mme Rossi, Zuchelli; an entirely new Pas de Deux by Vestris [Jun.] and Mme Theodore; a Pas Seul by Slingsby; a Pas Seul, entirely new, by Vestris [Jun.]; to conclude with the Sequdilla and Fandango by Lepicq and Mme Rossi. N. B. In the same ballet will be introduced a Minuet, composed by Barthelemon for the Prince of Wales, and an Allemande in the French stile, both by Lepicq and Mme Rossi

Performance Comment: ], Mme Rossi, Mme Theodore; End of Opera will be revived Le Tuteur Trompe (composed by Lepicq) in which the following new dances: A new Pas de Deux by Lepicq and Mme Rossi, the latter in the character of Niaise; a Pas Seul by Mme Theodore; a Pas de Troit by Lepicq, Mme Rossi, Zuchelli; an entirely new Pas de Deux by Vestris [Jun.] and Mme Theodore; a Pas Seul by Slingsby; a Pas Seul, entirely new, by Vestris [Jun.]; to conclude with the Sequdilla and Fandango by Lepicq and Mme Rossi. N. B. In the same ballet will be introduced a Minuet, composed by Barthelemon for the Prince of Wales, and an Allemande in the French stile, both by Lepicq and Mme Rossi .

197
01 January 1785 @ King's Theatre

Event Comment: On account of the sudden Indisposition of Sga Ferrarese the new Serious Opera [Demetrio, announced in Public Advertiser, 31 Dec. 1784] is unavoidably postponed [see 8 Jan.]. 2nd dance: With several new Airs composed by Barthelemon

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I Divertissement, as17841218; End of Opera Le Tuteur Trompe, with the Fandango, by Lepicq, Mme Rossi, Frederic, Zuchelli, Mme Bithmer, Henry, Nivelon, Mlle Dorival

198
11 January 1785 @ King's Theatre

Event Comment: 2nd dance: With several new Airs composed by Barthelemon

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Divertissement, as17841218; End of Opera The Deserter. Skirmish-Slingsby; the other characters by Lepicq, Mme Rossi [playbill of 13 May 1784 lists: The Deserter-Lepicq; Louisa-Mme Rossi], Henry, Zuchelli, Mme Degville, Nivelon, Mlle Dorival

199
12 February 1785 @ King's Theatre

Performances

Mainpiece Title: Demetrio

Dance: End of Act I Il Convito degli Dei, as17850205; End of Opera an entirely new Divertisement (composed by Lepicq) Le Jugement de Paris by Lepicq, Mme Rossi, Nivelon, Mlle Dorival, Frederic, Sga Angiolini. [Music by Francois Hippolyte Barthelemon (London Magazine, Feb. 1785, p. 141).]

Performance Comment: [Music by Francois Hippolyte Barthelemon (London Magazine, Feb. 1785, p. 141).] hathi.

200
03 March 1785 @ King's Theatre

Event Comment: Benefit for Nivelon. Tickets, half a guinea each, to be had of Nivelon, No. 80, near the Opera House, Hay-marlcet. Divertissement: Part of the music composed by Barthelemon. [A la Plus Sage has the same plot as La Rosiere de Salency (see 19 Mar. 1782). A synopsis of the action is printed in London Magazine, Mar. 1785, pp. 219-20.]

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a New Divertissement, in which the 3 different Stiles of Dancing, viz., Serious, Demicharacter and Comic, by Lepicq, Mme Rossi, Sg and Sga Angiolini, with a Dance performed in Wooden Shoes by Nivelon, Frederic, Mlle Dorival; End of Opera a new Pastoral Ballet in 2 parts, composed by Gardel Sen., Ballet-master to the French Court, A la Plus Sage; ou, La Vertu Ricompensk, by Lepicq, Mme Rossi, Frederic, Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival