SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Baroness"/1) | (@(roleclean,performerclean) "Baroness")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 57 matches on Roles/Actors, 9 matches on Event Comments, 8 matches on Performance Comments, 7 matches on Performance Title, and 0 matches on Author.

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Comet

Performances

Mainpiece Title: The Battle Of Hexham

Afterpiece Title: The Son-in-Law

Performances

Mainpiece Title: The Battle Of Hexham

Afterpiece Title: Peeping Tom

Performances

Mainpiece Title: The Battle Of Hexham

Afterpiece Title: The Comet

Performances

Mainpiece Title: The Battle Of Hexham

Afterpiece Title: The Agreeable Surprise

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Son-in-Law

Performances

Mainpiece Title: The Battle Of Hexham

Afterpiece Title: Peeping Tom

Performances

Mainpiece Title: The Battle Of Hexham

Afterpiece Title: The Comet

Performances

Mainpiece Title: The Battle Of Hexham

Afterpiece Title: The Agreeable Surprise

Performances

Mainpiece Title: Concert

Music: By direction of Sig Francisco Conti, the Consort of Musick-Sig Francisco Conti for her Majesty, and which he had the Honour to perform at court upon the Union-day; Singing-La Signiora Margaretta the Baroness, Il Signior Valentino; and there is to be several Instrumetns, and the said Great Theorbo, La Mandelitta an Instrument hitherto unknown-Signior Conti

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-Nicolino Haym, others; Singing-the Baroness, another scholar of Haym's

Performances

Mainpiece Title: The Disbanded Officer; Or, The Baroness Of Bruchsal

Afterpiece Title: The Flitch of Bacon

Event Comment: Benefit Baroness. At the Desire of several Ladies of Quality. Admission as 5 Jan

Performances

Mainpiece Title: Pyrrhus And Demetrius

Event Comment: Benefit the Baroness. At the Desire of several Ladies of Quality. With a new Cantata after the Italian Manner. Admission as 7 April

Performances

Mainpiece Title: Pyrrhus And Demetrius

Event Comment: Benefit the Baroness. Tickets 5s. At 7:30 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters; particularly several Sonatas-the famous Signor Veracini

Event Comment: Benefit the Baroness. Tickets 5s. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music intirely New.-; Particularly several solos for the Violin-Mr Alexander Bitti newly arriv'd from Italy

Event Comment: Benefit the Baroness. Tickets 5s. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; In which will be sung several Songs in Italian and English out of the Opera of Pyrrhus and Demetrius-; with several other Songs besides-; several Solos-Castrucci

Event Comment: Afterpiece [1st time at a public theatre; C 3, by Elizabeth Craven, Baroness Craven, afterwards Margravine of Anspach, 1st acted privately at the Town-Hall, Newbury, 6 Apr. 1780. Text (G. Riley, 1781) assigns no parts. Prologue by Richard Brinsley Sheridan. Epilogue by Joseph Jekyll (see text)]: With new Dresses, &c. "The Prologue [the first 30 lines and the concluding couplet of which were used by Sheridan as the Prologue to Pizarro (see dl, 24 May 1799)] was so much admired that at the request of the Duchess of Devonshire and several other of the nobility it was respoken after the piece; but as King was absent from the theatre, it was delivered by Palmer" (Town and Country Magazine, May 1780, p. 23 ). "The chief singularity was that [Lady Craven] went to it herself the second night, in form; sat in the middle of the front row of the stage-box, much dressed, with a profusion of white bugles and plumes, to receive the public homage due to her sex and loveliness. The Duchess of Richmond, Lady Harcourt,...Mrs Damer, Lord Craven,...and I were with her. It was amazing to see so young a woman entirely possess herself-but there is such an integrity and frankness in her consciousness of her own beauty and talents, that she speaks of them with a naivete as if she had no property in them, but only wore them as gifts of the gods. Lord Craven on the contrary was quite agitated by his fondness for her and with impatience at the bad performance of the actors, which was wretched indeed, yet the address of the plot, which is the chief merit of the piece, and some lively pencilling carried it off very well, though Parsons murdered the Scotch lord, and Mrs Robinson (who is supposed to be the favourite of the Prince of Wales) thought on nothing but her own charms, or him. There is a very good though endless prologue written by Sheridan and spoken in perfection by King, which was encored (an entire novelty) the first night: and an epilogue that I liked still better and which was full as well delivered by Mrs Abington, written by Mr. Jekyl. The audience, though very civil, missed a fair opportunity of being gallant, for in one of those ----logues, I forget which, the noble authoress was mentioned, and they did not applaud as they ought to have done, especially when she condescended to avow her pretty child and was there looking so very pretty...Yet Lady Craven's tranquillity had nothing displeasing;...and it was tempered by her infinite good nature, which made her make excuses for the actors instead of being provoked at them" (Walpole [28 May 1780], XI, 178-80). Public Advertiser, 14 July 1781: This Day at Noon will be published The Miniature Picture (price not listed). Receipts: #144 9s. (94.9; 48.3; 1.17)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Miniature Picture

Dance: II: New Dance, as17791126; End II afterpiece: The Coopers, as17800224

Event Comment: Mainpiece: Not acted these 2 years. Afterpiece [1st time; MF 2, by Elizabeth, Baroness Craven, later Margravine of Anspach. Larpent MS 564; not published. Author of Prologue unknown]: After the Prologue, a Naval Overture. The Airs from the most eminent Composers [with new music by Dr Arnold, Lady Craven, and Tommaso Giordani]. The Scenes new painted by Rooker. Books of the Songs to be had at the Theatre. Public Advertiser, 19 July 1781: This Day is published the Songs in The Silver Tankard (6d.)

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: The Silver Tankard; or, The Point at Portsmouth