SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Bannister Half past six went into ye Pit to see Barry"/1) | (@(roleclean,performerclean) "Bannister Half past six went into ye Pit to see Barry")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4327 matches on Event Comments, 3001 matches on Performance Comments, 405 matches on Performance Title, 4 matches on Author, and 0 matches on Roles/Actors.
Event Comment: First appearance this season of the Barrys

Performances

Mainpiece Title: Zara

Performance Comment: Lusingnan-Barry; Osman-Aickin, first time; Nerestan-Wroughton; Orasmin-L'Estrange; Chatillion-Hull; Melidor-Thompson; Selima-Mrs Mattocks; Zara-Mrs Barry.
Cast
Role: Lusingnan Actor: Barry
Role: Zara Actor: Mrs Barry.

Afterpiece Title: The Two Misers

Dance: End Tragedy: The Gamesters-Sg and Sga Zuchelli

Event Comment: Afterpiece: A New Musical Entertainment in 2 Acts [by Theodosius Forrest] never pebformed. With a New Overture by Dr Arnold. The Airs chiefly selected from the most eminent masters. [Larpent MS 392 confirms the character names and adds a Country Lad and a Country Lass. The Westminster Magazine for Oct. condemned the Weathercock: "To speak of this piece as a literary compostiion, it was throughout a dull, uninteresting narrative, told in duller numbers. Considered in a dramatic light, it was still less defensible....The overture by Dr Arnold was trite, except the last movement, which had great merit, and was universally admired....We expected in spite of the numerous Orders sent in by the Author and Managers, that it would have met with its deserved fate on the first representation, it was, however, somehow carried through that and a second night's hearing-on the third evening, however, it received a formal damnation."

Performances

Mainpiece Title: The Distressd Mother

Performance Comment: Orestes-Barry; Pyrrhus-Aickin, first time; Pylades-Clinch; Phoenix-L'Estrange; Andromache-Mrs Hartley; Cephisa-Miss Dayes; Cleone-Mrs Poussin; Hermione-Mrs Barry.
Cast
Role: Orestes Actor: Barry
Role: Hermione Actor: Mrs Barry.

Afterpiece Title: The Weathercock

Performances

Mainpiece Title: The Grecian Daughter

Performance Comment: Evander-Barry; Philotas-Lewis, first time; Arcas-Fearon; Herald-L'Estrange; Dionysius-Clinch; Melanthon-Hull; Officer-Booth; Calippus-Young; Phocion-Wroughton; Erixene-Miss Ambrose; Euphrasia-Mrs Barry.
Cast
Role: Evander Actor: Barry
Role: Euphrasia Actor: Mrs Barry.

Afterpiece Title: Orpheus and Eurydice

Event Comment: Mainpiece: Not acted these 4 years. [See 5 Jan. 1771.

Performances

Mainpiece Title: Venice Preserved

Performance Comment: Jaffier-Barry; Priuli-Hull; Renault-Clarke; Duke-Mahon; Bedamar-Clinch; Spinoza-L'Estrange; Elliot-Fearon; Officer-Booth; Pierre-Sheridan, second appearance on that stage in 16 years; Belvidera-Mrs Barry.
Cast
Role: Jaffier Actor: Barry
Role: Belvidera Actor: Mrs Barry.

Afterpiece Title: The Padlock

Dance: End: The Vintage Festival, as17751026

Event Comment: Afterpiece: Not acted these 2 years. [See 25 May 1774.

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Sheridan; Moneses-Wroughton; Axalla-Clinch; Dervise-L'Estrange; Omar-Fearon; Prince of Tanais-Booth; Hali-Davis; Bajazet-Barry; Selima-Mrs Jackson; Arpasia-Mrs Barry; the Usual Prologue-Wroughton; The Song, To Thee O Gentle Sleep-DuBellamy.
Cast
Role: Bajazet Actor: Barry
Role: Arpasia Actor: Mrs Barry

Afterpiece Title: The Commissary

Performance Comment: The Commissary-Quick; Young Loveit-Davis; Simon-Fox; Isaac Fungus-Fearon; Mrs Loveit-Mrs Pitt; Jenny-Mrs Poussin; Dolly-Mrs Fearon, first appearance on that stage; Mrs Mechlin-Mrs Booth.
Cast
Role: Mrs Loveit Actor: Mrs Pitt

Dance: End: a New Ballet, The Gardeners-Sg and Sga Zuchelli [see17690114]

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: Sciolto-Barry; Lothario-Lewis; Altamont-Wroughton; Rossano-Young; Horatio-Sheridan; Lavinia-Mrs Bulkley; Lucilla-Mrs Poussin; Calista-Mrs Barry.
Cast
Role: Sciolto Actor: Barry
Role: Calista Actor: Mrs Barry.

Afterpiece Title: Cross Purposes

Dance: End: The Italian Gardners, as17751011

Performances

Mainpiece Title: Edward And Eleonora

Performance Comment: Selim-Barry; Edward-Lewis; Gloster-Hull; Theald-Clarke; Assassin-L'Estrange; Officer-Thompson; Daraxa-Mrs Mattocks; Eleonora-Mrs Barry.
Cast
Role: Selim Actor: Barry
Role: Eleonora Actor: Mrs Barry.

Afterpiece Title: Midas

Cast
Role: Jupiter Actor: Fox

Dance: End Tragedy: The Pilgrim, as17750927

Performances

Mainpiece Title: As You Like It

Performance Comment: Jaques-Barry; Orlando-Lewis; Adam-Lee; Duke Senior-Hull; Amiens (with Songs)-Mattocks; Oliver-Wroughton; Duke Frederick-Fearon; Touchstone-Woodward; Caelia (with the Cukoo Song)-Mrs Mattocks; Phoebe-Miss Dayes; Audrey-Mrs Pitt; Rosalind-Mrs Barry; in V, a Dance of Forresters-Daguville.
Cast
Role: Jaques Actor: Barry
Role: Audrey Actor: Mrs Pitt
Role: Rosalind Actor: Mrs Barry

Afterpiece Title: Prometheus

Dance: I: Mirth and Jollity, as17760102

Event Comment: [Mainpiece seemingly the Garrick version. See 24 Nov. 1774.

Performances

Mainpiece Title: King Lear

Performance Comment: Lear-Barry; Gloster-Hull; Bastard-Aickin, first time; Kent-Clarke; Albany-L'Estrange; Cornwall-Thompson; Gentleman Usher-Quick; Burgundy-Young; Edgar-Webster[, his sixth appearance on any stage; [See five performances of Douglas this season.] Goneril-Mrs Hunter; Regan-Miss Ambrose; Arante-Miss Dayes; Cordelia-Mrs Barry.
Cast
Role: Lear Actor: Barry
Role: Cordelia Actor: Mrs Barry.

Afterpiece Title: The Deuce Is in Him

Dance: End: The Frolick, as17760217

Performances

Mainpiece Title: The Distrest Mother

Performance Comment: Orestes-Barry; Phyrrhus-Aickin; Pylades-Whitefield; Phoenix-L'Estrange; Andromache-Mrs Hartley; Cephisa-Miss Dayes; Cleone-Mrs Poussin; Hermione-Mrs Barry.
Cast
Role: Orestes Actor: Barry
Role: Hermione Actor: Mrs Barry.

Afterpiece Title: The Padlock

Performances

Mainpiece Title: Venice Preservd

Performance Comment: Jaffier-Barry; Priuli-Hull; Renault-Clarke; Duke-Mahon; Bedamar-Whitefield; Spinosa-L'Estrange; Elliot-Fearon; Officer-Booth; Pierre-Aickin; Belvidera-Mrs Barry.
Cast
Role: Jaffier Actor: Barry
Role: Belvidera Actor: Mrs Barry.

Afterpiece Title: Comus

Event Comment: [As afterpiece playbill announces the 8th night of The Seraglio. In the Account-Book it is deleted, and The Padlock listed (see 17 Dec.). The change was made probably because of Leoni's illness (see 30 Nov.). This was Barry's last appearance on the stage; he died on 10 Jan. 1777.] Receipts: #187 15s. 6d. (186.11.6; 1.4.0)

Performances

Mainpiece Title: The Grecian Daughter

Performance Comment: Evander-Barry; Philotas(1st time)-Ward; Arcas-Fearon; Dionysius-Clarke; Herald-L'Estrange; Melanthon-Hull; Officer-Booth; Calippus-Whitefield; Phocion-Wroughton; Erixene-Miss Ambrose; Euphrasia-Mrs Barry.
Cast
Role: Evander Actor: Barry
Role: Euphrasia Actor: Mrs Barry.

Afterpiece Title: The Padlock

Performance Comment: See17760925.
Event Comment: Mainpiece [1st time; t 5, by Hannah More, based partly on Gabrielle de Vergy, by Pierre Laurent Buirette de Belloy. Prologue and Epilogue by David Garrick (see text)]: With New Scenes, Dresses, &c. Public Advertiser, 19 Dec. 1777: This Day at Noon is published Percy (1s. 6d.). Receipts: #215 (212.12.6; 2.7.6)

Performances

Mainpiece Title: Percy

Performance Comment: [Principal Characters by Lewis, Aickin, Hull, Whitfield, Robson, Thompson, Wroughton, Mrs Jackson, Mrs Barry. Cast from text (T. Cadell, 1778 [i.e. 1777]), and Universal Magazine, Dec. 1777, p.307: Percy-Lewis; Earl Raby-Aickin; Sir Hubert-Hull; Edric-Whitfield; Harcourt-Robson; Servant-Thompson; Earl Douglas-Wroughton; Birtha-Mrs Jackson; Elwina-Mrs Barry; New Prologue-Mrs Bulkley; New Epilogue spoken-Lee Lewes. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Elwina Actor: Mrs Barry

Afterpiece Title: St

Cast
Role: Bridget Actor: Mrs Pitt

Dance: After Epilogue: As17770924

Event Comment: [Extra night] Benefit for the General Lying-In Hospital, Bayswater, Under the Patronage of Her Majesty. Tickets to be had at the Hospital; of Longman and Wilkinson, Cheapside; Broderip andCo., Haymarket; and of Brandon at the Theatre, where Places for the Boxes may be taken. Many of the Re-Renters have generously relinquished their Privilege upon this Night. [Faulkner had acted at dl on 21 Dec. 1796, and Mrs Johnstone at cg on 4 Jan. 1798.] Receipts: none listed

Performances

Mainpiece Title: Lovers Vows

Performance Comment: Principal Characters-Faulkner (1st appearance on this stage), Basset, Barry Jun., The Young Gentleman who performed Wilford [on 23 Apr.], Thompson, Abbot, Webb, H. Johnston, Mrs Johnston [recte Mrs Johnstone] (2nd appearance on this stage), Mrs Hunter, Miss Leserve, Mrs H. Johnston [And see17981011.]; Epilogue-Barry Jun.
Cast
Role: Epilogue Actor: Barry Jun.

Afterpiece Title: The Jew and the Doctor

Performance Comment: Principal Characters-Barry Jun., Clarke, Williams, Barrett, Setwell, The Young Gentleman who performed Wilford, Miss Cox, Miss Leserve, Mrs Litchfield [And see17981123].And see17981123].

Song: End II: Hope told a flattering tale-Mrs Ferguson; accompanied on the Pedal Harp-Weippert

Music: End I: Grand Sonata on the Piano Forte, as17990515; End IV: Lesson of Nicolai, as17990515

Entertainment: Monologues Before: [Collins' Ode on the Passions-Master Parker; End III: The Birth Day Ode [by Henry James Pye, 1st performed at St. James's Palace, 4 June, the birthday of George III]-Master Parker; End: Imitations-Mrs Sumbel (late $Mrs Wells)

Event Comment: Evelyn, Diary: I saw in Southwark at St Margarites faire...we saw also Monkyes & Apes daunce, & do other feates of activity on the high-rope, to admiration: They were galantly clad alamode, went upright, saluted the Company, bowing & pulling-off their hatts: They saluted one another with as good grace as if instructed by a Dauncing Master. They turned heales over head, with a bucket of Eggs in it, without breaking any: also with Candles (lighted) their their hands, & on their head, without extinguishing them, & with vessells of water, without spilling a drop; I also saw an Italian Wench daunce to admiration, & performe all the Tricks of agility on the high rope, all the Court went to see her: (likewise here was her Father) who tooke up a piece of Yron Canon of above 400 pounds weight, with the haires of his head onely

Performances

Mainpiece Title: Entertainments

Event Comment: The King's Company. Pepys, Diary: we went by water to Salisbury Court play-house, where not liking to sit, we went out again, and by coach to the Theatre, and there saw The Scornful Lady, now done by a woman, which makes the play appear much better than ever it did to me

Performances

Mainpiece Title: The Scornful Lady

Event Comment: The King's Company. Pepys, Diary: I went to the Theatre, where I found so few people (which is strange, and the reason I did not know) that I went out again

Performances

Event Comment: Edition of 1661: By the Worshipful Company of Grocers. Evelyn, Diary: I saw the Lord Major passe in his Water Triumph to Westminster being the first solemnity of this nature after 20 years. Pepys, Diary: I was (after office was done) ready to go to my Lord Mayor's feast, as we are all invited; but the Sir Williams were both loth to go, because of the crowd, and so none of us went....This Lord Mayor, it seems, brings up again the custom of Lord Mayors going the day of their instalment to Paul's, and walking round about the Cross, and offering something at the altar

Performances

Mainpiece Title: Londons Triumphs

Event Comment: The Duke's Company. Pepys, Diary: To the Opera, where there was a new play (Cutter of Coleman Street), made in the year 1658, with reflections much upon the late times; and it being the first time, the pay was doubled, and so to save money, my wife and I went up into the gallery, and there sat and saw very well; and a very good play it is. It seems of Cowly's making. Downes (Roscius Anglicanus, p. 25): This Comedy being Acted so perfectly Well and Exact, it was perform'd a whole Week with a full Audience. John Dennis, Dedication to The Comical Gallant, 1702: The only Play that ever Mr Cowley writ, was barbarously treated the first night, as the late Mr Dryden has more than once informed me, who has told me that he went to see it with the famous Mr Sprat, now Bishop of Rochester, and that after the Play was done, they both made a visit to Mr Cowley. Langbaine (English Dramatick Poets, p. 81): This Play met with some Opposition, at its Representation under this new Name, from some who envyed the Authors unshaken Loyalty to the Prince, and the Royal Cause, in the worst of Times. BM Add. Mss. 34217, fol. 31b, in Hotson (Commonwealth and Restoration Stage, p. 247): @The Cutter of Coleman street had more fame@Before the Author chang'd its name@And shewd himselfe an Englishman right@By mending of things to spoyle them quite@And bee's more to blame because he can tell@(No better) to make new strings soe well.

Performances

Mainpiece Title: The Cutter Of Coleman Street

Event Comment: The King's Company. Pepys, Diary: Seeing that the Spanish Curate was acted to-day, I...home again and sent to young Mr Pen and his sister to go anon with my wife and I to the Theatre...we went by coach to the play, and there saw it well acted, and a good play it is, only Diego the Sexton did overdo his part too much. [Sir Edward Browne seems to connect this play with the Duke's Company. See Introdutcion to 1661-1662.

Performances

Mainpiece Title: The Spanish Curate

Event Comment: [The edition of 1662 suggests that this was a ballet, the text offering description or synopses of the entries. Edition of 1662: Being part of that Magnificent Entertainment by the Noble Prince, DelaGrange, Lord Lieutenant of Lincolns Inn. Presented to the High and Mighty Charles II, Monarch of Great Britain, France and Ireland. On Friday 3 of January 1662. Evelyn, Diary: After Prayers I went to Lond: invited to the solemn foolerie of the Prince de la Grange at Lincolne Inn: where came also the King, Duke, &c.: beginning with a grand Masquev and a formal Pleading before the mock-princes (Grandes), Nobles & Knights of the Sunn: He had his L. Chancelor, Chamberlaine, Treasurer, & other royal officers gloriously clad & attended, which ended in a magnificent Banquet: one Mr John? Lort, being the young spark, who maintained the Pageantrie. Pepys, Diary: While I was there, comes by the King's life-guard, he being gone to Lincoln's Inn this afternoon to see the Revells there; there being, according to an old custom, a prince and all his nobles and other matters of sport and charge. John Ward (notebooks, 6 Jan.): I saw a Leopard and the same day as strange a sight which was the mock prince of Lincolnes' Inne his Nobels his Knights of the Garter and his other officers (Shakespeare Quarterly, XI [1960], 494)

Performances

Mainpiece Title: Greek Words Universal Motion

Event Comment: The Duke's Company. On Thursday 10 Dec. 1663, Pepys reported that this play was to be acted the following week, but the date of the first performance is uncertain. But--except for the holidays--it was probably acted on consecutive days until 1 Jan. 1663@4, when Pepys saw it. The play is also in Herbert, Dramatic Records, p. 138, as a "Revived Play." Pepys, Diary: I perceive the King and Duke and the Court was going to the Duke's playhouse to see Henry VIII. acted, which is said to be an admirable play. But, Lord! to see now near I was to have broken my oathe, or run the hazard of 20s. losse, so much my nature was hot to have gone thither; but I did not go. Downes (p.24): King Henry the 8th, This Play, by Order of Sir William Davenant, was all new Cloath'd in proper Habits: The King's was new, all the Lords, the Cardinals, the Bishops, the Doctors, Proctors, Lawyers, Tip-staves, new Scenes: The part of the King was so right and justly done by Mr Betterton, he being Instructed in it by Sir William, who had it from Old Mr Lowen, that had his Instructions from Mr Shakespear himself, that I dare and will aver, none can, or will come near him in this Age, in the performance of that part: Mr Harris's performance of Cardinal Wolsey, was little Inferior to that, he doing it with such just State, Port, and Mein, that I dare affirm, none hitherto has Equall'd him:...Every part by the great Care of Sir William, being exactly perform'd; it being all new Scenes; it continu'd Acting 15 Days together with general Applause

Performances

Mainpiece Title: Henry Viii

Performances

Mainpiece Title: The Indian Emperor

Performance Comment: Alibech-Mrs Knipp. see also April 1665.
Event Comment: The King's Company. Pepys, Diary: In haste to carry my wife to see the new play I saw yesterday, she not knowing it. But there, contrary to expectation, find The Silent Woman. However in; and there Knipp come into the pit...[and] tells me the King was so angry at the liberty taken by Lacy's part to abuse him to his face, that he commanded they should act no more, till Moone [Mohun] went and got leave for them to act again, but not this play. The King mighty angry; and it was better indeed, but very true and witty. I never was more taken with a play than I am with this "Silent Woman," as old as it is, and as often as I have seen it. There is more wit in it than goes to ten new plays. Nathaniel Wanby, Coventry, 1667: We have known in our time that the Silent Woman hath had the loud applause of a whole theatre (BM Harleian MS. 6430, p.23)

Performances

Mainpiece Title: The Silent Woman

Performance Comment: See16661210. Morose-Cartwright?; Truewit-Major Mohun?; Cleremont-Burt?; Dauphin-Kynaston?; Sir Amorous-Wintersel?; Sir John Daw-Shatterel?; Captain Otter-Lacy?; Epicene-Mrs Knep?; Lady Haughty-Mrs Rutter?; Mrs Otter-Mrs Corey?.
Event Comment: The Duke's Company. This performance is on L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. Pepys, Diary: But, Lord! how it went against my heart to go away from the very door of the Duke's play-house, and my Lady Castlemayne's coach, and many great coaches there, to see The Siege of Rhodes. I was very near making a forfait, but I did command myself

Performances

Mainpiece Title: The Siege Of Rhodes

Performance Comment: see16621227.