SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Bannister Half past six went into ye Pit to see Barry"/1) | (@(roleclean,performerclean) "Bannister Half past six went into ye Pit to see Barry")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4327 matches on Event Comments, 3001 matches on Performance Comments, 405 matches on Performance Title, 4 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Performance Comment: see17890306 Principal Vocal and Instrumental Performers As17890320 .

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: As17890306

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3 Entirely selected from The Messiah

Music: As17900219

Performances

Mainpiece Title: Redemption Selected From The Great And Favourite Works Of handel That Were Performed In westminster abbey And At The pantheon on 26 And 27 May 1784 0 Messiah Grand Selection 0

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Music: End: concerto on the hautboy-W. Parke; End II: concerto violin-Master Clement

Performances

Mainpiece Title: A Grand Selection 0 From The Works Of Handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: Acis And Galatea 0 Grand Selection 0

Afterpiece Title: Acis and Galatea 1

Performance Comment: O the Pleasures of the Plain!=-Chorus; For us the Zephyr blows-Miss Hagley; Ye verdant plains, Hush ye pretty warbling Quire-Miss Davies; Where shall I seek-Spence; Stay Shepherd stay, Shepherd what art thou pursuing-Miss Broadhurst; Lo! here my Love, Love in her Eyes-Kelly; O didst thou know the Pains, As when the Dove-Mrs Crouch; Happy we-Miss Hagley, Dignum; Happy we [repeated]-Chorus.
Cast
Role: Where shall I seek Actor: Spence

Afterpiece Title: Acis and Galatea 2

Afterpiece Title: PART III

Music: As17910323

Performances

Mainpiece Title: Acis And Galatea 0 Redemption 0

Afterpiece Title: Acis and Galatea 1

Performance Comment: O the pleasures of the plains!-Chorus; For us the zephyr blows-Mrs Bland; Ye verdant plains, Hush ye pretty warbling choir-Mrs Crouch; Where shall I seek?-Incledon; Stay shepherd stay, Shepherd what art thou pursuing?-Miss Barclay; Lo! here my love, Love in her eyes-Incledon; Didst thou know the pains, As when the dove-Mrs Crouch; Happy we-Miss Hagley, Dignum, Chorus.

Afterpiece Title: Acis and Galatea 2

Afterpiece Title: A Miscellaneous Act

Music: End I: concerto on the hautboy-[J.] Parke

Event Comment: See 15 Feb. at king's

Performances

Mainpiece Title: A Grand Selection 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: A Grand Selection

Afterpiece Title: ACIS AND GALATEA

Performance Comment: PART I. O the pleasures of the plains by Chorus. For us the Zephyr blows by Mrs Crouch. Ye verdant plains and Hush ye prttty warbling Choir by Miss Leak. Where shall I seek: by Kelly. Stay, Shepherd, stay and Shtpberd, what art thou pursuing? by Mrs Bland. Lo! here my love and Love in her eyes by Kelly. O, didst thou know the pains and As when the Dove by Mrs Crouch. Happy we by Mrs Bland, Dignum and Chorus. PART II. Wretched lovers by Chorus. I rage, I melt, I burn and O, ruddier than the cherry by Meredith. Whither, fairest by Meredith and Mrs Rland. Cease to beauty to be suing by Meredith. Would you gain the tender by Master Welsh. His hideous Love and Love sounds the alarm by Kelly. Consider, fond Shepherd by Miss Leak. Cease, O cease by Mrs Crouch. The [flocks shall leave] by Kelly, Meredith, Mrs Crouch. Help, Galatea! by Kelly. Mourn all ye Muses by Chorus. Must I my Acis by Miss Leak. Cure, Galatea by Chorus. 'Tis done, thus I exert and Heart, the seat by Mrs Crouch. Galatea, dry thy tears by Chorus .

Music: End of Part I of oratorio concerto on violin by Giornovichi

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940314but omitted: Miller, Kelly. Leader as17940312ART I. God save the King by Chorus (CORONATION ANTHEMS). He layeth the beams by Meredith. O had I Jubal's lyre by Mrs Bland (JOSHUA). Gird on thy sword by Chorus (SAUL). Holy, holy by Sga Storace (REDEMPTION). Softly rise by Harrison; Ye southern breezes by Chorus (SOLOMON, by Boyce). Let me wander by Master Welsh (L'ALLEGRO). Sing ye to the Lord by Sga Storace; and Chorus; The horse and his rider by Double Chorus (ISRAEL IN EGYPT). PART II. Ye sons of Israel by Chorus (JOSHUA). What tho' I trace by Mrs Crouch (SOLOMON). Pleasure my former ways by Harrison (TIME AND TRUTH). Would you gain by Master Welsh (ACIS AND GALATEA). Welcome! Welcome! by Chorus (SAUL). Concerto on violin by Giornovichi. Honour and Arms by Meredith (SAMSON). O magnify the Lord by Miss Leak. Halleluiah by Chorus (THE MESSIAH). PART III. How excellent by Chorus (SAUL). Lord, remember David by Harrison. Ask if yon damask rose be sweet by Mrs Crouch (SUSANNA). He gave them hailstones by Chorus (ISRAEL IN EGYPT). The smiling dawn by Miss Leak (JEPHTHA). See the conquering Hero comes by Chorus (JUDAS MACCABAEUS). Angels ever bright and fair by Master Welsh (THEODORA). From the censer by Double Chorus (SOLOMON) .

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End Part I: concerto on the violincello-C. Ashley; End Part II: concerto on the harp-Mme Delaval

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: As17960219

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of handel Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End I: concerto on the violoncello-C. Ashley; End II: concerto= on the Piano Forte-Dussek

Performances

Mainpiece Title: A Grand Selection 0 From The Most Favourite Works Of Handel Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End I: concerto on the oboe-W. Parke; End II: concerto on the violin-G. Ashley

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the violoncello-Charles Ashley

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Part III Overture and March- (Scipio); Tune your harps-Miss Tennant (Esther); Sin not O King-Dignum (Saul); Flush'd with conquest-Chorus (Alexander Balus); What passion cannot music-Mrs Second; accompanied on the violoncello-C. Ashley (Dryden's Ode); See the conquering hero-Chorus; March (Judas Maccabaeus)-; Vo sol cando-Mrs Dussek (Vinci); Together let us range-Incledon, Mrs Second (Solomon, by Boyce); Gloria Patri-Chorus (Jubilate).

Music: End I: sonata on the Grand Piano Forte-Miss Reinagle (1st appearance in public); with accompaniment for flute and violoncello obligata-Woidner, C. Ashley; End II: concerto on violin-G. Ashley

Performances

Mainpiece Title: Zenobia

Performance Comment: Parts by: Barry, Holland, Havard, Aickin, Packer, Hurst, Mrs Barry, Mrs Hippisley, Mrs Smith, Mrs Dancer. Prologue-Holland; Epilogue-Mrs Abington; Rhadamistus-Barry; Teribazus-Holland; Pharasmanes-Aickin; Megistus-Havard; Zopiron-Packer; Zenobia-Mrs Dancer; Zelmira-Mrs W. Barry; Tigranes-Hurst; Attendants-Mrs Hippisley, Mrs Smith (Genest, V, 164).
Cast
Role: Rhadamistus Actor: Barry
Role: Zelmira Actor: Mrs W. Barry

Afterpiece Title: The Virgin Unmasked

Event Comment: HHopkins MS Memorandum Book: Mrs Barry sent word she was so ill she could not come out for the Pageant [The Jubilee]. If she did she could not play in the Mourning Bride on Monday. I waited on her by the manager's orders & told her they would excuse her playing on Monday if she would come out & do her part in Pageant; & as it was a thing of great consequence to them, they desir'd and expected as she had begun it [as the Tragic Muse] that she would continue it as long as she was able. Her answer was, that as they seem'd to think it of such consequence she would come out & do it tonight & Monday night, but after that desir'd to be excus'd from do[ing] it. On Tuesday Morning Mr Barry sent a note that Mrs Barry was ill in her Bed & could not come out till she was better. Tancred & Sigismunda was call'd, and I did not receive the note till the rehearsal was begun. I also on Saturday deliver'd a message to Mrs Barry from Mr Garrick that he would never ask her to play in anything in which he was particularly interested. Her answer was that was in his Rage. But if his mind should alter, she was ready and willing to do anything he would desire her to do
Event Comment: Mainpiece: Never perform'd. New Scenes and Dresses (playbill). This Comedy was written by Mr Obrien. It was very much hiss'd from the 2d Act & with the greatest difficulty we got thro' the Play amidst Groans hisses &c. They would not Suffer it to be given out again. After many Altercations between the Audience Mr G. & Mr King by the Author's Consent the Play was withdrawn (Hopkins Diary). [Macmillan's note from Kemble briefer. See long review of The Duel in British Theatre article, London Magazine, Dec. 1772, and Town and Country same month.] Paid Mr Scott (c[opper] laceman) #83 9s.; Mr Waller (hosier) #17 18s. 6d.; Mr Hatsell (mercer) #80 19s.; Mr Barrow & Co. for oil, #45 13s.; Mr Cropley (linen draper) #73 14s.; Mr Cubitt (tinman) #15 19s. (Treasurer's Book). Receipts: #241 4s. (Treasurer's Book)

Performances

Mainpiece Title: The Duel

Performance Comment: Parts by Barry, King, Reddish, Weston, Moody, Brereton, Davies, Wright, W. Palmer, Griffith, Mrs Hopkins, Miss Jarratt, Mrs Bradshaw, Miss Younge, Mrs Barry. Prologue-; Epilogue-; Melville-Barry; Hargrave-King; Young Melville-Reddish; Servant to Sir Dermont-Weston; Sir Dermot O'Leinster-Moody; Barfort-Brereton; Servant to Young Melville-Wright; other servants (?)-Davies, W. Palmer, Griffith; Lady Margaret Sinclair-Miss Younge; Mrs Melville-Mrs Hopkins; Miss Melville-Miss Jarratt; Mrs Jones-Mrs Bradshaw; Maria-Mrs Barry (Genest, V, 342, MacMillan.)
Cast
Role: Melville Actor: Barry
Role: Maria Actor: Mrs Barry

Afterpiece Title: The Old Maid

Event Comment: The United Company. This performance is on the L. C. list, 5@149, p. 368: The Queene a Box, and a Box for the Maids of Honor at the Spanish Fryer. See also Nicoll, Restoration Drama, p. 352. A warrant, dated 8 June 1689, L. C. 5@149, p. 154 (see Nicoll, Restoration Drama, p. 356), calls for a payment of #25 to Mrs Barry and presumably represents payment for this performance. Daniel Finch, ca. June 1689: The only day Her Majesty gave herself the diversion of a play, and that on which she designed to see another, has furnished the town with discourse for a month. The choice of the play was the Spanish Fryar, the only play forbid by the late K@@. Some unhappy expressions, among which those that follow, put her in some disorder, and forc'd her to hold up her fan, and often look behind her and call for her palatine and hood, and any thing she could next think of, while those who were said. (Sir John Dalrymple, Memoirs of Great Britain [London, 1771-88], in the pit before her, whenever their fancy led them to make any application of what was Volume II, Appendix, Part II, pp. 78-80.) Henry Purcell's new setting for whilst I with grief did on you look may have been made by this date. It is in Deliciae Musicae, 1695

Performances

Mainpiece Title: The Spanish Fryar

Event Comment: Benefit for Clarke. Mainpiece: Not acted these 8 years. [See 22 March 1750.] No building on the Stage. Receipts: #49 4s. 6d. Charges: #63. Deficiency covered by #114 14s. from tickets (boxes 160; pit 394; gallery 156). Rec'd from John Rich, #300, being part of the sum paid Mrs Finny on account of the New Building. Paid out for sundries from the theatres and sum, to Barry and Lee, #284 14s. (Account Book)

Performances

Mainpiece Title: Anna Bullen Or Virtue Betrayed

Afterpiece Title: The Englishman Returned from Paris

Ballet: JJudgment of Paris. As17580407

Dance: JJovial Coopers, as17571107

Music: By Desire, a piece onthe Welch Harp-Roberts

Event Comment: MMr Woodward has enter'd into partnership with Mr Barry in a new Theater in Ireland & has taken from us Mr Walker and Wife (Miss Minors that was) Mr Vernon, Mr Jefferson and Wife-from Mr Rich, Mr Arthur, Mr White, Mr Chambers, Mr Finny (his Scene-man) & others (Cross). Receipts: #120 (Cross); #128 15s. (Winston MS 8). Places for Boxes to be had of Mr Varney at the stage door. No admittance behind scenes, nor any money returned after the Curtain is drawn up. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. [This notice regularly occurs at foot of bill and will not be noted further this season. The box receipts recorded from Winston MS 8 seem to have been taken by him from the Huntington Library playbills (second set) annotated by J. P. Kemble from a Treasurer's Book.] Letter to Mr G@k on Opening of the Theatre, With Observations on Managers, Actors, Authors, and their Audiences and Particularly New Performers. 6d. Published by Cooke opposite Drury Lane Theatre. [It is a plea for more frequent appearances of Garrick, especially in lighter parts, now that Woodward has left; for especially good plays on Saturday nights; for striking from the repertoire all immoral, immodest and cruel plays; for being a sport about competition with Rich; for better regulation of the boxes, on a first-come, first-pay basis; for training up the most promising young actors gradually and not casting them in parts beyond their reaches; for more new plays; and for an advisory council in selecting them; for omission of personal satirical attacks in comedy.

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Anatomist

Dance: I: A comic Dance call'd The German Hunters-Master Settree, Miss Twist

Performances

Mainpiece Title: The Manager In Distress

Performance Comment: Bustleton-Palmer; Manager-Aickin; Gentleman in Balcony-Bannister Jun.; Easy-R. Palmer; Irishman in the Pit-Egan; Prompter-Davis; Actresses-Miss Hale, Mrs Poussin, Miss Francis; Caller-Mrs Love; Ladies in Upper Boxes-Mrs Lefevre, Mrs W. Palmer; Lady in Balcony-Mrs Webb .

Afterpiece Title: Summer Amusement

Afterpiece Title: Seeing is Believing A Dramatic Proverb

Performance Comment: Principal Characters by Parsons, Baddeley, R. Palmer, Bannister Jun.; Mrs Lloyd, Miss Morris. [Cast from Larpent MS 633 : Sir Credule-Parsons; Sceptic-Baddcley; Capt. Nightshade-R. Palmer; Simon-Bannister Jun.; Porter-Kenny; Kitty-Mrs Lloyd; Miss Di-Miss Morris.] hathi. hathi.
Cast
Role: Simon Actor: Bannister Jun.

Dance: As17830610

Performances

Mainpiece Title: The Manager In Distress

Performance Comment: Bustleton-Palmer; Manager-Aickin; Gentleman in the Balcony-Bannister Jun.; Easy-R. Palmer; Irishman in the Pit-Booth; Prompter-Gardner; Actresses-Miss Hale; Mrs Poussin, Miss Francis, Mrs Lefevre; Caller-Mrs Love; Lady in the Balcony-Mrs Webb .

Afterpiece Title: Lord Russel

Performance Comment: Russel-Palmer; Cavendish-Bannister Jun.; Charles the Second-Aickin; Duke of York-Williamson; Spencer-Davies; Lieutenant-Usher; Bedford-Bensley; Lady Margaret Russel-Mrs Inchbald; Lady Russel-Miss Woollery .
Cast
Role: Cavendish Actor: Bannister Jun.

Afterpiece Title: The Son in Law

Performance Comment: Principal Characters by Parsons, Edwin, Davies, Baddeley, R. Palmer, Barrett, Bannister; Mrs Bannister. [Cast adjusted from playbill of 29 June 1786: Cranky-Parsons; Bowkitt-Edwin; Bouquet-Davies; Vinegar-Baddeley; Idle-R. Palmer; Mum-Barrett; Arionelli-Bannister; Cecilia-Mrs Bannister.] hathi. hathi.
Cast
Role: Arionelli Actor: Bannister
Role: Cecilia Actor: Mrs Bannister.

Performances

Mainpiece Title: The Manager In Distress

Performance Comment: Bustleton-Palmer; Manager-Aickin; Gentleman in the Balcony-Bannister Jun.; Easy-R. Palmer; Irishman in the Pit-Booth; Actresses-Miss Brangin, Mrs Poussin, Miss Francis, Miss Palmer; Caller-Mrs Love; Lady in the Balcony-Mrs Webb .

Afterpiece Title: Fatal Curiosity

Performance Comment: Young Wilmot-Palmer; Randal-Bannister Jun.; Eustace-R. Palmer; Old Wilmot-Bensley; Agnes-Mrs Bates; Maria (with a song in character)-Miss Burnett; Charlotte-Mrs Bulkley .
Cast
Role: Randal Actor: Bannister Jun.

Afterpiece Title: The Son in Law

Performance Comment: Cranky-Parsons; Bowkitt-Edwin; Bouquet-Davies; Vinegar-Baddeley; Mum-Barrett; John-Swords; Idle-R. Palmer; Arionelli-Sga Sestini (1st appearance in that character); Dolce-Mrs Poussin; Cecilia-Mrs Bannister .
Cast
Role: Cecilia Actor: Mrs Bannister