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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Bannister Half past six went into ye Pit to see Barry"/1) | (@(roleclean,performerclean) "Bannister Half past six went into ye Pit to see Barry")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6841 results for: Keyword - Bannister</i>.] Half past six went into ye Pit to see $Barry
We found 4327 matches on Event Comments, 3001 matches on Performance Comments, 405 matches on Performance Title, 2 matches on Author, and 0 matches on Roles/Actors.

5126
17 March 1785 @ King's Theatre

Event Comment: Benefit for Mme Rossi. Tickets, half a guinea each, to be had of Mme Rossi, No. 33, Pall-mall. 2nd ballet: With Grand Chorusses; the original Music by Matthew Locke is entirely preserved; the rest partly new [by Barthelemon], partly compiled from the most favourite Scotch Airs. "We cannot think last night's effort among the most successful . . . Lepicq and Rossi were the Macbeth and Lady--and considering the narrow boundaries of their art, which is tongue-tied, they discoursed 'with most miraculous organs.' Still, however, the whole of the material questions of the scene were agitated with all the disadvantages of contrast with comparative inefficience" (Public Advertiser, 18 Mar.)

Performances

Mainpiece Title: Il Curioso Indiscreto

Performance Comment: Cast not listed, but see17841218 .

Dance: End of Act I Divertissement, as17850224, with The Cossack; End of Opera a new Heroic Ballet (1st time; composed by Lepicq) founded on Shakespeare's Historical Play of Macbeth by Lepicq, Angiolini, Nivelon, Mme Rossi, Slingsby, Frederic, Sga Angiolini, Mlle Dorival. The Vocal Parts by Tasca, Franchi, Bartolini; Sga Dorta, &c. The Ballet to conclude with The Caledonian Reel

5127
07 April 1785 @ King's Theatre

Event Comment: Benefit for Mlle Dorival. Tickets, half a guinea each, to be had of Mlle Dorival, No. 127, Pall-mall

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I an entirely new Ballet, L'Amour Soldat, in which a new Minuet and Gavot by Mlle Dorival and Lepicq, and in the second part of the ballet a Pas de Deux [Trois?] by Mlle Dorival in Man's Cloaths, Lepicq, Mme Rossi; End of Opera Don Juan; or, The Libertine Destroyed [performers not listed; this was perhaps another version of Il Convitato di Pietra(see17850312

Performance Comment: ] by Mlle Dorival in Man's Cloaths, Lepicq, Mme Rossi; End of Opera Don Juan; or, The Libertine Destroyed [performers not listed; this was perhaps another version of Il Convitato di Pietra(see17850312 .

5128
14 April 1785 @ King's Theatre

Event Comment: Benefit for Lepicq. Tickets, half a guinea each, to be had of Lepicq, No. 33, Pall-mall. "On machinery at this Theatre the less stress is laid the better. The boat, of which, had it been good, there was too much use, was very far from good. The representation of Lepicq swimming transgressed as little the commandment. And as to the ascent of Lepicq in the bucket, that was so badly managed as to put us in heart-felt trepidation . . . The Rivali Delusi was cut very properly by omitting the under singers' airs; yet the curtain did not drop till midnight" (Public Advertiser, 16 Apr.)

Performances

Mainpiece Title: I Rivali Delusi

Performance Comment: Cast not listed, but see17850104.

Dance: Preceding the Opera an entire new Ballet, composed by Lepicq, the subject taken from a much admired French Opera, Les Amours d'Ete [performers not listed, but Public Advertiser, 16 Apr. makes mention of Lepicq and Mme Rossi]; End of Act I Robin Gray, with the Scotch Reels [performers not listed, but see17850421]; End of Opera Il Convitato di Pietra [performers not listed, but see17850312 in which a Minuet by Lepicq and Mme Rossi

Performance Comment: makes mention of Lepicq and Mme Rossi]; End of Act I Robin Gray, with the Scotch Reels [performers not listed, but see17850421]; End of Opera Il Convitato di Pietra [performers not listed, but see17850312 in which a Minuet by Lepicq and Mme Rossi .

5129
21 April 1785 @ King's Theatre

Event Comment: Benefit for Slingsby. Tickets, half a guinea each, to be had of Slingsby at his house, No. 34, Upper Seymour-street, Portman-square

Performances

Mainpiece Title: Artaserse

Performance Comment: Artabano-Babbini. No other parts listed, but see17850416.
Cast
Role: Artabano Actor: Babbini. No other parts listed, but see17850416

Dance: End of Act I Robin Gray, with a set of new Caledonian Reels, by Lepicq, Mme Rossi, Slingsby, and a Pas de Quatre by Nivelon, Frederic, Sga Angiolini, Mlle Dorival; End of Opera The Deserter [performers not listed, but see17850111]

Song: Opera: With some of the most approved Airs of Handel by Babbini, Crescentini, Sga Ferrarese

5130
28 April 1785 @ King's Theatre

Event Comment: Benefit for Tasca and Sga Rachele Dorta. Tickets, half a guinea each, to be had of Tasca, No. 5, Great Pulteney-street, Golden-square; of Sga Dorta, No. 234, Piccadilly

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I A la Plus Sage [performers not listed, but see17850303 End of Opera Il Convitato di Pietra [performers not listed, but see17850312

5131
19 May 1785 @ King's Theatre

Event Comment: Benefit for Tenducci. Tickets, half a guinea each, to be had of Tenducci, No. 63, Dean-street, Soho

Performances

Mainpiece Title: Orfeo

Dance: As17850512

5132
09 June 1785 @ King's Theatre

Event Comment: Benefit for Sga Ferrarese. Sga Ferrarese, whose long and grievous Indispositions have been an Obstacle to the Success she ardently wished to obtain, cannot plead any Merit of her own, and only depends for Patronage on that well-known Liberality of a Public, equally disposed to allow for involuntary Deficiencies as to reward even an Attempt to captivate their Benevolence. Tickets, half a guinea each, to be had of Sga Ferrarese, No. 19, Oxendon Street, Hay-market

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Dance in Wooden Shoes [here entitled La Dance del Sabots], as17850303End of Opera Don Juan, as17850407

5133
25 July 1785 @ Windsor Castle Inn, King Street, Hammersmith

Event Comment: Benefit for Waldron. 1st piece: Originally written by the celebrated Monsieur de Beaumarchais, and perform'd innumerably, often at Paris; translated and adapted to the English Stage by the very ingenious Mr Holcroft, Author of several admired Dramatic and other Works; and perform'd with unbounded Applause during Half the Season last Winter at the Theatre Royal in Covent Garden. 2nd piece: Never acted here; written by Mr O'Keeffe, set to music by Mr Shield, and performed with unceasing Applause at the Theatre Royal, Covent Garden. 3rd piece: To conclude with the Representation of the Siege of Gibraltar, Elliot's Red Hot Balls, &c. Tickets to be had of Waldron, at the Cock and Magpie

Performances

Mainpiece Title: The Follies Of A Day; Or, The Marriage Of Figaro

Afterpiece Title: The Poor Soldier

Afterpiece Title: Harlequin Skeleton

5134
05 May 1786 @ Covent Garden

Event Comment: Benefit for Pope. Mainpiece: Not acted these 3 years [acted 22 Jan. 1784. Epilogue by John Wolcot (European Magazine, May 1786, p. 369)]. Afterpiece: With Additional Songs, &c., as 28 Apr. Morning Herald, 18 Apr.: Tickets to be had of Pope at his house, Half-Moon Street, Piccadilly. "There is a mellow richness in [Pope's] voice superior to any other performer on the stage" (Candid Strictures, p. 47). Receipts: #255 16s. 6d. (156/13/0; 2/14/6; tickets: 96/9/0) (charge: #105)

Performances

Mainpiece Title: Zenobi A

Afterpiece Title: The April Fool

Cast
Role: Fanny Actor: Mrs Bannister.

Dance: End of Epilogue, as17860504

5135
13 May 1786 @ King's Theatre

Performances

Mainpiece Title: Virginia

Performance Comment: Announced, but not performed. "On Saturday night the opera was that King's scene of confusion and distress that no serious opera, with all its cantabile faintings, rapes, battles and murders ever produced. On the drawing up of the curtain it was not a Roman legion in marshal array that caught the eye. No, it was a corps of the sons of the feather and fashionâ??British bucksâ??British beaus . . . Off! Off! was the cry from every part of the house. To this admonishing shout they were all Atlases ... By no efforts could the opera be put in train. The manager and his friends exerted themselves in vain to appease the fury ... This scene of tumult and disorder continued for upwards of three hours and a half, when the audience retreated, some discontented, and others more pleased than ever they were at a regular entertainment" (Morning Herald, 15 May) .

5136
01 February 1787 @ Drury Lane Theatre

Event Comment: Paid One Half Yrs Land Tax #48 2s. 4d. Receipts: #264 18s. (249.1.0; 15.12.6; 0.4.6)

Performances

Mainpiece Title: Cymbeline

Cast
Role: Guiderius Actor: Barrymore

Afterpiece Title: The First Floor

Cast
Role: Tim Tartlett Actor: Bannister Jun.

Dance: End III: As17870113

Song: II: [Dr Cooke]'s Glee, Hark! the Lark at Heav'n's Gate sings-Dignum, Williames, Danby, Master Clarke

5137
16 February 1787 @ Drury Lane Theatre

Event Comment: Paid House and Window Tax one half Yr. #56 13s. 8d. Receipts: #113 16s. 6d. (62.9.0; 48.2.6; 3.5.0)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The First Floor

Cast
Role: Tim Tartlett Actor: Bannister Jun.

5138
22 March 1787 @ King's Theatre

Event Comment: Benefit for Mme Perignon. Tickets, half a guinea each, to be had of Mme Perignon, in the Court, No. 83, Pall-mall. Receipts: not listed

Performances

Mainpiece Title: Virginia

Performance Comment: See17870417, but Icilius-Rubinelli; Virginia-Mme Mara.

Dance: End I: a new Divertissement in the Pastoral Style, La Jardiniere-; in which a new Pas de Trois-Goyon, Mlle Mozon, Mme Perignon; End Opera: an entirely new ballet, composed by Hus, Sylvie-Goyon, Gricourt, Laborie, Mlle Mozon, the two Miss Simonets, Mme Perignon

5139
26 March 1787 @ Covent Garden

Event Comment: Benefit for Mrs Pope. Mainpiece: In Act I Banquetv. [In Act IV] the Procession from the Abbeyv, at the Coronation of Anne Bullen . To conclude with the Ceremonial of a Royal Christeningv. Public Advertiser, 9 Mar.: Tickets to be had of Mrs Pope at her house in Half-moon-street, Piccadilly. Receipts: #289 8s. (202.6; 2.1; tickets: 85.1)

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: Rosina

Cast
Role: Dorcas Actor: Mrs Pitt

Song: III: song-Mrs Kennedy

5140
26 April 1787 @ King's Theatre

Event Comment: Benefit for Sga Sestini. Tickets, half a guinea each, to be had of Sga Sestini, No. 36, Mount-street, Grosvenor-square. Receipts not listed

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: As17870329

5141
27 April 1787 @ Covent Garden

Event Comment: Benefit for Pope. Afterpiece: Not acted these 7 years [not acted since 1 Feb. 1777]. Public Advertiser, 11 Apr.: Tickets to be had of Pope at his house in Half-moon-street, Piccadilly. Receipts: #207 4s. 6d. (132.6.0; 2.1.6; tickets: 72.17.0)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: High Life below Stairs

Dance: End: Leap Year, as17870425; II afterpiece: a Mock Minuet-Ryder, Mrs Pope

Song: II: a Glee-King, Darley, Mrs Martyr, Mrs Kennedy

5142
13 December 1787 @ Covent Garden

Event Comment: Paid One-half Years Land Tax #84 2s. 6d. Receipts: #228 19s. 6d. (224.15.6; 4.4.0)

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: The Midnight Hour

Cast
Role: Governess Actor: Mrs Pitt

5143
10 March 1788 @ Covent Garden

Event Comment: Benefit for Mrs Pope. [Author of Epilogue unknown.] Public Advertiser, 25 Feb.: Tickets to be had of Mrs Pope at her house, Half-moon-street, Piccadilly. Receipts: #312 12s. 6d. (216.12.6; 9.8.0; tickets: 86.12.0)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Comus

Cast
Role: Pastoral Nymph Actor: Mrs Mountain

Dance: As17880301

Song: In afterpiece: Sweet Echo-Mrs Billington; accompanied on the hautboy-W. Parke

Entertainment: Monologue. End: an Occasional Epilogue-Mrs Pope

5144
18 April 1788 @ Covent Garden

Event Comment: Benefit for Pope. "Desdemona was happily pourtrayed by Mrs Pope, particularly...her manner of receiving the blow from Othello, by shewing she felt it as for the loss of her husband's affection rather than the indignity offered her sex" (Public Advertiser, 21 Apr.). Public Advertiser, 31 Mar.: Tickets to be had of Pope at his house in Half-Moon Street, Piccadilly. Receipts: #184 9s. 6d. (125.10.0; 3.13.6; tickets: 55.6.0)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Poor Soldier

Dance: As17880301

5145
28 March 1789 @ Covent Garden

Event Comment: Benefit for Mrs Pope. Public Advertiser, 23 Mar.: Tickets to be had of Mrs Pope at her house, Half-moon-street, Piccadilly. Receipts: #267 12s. (178.4.6; 3.13.6; tickets: 85.14.0)

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Maid of the Oaks

Dance: In I afterpiece: Dance-Byrne, Mrs Ratchford, Mrs Goodwin

Entertainment: Monologue. End: Occasional Address-Mrs Pope

5146
12 May 1789 @ Covent Garden

Event Comment: Benefit for Pope. Mainpiece: Grand Triumphal Entryv, as 28 Apr. Public Advertiser, 9 May: Tickets to be had of Pope, Half-moon-street, Piccadilly. For the remainder of the Season the Doors to be opened at 5:30, and to begin at 6:30. Receipts: #138 18s. (80.18.6; 9.4.6; tickets: 48.15.0)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: Love in a Camp

Dance: End: Mirth by Moonshine-[, as17890113

5147
27 December 1790 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time: P 1, by Roger Johnston. Not in Larpent MS; synopsis of action in World, 28 Dec.)]: The new Scenes designed and executed by Greenwood. Books of the Songs with a Description of the Pantomime [C. Lowndes, 1790] to be had at the Theatre. The Pantomime being partly compiled, Half Price will be taken. Receipts: #273 5s. (234.17.0; 35.11.6; 2.16.6)

Performances

Mainpiece Title: The Haunted Tower

Cast
Role: Edward Actor: Bannister Jun.

Afterpiece Title: The Fairy Favour; or, Harlequin Animated

Dance: Afterpiece conclude: Dance of Fairies and Pantomimic Characters-Hamoir, the young D'Egvilles, Miss Blanchet, Miss DeCamp. [This was danced, as here assigned, in all subsequent performances.

5148
11 April 1791 @ Covent Garden

Event Comment: Benefit for Mrs Pope. Public Advertiser, 22 Mar.: Tickets to be had of Mrs Pope at her house in Half Moon-street, Piccadilly. Receipts: #306 12s. (190.13.6; 10.0.6; tickets: 105.18.0)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: High Life below Stairs

Dance: As17901204

5149
14 April 1791 @ Pantheon, Oxford Street

Event Comment: Benefit for Mme Mara. A new Grand Serious Opera, composed by Sarti. Under the direction of Mazzinghi. With new Scenes, Dresses, and Decorations. Tickets, half a guinea each, to be had of Mme Mara, No. 25, Queen Ann-street, East

Performances

Mainpiece Title: Idalide

Dance: End I: Amphion et Thalie, as17910409nd Opera: Telemachus in the Island of Calypso [See17910322

Song: additional Songs-Mme Mara; accompanied by the Pedal Harp-

5150
26 March 1792 @ Covent Garden

Event Comment: Benefit for Mrs Pope. Mainpiece: Not acted these 20 years [not acted since 12 Mar. 1771]. Afterpiece [1st time; F 2, by Andrew Franklin]. Morning Chronicle, 5 Mar.: Tickets to be had of Mrs Pope at her house, Half-Moon-street, Piccadilly. Receipts: #272 14s. (151.14; 5.3; tickets: 115.17) (charge: #105)

Performances

Mainpiece Title: Medea

Afterpiece Title: The Mermaid