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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Bannister Half past six went into ye Pit to see "/1) | (@(roleclean,performerclean) "Bannister Half past six went into ye Pit to see ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6189 results for: Keyword - Bannister</i>.] Half past six went into ye Pit to see $<span class=
We found 4169 matches on Event Comments, 2324 matches on Performance Comments, 405 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.

6026
28 December 1778 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain, Mainpiece: Altered from the Original [Woman is a Riddle, by Christopher Bullock. Not in Larpent MS; not published]. 2nd piece [1st time; M. INT I, author unknown. MS not in Larpent; not published]. 3rd piece: Written by Henry Fielding, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets delivered by Davis, Wright, Mrs Lefevre will be admitted. Constant fires will be kept on the stage, Pit, Boxes and Galleries to air the house

Performances

Mainpiece Title: The Macaroni Adventurer; Or, Woman's A Riddle

Afterpiece Title: Fashionable Love; or, The Happy British Tar

Afterpiece Title: The Covent Garden Tragedy

Dance: Entertainments ofDancing-

Entertainment: Monologue.End III: Imitations [Vocal and Rhetorical, never attempted, a Trumpet-a Choice Spirit [who will (to his vocal performances) accompany himself with the Symphonies (his 1st appearance on the stage [unidentified])

6027
03 March 1779 @ Haymarket Theatre

Event Comment: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 6:00. To begin at 7:00

Performances

Mainpiece Title: The Messiah

Song: End Part I: an Italian duet see17790310by Vinci Tu vuoi ch'io vivi o cara-Mrs Barthelemon, Miss Cecilia Barthelemon

Music: End Part II: concerto on the violin-Barthelemon

6028
22 March 1779 @ Covent Garden

Event Comment: Benefit for Mrs Crawford. Part of the Pit will be laid into the Boxes. Public Advertiser, 9 Mar.: Tickets to be had of Mrs Crawford, No.3, Adam-street, Adelphi

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Comus

Performance Comment: Comus-Mattocks; Spirit-L'Estrange; Bacchanal-Reinhold; The Lady-Mrs Jackson; Bacchants-Mrs Morton, Miss Ambrose; Sabrina, Pastoral Nymph-Miss Brown; Euphrosyne (with Sweet Echo, assisted by Leoni)-Mrs Kennedy.
Cast
Role: Pastoral Nymph Actor: Miss Brown

6029
24 March 1779 @ Drury Lane Theatre

Event Comment: Receipts: #280 13s. (278.14; 1.19). [Account-Book itemizes as follows: Boxes held 170 at #89 5s.; Pit 286 at #71 10s.; 1st Gallery 526 at #92 1s.; 2nd Gallery 259 at #25 18s.-a total of 1,241 spectators.

Performances

Mainpiece Title: The Messiah; Judas Maccabaeus

Music: As17790303

6030
05 April 1779 @ Drury Lane Theatre

Event Comment: Benefit for Miss Pope. Afterpiece [1st time; F 2, by James Cobb, based on La Fausse Suivante; ou, Le Fourbe Puni, by Pierre Carlet de Chamblain de Marivaux. Prologue by the author (Knapp, 117). Larpent MS 476; not published. In 1780 this was acted at the hay as The Female Captain]. Part of the Pit will be laid into the Boxes. Public Advertiser, 15 Mar.: Tickets to be had of Miss Pope, Little Russel-street, Covent Garden. Receipts: #202 10s. (54.14; 17.6; 1.12; tickets: 128.18) (charge: #65 17s. 2d.)

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Contract; or, The Female Captain

6031
26 May 1779 @ Drury Lane Theatre

Event Comment: Benefit for Dickinson, pit office-keeper, and Carleton Jun., box lobby door-keeper. [Afterpiece in place of The Irish Widow, announced on playbill of 25 May.] Morning Chronicle, 18 May: Tickets to be had of Dickinson, No. 5, Wild-court, Wild-street, Lincoln's-Inn-Fields [Carleton not listed]. Receipts: #280 3s. 6d. (26.1.0; 6.9.0; 0.18.6; tickets: 246.5.0) (charge: #105)

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Lyar

Dance: End: Hornpipe, as17790521

6032
31 May 1779 @ Haymarket Theatre

Event Comment: Mainpiece: Written by Beaumont and Fletcher [and altered by George Colman elder]. The Music by Purcell. New Scenes, Dresses and Decorations. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice at the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Servants to keep places are to be at the Door in Suffolk-street by Five o'Clock

Performances

Mainpiece Title: Bonduca

Afterpiece Title: Nature Will Prevail

Dance: End: The Provencale-Master and Miss Byrn

6033
18 September 1779 @ Drury Lane Theatre

Event Comment: Mainpiece: With alterations [by David Garrick]. "The managers, to our astonishment, continue to play with Garrick's alterations. [The original play] is materially injured by those which Garrick adopted in compliance to the French criticks" (Morning Chronicle, 20 Sept.). [For a summary of these alterations see my Shakespeare in the Theatre, II, 188-89.] Boxes 5s. Pit 3s. Ist Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Fosbrook, at the Stage-door. No Money to be taken at the Stage-Door, nor any Money returned after the Curtain is drawn up. The Doors to be opened at 5:30. To begin at 6:30 [see 30 Oct.]. Receipts: #174 6s. 6d. (135.1.0; 38.17.6; 0.8.0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Comus

Performance Comment: Comus-Webster; 1st Spirit-Aickin; Brothers-Farren, R. Palmer; Principal Bacchanals-Davies; The Lady-Mrs Sharp; Pastoral Nymph-Miss Collett; Sabrina-Miss Field; Principal Bacchant, Euphrosyne-Mrs Wrighten; with song Sweet Echo-Mrs Wrighten.
Cast
Role: Pastoral Nymph Actor: Miss Collett

6034
20 September 1779 @ Covent Garden

Event Comment: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. No Persons admitted behind the Scenes, nor any Money returned after the Curtain is drawn up. Places for the Boxes to be taken of Brandon (only) at the Stage-Door. The Doors to be opened at 5:30. To begin at 6:30 [see 1 Nov.]. Receipts: #132 14s. (131.15.6; 0.18.6)

Performances

Mainpiece Title: King Henry The Fifth

Performance Comment: King Henry-Wroughton; Abp. of Canterbury-Hull; Exeter-L'Estrange; Bedford-Philimore; Ely-Thompson; Captain Mac@Morris-Egan; Burgundy-Robson; Williams-Booth; Gower-Norris; French Soldier-Wewitzer; Montjoy-Baker; Boy-Miss Francis; Captain Fluellin-Wilson; Pistol-Quick; King of France-Fearon; Dauphin-Whitfield; High Constable-Clarke; Queen of France-Mrs Poussin; Hostess-Mrs Pitt; Catherine-Mrs Whitfield; Chorus-Hull.
Cast
Role: Hostess Actor: Mrs Pitt

Afterpiece Title: The Invasion

Performance Comment: Sir John Evergreen-Quick; Charles-Whitfield; Beaufort-Robson; Drill-Wewitzer; Tattoo-Brunsdon; Roger-Egan; Cameleon-Lee Lewes; Brussels-Mrs Pitt; Emily-Mrs Morton; Sally-Mrs Willems; Lady Catherine-Mrs Green.
Cast
Role: Brussels Actor: Mrs Pitt

6035
18 October 1779 @ Haymarket Theatre

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for Davis. 1st piece: Altered from [The Soldier's Fortune, by] Otway, by John Brownsmith. [not in Larpent MS; not published.] 2nd piece: A Poetical Interlude altered from Prior's Nut-brown Maid. 3rd piece: Altered to 3 acts. [Prologue by Shatford Jones. Author of Epilogue unknown. For authorship of 1st piece and prologue see Morning Chronicle, 25 Oct.] Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30. Tickets delivered for Davis and Wright will be admitted

Performances

Mainpiece Title: The Touchstone Of Invention; Or, The Soldier's Fortune

Afterpiece Title: Henry And Emma

Afterpiece Title: The Busy Body

Dance: 2nd piece: With a Hornpipe-Lonsdale

Song: End I: two part song, Damon and Clora-Leach, Miss Mitchell (1st appearance); End III: My sweet pretty Mogg-Wright

6036
27 November 1779 @ King's Theatre

Event Comment: A new Serious Opera [1st time; SER 3, by Pietro Metastasio; a pasticcio]. The Music by various eminent Composers [Anfossi, Myslivecek and Piccinni]. Amongst them several airs by Handel. Under the Direction of Bertoni. With entire new Scenes, Dresses and Decorations, both for the Opera and Dances. Pit 10s. 6d. 1st Gallery 5s. and 2nd Gallery 3s. By Their Majesties' Command no Person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin at 7:00 [same throughtout season]. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their Servants to set down and take up with their Horses Heads towards Pall-mall. The Door in Market Lane for Chairs only. To prevent mistakes, Ladies who have not sent the names of the Subscribers to their Boxes are particularly requested to send them as early as possible to Johnson, at the office of the Theatre, in order to [permit] their Tickets being engraved. Subscriptions are received by Johnson in Union Court, Hay Market

Performances

Mainpiece Title: Alessandro Nelle Indie

Performance Comment: Principal Characters by Pacchierotti, Trebbi, Manzoletto, Micheli, Sga Pozzi, Mme LeBrun. Cast from libretto (W. Mackintosh, 1779): Poro-Pacchierotti; Alessandro-Trebbi; Gandarte-Manzoletto; Timagene-Micheli; Erissena-Sga Pozzi; Cleofide-Mme LeBrun.

Dance: End I: Indian Ballet (composed by Zuchelli), adapted to the Opera-Sg and Sga Zuchelli, Henry, young Miss Simonet; End II: new Pastoral Ballet (composed by Zuchelli and Slingsby)-Slingsby, Sg and Sga Zuchelli, Sga Tantini (1st appearance in England); End Opera: Grand Serious Ballet connected with the Opera (composed by Favre Guiardele, ballet master), in which the celebrated Chaconne of Jomelli's-Slingsby, Sga Tantini, Favre Guiardele (1st appearance in England)

6037
27 December 1779 @ Haymarket Theatre

Event Comment: Permission [of the Lord Chamberlain]. Mainpiece: Written in imitation of Shakespeare by the late ingenious Dr Kenrick. Never performed there. The Characters entirely dressed in the Habits of the Times. Afterpiece: Not acted these 60 years [acted 4 Mar. 1737]. [Authors of Prologues and of Epilogue unknown.] Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:00. To begin at 6:15. Tickets delivered for M'Cready and Mrs Davis will be admitted

Performances

Mainpiece Title: Falstaff's Wedding

Afterpiece Title: The Rival Milliners; or, A Medley of Suitors

Dance: V: Lonsdale

Song: End: Blow high blow low-Colvill

6038
29 February 1780 @ Crown Inn, Lower Street (now Essex Road), Islington

Event Comment: [Mainpiece: Prologue by Richard Cumberland. Afterpiece: Prologue by George Colman, the elder.] To begin at 6:00. Pit 2s. Gallery 1s

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Bon Ton; or, High Life above Stairs

Entertainment: Monologue.End: A Sea Fight.Frenchman-Jerrold

6039
13 March 1780 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties."The croud was so great at Drury-lane playhouse, to see the young prince William in his naval uniform, that it was found necessary to throw a kind of bridge from the stage to the pit to liberate several people, who otherwise must have perished in the throng" (Gentleman's Magazine, Mar. 1780, P. 151). Receipts: #271 14s. (259.13; 9.6; 2.15)

Performances

Mainpiece Title: The Tempest

Cast
Role: Caliban Actor: Bannister

Afterpiece Title: The Quaker

Cast
Role: Steady Actor: Bannister.

Dance: I: Dance of Spirits, as17791103; III: a Dance of Fantastic Spirits, as17791103; IV: Grand New Dance, as17800228, but Sga _Crespi

6040
14 March 1780 @ Covent Garden

Event Comment: Benefit for Henderson. Ode: With the Songs, Chorusses, &c. The Music by Dr Arne. "When I recited Mr Garrick's Ode in a private room, I felt what I said, and I believe gave it some effect. Very different was it upon the stage. My feelings were weakened and confounded by the band, my voice lost its scale, and was overpowered by the music in the orchestra" (Ireland, p. 47). Public Advertiser, 26 Feb.: Tickets to be had of Henderson at his house, Great Buckingham-street, York Buildings. [His 1st appearance as Sir John Brute was at Bath, 1 Jan. 1774.] Receipts: #234 13s. 6d. (charge:#105). Account-Book notes that Henderson sold 319 tickets for the boxes and 85 for the pit, together worth #92 10s., and that tickets sold at the doors were worth #142 3s. 6d

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: An Ode by Garrick

Dance: As17790922

6041
26 May 1780 @ Covent Garden

Event Comment: Benefit for Brereton, Longley, Colley & Robson, pit-door keeper. Tickets delivered by Stephenson, Robinson, Varley, W. Ansell, Smallwood and Shuter will be admitted this Evening. [This was Mrs Green's last appearance on the stage.] Receipts: #207 3s. 6d. (17.17.6; 1.9.0; tickets: 187.17.0)

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Deaf Lover

Dance: As17800414

6042
18 September 1780 @ Covent Garden

Event Comment: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. No Persons admitted behind the Scenes, nor any Money returned after the Curtain is drawn up. Places for the Boxes to be taken of Brandon (only) at the Stage-Door. The Doors to be opened at 5:30. To begin exactly at 6:30 [see 23 Oct.]. Receipts: #144 1s. 6d. (142.0.6; 2.1.0)

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Deaf Lover

Dance: End IV: Dance of Sailors-Langrish

6043
30 October 1780 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. [1st time; M.ENT 3, by George Alexander Stevens. Larpent MS 533; not published. Songs published by R. Snagg, 1780.] The Overture, most of the Airs [see 6 Nov.], and Decorations entirely new. Ne Quid Nimis; or, Too much of one Thing is good for Nothing. Boxes 5s. Pit 3s. Gallery 2s. The Public are respectfully informed that the Upper Gallery will not be opened. The Doors to be opened at 6:00. To begin at 7:00. The Songs, written by G. A. Stevens, are to be had at the Theatre

Performances

Mainpiece Title: The Cabinet Of Fancy; Or, Evening Exhibition

Performance Comment: [Consisting of variety of Paintings, serious and comic; Satirical, Portrait and Caricature Designs; Emblematical, Pantomimical, Farcical and Puppet-showical Representations, mostly Transparency. Instead of delivering a Catalogue, the Designs will be explained by at present an unknown Artist see I Nov.]. As the Time of viewing the Exhibition is limited, and as it is the wish to render it as amusing as possible, an excellent band of Music will be provided for the entertainment of the Spectators. In the course of the explanation of the Pictures several Songs will be introduced.. As the Time of viewing the Exhibition is limited, and as it is the wish to render it as amusing as possible, an excellent band of Music will be provided for the entertainment of the Spectators. In the course of the explanation of the Pictures several Songs will be introduced.
Cast
Role: Farcical and Puppet Actor: showical Representations, mostly Transparency. Instead of delivering a Catalogue, the Designs will be explained by at present an unknown Artist see I Nov.

6044
25 November 1780 @ King's Theatre

Event Comment: A new Comic Opera; the Music by several celebrated Composers [chiefly Scolari], and conducted Ii.e. arranged] by Bianchi. With new Scenes, new Dresses and Decorations. Public Advertiser, 27 Nov.: L'Arcifanfano was performed for the first time on Saturday, and universally disapproved of. It will not be repeated Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. By Their Majesties' Command, no Person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season, except for L'Omaggio (see 5 June 1781)]. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their Horses' Heads towards Pall-mall. The Door in Market Lane for Chairs only

Performances

Mainpiece Title: L'arcifanfano

Dance: End I: New Ballet-Sg and Sga Zuchelli, Sga Crespi; End II: new ballet, composed by Simonet, The Fortunate Escape-Slingsby, Sga Tantini, Sga Crespi, Mme Simonet; End Opera: new ballet, composed by Simonet, The Country Gallant-, in which Mme Simonet, will dance in Men's Cloaths with Sga Tantini, Sga Crespi, Sg and Sga Zuchelli

6045
19 March 1781 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Crawford. Part of the Pit will be laid into the Boxes. Mainpiece: Not acted these 3 years. Receipts: #277 0s. 6d. (128.7.0; 27.4.6; 1.4.0; tickets: 120.5.0) (charge: #68 8s. 1d.)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Irish Widow

Dance: End: The Dutch Quaker, as17810312End I afterpiece: The Irish Fair, as17800930

6046
23 March 1781 @ Covent Garden

Event Comment: Performed after the manner of an Oratorio. With the original Music [to William Macon's play] as composed by the late Dr Arne. To begin at 7:00. Boxes 7s. 6d. Pit 4s. 1st Gallery 3s. 2nd Gallery 2s

Performances

Mainpiece Title: Elfrida

Music: End Part I: concerto on the hautboy-LeBrun; End Part II: concerto on the violin-Salomon (1st public performance in this Kingdom)

Entertainment: Monologue.End Oratorio: Collins's Ode on the Passions-Henderson (Public Advertiser, 24 Mar.); , accompanied with new Airs, Chorus-Dr Arnold, under whose direction the whole Music will be conducted

6047
16 April 1781 @ Drury Lane Theatre

Event Comment: Benefit for Miss Pope. Part of the Pit will be laid into the Boxes. Receipts: #254 18s. (67.5.0; 21.14.6; 1.3.6; tickets: 164.15.0) (charge: none listed)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Camp

Cast
Role: Serjeant Drill Actor: Bannister

Dance: End: The Irish Fair, as17800930

6048
26 May 1781 @ Covent Garden

Event Comment: Benefit for Brereton, Longley, Colley & Robson, pit door-keeper. Tickets delivered by Stephenson, Robinson, Varley, W. Ansell, Smallwood, Shuter, Pilbrow will be taken. Receipts: #226 17s. 6d. (25.15.6; 3.4.0; tickets: 197.18.0)

Performances

Mainpiece Title: The Busy Body

Cast
Role: Patch Actor: Mrs Pitt

Afterpiece Title: St

Cast
Role: Bridget Actor: Mrs Pitt

6049
17 September 1781 @ Covent Garden

Event Comment: Mainpiece: Altered from Massinger. Afterpiece [1st time; MF 2, by Charles Dibdin]: Taken from The Islanders [1st acted at CG, 25 Nov. 1780]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Brandon (only) at the Stage-Door. No Persons admitted behind the Scenes, nor any Money returned after the Curtain is drawn up. The Doors to be opened at 5:30. To begin at 6:30 [see 15 Oct.]. Receipts: #185 17s. 6d. (183/11/0; 2/6/6)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Performance Comment: Lord Lovell-Lewis (1st appearance in that character); Wellborn-Wroughton; Justice Greedy-Quick; Allworth-Whitfield; Marrall-Wilson; Tapwell-Thompson; Furnace-Wewitzer; Order-Jones; Amble-Stevens; Watchall-Painter; Parson Welldo-J. Wilson; Taylor-Newton; Vintner-Ledger; Sir Giles Over-reach-Henderson; Margaret (1st time)-Miss Satchell; Froth-Mrs Pitt; Lady Allworth-Mrs Yates (1st appearance in that character) .
Cast
Role: Froth Actor: Mrs Pitt

Afterpiece Title: The Marriage Act

6050
17 November 1781 @ King's Theatre

Event Comment: A revived Serious Opera; the Music by the most eminent Composers [Bertoni, Gugliclmi, Giordani, Rauzzini, Gretry, &c], under the direction of Bertoni. With entire new scenes painted by Novosielski. New Dresses and Decorations both for the Opera and Dances. The Doors to be opened at 6:00. To begin exactly at 7:00 [see 18 June 1782]. By Command of Their Majesties no Persons to be admitted behind the Scenes. Pit 10s. 6d. 1st Gallery 5s. Upper Gallery 3s. To prevent inconvenience in getting to their carriages, the Nobility and Gentry are requested to order their servants to set down and take up with their horses' heads towards Pall-Mali. The Subscribers to the Opera are intreated to send their instructions to Jewell and Johnson at the Office in Union-court before the opening of the Theatre, when the final arrangement of the Boxes will take place, and those which are not retained will then be disposed of. Subscriptions to be paid on delivery of the tickets. Books of the Opera, with an account of the Pantomime Dance, to be had at the Theatre

Performances

Mainpiece Title: Ezio

Dance: End of Act I a Pastoral Dance (composed by Simonet) by Henry, Bournonville, Raymond, Sga Crespi, Mlle Dumont; End of Act II A Divertisement Dance (composed by Noverre) by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Henry. Sga Crespi, Bournonville, &c; End of Opera a new Tragi-Pantomime Ballet (composed by Noverre), Les Amans Reunis, by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Slingsby, Simonet, Henry, Bournonville, Raymond, Mlle Dumont, Sga Crespi. [Partial cast, with synopsis of action, from Morning Herald, 18 Dec: Alphonso-Gardel; Ines-Mlle Baccelli; Chief of the Island-Slingsby.]