SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "B Jonson"/1) | (@(roleclean,performerclean) "B Jonson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1048 matches on Author, 107 matches on Event Comments, 36 matches on Performance Comments, 6 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: Blue Beard

Performances

Mainpiece Title: The Will

Afterpiece Title: Blue Beard

Ballet: End: The Scotch Ghost; or, Little Fanny's Love. Jamie-Gheri (1st appearance); Glaude-Grimaldi; Saundy-Master Chatterley; Donald-Whitmell; Elpsa-Mrs Brooker; Fanny (with a Hornpipe)-Sga Bossi DelCaro

Performances

Mainpiece Title: The Castle spectre

Afterpiece Title: Of Age To morrow

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Blue Beard

Performances

Mainpiece Title: The Egyptian Festival

Afterpiece Title: The Liar

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Sultan

Song: In afterpiece: The Blue Bell of Scotland, as18000512; accompanied on the Lute, as18000512; II: song-Master Suett

Performances

Mainpiece Title: The Egyptian Festival

Afterpiece Title: The Strangers at Home

Dance: In: a favorite Pas Seul-Sga Bossi DelCaro

Event Comment: In the Prologue to The Cheats (mid-March 1663) are allusions to three plays which apparently were popular on the stage at this time: Jonson's The Silent Woman ("Sir Poll"); Jonson's The Devil is an Ass ("No little Pugge, nor Devil"); and Davenant's The Siege of Rhodes ("No tedious Sieges in the Musick-room")

Performances

Event Comment: Gift for ye Sufferers by ye fire in Cornhill (Cross). [A column and a half "Letter to the Author" appeared in the General Advertiser this day, laying historical background for Ford's Lover's Melancholy]. The history of the stage before the Restoration is like a Foreign Land, in which no Englishman had ever travelled; we know there were such things as Playhouses, and one Shakespear a great writer, but the historical traces of them are so imperfect, that the manner in which they existed is less known to us, than that of Eschylus or the theatres of Greece. For this reason, 'tis hoped that the following Gleaning of Theatrical History will readily obtain a place in your paper. 'Tis taken from a Pamphlet written in the reign of Charles I, with this quaint title, "Old Ben's Light Heart made heavy by young John's Melancholly Lover"; and as it contains some historical anecdotes and altercations concerning Ben Johnson, Ford, Shakespear, and the Lover's Melancholy it is imagined that a few extracts from it at this juncture, will not be unentertaining to the Public. [The substance of the remainder retails Jonson's critical cantankerousness and his wounded pride at the failure of the New Inn, quoting some epigrams made at Jonson's expense on his allegation that Ford was a plagiary. This second "puff" for the play, presumably also written by Macklin, formed the basis for a Steevens-Malone controversy late in the century, centering on the existence or nonexistence of the pamphlet referred to by Macklin as "Old Ben's Light Heart made Heavy, &c." A summary account of the evidence appears in the Dramatic Works of John Ford, by Henry Weber (Edinburgh, 1811) I, Intro. XVI, XXXI.] Receipts: #210 (Cross); #208 1s. (Powel)

Performances

Mainpiece Title: King Lear And His Three Daughters

Afterpiece Title: The Double Disappointment

Dance: Cooke, Anne Auretti, Matthews, Mrs Addison

Performances

Mainpiece Title: The Dancing Master

Performances

Mainpiece Title: Ignoramus Or The Academical Lawyer

Performances

Mainpiece Title: Loves Pilgrimage

Performances

Mainpiece Title: The Queen Of Arragon

Performances

Mainpiece Title: The Conquest Of Granada By The Spaniards

Performances

Mainpiece Title: The Spanish Rogue

Performances

Mainpiece Title: Cadmus Et Hermione

Performances

Mainpiece Title: The Injured Lovers Or The Ambitious Father

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Rover

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Achilles Or Iphigenia In Aulis

Performances

Mainpiece Title: The Perjured Husband Or The Adventures Of Venice

Performances

Mainpiece Title: Love The Leveller Or The Pretty Purchase