The London Stage Database team will be retiring the Legacy Search on May 1, 2025. Please take a moment before that date to reproduce any pre-2021 searches and export any resulting datasets you may wish to preserve for future use. We are making this change in order to free up computational resources for new features and data, currently in development with support from the National Endowment for the Humanities. Watch this space for more updates and, coming soon, new ways to keep up with the latest project developments!
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Aug"/1) | (@(roleclean,performerclean) "Aug")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 501 matches on Event Comments, 106 matches on Performance Comments, 36 matches on Roles/Actors, 16 matches on Performance Title, and 0 matches on Author.

Performances

Mainpiece Title: Phaedra And Hippolitus

Afterpiece Title: The Son-in-law

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: The Son-in-law

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Barber

Related Works
Related Work: The Spanish Barber; or, The Fruitless Precaution Author(s): Pierre Augustin Caron de Beaumarchais

Afterpiece Title: The Flitch of Bacon

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: The Son-in-law

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Barber

Related Works
Related Work: The Spanish Barber; or, The Fruitless Precaution Author(s): Pierre Augustin Caron de Beaumarchais

Afterpiece Title: The Flitch of Bacon

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: The Son-in-law

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Douglas

Afterpiece Title: The Flitch of Bacon

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: The Son-in-law

Performances

Mainpiece Title: Summer Amusement

Related Works
Related Work: Summer Amusement; or, An Adventure at Margate Author(s): William Augustus Miles

Afterpiece Title: The Son-in-law

Dance: As17800615

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Suicide

Afterpiece Title: Fire And Water

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: The Son-in-law

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Suicide

Afterpiece Title: The Son-in-law

Performances

Mainpiece Title: The Spanish Barber

Related Works
Related Work: The Spanish Barber; or, The Fruitless Precaution Author(s): Pierre Augustin Caron de Beaumarchais

Afterpiece Title: The Son-in-law

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Flitch Of Bacon

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Flitch of Bacon

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Fryar

Afterpiece Title: The Son-in-law

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Son-in-law

Dance: End III: The Country Wake-; End IV: The Italian Peasants, as17800530

Song: End: the following Catches: Suppose we sing a Catch, Soldier take off thy Wine, Poor Thomas Day-Bannister, Du-Bellamy, Wood, Edwin

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Son-in-law

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Fryar

Afterpiece Title: The Female Captain

Performance Comment: Characters by Palmer, R. Palmer, Usher, Mrs Cuyler, Mrs Wilson. Cast from London Chronicle, 28 Aug.: Skip-Palmer; Dorimant-R. Palmer; Gregory-Usher; Lady Dorville-Mrs Cuyler; Miss Freeland-Mrs Wilson; Prologue-Palmer.

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Female Captain

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Son-in-law

Dance: End: As17800615

Entertainment: After the dance: a Variety of Imitations , vocal and rhetorical, and (never attempted before) several in Dialogue-Messrs Bannister

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Henry and Emma

Afterpiece Title: The Son-in-law

Dance: End 1st piece: As17800615

Event Comment: Benefit Chetwood. By Their Royal Highnesses' Command. N.B. Tickets given out for The Merry Wives of Windsor will be taken at this Play. [See Daily Post, 3 Aug., for Penkethman's celebration at Richmond on 1 Aug., the anniversary of the Hanoverian succession to the throne, and British Journal, 8 Aug., for an account of William Marshall, of lif, as an anti-Hanoverian demonstrator on 1 Aug.

Performances

Mainpiece Title: Duke And No Duke

Afterpiece Title: The Stage Coach

Dance: Drunken Man-Harper

Song:

Event Comment: The Duke's Company. Newdigate newsletters, 5 Aug. 1682: [Yesterday the] Dutchess goes to ye Dukes Theatre--that and ye Kings house haveing Joyned interests the latter being Discontinued where will be purposely Acted for her Anna Bullen being a deepe Tragedy of the beheading of the said Lady by Henry the 8th (Wilson, Theatres Notes from the Newdigate Newsletters, p. 81). See also London Mercury, 8 Aug. 1682. Juliana Brabazon to the Countess of Rutland, Aug. 1682: The Dutches of Yorke kept her bed the day after seeing Anna Bulloigne acted (HMC, 12th Report, Rutland MSS., Part V, 1889, p. 77)

Performances

Mainpiece Title: Virtue Betrayed; Or, Anna Bullen

Event Comment: The Duke's Company. Newdigate newsletters, 15 Aug. 1682: Thursday last being acted a play called the Tragedy of Romulus att the Dukes Theatre & the Epilogue spoken by the Lady Slingsby & written by Mrs Behn having reflected on ye Duke of Monmouth, ye Lord Chamberlaine thereupon has order[ed] them both in Custody to answer th[at] affront for ye same (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). See also True Protestant Mercury, 12-16 Aug. 1682, for essentially the same statement. The Prologue and Epilogue were printed separately, and Luttrell' copy (Huntington Library) bears his acquisition date of 8 Aug. 1682. They are reprinted in Wiley, Rare Prologues and Epilogues, pp. 132-34. The separately printed Prologue states that Mrs Behn also wrote it. A song, Where art thou god of love, the music by Giovanni Draghi, is in Theater of Music, The Third Book, 1686

Performances

Mainpiece Title: Romulus And Hersillia; Or, The Sabine War