SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Aston"/1) | (@(roleclean,performerclean) "Aston")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 464 matches on Roles/Actors, 224 matches on Performance Comments, 77 matches on Author, 53 matches on Performance Title, and 27 matches on Event Comments.

Performances

Mainpiece Title: Tony Aston's Medley

Performances

Mainpiece Title: Tony Aston's Medley

Performances

Mainpiece Title: Tony Aston's Medley

Performances

Mainpiece Title: Tony Aston's Medley

Performances

Mainpiece Title: Tony Aston's Medley

Performances

Mainpiece Title: Tony Aston's Medley

Performances

Mainpiece Title: Tony Aston's Medley

Performances

Mainpiece Title: Tony Aston's Medley

Performances

Mainpiece Title: Tony Aston's Medley

Performances

Mainpiece Title: Tony Aston's Medley

Performances

Mainpiece Title: Tony Aston's Medley

Performances

Mainpiece Title: Tony Aston's Medley

Performances

Mainpiece Title: Medley

Performance Comment: Tony Aston.

Song: Mrs Redding, Aston

Related Works
Related Work: Trappolin Supposed a Prince Author(s): Sir Aston Cokayne
Related Work: Trappolin, The Suppos'd Prince Author(s): Aston Cokain
Related Work: A Duke and no Duke Author(s): Aston Cokain
Related Work: Trappolin Suppos'd a Prince Author(s): Aston Cokain
Related Work: Cleora; or, The Amorous Old Shepherdess Author(s): Anthony Aston

Performances

Mainpiece Title: Medley

Performance Comment: Tony Aston.

Entertainment: Best Scenes of his comical Medley-Tony Aston; also a new Comic West-Country Pastoral, call'd, Whitsuntide-

Performances

Mainpiece Title: Aesop

Afterpiece Title: Scene of% The Spanish Fryar

Performance Comment: Tony Aston.

Song: New Song-Tony Aston in the Habit of a Fryar; other new comical songs-made this year at Tunbridge Wells

Performances

Mainpiece Title: Tony Aston's Medley: His Comical, Whimsical, Nonesuch, What D'ye Mean Medley

Event Comment: The King's Company. This play has generally been assigned to June 1669, partly on the basis of a suit--see Hotson, Commonwealth and Restoration Stage, pp. 252-53, 348-55-over a scene for it which Isaac Fuller, the scene designer, states was finished by 23 June 1669. The suit also states that the play ran for fourteen days, but it is not certain that the theatres played on consecutive days in the summer. The play has been assigned to 24 June 1669 on the basis of a letter from Charles II to Princess Henriette-Anne, dated 24 June [1669]: I am just now going to a new play that I heare very much commended (Cyril Hughes Hartmann, Charles II and Madame [London, 1934], p. 259). Elizabeth Cottington to Herbert Aston, ca. May 1669: Wee ar in expectation still of Mr Draidens play. Ther is a bowld woman [Aphra Behn (?)] hath oferd one: my cosen Aston can give you a better account of her then I can. Some verses I have seen which ar not ill; that is commentation enouf: she will think so too, I believe, when it comes upon the ptage. I shall tremble for the poor woman exposed among the critticks (Arthur Clifford, Tixall Letters [London, 1815], II, 60)

Performances

Mainpiece Title: Tyrannic Love; Or, The Royal Martyr

Performance Comment: . Edition of 1670: Prologue-; Maximin-Mohun; Porphyrius-Hart; Charinus-Harris; Placidius-Kynaston; Valerius-Lydall; Albinus-Littlewood; Nigrinus-Beeston; Amariel-Bell; Berenice-Mrs Rebecca? Marshall; Valeria-Mrs Ellen Guyn; St Catharine-Mrs Hughes; Felicia-Mrs Knepp; Erotion-Mrs Uphill; Cydnon-Mrs Eastland; Epilogue-Mrs Ellen [when she was to be carried off Dead by the Bearers; [Downes (Roscius Anglicanus, p. 10) omits some of these roles, adds Damilcar-Mrs James [and lists Mrs Boutel [who later played the role; see the edition of 1695] for St Catharine. The edition of 1686 adds: Apollonius-$Cartwright.
Cast
Role: Placidius Actor: Kynaston

Performances

Mainpiece Title: Don Carlos, Prince Of Spain

Afterpiece Title: The Cheats of Scapin

Performance Comment: Scapin-Hippisley; Sly-Salway; Loveit-Mrs Pritchard; rest by Roberts, Aston, Richardson, Blastock, Jones, Hill, Gray, Pritchard, Mrs Lacy, Mrs Charke, Mrs Salle, Mrs Dancey, Mrs Talbot, Mrs Jones . rest by Roberts, Aston, Richardson, Blastock, Jones, Hill, Gray, Pritchard, Mrs Lacy, Mrs Charke, Mrs Salle, Mrs Dancey, Mrs Talbot, Mrs Jones .

Music: A Great Band of Musick

Dance:

Event Comment: On this day and on Friday the 20th the Duke's players gave The Impertinents; or, The Sullen Lovers or Sir Salomon. Downes (Roscius Anglicanus, p. 29) lists these as the two plays presented by the Duke's Company, but no contemporary statement indicates for certain which play was given on each day. The Journal of Sir Richard Bulstrode: Yesterday [19] at five of ye clocke, the Court were entertained with a comedy acted by the Duke's player (The Bulstrode Papers, 1879, I, 139). Saturday 28 May 1670: The absence of the court which continues at Dover till Wensday next makes us very barren of news. There is the greatest gallantry and mirth imaginable. The Dukes players have beene there all the time past came up yesterday and the kings goe downe this day (Aston Papers, Vol. XVI, Add. Mss. 36916, folio 182)

Performances

Event Comment: According to Anthony Aston, A Brief Supplement to Colley Cibber (in Cibber, Apology, ed. Lowe, II, 314-15) Joseph Haynes had a booth at Bartholomew Fair and presented this droll in the first year of James II's reign

Performances

Mainpiece Title: The Whore Of Babylon, The Devil, And The Pope

Event Comment: Betterton's Company. The date of the first performance is not certain, but the evidence points to this day as a strong Possibility. Downes, Roscius Anglicanus (p. 44) states that it was given thirteen days consecutively, and John Coke (see 16 March 1696@7) states that it was acted "till Saturday" (16 March 1696@7). If the tragedy was acted on Wednesdays but not Fridays, as was often the practice in Lent, and if the farce alluded to for Saturday, 16 March 1696@7, comprised the entire program, this day was probably the premiere. The following sequence of performances is based on these premises. Downes, Roscius Anglicanus, p. 44: The Mourning Bride...had such Success, that it continu'd Acting Uninterrupted 13 Days together. Gildon, English Dramatick Poets, p. 23: This Play had the greatest Success, not only of all Mr Congreve's, but indeed of all the Plays that ever I can remember on the English Stage, excepting some of the incomparable Otway's. Aston, A Brief Supplement (in Cibber, Apology, II, 302): His [Betterton's] Favourite, Mrs Barry, claims the next in Estimation. They were both never better pleas'd, than in Playing together.--Mrs Barry outshin'd Mrs Bracegirdle in the Character of Zara in the Mourning Bride, altho' Mr Congreve design'd Almeria for that Favour

Performances

Mainpiece Title: The Mourning Bride

Performances

Mainpiece Title: The Whole Spanish Fryar

Performance Comment: Tony Aston, Tony Aston's/family.

Performances

Mainpiece Title: Medley

Performance Comment: Tony Aston.

Performances

Mainpiece Title: Medley

Performance Comment: Tony Aston.

Performances

Mainpiece Title: Medley

Performance Comment: Tony Aston.