SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Arthur Charlett"/1) | (@(roleclean,performerclean) "Arthur Charlett")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1321 matches on Author, 624 matches on Performance Comments, 148 matches on Performance Title, 88 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: A Musical Entertainment, taken from the Memoirs of Geoffrey ap Arthur of Monmouth, that Monkish Historian. 5s., 3s., 2s. 6:30 p.m

Performances

Mainpiece Title: Galigantus

Event Comment: By Authority [repeated in each bill]. A new English Burletta. Taken from the Memoirs of Jeffrey Ap Arthur of Monmouth, interspersed with Critical Remarks by Mess Snarler and Hum for Mr Bombast the Author. The Music, Scenes, Cloaths, and other Decorations entirely new. Prices: 4s., 2s. 6d., 1s. 6d. 6:30 p.m. [First announced on 7 Sept. for 10 Sept., and deferred on account of death of Princess Elizabeth. It was adapted from Henry Brooke's Jack the Giant Queller, 1748. Published 1778.

Performances

Mainpiece Title: Galligantus

Performances

Mainpiece Title: King John

Performance Comment: King John-Ross; Pembroke-Gardner; Prince Henry-R. Smith; Essex-Redman; Salisbury-Anderson; Bastard-Smith; Faulconbridge-Holtom; Austria-Buck; Hubert-Gibson; King of France-Clarke; Dauphin-Hull; Pandulph-Walker; Chatillion-Davis; Governor of Angiers-Wignel; Queen Elenor-Mrs Vincent; Lady Blanch-Miss Vincent; Lady Faulconbridge-Mrs Ferguson; Prince Arthur (second time (second time)-Master Wignel; Constance-Mrs Ward.

Afterpiece Title: Coronation

Event Comment: [Was this performed? See 13 Aug. for first appearance of Arthur and Constance.]

Performances

Mainpiece Title: King John

Afterpiece Title: Damon and Phillida

Dance: End of Play: The Nosegay-Master and Miss West

Event Comment: Mainpiece: By Particular Desire. N.B. The Jubilee, after this night, cannot be perform'd again for sometime on account of the Preparations for King Arthur

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Jubilee

Event Comment: For twentieth night the New Masque in Three Parts call'd The Institution of the Garter, or Arthur's Round Table Restor'd, Paid six day's salary list at #83 10s. 7d. per diem #501 3s. 6d.; Paid Mrs Abington on Cloaths acct #2 2s.; Paid Mr Vernon per order on note #20; Rec'd Stopages #13 5s. (Treasurer's Book). Receipts: #142 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Institution of the Garter

Event Comment: Great Applause to Mr G. House (Hopkins Diary). N.B. King Arthur which was to be performed this evening for Mr Barry's Benefit, is oblig'd to be deferred till further notice, on account of his continuing ill. Receipts: #266 14s. (Treasurer's Book)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Mayor of Garratt

Dance: V: Comic Dance, as17720326

Event Comment: Benefit for Dickinson (1st Gallery office keeper). Paid Mr Cook's@6@boys in King Arthur 28th April #2 5s.; Mr Wrighten's note #21 (Treasurer's Book). Receipts: #269 3s. 6d. Charges: #84. Profits to Dickinson: #185 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Author

Dance: III: Hornpipe-Walker; V: The Sailors Revels, as17720919

Event Comment: Mainpiece [1st time; T 5, by Frances Brooke, based on the anonymous libretto of Sarti's opera Mitridate a Sinope. Prologue by the Rev. William? Collier (see text). Epilogue by Arthur Murphy (Murphy, Works, 1786, VII, 54)]: With New Scenes, Dresses, &c. Public Advertiser, 8 Feb. 1781: This Day at Noon will be published The Siege of Sinope. (1s. 6d.). Receipts:#231 5s. (228.10; 2.15)

Performances

Mainpiece Title: The Siege Of Sinope

Afterpiece Title: Harlequin Free-Mason

Event Comment: Mainpiece [1st time; T 5, by John Delap, based on the Suppliants, by Aeschylus, and the Haraclidae, by Euripides. Prologue by Hester Lynch Thrale (Thraliana, I, 484-85). Epilogue by Arthur Murphy (Murphy, Works, 1786, VII, 57)]: With New Dresses and Decorations. Public Advertiser, 1 Mar. 1781: This Day is published The Royal Suppliants (1s. 6d.). Receipts: #181 10s. 6d. (158.0.0; 22.2.0; 1.8.6)

Performances

Mainpiece Title: The Royal Suppliants

Afterpiece Title: The Deuce is in Him

Event Comment: The Confederacy and Arthur and Emmeline [the latter announced on playbill of 10 Jan.] are obliged to be deferred a few Days. Receipts: #146 11s. 6d. (108/16/0; 37/10/6; 0/5/0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Englishman in Paris

Related Works
Related Work: The Englishman from Paris Author(s): Arthur Murphy

Dance: Afterpiece: With the Minuet de la Cour by Hamoir and Miss M. Stageldoir

Event Comment: Mainpiece: Not acted these 10 years [acted 10 Nov. 1779]. [Miss Brunton was from the Bath theatre. Prologue by Arthur Murphy (Works, 1786, VII, 60).] Receipts: #337 18s. (335/7/6; 2/10/6)

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: Catherine and Petruchio

Song: In Act v of mainpiece a Roman Ovation. The Music composed by Shield, with a Grand Chorus ["taken from Caractacus" (Public Advertiser, 21 Oct.)] by Dr Arne. Vocal Parts by Johnstone, Brett, Davies, Cubitt, Palmer, Darley, Meadows, Doyle; Mrs Kennedy, Mrs Martyr, Miss Stuart, Mrs Davenett, Miss Cranfield, Mrs Gray, Miss Orme, Miss Francis, Miss Browning, Mrs Bannister. [This was included, as here assigned, in all subsequent performances.]

Event Comment: By Command of Their Majesties. [Mainpiece in place of The Clandestine Marriage; afterpiece of Arthur and Emmeline, both announced on playbill of 3 Oct.] Account-Book, 5 Oct.: Free list #9 5s., Orders #1 6s. [#10 11s.; 30 Oct.: Free list #26 9s., Orders #58 16s. [#85 5s.]. Receipts: #319 0s. 6d. (301.15.0; 14.2.6; 3.3.0)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Critic

Event Comment: Benefit for the London Hospital. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. Places for the Boxes to be taken at the Stage Door of the Theatre; the Doors of which will be opened at 5:30, and the Performance to begin precisely at 6:30. No Money to be returned after the Curtain is drawn up, nor will any Person be admitted behind the Scenes. [Master Braham is identified in Grove. Address by Arthur Murphy (Town and Country Magazine, July 1787, p. 324).] This was the opening night of this theatre, which had been built by and was under the management of John Palmer. Following the afterpiece he explained to the audience the objections of the proprietors of dl, cg and hay to his opening the theatre. He said that he had from the Lieutenant of the Tower of London what he considered to be sufficient permission, but that he would nevertheless close the theatre temporarily. Palmer's difficulty was that he had no really legal permission from anybody for the performance of actual plays. See 3 July, and for further details the head-note to this season. World, 18 July, prints an official accoudting for this night from the theatre's treasurer: Receipts were #273 12s.; paid for music, advertisements, servants, &c. #37 10s.; lost in bad silver #1 19s.; paid the London Hospital #234 4s.; the players acted without salary

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Miss in her Teens

Song: Between acts: The Soldier tired of War's Alarms-a little boy [Master Braham]

Entertainment: Monologue Preceding: Occasional Address-Palmer

Event Comment: [Mainpiece in place of Rule a Wife and Have a Wife; afterpiece of Arthur and Emmeline, both advertised on playbill of 26 Nov.] Receipts: #63 12s. 6d. (42.6.0; 20.8.0; 0.18.6)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Doctor and the Apothecary

Event Comment: Benefit for Barrymore. [Afterpiece in place of Arthur and Emmeline, advertised on playbill of 7 May.] Public Advertiser, 5 May: Tickets to be had of Barrymore, No. 1, Southampton-street, Strand. Receipts: #251 4s. (44.18.0; 16.13.6; 1.12.6; tickets: 188.0.0) (charge: #107 4s. 4d.)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Doctor and the Apothecary

Dance: As17890507

Event Comment: Mainpiece: Written by Sir John Vanburgh [sic], with Alterations [by John Philip Kemble]. [Afterpiece in place of Arthur and Emmeline, advertised on playbill of 22 Oct.] Receipts: #176 1s. (140.1.0; 31.9.6; 4.10.6)

Performances

Mainpiece Title: The False Friend

Afterpiece Title: The Doctor and the Apothecary

Event Comment: 1st piece: For the 1st Time compress'd [anonymously] into 2 Acts. MacNally brought [Arthur Murphy] to Covent-garden Theatre to see [Robin Hood]; when, to the surprise of the author...the opera was that night performed as an afterpiece, having been, without his knowledge, cut down into two acts" (O'Keeffe, I, 45). 3rd piece: Not acted these 16 years [acted 12 Dec. 1780]. Receipts: #212 14s. 6d. (209.14.0; 3.0.6)

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: The Follies of a Day

Afterpiece Title: Thomasand Sally

Dance: 3rd piece to Conclude: a Dance-

Event Comment: Benefit for Mrs Henry. [As afterpiece the playbill announces Arthur and Emmeline, but it was not acted. Kemble Mem. lists the substitute play.] Diary, 24 May: Tickets to be had of Mrs Henry, Bruton-street, Berkeley-square. Receipts: #153 12s. (38.6; 21.2; 0.19; tickets: 93.5) (charge: #111 13s. 9d.)

Performances

Mainpiece Title: She Stoops To Conquer; Or, The Mistakes Of A Night

Afterpiece Title: The Island of St

Dance: End II: As17900308

Performances

Mainpiece Title: L'allegro Ed Il Penseroso [, Part I Only]; Grand Selection 0

Afterpiece Title: Acis and Galatea

Afterpiece Title: A New Grand Selection

Performance Comment: The undaunted Britons-Dignum (Atterbury); Fairest Isles-Miss Leak, Chorus [King Arthur, by Purcell]; Gentle Airs-Harrison; accompanied on the violoncello-Mason [Athalia]; From rosy bowers-Miss Poole (Purcell); The praise of Bacchus, Bacchus ever fair and Young-Welsh [Alexander's Feast]; Concerto on the violin-Janiewicz; Dear is my little native vale-Mrs Harrison (Sir W. Parsons); The Maid of the Rock-Master Welsh [Dignum]; Together let us range the fields-Mr and Mrs Harrison (Solomon, by Boyce); God save Great George our King (with new accompaniments by Dr Arnold)-Full Chorus.

Song: In 1st piece: Sweet bird-Mrs Ferguson (her 1st performance); accompanied on the violin-Shaw; End 2nd piece: an Italian Scena-Mrs Ferguson

Event Comment: Benefit for Mrs Siddons. Mainpiece [1st time; T 5, by Arthur Murphy. Prologue by John Philip Kemble (see text). Author of Epilogue unknown; European Magazine, Apr. 1793, p. 306, prints two Epilogues: the one spoken by Mrs Siddons, and the one "as originally written by Thomas? Vaughan"]. Morning Herald, 20 Mar. 1793: This day is published The Rival Sisters (1s. 6d.). Morning Herald, 25 Feb.: Tickets to be had of Mrs Siddons, No. 49, Great Marlborough-street. Receipts: #451 6s. 6d. (243.1.0; 21.18.0; 1.18.0; tickets: 184.9.6) (charge: #154 9s. 8d.)

Performances

Mainpiece Title: At King's The Rival Sisters

Afterpiece Title: The Prisoner

Performances

Mainpiece Title: The Thespian Panorama; Or, Three Hours Heart's Ease

Performance Comment: [Composed of a variety of Matter, Musical, Rhetorical and Imitative; the greatest part of which has never yet been offered to the Public. The new Music by Shield, Carter and Reeve; The Selection from Martini i.e. Martin y Soler], Giordani, Storace, Jackson, Stevens, Pleyel. The Recitals will principally be new, and mostly spoken by Palmer; The Interlocutory Parts that connect the whole will likewise be delivered by him, and the other Parts of the Entertainment will be given by Johnstone, Wathen, Williames, Caulfield, Bannister, Mrs Mountain. Part 1. Exordium [written by Arthur Murphy, spoken by-Palmer; Overture [composed by Stamitz-; [New Glee The shipwreck'd Sailors (see dl, 19 May) [composed by an amateur-; Thespian Advice [spoken by-Palmer; Gipsey Jenny-; The Sailor's Joke [sung by-Wathen; A Milesian Pasticcio [spoken by-Johnstone; An attempt to cleanse the Augean Stable-; Love of our Country-; [Glee, Britain's best Bulwarks are her Wooden Walls-; [Part II. An Overture [by Clementi-; Neptune's Exhortation-; [the Death of Faulknor-; [The Country Clergyman [spoken by-Wathen; Anna's Lullaby [sung by-Johnstone; The Cambrian Quack [or Killing no Murder, spoken by-Williames; A further Attempt at the Stable-; Exhortation to Unanimity-; The Royal Nuptials-; Happiness and the House of Brunswick-; [Part III. The Overture [by Haydn-; The Comforts of Dust [or the Citizen's Cake-House-; Nothing but a Place [sung by-Wathen; Noli me tangere [or No jesting with Edged Tools-; Fancy's Festival [sung by-Johnstone; The Profit of Prosody-; [Irish Explanation, Tho' born in a Stable a Man's not a Horse [sung by-Mrs Mountain; Finale of Gratitude-; other Parts-Caulfield, Bannister.