SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Aphra Behn"/1) | (@(roleclean,performerclean) "Aphra Behn")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 417 matches on Author, 30 matches on Event Comments, 4 matches on Performance Comments, 0 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Christopher Rich's Company. The date of the resumption of playing is not certain, for Cibber (see below) beclouds the issue by referring to Easter-Monday in April, whereas the first Monday following Easter fell on 25 March 1694@5. Nevertheless, Monday 1 April 1695 seems the likely date of the resumption of playing, with Rich's Company ready to perform before the seceding company under Thomas Betterton was fully organized. A new song for Abdelazar, Lucinda is bewitching fair, the music by Henry Purcell and sung by "the Boy" (Jemmy? Bowen), is in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 195: [The Patentees] were not able to take the Field till the Easter-Monday in April following. Their first Attempt was a reviv'd Play call'd Abdelazar, or the Moor's Revenge, poorly written, by Mrs Behn. The House was very full, but whether it was the Play or the Actors that were not approved, the next Day's Audience sunk to nothing. However, we assured that let the Audiences be never so low, our Masters would make good all Deficiencies, and so indeed they did, till towards the End of the Season, when Dues to Ballance came too think upon 'em. [See I, 195-96, for Cibber's account of his Prologue.] A Comparison Between the Two Stages, 1702, p. 7: But in my Opinion, 'twas strange that the general defection of the old Actors which left Drury-lane, and the fondness which the better sort shew'd for 'em at the opening of their Newhouse, and indeed the Novelty it self, had not quite destroy'd those few young ones that remain'd behind. The disproportion was so great at parting, that 'twas almost impossible, in Drury-lane, to muster up a sufficient number to take in all the Parts of any Play; and of them so few were tolerable, that a Play must of necessity be damn'd that had not extraordinary favour from the Audience: No fewer than Sixteen (most of the old standing) went away; and with them the very beauty and vigour of the Stage; they who were left behind being for the most part Learners, Boys and Girls, a very unequal match for them who revolted. According to a statement made in litigation, the company in Drury Lane acted 84 times between 25 March 1694@5 and 7 July 1695; and the Young Actors played 68 times from 6 July 1695 to 10 Oct. 1695 to 10 Oct. 1695. See Hotson, Commonwealth and Restoration Stage, p. 308

Performances

Mainpiece Title: Abdelazar; Or, The Moor's Revenge

Related Works
Related Work: Abdelazer; or, The Moor's Revenge Author(s): Aphra Behn
Event Comment: Not Acted these Twenty Years. Written by the late Ingenious Mrs Behn. Receipts: #12 11s

Performances

Mainpiece Title: The Feigned Courtizans; Or, A Night's Intrigue

Related Works
Related Work: The Feign'd Curtizans; or, A Night's Intrigue Author(s): Aphra Behn
Related Work: The Feign'd Courtizans; or, A Night's Intrigue Author(s): Aphra Behn

Dance: Thurmond Jr, Miss Smith

Event Comment: Written by the late Ingenious Mrs Behn. Receipts: #19 14s

Performances

Mainpiece Title: The Feigned Courtizans; Or, The Nest Of Fools

Related Works
Related Work: The Feign'd Curtizans; or, A Night's Intrigue Author(s): Aphra Behn

Song: As17161019

Dance: delaGarde, Moreau, Mrs Bullock, Mrs Schoolding; Spanish Entry-Salle, Mlle Salle

Event Comment: Benefit for Shuter. Mainpiece: By Particular Desire of several Persons of Quality. Afterpiece: Taken from a Comedy of Mrs Behn's. [The False Count.

Performances

Mainpiece Title: He Jovial Crew

Afterpiece Title: The Merry Counterfeit; or, Viscount a-la-Mode

Related Works
Related Work: The Merry Counterfeit; or, Viscount a-la-mode Author(s): Aphra Behn
Related Work: The False Count; or, A New Way to Play an Old Game Author(s): Aphra Behn

Dance: TThe French Country Gentleman, as17611210

Entertainment: Between play and Farce:(For this night only) A Dish of All Sorts-Shuter. As17590322