SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Antient and Hon Society of Free and Accepted Masons"/1) | (@(roleclean,performerclean) "Antient and Hon Society of Free and Accepted Masons")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 391 matches on Event Comments, 151 matches on Performance Title, 82 matches on Performance Comments, 18 matches on Author, and 1 matches on Roles/Actors.

Performances

Mainpiece Title: Caractacus

Afterpiece Title: Harlequin's Frolicks

Dance: As17770121

Performances

Mainpiece Title: Caractacus

Afterpiece Title: The Golden Pippin

Performances

Mainpiece Title: Caractacus

Afterpiece Title: The Golden Pippin

Event Comment: Benefit for Lee Lewes. Afterpiece: In [it] will be introduced the Stockwell Scenes, with a Prologue [by Richard Brinsley Sheridan (Boaden, Mrs Siddons, I, 107)], in the Character of Harlequin, spoken by Lee Lewes; to conclude with the Escape through the Tub, as in Mother Shipton. [The Stockwell Scenes were included in all subsequent performances. The Prologue and Escape were included in the first 3 performances only (see 3 May).] Public Advertiser, 8 Apr.: Tickets to be had of Lee Lewes, No. 40, Charlotte-street, Rathbone Place. Receipts: #282 18s. (119.15; tickets: 163.3) (charge: #69 17s. 6d.)

Performances

Mainpiece Title: Caractacus

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Performance Comment: Harlequin Jupiter-Lee Lewes; Chasseur Royal-Mahon; Pantaloon-Baker; Anatomist-Wewitzer; Pierrot-Delpini; Colombine-Miss Valois.

Performances

Mainpiece Title: Caractacus

Afterpiece Title: Harlequin's Frolicks

Dance: As17770121

Performances

Mainpiece Title: Caractacus

Afterpiece Title: The Norwood Gypsies

Dance: As17771125

Performances

Mainpiece Title: Caractacus

Afterpiece Title: The Norwood Gypsies

Dance: As17771229

Event Comment: Afterpiece: The Scenery, Machinery, &c. painted by Carver, Greenwood and Garvey. The Overture and the rest of the Music composed by Fisher. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: Caractacus

Afterpiece Title: The Norwood Gypsies

Performance Comment: Principal Characters-Garland, Rayner, Delpini, Messink, Miss Matthews, Miss Cranfield, Mrs Morton, Sga Tinte.[For parts see17800506.]For parts see17800506.]

Dance: In afterpiece: Dagueville, Langrish, Miss Lings, Miss Valois. [These were the same in all subsequent performances.

Performances

Mainpiece Title: Caractacus

Afterpiece Title: The Invasion

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for Follet, Smith & T. Smith, late of the Bear, Westminster-bridge. Tickets to be had of Follet, No. 20, Little Wild-street, Lincoln's-inn-fields; of T. Smith at the Golden Cross, Charing Cross. T. Smith hopes to be honoured with the company of his brother Free Masons, Bucks, &c., Gentlemen of the Welsh Society, Hereford Society and West-moreland Society

Performances

Mainpiece Title: A Bold Stroke For A Wife

Performance Comment: Colonel Feignwell-Smith; Sir Philip Modelove-Massey; Periwinkle-Bailey; Freeman-Swindall; Simon Pure-Thompson; Tradelove-Bowles; Sackbut-Kenny; Quaker's Boy-Master Follet; Obadiah Prim-Follet; Ann Lovely-Miss Hale; Betty-Mrs Waldron; Mrs Prim-Mrs Lee.
Cast
Role: Freeman Actor: Swindall

Afterpiece Title: The Mayor of Garratt

Song: Between Acts: Singing, particularly Black Ey'd Susanthe new Hunting Song-T. Smith

Entertainment: Monologue.End: The Farmer's Blunder-Follet

Event Comment: Benefit Cunningham. At the Desire of the Hon. Bell Ara Moleck, and the worshipful Fraternity of Free-Masons. A Concert, etc. [customary notice]. Prices 3s., 2s., 1s. Although there was such ill Decorum the last time the Beggar's Opera was exhibited there, particular care will be taken to have it now in the most regular manner

Performances

Mainpiece Title: The Beggar's Opera

Music: Preamble on the Kettle@Drums-Baker

Event Comment: At the Desire of several Persons of Quality. Daily Journal, 30 Dec.; And we hear, that...the Grand Master and Wardens [for the Free Masons] and most of the Gentlemen present took Tickets to appear in White Gloves at...Drury-Lane, this Evening, where the Play of Henry IV. Part II is to be acted for their Entertainment; and it is said a Prologue and Epilogue will be spoken suitable to the Occasion, and in Honour of that Society

Performances

Mainpiece Title: King Henry The Ivth, Part Ii

Afterpiece Title: Perseus and Andromeda

Event Comment: Benefit W. Mills and Mrs Mills. At the particular Desire of several Ladies of Quality

Performances

Mainpiece Title: The Stratagem

Performance Comment: As17291107, but Sir Charles-W. Mills. With an entire New Prologue and the Free Mason's last new Epilogue.

Song: A new Song proper to the Occasion-

Dance: WWhitson Holyday-Boval, Mrs Mills; Dutch Boor and his Wife-Roger, Rainton; Sultana-Miss Robinson

Event Comment: Benefit Oates. For the Entertainment of the Grand Master and the rest of the Brethren belonging to the...Masons. [Tickets at Oates', King's Arms Tavern, Great Wild Street.

Performances

Mainpiece Title: The Way Of The World

Performance Comment: As17380124, but With a Prologue-; Epilogue addressed to the Free Masons-.

Song: nd the added Songs in Masonry as usual,% I: Come let us prepare-Mr Oates; III: On on my dear Brethren-Mr Oates; IV: Let Masonry be now my Theme-Mr Oates; V: Ye Brethren of the Ancient Craft-Mr Oates

Dance: I: Serious Dance-Villeneuve, Miss Oates; III: Peasant Dance-Master and Miss Oates; IV: Je ne scai quoi-Tench, Villeneuve, Miss Oates; V: Grecian Sailors-Glover

Music: II: Solo on the Violin-Master Oates

Event Comment: Benefit Walker, a Brother. For the Entertainment of the Grand Master and the Worthy Brothers and Sisters of the Honourable Community of Modern Free-Masons. Mainpiece: Written by the late Mr Gay. Afterpiece: Taken from Moliere, and Intermixed with Songs. Boxes 5s. Pit 3s. Gallery 2s. 6:30 p.m

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mock Doctor

Song: Concluding with theModern Free@Masons Song-in the Character of Robin Hooda Brother

Dance: HHornpipe, Drunken Peasant-Phillips

Performances

Mainpiece Title: Musical Entertainment

Performance Comment: Scots Songs, Free Mason's Song-Lauder.
Cast
Role: Free Mason's Song Actor: Lauder.
Event Comment: Benefit Chapman. Receipts: money #39 12s.; tickets #89 19s. Daily Post, 24 April: We hear that on Monday next the Hon. and Antient Company of Lumber Troopers will perform a fine Exercise in New-street Square, and from thence proceed in a Body...to...Lincoln's-Inn-Fields, to see...the Busy Body, with the Opera of Flora...for the Benefit of Mr Chapman, belonging to the said Troop

Performances

Mainpiece Title: The Busy Body

Performance Comment: Sir George-Ryan; Sir Francis-Hippisley; Charles-Walker; Sir Jealous-Bullock; Whisper-H. Bullock; Isabinda-Mrs Bullock; Patch-Mrs Egleton; Scentwell-Mrs Rice; Busy Body-Chapman; Miranda-Mrs Younger.
Cast
Role: Miranda Actor: Mrs Younger.

Afterpiece Title: Flora

Dance: II: Two Pierrots-Nivelon, Poitier; IV: Scotch Dance-Salle, Mrs Laguerre; V: Tambourin-Mlle Salle

Event Comment: Benefit for Fawcett 1st piece: By permission of G. Colman, Esq. Never performed at that Theatre. As performed at the Theatre Royal, Haymarket, with universal Applause. With new Scenery, Dresses and Decorations. Written by the Author of The Way to Get Married [Thomas Morton]. 2nd piece [1st time; M. INT 1]. Oracle, 8 Apr.: Tickets to be had of Fawcett at his house, No. 9, Tottenham-Court-Road, opposite Howland-street. Receipts: #507 9s. 6d. (185.7.6; 10.0.0; tickets: 312.2.0)

Performances

Mainpiece Title: Zorinski

Afterpiece Title: A Nicknackatory

Afterpiece Title: Lock and Key

Performance Comment: As17960414, but Servants and Sailors-_Gray.

Dance: 2nd piece to conclude with: Highland Festivity, as17951125

Song: 1st piece: Vocal Parts-Linton, Williamson, Blurton, Street, Abbot, Holland, Rees, Lee, Little, Miss Logan, Miss Ives, Miss Leserve, Miss Walcup, Mrs Castelle, Mrs Masters, Mrs Watts

Entertainment: Monologue.End: Monsieur Tonson (Founded on Fact, and recited at Free-Mason's Hall, last Winter, with universal Applause)-Fawcett

Performance Comment: End: Monsieur Tonson (Founded on Fact, and recited at Free-Mason's Hall, last Winter, with universal Applause)-Fawcett.
Event Comment: Benefit Decay'd and Antient Masons. The Brothers are desir'd to meet at the Day of Performance at the Five Bells Tavern in the Strand, at 4 p.m. Tickets to be had of Mr Lauder at the Theatre

Performances

Mainpiece Title: The Old Woman's Oratory

Event Comment: Benefit for the Relief of the Widows and Orphans of the brave Men who fell in the late Glorious Actions [on 1 June 1794], under Earl Howe. The Whole Receipt of the Night to be applied to the above Fund. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. The Tickets for the Boxes at Half-a-Guinea each, are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangements of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Lauderdale, Lord Mulgrave, Lord William Russel, The Right Honourable the Lord Mayor [Paul Le Mesurier], Mr Alderman Coombe, Hon. Thos. Erskine, J. Nesbit Esq., I. B. Church Esq., W. Devaynes Esq., J. Taylor Vaughan Esq., J. J. Angerstein Esq., R. B. Sheridan Esq. Tickets and Places for the Boxes, not disposed of by the Committee, to be had of Fosbrook, at the Box-Office, Little Russel-Street. Tickets also to be had at the Bar of Lloyd's Coffee House. Afterpiece [1st time; ENT 2, by Richard Brinsley Sheridan and James Cobb; with songs written by the Duke of Leeds, the Earl of Mulgrave, Mary Robinson, Joseph Richardson, &c. In 1797 altered as CAPE ST. VINCENT. Prologue by Joseph Richardson (London Chronicle, 4 July). Epilogue by Richard Brinsley Sheridan]: The Music composed and selected by Storace [with one song each by Reeve. Linley Sen., Michael Kelly]. The Dresses, Scenery and Machinery entirely New. "This piece is a sort of continuation of No Song No Supper...hastily put together for the occasion" (European Magazine, July 1794, p. 60). "The Theatre this Evening was crowded in every Part, the receipt amounting to something better than 1300 Guineas" (Powell). Powell, 1 July: Country Girl rehearsed at 10; Glorious First at 12 and at night. 2 July: Glorious First rehearsed at 10. Receipts: #1,526 11s. (450/6/0; 41/13/0; 0/12/6; tickets in boxes: 954/0/0; tickets in pit: 80/0/0) (charge: free)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg

Event Comment: By Authority. By the French Company of Comedians. Boxes 5s. Pit 3s. Gallery 2s. Victor, History of the Theatres, I, 54-60: People went early to the Theatre, as a crouded House was certain. I was there, in the Centre of the Pit; where I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the Conduct of the Opposition, were known to be there; one of whom called aloud for the Song in Praise of English Roast Beef, which was accordingly sung in the Gallery by a Person prepared for that Purpose; and the whole House besides joining in the Chorus, saluted the Close with three Huzzas! This, Justice Deveil was pleased to say, was a Riot; upon which Disputes commenced directly, which were carried on with some Degree of Decency on both Sides. The Justice at first informed us, 'That he was come there as a Magistrate to maintain the King's Authority; that Colonel Pulteney, with a full Company of the Guards, were without, to support him in the Execution of his Office; that it was the King's Command the Play should be acted; and that the obstructing it was opposing the King's Authority; and if that was done, he must read the Proclamation; after which all Offenders would be secured directly by the Guards in waiting.' To all these most arbitrary Threatnings, this Abuse of his Majesty's Name, the Reply was to the following Effect:-'That the Audience had a legal Right to shew their Dislike to any Play or Actor; that the common Laws of the Land were nothing but common Custom, and the antient Usuage of the People; that the Judicature of the Pit had been acknowledged and acquiesced to, Time immemorial; and as the present Set of Actors were to take their Fate from the Public, they were free to receive them as they Pleased.' By this Time the Hour of Six drew near; and the French and Spanish Embassadors, with their Ladies; the late Lord and Lady Gage, and Sir T@R@, a Commissioner of the Excise, all appeared in the Stage Boxes together! At that Instant the Curtain drew up, and discovered the Actors standing between two Files of Grenadiers, with their Bayonets fixed, and resting on their Firelocks. There was a Sight! enough to animate the coldest Briton. At this the whole Pit rose, and unanimously turned to the Justices, who sat in the Middle of it, to demand the Reason of such arbitary Proceedings? The Justices either knew nothing of the Soldiers being placed there, or thought it safest to declare so. At that Declaratinn, they demanded of Justice Deveil (who had owned himself the commanding Officer in the Affair) to order them off the Stage. He did so immediately, and they disappeared. Then began the Serenade; not only Catcalls, but all the various portable Instruments, that could make a disagreeable Noise, were brought up on this Occasion, which were continually tuning in all Parts of the House; and as an Attempt to speaking was ridiculous, the Actors retired, and they opened with a grand Dance of twelve Men and twelve Woman; but even that was prepared for; and they were directly saluted with a Bushel or two of Peas, which made their Capering very unsafe. After this they attempted to open the Comedy; but had the Actor the voice of Thunder, it would have been lost in the confused Sounds from a thousand Various Instruments. Here, at the waving Deviel's Hand, all was silent, and (standing up on his Seat) he made a Proposal to the House to this Effect:-'That if they persisted in the Opposition, he must read the Proclamation; that if they would permit the Play to go on, and to be acted through that Night, he would promise, (on his Honour) to lay their Dislikes, and Resentment to the Actors, before the King, and he doubted not but a speedy End would be put to their acting.' The Answer to this Proposal was very short, and very expressive. 'No Treaties, No Treaties!' At this the Justice called for Candles to read the Proclamation, and ordered the Guards to be in Readiness; but a Gentleman seizing Mr Deveil's Hand, stretched out for the Candle, begged of him to consider what he was going to do, for his own Sake, for ours, for the King's! that he saw the unanimous Resolution of the House; and that the Appearance of Soldiers in the Pit would throw us all into a Tumult, which must end with the Lives of many. This earnest Remostrance made the Justice turn pale and passive. At this Pause the Actors made a second Attempt to go on, and the Uproar revived; which continuing some Time, the Embassadors and their Ladies left their Box, which occasioned a universal. Huzza from the whole House! and after calling out some Time for the Falling of the Curtain, down it fell. [For other accounts of this evening, see Daily Advertiser, 9 and 10 Oct.; London Evening Post, 12 Oct.; Gentleman's Magazine, VIII (1938), 545; Historical Register, XXIII, 278-87.

Performances

Mainpiece Title: Lembaras Des Richesses

Afterpiece Title: Arlequin Poli Par L'Amour

Dance: Paquorel, Mlle Chateauneuf, LeFevre, Madem LeFevre

Event Comment: Benefit Wm. Mills and Mrs Mills

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: As17290127, but with the Free-Mason's Prologue-; Epilogue-.

Afterpiece Title: The What D'ye Call It

Music: Between Acts: Select Pieces-

Dance: Roger, Essex, Boval, Mrs Mills, Miss Robinson

Performances

Mainpiece Title: Love For Love

Performance Comment: As17300418 but Angelica-Mrs Thurmond; Prue-Mrs Cibber; By Desire, an Entire new Prologue, Free Masons Epilogue-.
Cast
Role: Free Masons Epilogue Actor: .
Role: Scandal Actor: W. Mills
Role: Trapland Actor: Norris

Dance: Essex, Lally, Thurmond, Roger, Haughton, Rainton, Mrs Delorme, Miss Robinson

Event Comment: For the Entertainment of the Free Masons Ladies. Receipts: #123 19s. 6d Rich's Register: Benefit John Rich

Performances

Mainpiece Title: Duke And No Duke

Performance Comment: With a Song and an Epilogue address'd to the Ladies.

Afterpiece Title: Perseus and Andromeda

Cast
Role: Andromeda Actor: Mrs Carter
Event Comment: Benefit Little [Gallery Boxkeeper, DL], who hopes to have the Honour of his Brethren the Free Masons

Performances

Mainpiece Title: The Stratagem

Music: A Preamble on the Kettle Drums by Job Baker