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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Anna Reeves"/1) | (@(roleclean,performerclean) "Anna Reeves")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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612 results for: Keyword - Anna Reeves
We found 309 matches on Author, 222 matches on Performance Comments, 96 matches on Event Comments, 55 matches on Performance Title, and 0 matches on Roles/Actors.

576
03 January 1749 @ Drury Lane Theatre

Performances

Mainpiece Title: The Busie Body

Related Works
Related Work: The Busie Body Author(s): Susanna Centlivre
Related Work: Mar-Plot; or, The Second Part of the Busie-Body Author(s): Susanna Centlivre

Afterpiece Title: Lethe

577
20 January 1749 @ Drury Lane Theatre

Performances

Mainpiece Title: The Foundling

Afterpiece Title: The Virgin Unmask'd

Music: I: By Desire, a piece of Music-the Child

Dance: II: Savoyards, as17480920; V: New Scotch Dance, as17490118

578
23 February 1749 @ Drury Lane Theatre

Performances

Mainpiece Title: The Busie Body

Related Works
Related Work: The Busie Body Author(s): Susanna Centlivre
Related Work: Mar-Plot; or, The Second Part of the Busie-Body Author(s): Susanna Centlivre

Afterpiece Title: The Triumph of Peace

579
26 February 1750 @ Drury Lane Theatre

Event Comment: No money returned after the curtain is up. No admittance behind scenes. This day is published The Story on which the New Tragedy call'd The Roman Father is founded, with some account of the Author and his writings. Sold by W. Reeves, in Fleet St.; and A. Dodd opposite St Clement's Church in the Strand (General Advertiser). Paid Norton 6 chorus #1 10s. (Treasurer's Book). Receipts: #170 (Cross); #164 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Roman Father

580
06 March 1750 @ Drury Lane Theatre

Performances

Mainpiece Title: The Roman Father

581
17 December 1751 @ Drury Lane Theatre

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Lethe

Dance: HHornpipe-Matthews, the Little Swiss; With Entertainments as will be express'd in the Great Bills

Song: I: Song-Beard

582
04 March 1754 @ Drury Lane Theatre

Performances

Mainpiece Title: Virginia

583
14 April 1789 @ Covent Garden

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Little Hunchback; or, A Frolick in Bagdad

Dance: End: The Wapping Landlady ; or, Jack in Distress- See17890616

Entertainment: Monologue Preceding: Mother Shipton's Review of the Audience-(with Alterations and Additions) Quick?

584
03 June 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: The Recruiting Serjeant

Afterpiece Title: Love for Love

Afterpiece Title: The Honest Yorkshireman

Song: End II 2nd piece: Wake Sons of Odin (composed by Stevens)-Sedgwick

585
08 March 1790 @ Covent Garden

Performances

Mainpiece Title: The Czar

Afterpiece Title: Three Weeks after Marriage

Song: III: The Prince unable to conceal his Pain, from Alexander's Feast-Mrs Billington. [This was included, as here assigned, in all subsequent performances.

586
06 May 1790 @ Covent Garden

Performances

Mainpiece Title: The Crusade

Afterpiece Title: The Miser

587
24 May 1790 @ Covent Garden

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Related Works
Related Work: Love at a Venture; or, The Rake Reclaim'd Author(s): Susanna Centlivre
Related Work: Loves Contrivance, or, Le Medecin malgre Lui Author(s): Susanna Centlivre

Afterpiece Title: An Harmonic Festival

Afterpiece Title: Rosina

Song: End II: a Nicketerotion at the Meeting of Antony and Cleopatra-; Vocal Parts-Bannister, Johnstone, Darley, Duffey, Mrs Warrell, Mrs Masters, Mrs Gray, Mrs Mountain

Dance: With Grand Dance-Byrne, the two Miss Simonets

588
19 October 1790 @ Covent Garden

Performances

Mainpiece Title: The Crusade

Afterpiece Title: Animal Magnetism

589
06 June 1791 @ Covent Garden

Performances

Mainpiece Title: Double Falsehood; Or, The Distrest Lovers

Afterpiece Title: Tippoo Saib; or, British Valour in India

Afterpiece Title: Barnaby Brittle

Dance: In 2nd piece: Battle Dance-, and a Representation of English and British Grand Martial Procession

Song: I: Hark the Lark at Heaven's Gate sings (set by Dr Cooke)-Bannister, Johnstone, Incledon, Mrs Mountain; End II: Black Eyed Susan-Incledon; IV: Fond Echo Forbear thy fond sigh (written by Shakspeare [recte Lewis Theobald], and composed new for the Evening's Performance by Shield)-Mrs Mountain; In Pantomime: Poor Orra tink on Yanco dear (the music by Dibdin)-Mrs Mountain; The Gallant Soldier born to Arms (composed by Hook)-Incledon; Indian War Song-Bannister; The Tobacco Box: Tho' the Fate of Battle on Tomorrow wait-Johnstone, Mrs Warrell

590
03 October 1791 @ Covent Garden

Performances

Mainpiece Title: The Earl Of Essex; Or, The Unhappy Favourite

Afterpiece Title: The Crusade

591
20 October 1791 @ Covent Garden

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Oscar and Malvina; or, The Hall of Fingal

Song: II: song-Incledon

592
28 February 1792 @ Covent Garden

Performances

Mainpiece Title: Orpheus And Eurydice

Afterpiece Title: Rosina

Song: Sweet Bird(by Handel)-Mrs Billington; accompanied on the violin-Weichsel

593
06 March 1792 @ Covent Garden

Performances

Mainpiece Title: Orpheus And Eurydice

Afterpiece Title: The Prisoner at Large

594
25 October 1792 @ Covent Garden

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Oscar and Malvina; or, The Hall of Fingal

Music: In afterpiece: the Harp and Pipes-Weippert, Courtney

595
11 March 1793 @ Covent Garden

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Governor; or, The Creolian Insurrection

596
02 October 1793 @ Covent Garden

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: Harlequin's Chaplet

Entertainment: Afterpiece: [To conclude with Three Entire New Scenes, representing the Town and Harbour of Toulon; with a View of the Manoeuvring of the British, Spanish, and French Fleets, after the Surrender of the Town and Fortifications to the English] on the Twenty-ninth of August [1793]. In which, When in War on the Ocean-Davies; an Entire New Song [composed by Shield,-Incledon; The Music- [Selected by Shaw from Pepusch, Dr Arne, Arnold, Fisher, [Michael] Arne, Vincent, Dibdin, Reeve, Shield; The Dances-Byrn, Holland[; The Scenery-Hodgins, Walmsley, Phillips

597
19 December 1793 @ Covent Garden

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: HARLEQUIN AND FAUSTUS; or, The Devil will have his Own

598
06 February 1794 @ Covent Garden

Performances

Mainpiece Title: Love's Frailties

Afterpiece Title: OSCAR AND MALVINA; or, The Hall of Fingal

Music: In afterpiece the Irish Pipes by Courtney; the Harp by Weippert

599
01 May 1794 @ Covent Garden

Performances

Mainpiece Title: British Fortitude And Hibernian Friendship

Afterpiece Title: FONTAINVILLE FOREST

Afterpiece Title: NETLEY ABBEY

600
02 July 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg