Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ambrose Phillips"/1) | (@(roleclean,performerclean) "Ambrose Phillips")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
927 results for: Keyword - Ambrose Phillips
We found 585 matches on Performance Comments, 233 matches on Author, 132 matches on Event Comments, 122 matches on Performance Title, and 0 matches on Roles/Actors.

826
19 October 1771 @ Drury Lane Theatre

Event Comment: Paid five days salary at #82 5d. per diem--#411 12s. 1d.; Paid Mr French on Acct #30; Miss Ambrose salary short paid 15s.; Mr J. Richard's for Trumpeter's coats and banners #100 16s.; Miss Hayward 15 nights not on [salary] list #7 10s. (Treasurer's Book). Receipts: #109 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: Peep Behind the Curtain

827
18 March 1772 @ Drury Lane Theatre

Event Comment: By Command of their Majesties. Performed as an Oratorio, though only a Serenata. Words by Gay...set to music by Mr Handel for that princely nobleman the Duke of Chandos...This being too short for a whole evening's entertainment, Mr Dryden's celebrated Ode, also set by Handel, was performed after the Serenata. End of Part I Concerto on French Horn, by Ponta. End of Part II, Solo on Violincello-Janson (Theatrical Review, 18 March). Ross and Mossop engag'd for Haymarket for tragedy, also Bannister; Aickin, Baddeley, Parsons, Dibdin, Mrs Baddeley, Evans, Miss Miller, Miss Ambrose &c. (Winston MS 10). [For Summer season?]

Performances

Mainpiece Title: Acis And Galatea, With Dryden's Ode

Music: End Part I: Concerto on French Horn-Ponta; End Act II: Concerto on Violincello-Janson

828
16 May 1774 @ Haymarket Theatre

Performances

Mainpiece Title: The Bankrupt

Performance Comment: Parts-Foote, Kennedy Jun. (from Dublin, first time here), Fearon, Aickin, Davis, Jacobs, Bannister, Lloyd, Jones, Courtney, Everard, Johnson, Weston, Mrs Williams, Miss Ambrose, Miss Platt, Mrs Jewell; Prologue-Foote.

Afterpiece Title: The Mock Doctor

Dance: End: Giorgi's scholars

829
30 May 1774 @ Haymarket Theatre

Performances

Mainpiece Title: The Nabob

Performance Comment: Parts-Foote, Weston, Wilson, first time (from Edinburgh), Kennedy, Follett, Griffith, Owenson, Fearon, Davis, Jacobs, Jones, Castle, Lloyd, Courtney, Mrs Williams, Miss Ambrose, Mrs Palmer, Mrs Gardner.

Afterpiece Title: The Padlock

Dance: As17740516

830
07 July 1775 @ Haymarket Theatre

Performances

Mainpiece Title: Eldred; Or, The British Freeholder

Performance Comment: Parts-Jackson (from Dublin), Dimond, first time on that stage; Whitefield, Lane, Davis, Chaplin, Miss Ambrose, Mrs Jackson (from Dublin); Prologue-Jackson; Epilogue-Mrs Jackson.

Afterpiece Title: The Mock Doctor

Dance: The Medley-

831
31 July 1775 @ Haymarket Theatre

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Foote; Aickin, Whitefiled, Fearon, Lane, Brett, L'Estrange, Wilson, Jacobs, Jones, Lloyd, Everard, Castevens, Walters, Pierce, Chaplin, Francis, Weston, Miss Ambrose, Miss Platt, Mrs Weston, Miss Francis; with a Reinforcement of Bayes's new-Raised troops-.
Related Works
Related Work: Britons Strike Home; or, The Sailors' Rehearsal Author(s): Edward Phillips

Afterpiece Title: Thomasand Sally

Dance: The Medley-

832
17 January 1777 @ Covent Garden

Performances

Mainpiece Title: Merope

Afterpiece Title: Comus

Performance Comment: As17770107, but Bacchants-Miss Ambrose.
Cast
Role: Bacchants Actor: Miss Ambrose.

833
28 April 1777 @ Covent Garden

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: Don Quixote in England

Performance Comment: Principal Parts-Lee Lewes, Mahon, Robson, Fearon, Booth, Thompson, Jones, Fox, Wewitzer (with a new song), Miss Ambrose; Partial cast suggested by Genest, V, 567: Don Quixote-Lee Lewes; Sancho-Quick; Dorothea-Miss Valois; Mrs Guzzle-Mrs Pitt.

Entertainment: IV: an Interlude between Plutus and Wit and a Masque of Singing and DancingPlutus-Reinhold, Wit- Miss Valois; After dance: +Monologue Tony Lumpkin's Adventures in a Trip to London (1st time)-Quick

Dance: End: The Humours of New@Market with the Pony Races-Dagueville (1st appearance this season)

834
27 February 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: A Prelude, On The Happy Recovery Of His Majesty

Afterpiece Title: The Triumph of Truth 0

Performance Comment: Selected by Dr Arnold from Works of the following Great Masters: Handel, Purcell, Dr Arne, Corelli, Jomelli, Sacchini, Haydn, Principal Vocal Parts-Reinhold, Dignum, Kelly, Mrs Crouch, Miss Lockhart, Miss Hagley (pupil of Linley? Sen.), Mrs Ambrose; 1st Violin-Shaw. For a detailed account of what was sung, see17880320 .

835
31 May 1791 @ Covent Garden

Performances

Mainpiece Title: The Midnight Hour

Performance Comment: As17901214, but Matthias-_; Ambrose-_.

Afterpiece Title: The Comedy of Errors

Dance: As17910507

Song: End: Black Eyed Susan-Incledon

Monologue: After Dancing: a Selection of Poetry and Music descriptive of a day. Part I: Morning. Tantivy the welkin resounds (composed by Hook)-Mrs Martyr; PART II: Noon. Thou soft flowing Avon (from Garrick's Ode to Shakespeare)-Incledon; PART III: Evening. Pastoral Duet-Williamson, Mrs Mountain; PART IV: Night. The Soldier's Festival, as 16 May How sleep the brave (composed by Dr Cooke)-Incledon, Williamson, Davies, a Young Gentleman; introductory Chorus-Hull; How stands the Glass around-Incledon; How merrily we live that Soldiers be-Bannister, Incledon, Johnstone; To arms! Britons strike home-Bannister, Incledon, Follett, Blurton, Lee, Letteney, Reeve, Rees

836
31 May 1794 @ Covent Garden

Performances

Mainpiece Title: The Beggar's

Dance: In Act III of mainpiece Hornpipe in character by Jackson; End of mainpiece Dermot and Kathlane, as17931022

Opera: As17931211, but omitted: Mat o' the Mint. Also THE MIDNIGHT HOUR. As17931211, but omitted: Matthias, Ambrose

Performance Comment: Also THE MIDNIGHT HOUR. As17931211, but omitted: Matthias, Ambrose .

837
May 1663 @ no theater listed

Event Comment: It is possible that Katherine Phillips' Pompey, which was given in Dublin in February 1662@3, may have been presented in London in the late spring of 1663. Sir William Davenant's The Playhouse To Be Let, which apparently appeared in London in the late summer of 1663, has in Act V some elements of travesty upon Pompey. It is unlikely that its appearances in Dublin would make satire upon it have much point to London audiences without a performance in London; the spring of 1663 would be the most likely time for a presentation in London

Performances

838
04 February 1668 @ Whitehall or St. James's

Event Comment: This performance was recorded by Count Dona of Sweden (Seaton, Literary Relationships, pp. 337-38). Evelyn, Diary: This Evening I saw the Trajedie of Horace (written by the virtuous Mrs Philips) acted before their Majesties: 'twixt each act a Masque & Antique: daunced: The excessive galantry of the Ladies was infinite, Those especially on that...Castlemaine esteemed at 40,000 pounds & more: & far out shining the Queene &c. BM Add. Mss. 36916, folio 62: This night there is a play Acted at court by the Dutchess of Monmouth Countess of Castlemain and others. The Countess is adorned with Jewells to the Value of #200,000 the Crowne Jewells being taken from the Tower for her. There are none but the Nobility admitted to see it. The play is Madam Phillips translation of Corneiles Horace, finished by Sr John Denham

Performances

Mainpiece Title: Horace

839
August 1675 @ Drury Lane Theatre

Performances

Mainpiece Title: Psyche Debauched

840
25 June 1695 @ Dorset Garden Theatre

Event Comment: Intelligence Domestick and Foreign, 21-25 June 1695: One Phillips, a Dancer in the Playhouse, is Committed to Newgate for being one of those concerned in the Robbery of the Theatre in Dorset-Garden, and a great many of their Habits are recovered again, but plundered of their Silver and Gold Lace, Fringes, &c. [See also Wilson, Theatre Notes from the Newdigate Newsletters, p. 82.

Performances

841
02 August 1704 @ Drury Lane Theatre

Performances

Mainpiece Title: The Empress Of Morocco

Performance Comment: Hametalhaz-the young gentleman who played Chamont on 7 July (Phillips); who speaks a new Epilogue-the young gentleman.

Song:

Dance:

842
06 April 1706 @ Queen's Theatre

Event Comment: [According to the Poetical Courant, 6 April, a private performance of Caius Marius by several Gentlemen for their Diversion" had been acted by this date. A Prologue by Mrs Phillips is printed in that issue of the Poetical Courant.

Performances

Mainpiece Title: The Wonders In The Sun

843
09 June 1719 @ Drury Lane Theatre

Performances

Mainpiece Title: The Bondman; Or, Love And Liberty

Song: Ray

Dance: Thurmond Jr, Topham, Miss Smith

844
29 October 1719 @ Drury Lane Theatre

Performances

Mainpiece Title: The Bondman; Or, Love And Liberty

Dance: Weaver, Shaw, Mrs Booth, Mrs Bicknell

845
06 June 1720 @ Drury Lane Theatre

Performances

Mainpiece Title: The Bondman

Afterpiece Title: Harlequin Turn'd Judge

Dance: Weaver, Shaw, Thurmond Jr, Mrs Bicknell, Mrs Younger, Mrs Tenoe; Tollet's Ground-Mrs Bicknell, Mrs Younger

846
13 February 1722 @ Lincoln's Inn Fields

Event Comment: [By William Phillips.] Never Acted before. The Characters all new Dress'd. Receipts: #57 10s. 6d

Performances

Mainpiece Title: Hibernia Freed

847
13 January 1725 @ Lincoln's Inn Fields

Event Comment: As 11 Jan. Benefit Cap. Phillips. Receipts: money #37 15s. 6d.; tickets #63

Performances

Mainpiece Title: Every Man In His Humour

848
03 February 1731 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Philotas

849
05 May 1733 @ Drury Lane Theatre

Event Comment: Benefit Roberts and Jones. Afterpiece: A New Ballad Opera of one Act [by Edward Phillips]. [For a puff of the afterpiece, see Daily Advertiser, 25 April, and Daily Post, 2 May.

Performances

Mainpiece Title: Theodosius; Or, The Force Of Love

Afterpiece Title: The Livery Rake; or, The Intriguing Servants

Dance: I: Drunken Peasant-LeBrun; II: Saraband, Minuet-Lally Jr, Miss Mears; IV: English Maggot-Haughton, Mrs Walter; V: The Watteau-Miss Robinson; End of Afterpiece: Bartholomew Fair-F. Tench, Mrs Delorme

850
24 May 1733 @ Drury Lane Theatre

Event Comment: Benefit Phillips (LeBrun) and Mrs Mullart. At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Country Revels

Afterpiece Title: Harlequin Restor'd

Dance: I: Drunken Peasant-LeBrun