SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ambassador of Morocco"/1) | (@(roleclean,performerclean) "Ambassador of Morocco")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 99 matches on Event Comments, 66 matches on Performance Comments, 14 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The King's Company. It is difficult to assign a date to this burlesque, but it is obviously a satiric thrust at Elkanah Settle's The Empress of Morocco, which had been acted on 3 July 1673, and on Macbeth, which had been most recently acted (probably) on 9 Aug. 1673. As the title page of Duffett's burlesque does not name a theatre, it is not known whether it was acted before the King's Company left Lincoln's Inn Fields for the new theatre in Drury Lane. But the fact that Settle's Empress of Morocco was acted again at Dorset Garden on 6 Dec. 1673 makes December 1673 a likely month (or the King's Company to play its burlesque, although it may have been given in the late summer or early autumn, as many lesser actors are in the cast

Performances

Mainpiece Title: The Empress Of Morocco

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216. See also Nicoll, Restoration Drama, p. 348. There is considerable uncertainty as to when the first performance occurred, but it appears to have been acted first at court. See Boswell, Restoration Court Stage, pp. 131-34. The first Prologue, written by Lord Mulgrove, and the second, written by Lord Rochester, are in A Collection of Poems Written upon several Occasions by several Persons (1673). Roger North: And now we turne to the Publik theatres. It had bin strange if they had not observed this promiscuous tendency to musick, and not have taken it into their scenes and profited by it. The first proffer of theirs, as I take it, was in a play of the thick-sculd-poetaster Elkanah Settle, called The Empress of Morocco; which had a sort of masque poem of Orfeus and Euridice, set by Mr M. Lock, but scandalously performed. It begins The Groans of Ghosts, &c. and may be had in print (Roger North on Music, ed. John Wilson [London, 1959], p. 306)

Performances

Mainpiece Title: The Empress Of Morocco

Event Comment: The Duke's Company. See Duffett's burlesque, above. The Diary of Robert Hooke, 6 Dec. 1673: Saw Empress of Morocco at Duke's Theatre. 1s. 6d. Dutchess of York? there

Performances

Mainpiece Title: The Empress Of Morocco

Event Comment: The King's Company. The date of this performance is known from the separately printed Prologue and Epilogue: A Prologue by Mr Settle to his New Play, called The Emperor of Morocco, with the Life of Gayland. Acted at the Theatre Royal, the 11th of March 1682. The Epilogue, Spoken by Mrs Coysh's Girl, as a Cupid. [Luttrell's date of acquisition, 16 March 1681@2, is on his copies of the Prologue and Epilogue (Huntington); they have also been reprinted in Wiley, Rare Prologues and Epilogues, pp. 84-85.

Performances

Mainpiece Title: The Heir Of Morocco With The Death Of Gayland

Event Comment: The Duke's Company. Newdigate newsletters, 8 July 1682: The Bantam Embrs...this afternoon took yr leave of ye playhouse the Empresse of Morocco being acted (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81)

Performances

Mainpiece Title: The Empress Of Morocco

Event Comment: It being the Sequel of the Empress of Morocco, the Murderer of her Son Muly-Labass, and Deposer of the true Successor Muly-Mesude, preserv'd under the disguis'd Name of Altomar, who by Treachery suffer'd severe Torments, with an Ignominious Death

Performances

Mainpiece Title: The Heir Of Morocco; With The Death Of gayland, The african Usurper

Song:

Dance:

Event Comment: Benefit Festing. For the entertainment of the Ambassador of Morocco

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-; with singing in Italian and English for two voices-

Performances

Mainpiece Title: The Empress Of Morocco

Music: With the original Mask set to new Musick-

Performances

Mainpiece Title: The Empress Of Morocco

Song:

Dance:

Performances

Mainpiece Title: The Empress Of Morocco

Dance: Dance in Imitation of Mlle D'Subligny-Devonshire Girl; Fury's Dance-Laferry, Cottine, Mrs Lucas; Tollet's Ground-Cottine, Mrs Lucas

Performances

Mainpiece Title: The Empress Of Morocco

Song:

Dance:

Performances

Mainpiece Title: The Empress Of Morocco

Performances

Mainpiece Title: The Heir Of Morocco; With The Death Of Gayland

Performances

Mainpiece Title: A Comedy Within A Comedy; Or, The Foppish Merchant Turn'd Comedian For Love By Pantalon

Entertainment: Singing Dancing and Serenading after the Venetian Manner-; To which is added, A most noble Concert of Musical French Horns-; Songs-; accompany'd-the said Concert; Dance-Turkish Men, Turkish Women; at the Sound of Trumpets and Kettle Drums-; Dance call'd the King of Morocco's Diversions-Signor Grimaldo Francolino of Malta; and his most surprizing Activity and Strength in a Dance on his Knees with a wonderful heavy Machine upon his Head, never yet attempted by any one before-Signor Grimaldo Francolino

Performances

Mainpiece Title: Ramah Droog; Or, Wine Does Wonders

Afterpiece Title: The Jew and the Doctor

Entertainment: Procession End II: A Return from a Tiger Hunt- [to the Rajah's Palace, representing the Rajah on an Elephant, returning from Hunting the Tiger, preceded by his Hircarrahs, or military Messengers, and his State Palanquin-the Vizier on another Elephant-the +Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin; also by Nairs (or Soldiers from the South of India), Poligars (or Inhabitants of the Hilly Districts), with their Hunting-dogs, other Indians carrying a dead Tiger, and young Tigers in a Cage; a number of Seapoys-Musicians on Camels and on Foot-Dancing Girls. [This was included in all subsequent performances.

Event Comment: The Duke's Company. Two sources naming the play attended by the Morocco ambassador differ as to what play was presented. CSPD, Charles II, 1682, p. 35: 19 Jan. 1681@2: To-day the Morocco Ambassador goes to a play named Circe at the Duke's House. Impartial Protestant Mercury, 20-24 Jan. 1681@2: The Morocco Ambassador, On Thursday last, went to the Duke's Theatre, where was Acted Psyche, a Play of extraordinary splendor, with which his Excellency was extreamly pleas'd

Performances

Mainpiece Title: Circe

Event Comment: [The King's Company. CSPD, Charles II, 1682, p. 28: 14 Jan. 1681@2. This evening the Morocco ambassador with all his attendants will be treated at the King's playhouse with a play that has relation to that country, viz., Caius Martius with dancing and volting

Performances

Mainpiece Title: The Ingratitude Of A Common-wealth

Event Comment: BM Egerton 1628, Diary of Edward Southwell: Saw the Morocco Ambassador at the Play

Performances

Mainpiece Title: Omment

Event Comment: Newsletter, 24 Nov. 1691: This afternoon the Morocco ambassador was present at the acting of a play called The Emperor of the Moon (HMC, Hastings MSS. [1930], II, 332)

Performances

Mainpiece Title: The Emperor Of The Moon

Event Comment: Rich's Company. Post Boy, No 496, 7-9 July 1698: This day is acted Oroonoko, at the King's Playhouse, for the particular Entertainment of some Persons of the highest Quality, with the Italian Shades, as they were perform'd with great Applause, before their Excellencies the Russian and Morocco Ambassadors, in the Reign of King Charles II. And an Entertainment after the manner of the Carnaval at Rome. With several Grotesque Dances

Performances

Mainpiece Title: Oroonoko

Event Comment: Rich's Company. This play was apparently never published, and the performance is known only by an advance announcement: Post Boy, 30 May-1 June 1700: The History of Hengist, the Saxon King of Kent, which before was designed to be Acted this day [1 June 1700], for the benefit of Mr Johnson, is therefore deferr'd till Monday. London Post, 7-10 June 1700: This Week the Morocco Ambassador diverted himself thrice at the Play-house

Performances

Mainpiece Title: The History Of Hengist, The Saxon King Of Kent

Event Comment: By Command. For the Entertainment of his Excellency Hamet Ben Hamet Cardenas, Ambassador from the Emperor of Fez and Morocco

Performances

Mainpiece Title: The British Enchanters

Event Comment: For the Entertainment of Hamet Ben Hamet Cardenas, Ambassador from the Emperor of Fez and Morocco

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Event Comment: As 1 July. For the Entertainment of his Excellency Hamet Ben Hamet Cardenas, Ambassador from the Emperor of Morocco

Performances

Mainpiece Title: The Lancashire Witches

Event Comment: Benefit Thurmond. For the Entertainment of his Excellency Don Joseph Dias, Ambassador from the Emperour of Morocco, lately arriv'd

Performances

Mainpiece Title: Othello, Moor Of Venice