SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ambassador Extraordinary from the Emperor of Morocco"/1) | (@(roleclean,performerclean) "Ambassador Extraordinary from the Emperor of Morocco")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 252 matches on Performance Title, 217 matches on Event Comments, 124 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Betterton's Company. The date of this performance, which coincides with the opening of the playhouse in Lincoln's Inn Fields by Betterton's Company, is established by Downes, Roscius Anglicanus, pp. 43-44: [Betterton, Mrs Bracegirdle, Mrs Barry, and others] set up a new Company, calling it the New Theatre in Lincolns-Inn-Fields; and the House being fitted up from a Tennis-Court, they Open'd it the last Day of April 1695, with a new Comedy: Call'd, Love for Love....This Comedy being Extraordinary well Acted, chiefly the Part of Ben the Sailor, it took 13 Days Successively. Three songs in the play were published separately: I tell thee, Charmion, the music by Finger, sung by Pate and Reading, is in Thesaurus Musicus, 1696, The Fifth Book. A Nymph and a Swain, the music by John Eccles and sung by Pate; and A Soldier and a Saylour, the music by John Eccles, and sung by Dogget, are in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 196-97: After we had stolen some few Days March upon them, the Forces of Betterton came up with us in terrible Order: In about three Weeks following, the new Theatre was open'd against us with veteran Company and a new Train of Artillery; or in plainer English, the old Actors in Lincoln's-Inn-Fields began with a new Comedy of Mr Congreve's, call'd Love for Love, which ran on with such extraordinary Success that they had seldom occasion to act any other Play 'till the End of the Season. This valuable Play had a narrow Escape from falling into the Hands of the Patentees; for before the Division of the Company it had been read and accepted of at the Theatre-Royal: But while the Articles of Agreement for it were preparing, the Rupture in the Theatrical State was so far advanced that the Author took time to pause before he sign'd them; when finding that all Hopes of Accomodation were impracticable, he thought it advisable to let it takes its Fortune with those Actors for whom he had first intended the Parts. A Comparison Between the Two Stages (1702), p. 10: Ramble: You know the New-house opened with an extraordinary good Comedy, the like has scarce been heard of. Critick: I allow that Play contributed not a little to their Reputation and Profit; it was the Work of a popular Author; but that was not all, the Town was ingag'd in its favour, and in favour of the Actors long before the Play was Acted. Sullen: I've heard as much; and I don't grudge 'em that happy beginning, to compensate some part of their Expence and Toil: But the assistance they receiv'd from some Noble Persons did 'em eminent Credit; and their appearance in the Boxes, gave the House as much Advantage as their Contributions. Ramble: Faith if their Boxes had not been well crowded, their Galleries wou'd ha' fallen down on their Heads. Sullen: The good Humour those Noble Patrons were in, gave that Comedy such infinite Applause; and what the Quality approve, the lower sort take upon trust. Gildon, The Lives and Characters (ca. 1698), p. 22: This Play, tho' a very good Comedy in it self, had this Advantage, that it was Acted at the Opening of the New House, when the Town was so prepossess'd in Favour of the very Actors, that before a Word was spoke, each Actor was clapt for a considerable Time. And yet all this got it not more Applause than it really deserv'd. An Essay on Acting (London, 1744), p. 10: The late celebrated Mr Dogget, before he perform'd the Character of Ben in Love for Love, took Lodgings in Wapping, and gather'd thence a Nosegay for the whole Town

Performances

Mainpiece Title: Love For Love

Performance Comment: Edition of 1695: A Prologue for the opening of the New Play-House-Mrs Bracegirdle in Man's Cloaths; Sent from an unknown Hand; Prologue Spoken at the opening of the New House-Mr Betterton; Epilogue Spoken at the opening of the New House-Mrs Bracegirdle; Sir Sampson Legend-Underhill; Valentine-Betterton; Scandal-Smith; Tattle-Boman; Ben-Dogget; Foresight-Sanford; Jeremy-Bowen; Trapland-Triffusis; Buckram-Freeman; Angelica-Mrs Bracegirdle; Mrs Foresight-Mrs Bowman; Mrs Frail-Mrs Barry; Miss Prue-Mrs Ayliff; Nurse-Mrs Leigh; Jenny-Mrs Lawson.
Event Comment: Afterpiece: A New Dramatic Masque. Admission 5s., 3s., 2s., 1s. No Money under the full Price will be taken; and the Advance Money will he returned to those who chuse to go out before the Overture to the Entertainment begins. Edition of 1736: Invented by Mr Pritchard. Musick composed by Mr Arne. Scenes painted by Mr Hayman

Performances

Mainpiece Title: The Unhappy Favourite

Cast
Role: Essex Actor: Milward
Role: Burleigh Actor: Quin
Role: Southampton Actor: W. Mills
Role: Raleigh Actor: Berry
Role: Queen Elizabeth Actor: Mrs Butler
Role: Rutland Actor: Mrs Thurmond
Role: Nottingham Actor: Mrs Cross

Afterpiece Title: The Fall of Phaeton: With Harlequin a Captive

Performance Comment: Jupiter-Winstone; Neptune-Turbutt; Priest of Aurora-Salway; Terra-Mrs Cross; Phoebus-Mrs Cantrell; Phaeton-Cross; Clymene-Mrs Clive; Ethiopian-Essex; Moors-Pelling, Villeneuve, Davenport, Rector; Seasons-Villeneuve, Duke, Mrs Walter, Mrs Pelling; Turkish Dancers-Delamayne, Mrs Walter; Turk-Salway; Harlequin-Le Brun; Morocco Servant-Poitier; Colombine-Miss Mann; Her Maid-Mrs Pritchard; Captain of the Galley-Este; Innkeeper-Turbutt; Barber-Grey; Porter-Leigh; China Woman-Mrs Ferguson; Lodging Woman-Mrs Bennet; Harlequin's Good Genius-Miss Cole; Adonis-Denoyer; Venus-Mlle Anne Roland; Followers of Adonis-Pelling, Rector, Davenport, Mrs Davenport, Mrs Villeneuve, Miss Cantrell; Hours-Pelling, Rector, Davenport, Mrs Davenport, Mrs Villeneuve, Miss Cantrell .
Event Comment: By Their Majesties' Command. Mainpiece: Written by the late Sir Richard Steele. [Their Majesties and all the Royal Family present.]

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Indiana Actor: Mrs Cibber
Role: Sir John Actor: Mills
Role: Bevil Jr Actor: Quin
Role: Myrtle Actor: W. Mills
Role: Cimberton Actor: Griffin
Role: Sealand Actor: Milward
Role: Humphrey Actor: Shepard
Role: Tom Actor: Cibber
Role: Daniel Actor: Leigh
Role: Lucinda Actor: Miss Holliday
Role: Mrs Sealand Actor: Mrs Cross
Role: Isabella Actor: Mrs Pritchard
Role: Phillis Actor: Mrs Clive

Afterpiece Title: The Fall of Phaeton

Performance Comment: Phoebus-Mrs Cantrell; Phaeton-Cross; Clymene-Mrs Clive; Ethiopian-Essex; Turk-Salway; Harlequin-Le Brun; Morocco Servant-Poitier; Colombine-Miss Mann; Adonis-Denoyer; Venus-Mlle Anne Roland, but see17360228.
Cast
Role: Phoebus Actor: Mrs Cantrell
Role: Phaeton Actor: Cross
Role: Clymene Actor: Mrs Clive
Role: Ethiopian Actor: Essex
Role: Turk Actor: Salway
Role: Harlequin Actor: Le Brun
Role: Morocco Servant Actor: Poitier
Role: Colombine Actor: Miss Mann
Role: Adonis Actor: Denoyer
Role: Venus Actor: Mlle Anne Roland, but see17360228

Performances

Mainpiece Title: Love's Last Shift

Cast
Role: Amanda Actor: Mrs Cibber
Role: Sir Novelty Actor: Cibber
Role: Sir William Actor: Johnson
Role: Loveless Actor: Milward
Role: Elder Worthy Actor: Berry
Role: Young Worthy Actor: W. Mills
Role: Snap Actor: Mechlin
Role: Sly Actor: Miller
Role: Narcissa Actor: Mrs Thurmond
Role: Hillaria Actor: Miss Holliday
Role: Flareit Actor: Mrs Pritchard
Role: Anne Actor: Mrs Cross

Afterpiece Title: The Fall of Phaeton

Performance Comment: Phoebus-Mrs Cantrell; Phaeton-Cross; Clymene-Mrs Clive; Ethiopian-Essex; Turkish Dancers-Delamayne, Mrs Walter; Turk-Salway; Harlequin-Le Brun; Morocco Servant-Poitier; Colombine-Miss Mann; Colombine's Maid-Mrs Pritchard; Harlequin's Good Genius-Miss Cole; Adonis-Denoyer; Venus-Mlle Anne Roland, but see17360304.
Cast
Role: Phoebus Actor: Mrs Cantrell
Role: Phaeton Actor: Cross
Role: Clymene Actor: Mrs Clive
Role: Ethiopian Actor: Essex
Role: Turkish Dancers Actor: Delamayne, Mrs Walter
Role: Turk Actor: Salway
Role: Harlequin Actor: Le Brun
Role: Morocco Servant Actor: Poitier
Role: Colombine Actor: Miss Mann
Role: Colombine's Maid Actor: Mrs Pritchard
Role: Harlequin's Good Genius Actor: Miss Cole
Role: Adonis Actor: Denoyer
Role: Venus Actor: Mlle Anne Roland, but see17360304

Music: IV: Kettle Drums by Poitier

Dance: I: Tambourine by Mlle Roland. III: The Double Jealousy: Miller-Poitier; His Wife-Mlle Roland; Coquet-Mrs Walter; Followers-Villeneuve, Pelling, Duke, Davenport, Mrs Pelling, Miss Mann, Mrs Davenport, Miss Brett (with New Habits)

Performance Comment: III: The Double Jealousy: Miller-Poitier; His Wife-Mlle Roland; Coquet-Mrs Walter; Followers-Villeneuve, Pelling, Duke, Davenport, Mrs Pelling, Miss Mann, Mrs Davenport, Miss Brett (with New Habits) .
Event Comment: For essays on the rivalry of actors, see Daily Journal, 13 Nov., and London Daily Post and General Advertiser, 13 Nov

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Cast
Role: Essex Actor: Milward
Role: Burleigh Actor: Quin
Role: Southampton Actor: W. Mills
Role: Queen Elizabeth Actor: Mrs Butler
Role: Rutland Actor: Miss Holliday
Role: Nottingham Actor: Mrs Cross.

Afterpiece Title: The Fall of Phaeton: With Harlequin a Captive

Performance Comment: Jupiter-Winstone; Neptune-Turbutt; Priest of Aurora-Stoppelaer; Terra-Mrs Bennet; Phoebus-Hill; Phaeton-Cross; Clymene-Mrs Clive; Ethiopian-Essex; Moors-Pelling, Villeneuve, Dukes, Rector; Turk-Thurmond; Harlequin-Philips; Morocco Servant-Macklin; Colombine-Miss Mann; Harlequin's Good Genius-Miss Cole; Adonis-Denoyer; Venus-Mlle Roland; with a Grand Ballet-Denoyer, Mlle Roland.
Cast
Role: Jupiter Actor: Winstone
Role: Neptune Actor: Turbutt
Role: Priest of Aurora Actor: Stoppelaer
Role: Terra Actor: Mrs Bennet
Role: Phoebus Actor: Hill
Role: Phaeton Actor: Cross
Role: Clymene Actor: Mrs Clive
Role: Ethiopian Actor: Essex
Role: Moors Actor: Pelling, Villeneuve, Dukes, Rector
Role: Turk Actor: Thurmond
Role: Harlequin Actor: Philips
Role: Morocco Servant Actor: Macklin
Role: Colombine Actor: Miss Mann
Role: Harlequin's Good Genius Actor: Miss Cole
Role: Adonis Actor: Denoyer
Role: Venus Actor: Mlle Roland
Role: with a Grand Ballet Actor: Denoyer, Mlle Roland.
Event Comment: [Because of Mrs Porter's accident, she can act only every other day; The Rival Queens, therefore, will be given on alternate evenings.

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Cast
Role: Jupiter Actor: Mills
Role: Mercury Actor: Shepard
Role: Amphitryon Actor: W. Mills
Role: Sosia Actor: Harper
Role: Gripus Actor: Griffin
Role: Alcamena Actor: Mrs Thurmond
Role: Bromia Actor: Mrs Cross
Role: Phaedra Actor: Mrs Pritchard.

Afterpiece Title: The Fall of Phaeton

Performance Comment: See17361119, but Phaebus-Hill; Phaeton-Green; Mercury-Stoppelaer; Clymene-Mrs Clive; Ethiopian-Essex; Turk-Thurmond; Harlequin-Philips; Morocco Servant-Macklin; Colombine-Miss Mann; Harlequin's Good Genius-Miss Cole; Ballet-Essex, Mrs Walter.
Cast
Role: Phaebus Actor: Hill
Role: Phaeton Actor: Green
Role: Mercury Actor: Stoppelaer
Role: Clymene Actor: Mrs Clive
Role: Ethiopian Actor: Essex
Role: Turk Actor: Thurmond
Role: Harlequin Actor: Philips
Role: Morocco Servant Actor: Macklin
Role: Colombine Actor: Miss Mann
Role: Harlequin's Good Genius Actor: Miss Cole
Role: Ballet Actor: Essex, Mrs Walter.

Dance: In IV: Muilment

Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Cast
Role: Laertes Actor: W. Mills.
Role: Ghost Actor: Boman
Role: Gravediggers Actor: _Macklin.
Role: Ostric Actor: Macklin
Role: Hamlet Actor: Milward
Role: King Actor: Quin
Role: Horatio Actor: Este
Role: Polonius Actor: Griffin
Role: Queen Actor: Mrs Butler
Role: Ophelia Actor: Mrs Clive

Afterpiece Title: The Fall of Phaeton

Performance Comment: See17370118, but Harlequin-Philips; Colombine-Miss Mann; Turk-Thurmond; Morocco Servant-Mechlin.
Cast
Role: Harlequin Actor: Philips
Role: Colombine Actor: Miss Mann
Role: Turk Actor: Thurmond
Role: Morocco Servant Actor: Mechlin.
Event Comment: Mainpiece: Written by the late Mr Otway

Performances

Mainpiece Title: The Orphan

Cast
Role: Serina Actor: Mrs Mills.
Role: Orphan Actor: Mrs Cibber
Role: Castalio Actor: Milward
Role: Polydore Actor: Mills
Role: Chamont Actor: Quin
Role: Chaplain Actor: Turbutt
Role: Page Actor: Miss Cole
Role: Florella Actor: Mrs Brett
Role: Acasto Actor: Wright, the first time of his appearance on that stage.

Afterpiece Title: The Fall of Phaeton; With Harlequin a Captive

Performance Comment: Vocal Parts-Beard, Mrs Clive; Ethiopian-Muilment; Turl-Pelling; Colombine-Mrs Walter; Morocco Servant-Macklin; Harlequin's Good Genius-Miss Cole; Harlequin-Lun Jr (the first time of his appearance on this stage).
Cast
Role: Vocal Parts Actor: Beard, Mrs Clive
Role: Ethiopian Actor: Muilment
Role: Turl Actor: Pelling
Role: Colombine Actor: Mrs Walter
Role: Morocco Servant Actor: Macklin
Role: Harlequin's Good Genius Actor: Miss Cole
Role: Harlequin Actor: Lun Jr

Dance: A Ballet-Haughton (his first appearance at dl in five years)

Performances

Mainpiece Title: The Committee

Cast
Role: Teague Actor: Macklin
Role: Careless Actor: Milward
Role: Blunt Actor: Mills
Role: Day Actor: Griffin
Role: Obadiah Actor: Johnson
Role: Abel Actor: Woodward
Role: Story Actor: Havard
Role: Committeeman Actor: Turbutt
Role: Ruth Actor: Mrs Pritchard
Role: Arbella Actor: Mrs Mills
Role: Mrs Day Actor: Mrs Cross
Role: Mrs Chat Actor: Mrs Marshall.

Afterpiece Title: The Fall of Phaeton; Harlequin a Captive

Performance Comment: Clymene-Mrs Clive; Mercury-Beard; Ethiopian-Muilment; Turk-Pelling; Colombine-Miss Mann; Morocco Servant-Macklin; Harlequin's Good Genius-Miss Cole; Harlequin-Lun Jr; Grand Dance-Muilment, Mrs Walter.
Cast
Role: Clymene Actor: Mrs Clive
Role: Mercury Actor: Beard
Role: Ethiopian Actor: Muilment
Role: Turk Actor: Pelling
Role: Colombine Actor: Miss Mann
Role: Morocco Servant Actor: Macklin
Role: Harlequin's Good Genius Actor: Miss Cole
Role: Harlequin Actor: Lun Jr
Role: Grand Dance Actor: Muilment, Mrs Walter.

Performances

Mainpiece Title: Love For Love

Cast
Role: Tattle Actor: Chapman
Role: Angelica Actor: Mrs Mills
Role: Mrs Foresight Actor: Mrs Pritchard.
Role: Valentine Actor: Milward
Role: Ben Actor: Macklin
Role: Foresight Actor: Johnson
Role: Sir Sampson Actor: Shepard
Role: Scandal Actor: Mills
Role: Trapland Actor: Griffin
Role: Jeremy Actor: Yates
Role: Mrs Frail Actor: Mrs Butler
Role: Nurse Actor: Mrs Marshall
Role: Prue Actor: Mrs Clive.

Afterpiece Title: The Fall of Phaeton; Harlequin a Captive

Performance Comment: Clymene-Mrs Clive; Mercury-Beard; Turk-Pelling; Colombine-Mrs Walter; Morocco Servant-Penkethman; Harlequin's Good Genius-Miss Cole; Harlequin-Woodward; with a Grand Ballet-Denoyer, Mlle Chateauneuf, Liviez, Baudouin, Fromont, Carney, Mrs Walter, Mrs Thompson, Mrs Woodward, Mrs Vallois.

Song: II: As17391024

Dance: III: Pierots-Pelling, Liviez; IV: Scotch Dance-Master Matthews, Miss Wright

Performances

Mainpiece Title: King Henry The Fourth, Part Ii

Performance Comment: Falstaff-Quin; King-Milward; Prince-Mills; Lancaster-Havard; York-Wright; Justice-Berry; Westmorland-Winstone; French Ambassador-Turbutt; Hastings-Ridout; Pistol-Yates; Shallow-Johnson; Silence-Griffin; Feeble-Woodward; Bardolph-Ray; Poins-Cashell; Falstaff's Boy-Miss Cole; Mrs Quickly-Mrs Grace; Doll Tearsheet-Mrs Bennet.
Cast
Role: Falstaff Actor: Quin
Role: King Actor: Milward
Role: Prince Actor: Mills
Role: Lancaster Actor: Havard
Role: York Actor: Wright
Role: Justice Actor: Berry
Role: Westmorland Actor: Winstone
Role: French Ambassador Actor: Turbutt
Role: Hastings Actor: Ridout
Role: Pistol Actor: Yates
Role: Shallow Actor: Johnson
Role: Silence Actor: Griffin
Role: Feeble Actor: Woodward
Role: Bardolph Actor: Ray
Role: Poins Actor: Cashell
Role: Falstaff's Boy Actor: Miss Cole
Role: Mrs Quickly Actor: Mrs Grace
Role: Doll Tearsheet Actor: Mrs Bennet.

Afterpiece Title: The Fall of Phaeton

Performance Comment: See17391103, but Clymene-Mrs Clive; Phaeton-Green; Mercury-Beard; Priest of Sun-Rheinhold; Jupiter-Woodburn; Neptune-Marshall; Phoebus-Usher; Terra-Mrs Wright; Turk-Pelling; Colombine-Mrs Walter; Morocco Servant-Penkethman; Harlequin's Good Genius-Miss Cole; Harlequin-Woodward.
Cast
Role: Clymene Actor: Mrs Clive
Role: Phaeton Actor: Green
Role: Mercury Actor: Beard
Role: Priest of Sun Actor: Rheinhold
Role: Jupiter Actor: Woodburn
Role: Neptune Actor: Marshall
Role: Phoebus Actor: Usher
Role: Terra Actor: Mrs Wright
Role: Turk Actor: Pelling
Role: Colombine Actor: Mrs Walter
Role: Morocco Servant Actor: Penkethman
Role: Harlequin's Good Genius Actor: Miss Cole
Role: Harlequin Actor: Woodward.

Dance: II: Drunken Peasant-Master Ferg; V: Scots Dance-Master Matthews, Miss Wright

Event Comment: The Duke's Company. The date of the first performance is uncertain, but the fact that Luttrell dated his separately printed copies of the Prologue and Epilogue 5 April 1682 (Huntington Library) sets a probability that the play first appeared within a week to ten days preceding that date. The Prologue and Epilogue, separately printed, have been reprinted in Wiley, Rare Prologues and Epilogues, pp. 89-91. A Prologue Intended for Vertue Bertray'd, by Thomas Shadwell, is reprinted in Welbeck Niscellany 3, A Collection of Poems by Several Hands, ed. Francis Needham, 1934. Some details in it suggest the "Dead Time" preceding Easter, when the Court was gone, the Russian ambassador departed, the Moroccan Ambassador shortly to go. The Russian ambassador left on 15 Feb. 1681@2 OS (see Evelyn, Diary), and the Prologue refers to the execution of Colonel Vratz and his accomplices on 10 March 1681@2 (Evelyn, Diary)

Performances

Mainpiece Title: Vertue Betray'd; Or, Anna Bullen

Cast
Role: Prologue Actor: Spoken to Anna Bullen by a Person of Quality
Role: King Harry Actor: Smith
Role: Cardinal Actor: Gillow
Role: Northumberland Actor: Wiltshire
Role: Piercy Actor: Betterton
Role: Rochford Actor: Jos. Williams
Role: Anna Bullen Actor: Mrs Barry
Role: Lady Diana Talbot Actor: Mrs Petty
Role: Epilogue Actor: .
Event Comment: Never before acted [by William Havard, who inserted a long advertisement in the Daily Post with quotations from Roman history and the comment: thus much I think is necessary to be known by everybody who designs to see the play.] Last night the Tragedy of Regulus was perform'd...to a numerous and polite Audience, and met with great Applause.-London Daily Post and General Advertiser, 22 Feb

Performances

Mainpiece Title: Regulus

Performance Comment: Corvus-Delane; Decius-Havard; Metullus-Mills; Mutius-Bridges; Manlius-Berry; Quintus-Blakes; First Cartheginian Ambassador-Turbutt; 2nd Ambassador-Usher; Attilus Regulus-Taswell; Scaurus-Green; Emilius-Woodburn; Mantia-Mrs Giffard; Clelia-Miss Budgell; Regulus-Garrick; Prologue-Havard; Epilogue (by Garrick)-Miss Woffington. [From 1st edition, but listed in order of actors given in London Daily Post and General Advertiser.]From 1st edition, but listed in order of actors given in London Daily Post and General Advertiser.]
Cast
Role: Corvus Actor: Delane
Role: Decius Actor: Havard
Role: Metullus Actor: Mills
Role: Mutius Actor: Bridges
Role: Manlius Actor: Berry
Role: Quintus Actor: Blakes
Role: First Cartheginian Ambassador Actor: Turbutt
Role: 2nd Ambassador Actor: Usher
Role: Attilus Regulus Actor: Taswell
Role: Scaurus Actor: Green
Role: Emilius Actor: Woodburn
Role: Mantia Actor: Mrs Giffard
Role: Clelia Actor: Miss Budgell
Role: Regulus Actor: Garrick
Role: Prologue Actor: Havard
Role: Epilogue Actor: Miss Woffington.
Event Comment: Both pieces by Command of His Royal Highness the Prince of Wales. Mainpiece: A Comedy reviv'd (never acted there) by Beaumont and Fletcher

Performances

Mainpiece Title: The Humorous Lieutenant

Performance Comment: Demetrius-Barry; King-Ridout; Seleucus-Anderson; Ptolomy-Wignel; Lysimachus-White; Timon-Stoppelaer; Lieutenant-Shuter; Charinthus-Bencraft; 1st Ambassador-R. Smith; Menipphus-Costello; 2nd Ambassador-Holtom; Leontius-Sparks; Gentlemen Ushers-Arthur, Dunstall; Physician-Redman; 1st Gentleman-Bennet; Host-Marten; 2nd Gentleman-Cushing; Magician (with Incantaion Song)-Baker; Singing Spirits-Mrs Lampe, Mrs Chambers (with Music compos'd by Mr Arne Jr); Herald-Buck; Old Woman-Miss Ferguson; Governess-Mrs Copen; Phoebe-Miss Cokayne; Leucippe-Mrs Pitt; Caelia-Mrs Woffington.
Cast
Role: Demetrius Actor: Barry
Role: King Actor: Ridout
Role: Seleucus Actor: Anderson
Role: Ptolomy Actor: Wignel
Role: Lysimachus Actor: White
Role: Timon Actor: Stoppelaer
Role: Lieutenant Actor: Shuter
Role: Charinthus Actor: Bencraft
Role: 1st Ambassador Actor: R. Smith
Role: Menipphus Actor: Costello
Role: 2nd Ambassador Actor: Holtom
Role: Leontius Actor: Sparks
Role: Gentlemen Ushers Actor: Arthur, Dunstall
Role: Physician Actor: Redman
Role: 1st Gentleman Actor: Bennet
Role: Host Actor: Marten
Role: 2nd Gentleman Actor: Cushing
Role: Magician Actor: Baker
Role: Singing Spirits Actor: Mrs Lampe, Mrs Chambers
Role: Herald Actor: Buck
Role: Old Woman Actor: Miss Ferguson
Role: Governess Actor: Mrs Copen
Role: Phoebe Actor: Miss Cokayne
Role: Leucippe Actor: Mrs Pitt
Role: Caelia Actor: Mrs Woffington.

Afterpiece Title: A Duke and no Duke

Dance: Granier, Leppie, Lucas, Miss Hilliard

Event Comment: At Lee-Harper Booth. From 10 a.m. to 10 p.m. Book of the Droll sold at Booth. [Also advertised 8, 10, 15, 17 Sept.

Performances

Mainpiece Title: Uy, Earl Of Warwick

Performance Comment: Guy-Hulett; Emperor-Rosco; Duke of Lorrain-Lacy; Rogero-Morgan; Phillis-Mrs Morgan; Jilt-Mrs Egleton; Emperor's Daughter-Mrs Lacy; Boozall-Harper.
Cast
Role: Guy Actor: Hulett
Role: Emperor Actor: Rosco
Role: Duke of Lorrain Actor: Lacy
Role: Rogero Actor: Morgan
Role: Phillis Actor: Mrs Morgan
Role: Jilt Actor: Mrs Egleton
Role: Emperor's Daughter Actor: Mrs Lacy
Role: Boozall Actor: Harper.
Event Comment: Tickets are given out...by Mr Pinkeman, who has taken care to provide Places for Persons of Quality at Five Shillings each, and the lower at half a Crown. And a Stage built for the Performers. At 6 p.m

Performances

Mainpiece Title: Italian Interludes

Dance: Some mimical Entertainments a Famous-Scaramouch, Harlequin , who lately perform'd before the Court of Hanover and their Prussian Majesties, now arriv'd in England

Related Works
Related Work: Harlequin a Sorcerer: With the Loves of Pluto and Proserpine Author(s): Lewis Theobald
Related Work: The Rape of Proserpine: With The Birth and Adventures of Harlequin Author(s): Lewis Theobald
Related Work: The Medley; or, Harlequin At-All Author(s): Lewis Theobald
Related Work: Perseus and Andromeda; or, The Spaniard Outwitted Author(s): Lewis Theobald

Entertainment: Vaulting. An extraordinary Performance on the Manag'd Horse-the greatest Master of the Age , exceeding whatever has been done by any other, especially his resting on one hand with his whole Body extended while he drinks several Glasses of Wine, and then throwing himself a Somerset over the Horse's head; Rope/dancing With and without a Pole,-the two famous French Maids so much admir'd, for surpassing all others in their Art, that they have been presented with Medals at most of the Courts in Europe

Performance Comment: An extraordinary Performance on the Manag'd Horse-the greatest Master of the Age , exceeding whatever has been done by any other, especially his resting on one hand with his whole Body extended while he drinks several Glasses of Wine, and then throwing himself a Somerset over the Horse's head; Rope/dancing With and without a Pole,-the two famous French Maids so much admir'd, for surpassing all others in their Art, that they have been presented with Medals at most of the Courts in Europe.
Event Comment: NNeale had Tickets (Cross). Last time of the Company's performing this season. Neale had tickets on this night for which it is customary to pay half price, the whole amount of his tickets in the House came to #22 7s. (Powel). Receipts: #60 (Cross); #33 18s. 6d. (Powel). General Advertiser, 23 June: Yesterday was married by the Rev. Mr Franklin at his Chapel Russel St?, Bloomsbury,--David Garrick Esq. to Mlle Eva Maria Violette. Comments by John Powel in MS Tit for Tat: This was the last night of the season, having play'd 175 nights. Rec'd by forfeits of the Band of Music #32 11d. Rec'd ditto from actors #1 15s. Rec'd of Mr Neale for half share of his tickets #11 3s. 6d. So that they received as appears by their own books in the two seasons that Mr G k has been concern'd as manager, the sum of #40,906 2s. 7d. having play'd in the whole time 346 nights. But as Mr Garrick's Benefit and Mrs Cibber's charges were included in the account as a blind to the Principle Treasurer, I must therefore, among some few other things, subtract them from the total amount, and then it will stand as follows: @The first season:@Cash return'd by licencer #2 2s.@G k's Benefit, whole amount of house #193 16s.@Mrs Cibber's charges at her Bt. #60@Mr Berry #1 10s.@Mrs Pritchard for a ticket as agreed #10 10s.@The last season G k receiv'd as author of Lethe, for 6th night #56 8s. 6d.@Mr Warner #5 14s.@G k's benefit as before #187@Mrs Cibber's charges #60@Mrs Pritchard's #10@Total #587 16s. 6d.@ The sum subtracted, it wil remain #40,318 6s. 1d., which is at the rate of #116 10s. 6d. for each night, one night with another, Benefit nights and all Disadvantages included. As I have no given an exact account of the Receipts of Cash, I must also endeavor to give an account of the nightly charge, that the reader may be able to judge of the Profits. But it must be first consider'd, that all nights will not amount to the same, as for example the play of Macbeth requires more incidents, than a common play, such as wine, fruit made use of in the Banqueting Scene, also spirits of wine for the Cauldron in the scene of the Witches, Rosin for lightening, &c. Whereas in another play, such as the Orphan perhaps there are few or no incidents, and consequently the charges must be less, so that it is impossible to be quite exact without giving the particulars of each night's play throughout the two seasons which would not only tire the reader's patience, but swell this pamphlet to a greater bulk than the nature of the thing requires; besides as all the Account Books are in their own custody, there can be no such thing as making an abstract. But as my own memorandums will let me into the most principle things, it is an easy matter to make an allowance for others of less consequence, which I shall take care as much as I can to do rather in their favor than against them. In the first place I shall begin with their Rents and Taxes as they stood last season: @A Calculation of the Nightly Expence of Drury Lane Playhouse:@Renter's Shares in the House, being in number Thirty-Six at #23 6s. 8d. each share for the season amounts in all to #840, and supposing they play but 170 nights (tho' they play'd 175 last season which is allowing them as much advantage as I possibly can) then will it amount to per night #4 18s. 9d.@Land Tax for the year #88, which calculated at the rate of 170 nights as above, is per night 10s. 4d.@Ground Rent, and for the rent of a Wardrobe call'd the Sparrow's Nest, for the year #80, which is per night 9s. 4d.@Poor's rate for the year #33 6s. 8d., which is per night 3s. 11d.@Scavanger for the House, and another place call'd the King's Passage, for the year #7 9s. 4d., which is 10 1!2d.@Rent for a Place call'd the King's Passage for the year #31 10s., which is per night 3s. 8 1!4d.@Watch Rate for the Playhouse and a House in Russel St, call'd the King's Passage #7, which is per night 9 3!4d.@Window lights for the Playhouse and the King's Passage, #6 per year, which is per night 8 1!4d.@Water for the year, #2, which is per night 2 3!3d.@Rent of a room call'd the Scene Room for the year #60, which is per night 7s. 1!2d.@Fruit money to be divided among the renters, as by their Lease #40, which is per night 4s. 8 1!4d.@(N.B.: It has not been the custom for some years past to pay this money to the Renters, but as they are entitled to receive it, I think proper to make it one of the charges.)@A Perquisite payable out of the P t [Patent?] for the year #815, which is per night #1 1 7s. 1!2d.@The Total amount of their Rent and Taxes is per night #8 17s. 6d.@ Thus far I have given an account of their rents] and Taxes and before I proceed any farther I believe it will be necessary to acquaint the reader, that the Renter's Lease will expire in the year 1753, and then the whole affair will come into the hands of Messrs G k and L y, for the term of near 21 years at an annual Rent of #210. This is a purchase made not long ago, for which they gave #3000. But the Annual rent of #210 commences before the Renters time is out, occasioned by an addition of several dwelling Houses in the Playhouse Passages which they had thrown into their agreement, and for some of which they now receive Rent. The next principal charge is the Nightly Salaries of the people belonging to the House, such as actors, dancers, musicians, office keepers, doorkeepers, dressers, and sweepers. The customary way of paying these people is once a week; on a Saturday Morning their names being all enter'd alphabetically upon a list (which is call'd the Pay List). This List is always made out according to the number of nights that the House has played in the week, but I must set it down at 6 which is a full week's pay. This is also a fluctuating affair, as well as the incidents, their generally being a necessity of either adding or striking off some names before the season is out, which consequently either makes an increase or decrease in the charges, but as I am oblig'd to be as particular as possible, and to bring it to a point, I will fix upon salaries of the latest date. @Sat. Feb. 25, 1748-49. The salaries amounted to per week #296 9s. 6d., and on Sat. 15 Apr. 1749, the salaries were per week #294 6d. But as I chuse to make the thing rather more than less, I will enter it according to the former list, which is per night #49 8s. 8d.@N.B. Mr Lacy has #2 15s. 6d. per night upon this list for management, but I cannot comprehend that this is any part of the charge because he has a moity, or equal half-share of the Profits, as being a partner; and consequently ought not to be paid for inspecting into his own affairs. I shall therefore subtract this from the Nightly expence at the end.@The next charge to be consider'd is that of the Tallow Chandler, which generally amounts to per week about #17, but this is not always certain, it varying sometimes either a trifle over or under. This person makes an allowance of 8 per cent Discount upon account of his receiving ready money for his goods, which deducted from the #17 makes it per night #2 12s. 1d.@The Printer's Bill generally amounts to between #7 and #8 per week, but as I rather chuse to be over than under the mark, I will set it down at #8, which is per night #1 6s. 8d.@Advertisements in the General Advertiser, there has been nothing charg'd for these two years and upwards, which I believe is occasion'd by the Managers having a share in that paper, that perhaps may bring as much as their advertisements come to.@I shall find the greatest difficulty of any yet in making an Allowance for the nightly use of their cloaths, Scenes, &c, there being a vast number of rich cloaths bought into their wardrobe within these two years, and large sums paid to the Taylor, Mercer and other Tradesmen, on account of the same, but then the Stock remains, and will serve for a considerable time with some little addition, and it is well known the wardrobe was never so rich before, as at this juncture, a great many of the cloaths having been bought ready-made at dery great bargains, and when they are no longer fit to appear upon the stage, the Lace will burn to a considerable part of their money again; And as it is impossible to be quite exact, I must submit to the reader whether #3 3s. a Night only for the use of their cloaths, Scenes and other things that appertain to the dress, is not sufficient, for according to the calculation of playing 170 nights in the season it will amount to #535 10s., only for the use, which in my opinion is enough, and if they can contradict it let them make it appear #3 3s.@Mr Fleetwood (who was the late manager) when he made an assignment of the Playhouse to Mr Lacy in trust for the Bankers (Gr n, and Am r, late of the Strand) and himself to care to keep a Reserve of #500 a year during the Time then to come on the P t [patent?], a part of which has been paid annually to a Gentleman appointed to receive the same by Mr Fleetwood. But when Mr G k came in as manager, it was agreed by the consent of that Gentleman, that it should be paid at the rate of #300 a year, and so to take a longer time for the payment of the whole. This annuity had it stood at the rate of #500 a year as was first design'd would have expir'd with the P t, which is several months before the Renter's time is out, but this affair ought to be look'd upon rather as a Debt than part of the nightly charge of the Playhouse. However, as it always stood in that Rank in their books, I shall make the same allowance here and leave the reader to judge of it as he thinks proper, which is per night according to the former calculation #1 15s. 3d.@The Lamp Lighter's bill for lighting the lamps will amount to about 7 shillings sixpence a night, but as there is an occasion sometimes for Tin Wares and reparations, I shall set it down at Per night 10s.@Coals made use of are generally about 40 Chaldrons for the season, which bought in the summer time, we must suppose not be to above 34s. a chaldron, amounting in the whole to #68, which is per night 8s.@Properties, or Incidents, are sometimes more, sometimes less, as I have before observed, and are according to the play. They are under the Denomination of Fruit, Wines, Sweetmeats, Sticks, Stage Money, &c, but to take one night with another throughout the season they don't amount to quite 5s.@Bill Stickers are those men that stick the Large Bills about the Town, being Six in number, and have 18 pence per night each. They are not enter'd on the pay List among other servants, on account of their sticking Bills sometimes when the House does not play, which makes a difference, and supposing them to be in full pay, which is not always the case, then it would amount to per night 9s.@Two men that deliver Handbills, at 1 shilling a night each per night 2s.@Four constant supernumerary scene-men to assist the scene-men belonging to the House, and a Candle-man that sees all tne candles put out after the play is over, at 1 shilling each, which is per night 5s.@There are sometimes extraordinary Supernumerary scene-men, made use of in plays, to help the traps, &c, such as Richard III, Macbeth, The Tempest, &c, which have a shilling each, but one night with another it will not amount to above 3s.@Kettle Drums and French Horns are not included among the Band of Music, and as there are but two French Horns, and one pair of Kettle Drums made use of, which are only in some particular things, at 5 shillings a night, I cannot think they will amount to throughout the season more than per night 7s. 6d.@Chorus singers, which are people that stand behind the scenes, whose additional voices are sometimes necessary in grand pieces of vocal music, and are made use of in the Tempest, Comus, Macbeth, &c., and seldom in number so many as 6, at 5 shillings each,--but if I make allowance for two each night throughout the season, I am very confident it is more than sufficient, which supposition is per night 10s.@The Prompter is allowed for Paper, Pens, Ink and Wafers per night 3d.@The Carpenters, being sometimes employed in doing work in the House, save 2s. 6d. a day each, and as this is also a fluctuating affair, I shall put them down throughout the season at per night 5s.@The Glover's bill amounts one night with another to about 6s.@The Stationer's Bill, perhaps about #15 in the season, every Boxkeeper, &c being oblig'd to find his own Paper, which is per night 1s. 9d.@The Feather-man, Shoe-maker, Sword-Cutler, Hatter, Taylor, Scene Painter, Lace-man, Mercer, &c, I have already made an allowance for,--the #3 3s. per night for the use of the Cloaths, Scenes, &c. ....@The Brick-layer and Iron-monger are casual tradesmen, and as accidents so frequently happen, I think it necessary to put them down at per night 7s. 6d.@The Turner's Bill perhaps may amount in the season to about #6 which is per night 8d.@The person that has the care of the Candles brings in a bill for small wax candles, &c, and one night with another about 1s. 6d.@The House-keeper sometimes brings in a bill for little things to the amount of about per night 1s.@The Prompter for writing parts, one night witn another 8d.@I have thus endeavored to give the most minute Part of the charges that belongs to the House, but as most of these affairs depends upon accident and for fear of any omission (At the beginning of the first season their salaries were a few weeks at #54 per night, but as this was but of a short duration it cannot make any great difference) and lest they say I fix them to certain sums which have alter'd to their disadvantage, I will as a guard against such a supposition allow them per night #3@#74 6s. 8d.@[Subtracting Mr Lacy's #2 15s. 6d.] then according to the nearest calculation I can make the whole nightly charge is #71 11s. 2d.@ The next thing to be consider'd (supposing this charge to be right) is their Profits, which will appear by multiplying the sum of #71 11s. 2d. by 346 (the number of nights they play'd in the two seasons) and the total sum will be #24,759 10s. 10d., which subtracted from #40,318 6s. 1d., the remainder will be #15,558 15s. 2d., the profits, according to the best calculations I can make arising from the two last seasons. But I think it incumbent on me to inform the reader that this money was not all at the Managers' disposal, because there was a mortgage upon the Playhouse, &c to one Mr Clutterbuck?, a tradesman in the Strand, who was Mortgagee in trust for Mr G k himself and others, and the Mortgagee was entitled to take up #1000 a year and interest at 5 per cent. This security was made at Mr G k's first commencing manager in order to purchase the Bankers' two shares in the old P t, &c. which was sold for #3,500, also to discharge an old mortgage made by Mr Fleetwood, and other debts due from the playhouse. Thus have I made appear to the Town the receipts and charges as near as possibly can, and hope not to the disadvantage of the Managers. But perhaps they will say that they have expended more money than I have already given an account of, which I must readily submit to, but then it has been upon different affairs than the nightly charge of the House; as for example the first season they, as will appear by their own Books, #15,179 12s. 3d.; the second season #13,663 3s. 3d., so at this rate the profits do not amount to above #10,475 10s. 8d., which is noways right, for as I have already observed, they bought large quantities of ready-made rich cloaths, merely because they were great bargains. These cloaths they now have by them, and doubtless are as good as money, and which I make an allowance for at #3 3s. a night. They also made alterations in the House, by enlarging the first Gallery, and adding more seats, which are placed so neighborly together, that they keep people pure warm in a cole [sic] winter's night, especially at the upper end. The transformation of that Part adjoining to the Box-Lobby into a standing place for the Quality, that they may pay before they go in, is another charming contrivance, and many other alterations much to advantage, but these conveniences being once finish't become Perpetual, and are no longer chargeable. Besides they lent out of the said sums money to several actors for some of which they have bonds that bear 5 per cent interest, and these are the things that were the occasion of the Extraordinary Advancement, which perhaps they under a pretence may call part of the Nightly charges, but as I have made the thing as clear as well can be, I shall submit to the reader's judgment. I thought it necessary to set down each night's farce with the play as near as I could throughout the two seasons, and I believe upon strict examination the reader will find that the whole number consists of about 25 good old Stagers, one of them having mounted upwards of that times. But however dis[agreea]ble these antient attendants may prove to an Audience, yet they are absolutely necessary on account of keeping up the [starf--l P[rice]s, which could not decently be done without them as Mr Rich has Pantomime entertainments. [starWhilst their rent, Taxes, &c are so very high, it is my firm opinion, they cannot afford to take under full prices, and therefore I would not have any one imagine to the Contrary. And the reason of publishing this account is no more than to do my self common justice and to shew how well they could afford to make me amends for my past Labours. Tho in my opinion Mr G-k is such a rarity, that he needs no embellishment, and I hope I shan't be thought too lavish in his Praise when I say that his great condesention in playing oftener since he has been a manager (almost in spite of his sickness) than he did when he was under management, is such an obligation conferr'd on the town, that it is questionable whether the salary he now receives as an Actor is equivalent. But lest it should not be generally known what it is (as such things do sometimes slip the ears of the People) I think it proper to inform the Reader, and having first ask'd Mr Garrick the manager's pardon, I shall begin with Mr Garrick the Actor, whose salary for the season is #525 certain, and as most players have a benefit once a year, so has he, but only this difference, that they pay for theirs (Mrs Cibber excepted) and he does not. Nor need he give himself any trouble to make an interest at the time; for it is only playing Richard, or Lear, and the job is done without putting his name up in large characters at the top of the Playbill, for every inquisitive person to gape at. What these Benefits have brought him in is easily seen by looking backwards. This added to the salary makes upwards of #700 a year, and so much for Mr G-k the actor. As to Mr Garrick the Manager, he only takes up #500 a year out of the profits under the denomination of Management, which does but just put him upon a footing with his brother manager, who takes up the same, and if I may presume to put the Manager and Actor together, it will appear that Mr Garrick's income from the Playhouse is upwards of #1200 a year exclusive of a Mortgage of #4000 upon the Playhouse, Patent, Cloaths, Scenes, &c., which brings him in #200 per year, at the rate of 5 per cent interest. These things put together and added to his half share of Profits, makes it a comfortable living enough, and I heartily wish every brave fellow that ventured his life and limbs for his Country's service could meet with the same success. I make no doubt but it will create some wonder that I have laid these things before the Town, without saying for why. But I must assure the reader that after weighing every circumstance well within my own breast, I think I have sufficient reason, and would relate each particular reason, but that I have given to understand Facts may be Libels--that all advantages will be taken--that I must have a care what I do, and that Power may get the better of Truth. I must confess I think it very hard that if a man is hurt he must not only suffer the injury, but be also hindered from telling his grievance. However, as I have often groan'd in private, I will run the risk of venturing one groan in public, but will be as concise as possible, for fear my antagonists may be too impatient to stay till my tale is told. Let it suffice them that I was Deputy Treasurer of D-y L-ne Playhouse upwards of four years, and resigened my office the beginning of this season. Several messages were sent to me to return again, and I had my place kept for me several weeks, which plainly shows I have been guilty of no misdemeanor, but have been rather look'd upon as a valuable sl-ve than other ways, and could I have been content with much more labor and little pay I don't doubt but I might have been suffer'd to trudge on and carry my Burthen to the end of my days. But having forgot my station, and that I had no right to make terms for myself, was so impudent as to imagine I had some Gratitude due me for past services, and that as I had weather'd a most terrible Storm, I had some right to share in the calm, but alas! I was mistaken. Property was not intended for me, I was only design'd to share in Adversity and help others to cut their passage to happiness. I believe it is pretty well known that near two years before Mr G-k came in as manager, the Playhouse was involved [in] many difficulties, much money being due to tradesmen, Actors, &c occasioned by his not playing there, which [would] not have been the case had Mr Lacy, who was then manager in trust for the Bankers and himself, agreed with him, and given what he demanded as an actor, which was as Mr Lacy order'd him #500 for the season, and as Mr G-k did not chuse to be under him he went to Ireland where he remain'd during the season. The Bankers who advanc'd #6,800 to purchase the Playhouse, the Renters, and Mr Lacy begun to see their folly, and were so unfortunate as to become Bankers' prey afterwards, though one of them (Mr Amber) has had the grant to be made a Pit office-keeper in the Playhouse, where he now remains at a salary of about #29 a year. I shall return to the difficulties. The People that had the demands to them (being upwards of #140) began to be very uneasy, and they very clamorous, that we perceiv'd what we were to depend upon. Distruction, seemingly as it was a dark cloud over our heads, we expected daily to burst upon us; and tho' Mr Lacy had given as many fair promises as a man could do, yet it availed nothing, for every word they spoke had something of danger in it (which oblig'd him to keep pretty much within doors). Here I interposed, and stood between him and his creditors, for upwards of a year and a half, ever breaking my rest to preserve his, and was continually forming excuses and pledging my word, to divert them from their design, and as it was unsafe for him to come to the playhouse for a long time together, for fear of arrests, I was oblig'd to undertake the management there (which they now take up #500 a year for) and go through a very hard Task to an account of the people's not having their pay. Added to this I had the Accounts of the Treasurer's Office to keep and as we were in debt every particular person's belonging to the playhouse, beside. I also took upon myself the Inspection of the Wardrobe and kept an account of that (which was almost one man's business alone to do). I drew all the articles between the manager and actor, and at other times were [sic] continually either writing, walking, though lame, or contriving for Mr Lacy's welfare. In the day I had no rest, in the night very little sleep, and my whole study was to extricate him from his troubles. I was bail for him to the Sheriff in two actions for #200, and brought at the suit of Mr Fl-dyer in Bazinghall St, and Mr Ho-se, Tinman in High Holborn, and had a great deal of trouble in getting one of these actions defended in order to gain time. I was arrested twice myself for him: one of these times dragg'd out of my lodgings at twelve o'clock at night. In short I went through every trouble that a sincere friend could do, while he was endeavouring to get the new Patent, which he and Mr Garrick now enjoy, and did imagine if ever those difficulties were got over (which I then very much question'd) that I should have met with some gratification, but instead of that as soon as Mr G-k came to be concern'd as a partner (who knew very well that I had gone through for the service of the Playhouse) I found another Person was to be put in Principal Treasurer over my head, with this Reason: "That it was their interest it should be so, because his Wife, Mrs Pr-h-d was to play for them." Not that I envy the gentleman that has it, for I think him worthy of much more, and hope my being under a necessity of mentioning it will be a sufficient plea for my excuse. This I very easily look'd over, and had not the least doubt but they would make me some amends another way, but adding something to my salary, which was at the rate of #44 a year, and this I was entitled to for doing the business of Deputy treasurer in the Office which was nothing in competition with the other affairs I had gone through. But I found I was mistaken here too for I had no addition, and discover'd when too late that I should have made use of the opportunity when I had it in my power,--but though I knew the time when everything must have been granted that I ask'd, yet I did not take the advantage, nor would by compulsion force the thing that I knew was due from the strongest ties of Friendship. How wretched must such a disappointment make me! What must that man deserve that can betray such confidence, and without blushing deny the breach he had made in Honour. If after this I can point out a way to do myself justice, have I not Right to make use of it? Must I lose my health, Time, Labor, for other's happiness, and not consider my miseries? It is against Nature and I hope the Reader will make my Case his own, and then judge accordingly. In my next I shall give the full history of the Stage ever since Mr Fl-w-d was manager, down to the end of the last season, wherein will be the Bankers' affair set forth at large. The manner of obtaining the new P-t, and Gratitude displayed in a particular manner. The intended partnership between Mr Rich and Mr Lacy, how Mr Garrick came to be admitted. His compact with Mrs Pritchard, and some other affairs necessary to be known both to the Public and the Theatres. @Then let the stricken deer go weep@The hart ungall'd go play...&c. &c.@Finis.@ [Powel's second pamphlet seems not to have been written, as this one seems never to have been printed. His total income for the two seasons #40,906 2s. 7d. corresponds favorably with Cross's total estimates for the same period of #40,995. His analysis of the cost of many items in his attempt to arrive at a reasonable statement of nightly charges is most valuable. If his figure of #71 11s. 2d. is correct, then the managers lost from #8 to #11 on each benefit night, which hardly seems probable.

Performances

Mainpiece Title: Much Ado About Nothing

Cast
Role: Hero Actor: Mrs Elmy
Role: Balthasar Actor: _ Fryar-Bridges
Role: _ Fryar Actor: Bridges
Role: Borachio Actor: Blakes
Role: Margaret Actor: Mrs Havard.
Role: Dogberry Actor: Taswell
Role: Country Dance Actor: included at end of play.
Role: add Country Dance Actor: .
Role: add Masquerade Dance Actor: Mrs Addison.
Role: a Masquerade Dance Actor: Matthews
Role: to conclude with a Country Dance Actor: the Characters.
Role: Benedick Actor: Garrick for the first time
Role: Don Pedro Actor: Havard
Role: Leonato Actor: Berry
Role: Don John Actor: Winstone
Role: Claudio Actor: Lee
Role: Friar Actor: Bridges
Role: Sexton Actor: Ray
Role: Town Clerk Actor: James
Role: Verges Actor: Neale
Role: Conrade Actor: Bransby
Role: 1st Watchman Actor: Vaughan
Role: 2nd Watchman Actor: Marr
Role: Ursula Actor: Miss Cole
Role: Beatrice Actor: Mrs Pritchard
Role: Musical parts Actor: Beard, Reinhold, Mrs Clive.

Afterpiece Title: The Intriguing Chambermaid

Cast
Role: also Goodall Actor: Winstone
Role: Mrs Highman Actor: Mrs Bennet.
Role: Drunken Colonel Actor: Woodward
Role: Lettice Actor: Mrs Clive.

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. 6d. [Prices repeated in subsequent Bills.] The House is well-aired and will be illuminated with Wax-Lights. Jews@Harp-a casuist

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: Mrs Midnight's Concert-; to which will be added, and given gratis, The Old Woman's Oratory-; When the Oration on the Salt@Box-a Rationalist will be introduced as usual, with several new Performances of a very extraordinary Nature; particularly a Piece-Signor Spoonatissimo on an Instrument dug out of the Ruins of Herculaneumv, much used by the Ancient Romans, and celebrated by Virgil in his Georgics; To conclude with a Grand Dance- in the ancient British Taste.

Performances

Mainpiece Title: A Medley Concert And Auction

Performance Comment: Address-Cibber; A Scotch Song-; A concerto-; First Comic Lecture-Cibber; Grand Concerto for French Horns-; Second Comic Lecture-Cibber; The Italian Peasant (comic dance)-; A New Cantata The Wheelbarrow-; Comic Medley overture-; Auction of choice curiosities of extraordinary Value-Cibber; Italian air-Sga Mimicotti as17570628; Oration call'd the Pig or Advice to the Critics-Miss Dorothy Midnight; Comic Ballet The Marine Boys marching to Portsmouth-; Handel's Water Music-Mother Midnight.

Afterpiece Title: Harlequin's Frolic

Cast
Role: dancing Bohemian Peasants Actor: Jolly, Mlle Dulisse.
Role: Harlequin Actor:
Role: Blander Actor:
Role: Clown Actor:
Role: Frenchman Actor:
Role: Mother Dendike Actor:
Role: Columbine Actor: . Called a Lilliputian Pantomime.
Role: Mother Demdike Actor: Madam Chise
Role: Colombine Actor: Miss Matthews.

Performances

Mainpiece Title: A New Impromptu

Performance Comment: With several curious and extraordinary Performances on the wire-Miss Wilkinson.

Afterpiece Title: The Farmer Trick'd; or, Harlequin Happy

Performance Comment: Harlequin-Master Cawley; Colombine-Miss Twist; others-Masters Moore, Hussey, Hurst, Simpson, Richardson, Sanders; To conclude with a Rural Dance-Master Settree, Miss Twist; others. others.

Performances

Mainpiece Title: New Medley Concert

Performance Comment: With several extraordinary additional Performances on the wire-Miss Wilkinson.

Afterpiece Title: Harlequin's Frolic

Performance Comment: See17570902 , but the whole to conclude with an additional Scene representing the Battle of Rosbachv where the combined armies of the Empire and France were totally defeated by that of the Glorious King of Prussia.

Song: Kear

Ballet: LLe Carneval de Venice. Dutchman-Dupuis; Harlequin-T. Hussey; Scotchman-Froment; Pierrot-Rainel; Frenchman-Delascey; Punch-Joly; Dutchwoman-Miss Wilkinson; Harliquinette-Mad Stivaux; Scots Lass-Mad Dulisse; Pierotte-Mad Clary; Mademoiselle-Miss Durham; Mlle Ragonsby-Hussey

Performance Comment: Dutchman-Dupuis; Harlequin-T. Hussey; Scotchman-Froment; Pierrot-Rainel; Frenchman-Delascey; Punch-Joly; Dutchwoman-Miss Wilkinson; Harliquinette-Mad Stivaux; Scots Lass-Mad Dulisse; Pierotte-Mad Clary; Mademoiselle-Miss Durham; Mlle Ragonsby-Hussey.
Cast
Role: Dutchman Actor: Dupuis
Role: Harlequin Actor: T. Hussey
Role: Scotchman Actor: Froment
Role: Pierrot Actor: Rainel
Role: Frenchman Actor: Delascey
Role: Punch Actor: Joly
Role: Dutchwoman Actor: Miss Wilkinson
Role: Harliquinette Actor: Mad Stivaux
Role: Scots Lass Actor: Mad Dulisse
Role: Pierotte Actor: Mad Clary
Role: Mademoiselle Actor: Miss Durham
Role: Mlle Ragonsby Actor: Hussey.
Event Comment: To begin each Day (for the short time of the Fair) at One o'clock, and end at Eleven. At Yates's Great Theatrical Concert Hall, in the Greyhound Inn, West Smithfield. Performed by a company of Comedians from both Theatres. Prices for this droll: Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. There is a commodious way to the Boxes and Pit at the upper end of Cow Lane (Public Advertiser). [This may be an advance notice. It appears again on Th., F., S., and Mon. (Sept. 3, 4, 5, 7).

Performances

Mainpiece Title: The Fair Bride; Or, The Unexpected Event

Afterpiece Title: The British Tar's Triumph over M Soup-Maigre

Performance Comment: Cast:The performance will be highly enlivened with several entertaining Scenes between England, France, Ireland, and Scotland, in the diverting personges of Ben Bowling, an Dnglish Sailor; M Soup-Maigre, a French Captain; O'Flannaghan, an Irish officer; M'Pherson, a Scotch officer. Through which the manners of each nation will be characteristically and humourously depicted. In which will be introduced as singular and curious a procession as was ever exhibited in this nation. The Objects that compose the Pageantry are both Exotic and British. The Principal figure is the glory and delight of Old England, and the envy of our enemies. The Whole to conclude with a Loyal song on the approaching marriage of our great and glorious Sovereign, King George, and Princess Charlotte of Mecklenberg. An extraordinary band of music is provided: drums, hautboys, violins, French horns, violincellos, bassoons, clarinets. O'Flannaghan, an Irish officer; M'Pherson, a Scotch officer. Through which the manners of each nation will be characteristically and humourously depicted. In which will be introduced as singular and curious a procession as was ever exhibited in this nation. The Objects that compose the Pageantry are both Exotic and British. The Principal figure is the glory and delight of Old England, and the envy of our enemies. The Whole to conclude with a Loyal song on the approaching marriage of our great and glorious Sovereign, King George, and Princess Charlotte of Mecklenberg. An extraordinary band of music is provided: drums, hautboys, violins, French horns, violincellos, bassoons, clarinets.
Cast
Role: M Soup Actor: Maigre, a French Captain

Entertainment: of singing and dancing.of singing and dancing

Performances

Mainpiece Title: Bateman; Or, The Unhappy Marriage: With The Comical Humours Of Sparrow And His Man Pumpkin

Performance Comment: Bateman-Oates; Sparrow-Miller; Old Sparrow-Hall; Earl of Essex-Boucher; D. Ambassador-Pitt; Old Bootn-Giffard; Old German-Wetherhill; Pumpkin-Young Smith; Captain Slicer-Clarke; Queen Elizabeth-Mrs Chantrill; Anne-Mrs Buchanan; Ursula-Mrs Sherburn; Gossip Prattle-Mrs Wetherhill; Gossip Magpye-Mrs Morgan; Gossip Longtongue-Mrs Man.
Cast
Role: Bateman Actor: Oates
Role: Sparrow Actor: Miller
Role: Old Sparrow Actor: Hall
Role: Earl of Essex Actor: Boucher
Role: Ambassador Actor: Pitt
Role: Old Bootn Actor: Giffard
Role: Old German Actor: Wetherhill
Role: Pumpkin Actor: Young Smith
Role: Captain Slicer Actor: Clarke
Role: Queen Elizabeth Actor: Mrs Chantrill
Role: Anne Actor: Mrs Buchanan
Role: Ursula Actor: Mrs Sherburn
Role: Gossip Prattle Actor: Mrs Wetherhill
Role: Gossip Magpye Actor: Mrs Morgan
Role: Gossip Longtongue Actor: Mrs Man.

Performances

Mainpiece Title: Caius Marius

Performance Comment: Caius Marius-Lacy; Marius Jr-Mrs Charke; Metellus-Aston; Cinna-Turner; Sylla-Walker; Ancharius-Williams; Clodio-Lowder; Antonius-Gerum; Ambassador-Pearson; Son of Ancharius-Miss Brett; Granius-Boothby; Sulpitius-Machen; Quintus-Richardson; Priest-Smith; Catalus-Rymos; Apothecary-Whitaker; Old Man-Perkins; Son of Pompeius-Master Littleton; Lavinia-Mrs Mullart; Nurse-Mrs Talbot .
Cast
Role: Caius Marius Actor: Lacy
Role: Marius Jr Actor: Mrs Charke
Role: Metellus Actor: Aston
Role: Cinna Actor: Turner
Role: Sylla Actor: Walker
Role: Ancharius Actor: Williams
Role: Clodio Actor: Lowder
Role: Antonius Actor: Gerum
Role: Ambassador Actor: Pearson
Role: Son of Ancharius Actor: Miss Brett
Role: Granius Actor: Boothby
Role: Sulpitius Actor: Machen
Role: Quintus Actor: Richardson
Role: Priest Actor: Smith
Role: Catalus Actor: Rymos
Role: Apothecary Actor: Whitaker
Role: Old Man Actor: Perkins
Role: Son of Pompeius Actor: Master Littleton
Role: Lavinia Actor: Mrs Mullart
Role: Nurse Actor: Mrs Talbot

Afterpiece Title: Squire Basinghall

Cast
Role: Mrs Squeamish Actor: Mrs Talbot
Role: Pistol Actor: Aston
Role: Truncheon Actor: Mullart
Role: Jack Comic Actor: Walker
Role: 1st Manager Actor: Lacy
Role: 2d Actor: Machen
Role: Wardrobe Keeper Actor: Littleton
Role: Mons Coupee Actor: Lowder
Role: Housekeeper Actor: Williams
Role: Mr Crotchet Actor: Mullart
Role: Mrs Haughty Actor: Mrs Charke
Role: Miss Lovemode Actor: Miss Brett

Song: End Afterpiece: The Roast Beef Song by Mr Bishop of Russel Street

Performances

Mainpiece Title: King Henry The Fourth, Part Ii

Performance Comment: Falstaff-Quin; King-Milward; Prince-Mills; Lancaster-Havard; York-Wright; French Ambassador-Turbutt; Justice-Berry; Westmoreland-Winstone; Hastings-Ridout; Pistol-Woodward; Shallow-Johnson; Silence-Taswell; Feeble-Ray; Bardolph-Shepard; Poins-Cashell; Falstaff's Boy-Miss Cole; Hostess Quickly-Mrs Macklin; Doll Tearsheet-Miss Bennet.
Cast
Role: Falstaff Actor: Quin
Role: King Actor: Milward
Role: Prince Actor: Mills
Role: Lancaster Actor: Havard
Role: York Actor: Wright
Role: French Ambassador Actor: Turbutt
Role: Justice Actor: Berry
Role: Westmoreland Actor: Winstone
Role: Hastings Actor: Ridout
Role: Pistol Actor: Woodward
Role: Shallow Actor: Johnson
Role: Silence Actor: Taswell
Role: Feeble Actor: Ray
Role: Bardolph Actor: Shepard
Role: Poins Actor: Cashell
Role: Falstaff's Boy Actor: Miss Cole
Role: Hostess Quickly Actor: Mrs Macklin
Role: Doll Tearsheet Actor: Miss Bennet.

Afterpiece Title: Robin Goodfellow; or, The Rival Sisters

Performance Comment: Robin-Miss Edwards; Oberon-Master Ferg; Titania-Miss Wright; Puck-Master Fenlin; Moth-Master Donovan; Mab-Miss Cole; Peas Blossom-Miss Ferg; Harlequin-Woodward; 1st Colombine-Miss Mann; 2d Columbine-Mrs Walter; Peasants-Liviez, Carney, Weeks; Women Peasants-Mrs Penkethman, Miss Thompson, Miss Story; Maid-Miss Woodman; Old Woman-Ray; Father to Colombines-Leigh; Freehold-Stevens; Slouch-Macklin; with Tambourine-Mlle Chateauneuf.
Cast
Role: Robin Actor: Miss Edwards
Role: Oberon Actor: Master Ferg
Role: Titania Actor: Miss Wright
Role: Puck Actor: Master Fenlin
Role: Moth Actor: Master Donovan
Role: Mab Actor: Miss Cole
Role: Peas Blossom Actor: Miss Ferg
Role: Harlequin Actor: Woodward
Role: 1st Colombine Actor: Miss Mann
Role: 2d Columbine Actor: Mrs Walter
Role: Peasants Actor: Liviez, Carney, Weeks
Role: Women Peasants Actor: Mrs Penkethman, Miss Thompson, Miss Story
Role: Maid Actor: Miss Woodman
Role: Old Woman Actor: Ray
Role: Father to Colombines Actor: Leigh
Role: Freehold Actor: Stevens
Role: Slouch Actor: Macklin
Role: with Tambourine Actor: Mlle Chateauneuf.

Dance: III: Peasant Dance-Nivelon