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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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12591 results for: Keyword - Ackman</i> (<i>Public Advertiser</i>). This day only. Paid $Mr C. <span class=
We found 9641 matches on Event Comments, 3145 matches on Performance Comments, 1214 matches on Performance Title, 30 matches on Author, and 0 matches on Roles/Actors.

2126
13 May 1784 @ King's Theatre

Event Comment: Benefit for Mme Theodore. Tickets made out and delivered for the 1st of April will be admitted, and may be had of Mme Theodore, No. 5, Great Pultney-street, Golden-square. Public Advertiser, 15 May: The Ballet was founded on the French piece of Le Deserteur, of which there was retained a good deal of the

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

2127
18 May 1784 @ Covent Garden

Event Comment: Benefit for Mrs Kemble. Public Advertiser, 14 May: Tickets to be had of Mrs Kemble, No. 22, Great Queen-street, Lincoln's-inn-fields. Tickets delivered for Friday the 14th Inst, will be admitted. Receipts: #142 13s. (63/14; tickets: 78/19) (charge: #105)

Performances

Mainpiece Title: More Ways Than One

Afterpiece Title: Midas

Dance: End of Act I of mainpiece, as17831001

Song: End of Act II of mainpiece The Huntsman's sweet Hollo by Mrs Martyr

Monologue: 1784 05 18 End of mainpiece an Address (written on the Occasion [author unknown]) by Mrs Kemble

2128
29 May 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Separate Maintenance

Performance Comment: Principal Characters by Palmer, Williamson, Aickin, Gardner, Stevens, Edwin, Parsons; Mrs Webb, Mrs Inchbald, Mrs Cuyler, Mrs Lloyd, Miss Farren (1st appearance on this stage these 3 years). [Cast adjusted from Gazetteer, 1 Sept. 1779: Leveret-Palmer; Lord Newbery-Williamson; Touchwood-Aickin; Fraction-Gardner; Minim-Edwin; Lord Oldcastle-Parsons; Lady Oldcastle-Mrs Webb; Miss English-Mrs Inchbald; Mrs Revel-Mrs Cuyler; Mrs Frankly-Mrs Lloyd; Lady Newbery-Miss Farren. Stevens is unassigned.] hathi. hathi.

Afterpiece Title: The Son-in-Law

Performance Comment: Characters by Parsons, Edwin, R. Palmer, Baddeley, Egan, Barrett, Stevens, Swords, Bannister; Mrs Lefevre, Miss Hooke. [Cast adjusted from Public Advertiser, 17 Aug. 1779 and playbill of 29 June 1786: Cranky-Parsons; Bowkitt-Edwin; Bouquet-R. Palmer; Vinegar-Baddeley; Idle-Egan; Orator Mum-Barrett; John-Stevens; Signor Arionelli-Bannister; Dolce-Mrs Lefevre; Cecilia-Miss Hooke. Swords is unassigned.] hathi. hathi.

Dance: As17840528

Song: In Act I of mainpiece song by Miss Hooke

2129
12 June 1784 @ Haymarket Theatre

Event Comment: "A sudden disability [occurred] in one of the performers; an apology was made for Aickin, and ... his part was read by Gardner" (Public Advertiser, 14 June). [Who acted Gardner's part is not stated.]

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: The Election of the Managers

Dance: As17840528

Song: As17840529

2130
24 July 1784 @ Haymarket Theatre

Event Comment: Benefit for Miss Woollery. Public Advertiser, 23 July: Tickets to be had of Miss Woollery, No. 5, Delahay-street, near Great George-street, Westminster

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Midas

2131
27 July 1784 @ Haymarket Theatre

Event Comment: Benefit for Brett. Public Advertiser, 22 July: Tickets to be had of Brett at Warburton's, Hay-market

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Flitch of Bacon

Dance: End of mainpiece Dance [probably The Medley], as17840528

2132
30 July 1784 @ Haymarket Theatre

Event Comment: Benefit for Bannister Jun. Public Advertiser, 24 July: Tickets to be had of Bannister Jun., No. 6, Great Russel-street, Covent Garden

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: The Genius of Nonsense

Dance: End of Act I of mainpiece, as17840727

Song: In the Temple of Health [in afterpiece] (1st time, and for this night only) a new, shocking Electrical Caleb, set to Medical Music by Dr Arnold, sung by Edwin, Bannister, Davies, Brett. imitations. End of mainpiece Various Imitations, Vocal and Rhetorical, by Bannister Jun

2133
05 August 1784 @ Haymarket Theatre

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Performance Comment: Biron-Williamson; Count Baldwin-Aickin; Carlos-Staunton (of DL); Child-D. Edwin [Public Advertiser: Master Edwin]; Sampson-Gardner; Belford-Davies; Villeroy-Palmer; Nurse-Mrs Love; Isabella-Mrs Wells (3rd appearance in tragedy, and 2nd in that part) .

Afterpiece Title: Gretna Green

Music: End of Act II a concertante for clarinet and bassoon by Mahon

Song: In Act III of mainpiece an Epithalamium by Mrs Bannister and Miss George

Monologue: 1784 08 05 Previous to mainpiece an occasional Address (2nd time) by Mrs Wells

2134
06 August 1784 @ Haymarket Theatre

Event Comment: Afterpiece: Altered from Sir John Vanbrugh's The Relapse. Never perform'd here. [Miss Christian is identified in Public Advertiser, 9 Aug.]

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: The Man of Quality

Dance: End of Act I of mainpiece, as17840528; End of mainpiece, as17840713

2135
24 August 1784 @ Haymarket Theatre

Event Comment: Benefit for Edwin. Mainpiece: Written by Dr Goldsmith. Public Advertiser, 20 Aug.: Tickets to be had of Edwin, No. 19, Piazza, Covent Garden

Performances

Mainpiece Title: The Good-natur'd Man

Afterpiece Title: The Deserter

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by Edwin

Monologue: 1784 08 24 End of mainpiece A Description of the Curiosities of the Tomer of London by Edwin, in the Character of a Warden

2136
20 September 1784 @ Covent Garden

Event Comment: "Wilson's Polonius was exceedingly pleasant, of course produced much laughter, though we do not think that he, any more than his immediate predecessors, conceived the part properly" (Public Advertiser, 21 Sept.). Afterpiece: The Music composed by Shield. The Scenery designed by Richards and Carver, and executed by them, Hodgins, and others

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Harlequin Rambler; or, The Convent in an Uproar

2137
06 October 1784 @ Covent Garden

Event Comment: "Being possessed of an excellent understanding, and under the general impression of elegant manners, there appears to be no study [in Mrs Abington], no imitation--all is the result of the moment--natural, well-bred, and easy" (Public Advertiser, 25 Nov. 1784). Mainpiece: Altered from Cibber's Non-Jour, and the Tartuffe of Moliere. Not acted these 12 years [acted 12 Oct. 1773]

Performances

Mainpiece Title: The Hypocrite

Performance Comment: Doctor Cantwell-Aickin; Colonel Lambert-Lewis; Seward-Farren; Sir John Lambert-Hull; Mawworm-Edwin; Darnley-Wroughton; Lady Lambert-Mrs Bates; Old Lady Lambert-Mrs Webb; Betty-Miss Stuart; Charlotte-Mrs Abington (1st appearance this season) .

Afterpiece Title: The Musical Lady

Dance: End of Act II of mainpiece The Rival Nympbs by Harris, Byrne, Ratchford, Mrs Goodwin, Miss Matthews

2138
09 October 1784 @ Drury Lane Theatre

Event Comment: "'Was he alive?' [was] uttered with a more rapid tone, and quicker feeling. Though in opposition to her manner in these words stand the great names of Henderson, Colman, and the Author himself" (Public Advertiser, 11 Oct.). Receipts: #299 (276/3; 21/17; 1/0)

Performances

Mainpiece Title: Douglas

Afterpiece Title: All the World's a Stage

Related Works
Related Work: All the World's a Stage Author(s): Isaac Jackman

2139
11 October 1784 @ Covent Garden

Event Comment: "[Henderson] is the soul, the animating particle of the person he represents--and never takes punctuation for passion" (Public Advertiser, 12 Oct.)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Harlequin Rambler

2140
25 October 1784 @ Covent Garden

Event Comment: [Holman is identified on playbill of 5 Nov. Address by John Barwis (European Magazine, Oct. 1784, p. 336, which also lists name of speaker).] Mainpiece: With new Dresses, Scenery and Decorations. In Act I a Masquerade Scene. [This notice is included in all subsequent playbills.] "This easy and natural performance of Holman . . . will prove a fatal blow to the cause of the Attitudinarians and Face-makers; to those who think dramatic excellence consists in . . . finding out meanings that were never meant ... in stretching out their fingers like monkies dying in convulsions ... in uttering their words like minute-guns at royal funerals" (Public Advertiser, 1 Nov.). "Why does Romeo wear black in the last Act? Is it on account of his banishment? He has not heard of Juliet's death" (Gazetteer, 28 Oct.)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-A Young Gentleman (1st appearance on any stage [Holman]); Capulet-Clarke; Friar Lawrence-Hull; Benvolio-Davies; Prince-Fearon; Paris-Bonnor; Tibalt-Cubitt; Montague-Thompson; Peter-Stevens; Apothecary-Jones; Mercutio-Lewis; Lady Capulet-Mrs Poussin; Nurse-Mrs Pitt; Juliet-Miss Younge (1st time at this theatre). Before the play an Occasional Address [spoken by Hull] .spoken by Hull] .

Afterpiece Title: The Musical Lady

Song: End of Act IV of mainpiece Juliet's Funeral Procession, with the Solemn Dirge. Vocal Parts by Johnstone, Brett, Baker, Cubitt, Gaudry, Pemberton, Whitaker, Darley, Doyle; Mrs Bannister, Miss Wheeler, Mrs Martyr, Mrs Morton, Miss Stuart, Mrs Davenett, Miss Cranfield, Mrs Kennedy

2141
29 October 1784 @ Drury Lane Theatre

Event Comment: [As mainpiece the playbill announces DECEPTION, but "The Author .. . gave evident marks of good sense ... by withdrawing his Piece yesterday noon, in the room of which The Provok'd Husband was substituted" (Public Advertiser, 30 Oct.).] Orders and Free List #34 5s. Receipts: #54 10s. 6d. (41/9/0; 12/17/6; 0/4/0)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Gentle Shepherd

2142
30 October 1784 @ Drury Lane Theatre

Event Comment: "Both these actresses [Mrs Siddons and Mrs Wells] possess a quality which no other actresses have on the English stage--they are always, whether speaking or not speaking, in their part" (Public Advertiser, 4 Oct.). Receipts: #245 18s. (223/16; 21/8; 0/14)

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Irish Widow

2143
22 December 1784 @ Covent Garden

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: The Devil upon Two Sticks

Performance Comment: The Devil (1st time)-Wilson; Sir T. Maxwell-Thompson; Invoice-Davies; Julep-Booth; Apozem-Wewitzer; Calomel-Fearon; Camphire-Stevens; Dr Last-Edwin; Mrs Margaret Maxwell-Mrs Webb [Public Advertiser: Mrs Pitt]; Harriet (with a song)-Mrs Morton .

2144
01 January 1785 @ King's Theatre

Event Comment: On account of the sudden Indisposition of Sga Ferrarese the new Serious Opera [Demetrio, announced in Public Advertiser, 31 Dec. 1784] is unavoidably postponed [see 8 Jan.]. 2nd dance: With several new Airs composed by Barthelemon

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I Divertissement, as17841218; End of Opera Le Tuteur Trompe, with the Fandango, by Lepicq, Mme Rossi, Frederic, Zuchelli, Mme Bithmer, Henry, Nivelon, Mlle Dorival

2145
04 January 1785 @ King's Theatre

Event Comment: Sga Ferrarese continuing very much indisposed the new Serious Opera [Demetrio, announced in Public Advertiser, 3 Jan.] is unavoidably postponed [see 8 Jan.]

Performances

Mainpiece Title: I Rivali Delusi

Dance: As17850101 throughout

2146
20 January 1785 @ King's Theatre

Event Comment: [Opera in place of Demetrio, announced in Public Advertiser, 19 Jan.]

Performances

Mainpiece Title: I Rivali Delusi

Dance: As17850115 throughout

2147
07 February 1785 @ Covent Garden

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Blacksmith of Antwerp

Performance Comment: Principal Characters by Quick, Farren, Davies, Wewitzer, Fearon, Booth, Edwin; Mrs Inchbald, Mrs Wilson. [Cast from Public Advertiser, 8 Feb.: Jacob-Quick; Quintin Matsys-Farren; Albert-Davies; Van Dunderman-Wewitzer; Van Dipembeck-Fearon; Dort-Booth; Otho-Edwin; Adela-Mrs Inchbald; Jaquelette-Mrs Wilson.] Prologue spoken by Farren . Prologue spoken by Farren .

2148
19 February 1785 @ Drury Lane Theatre

Event Comment: "What a 'monstrous marring' ... is made amongst the wierd sisters! Mrs Wrighten laughing and talking the whole time, [and Miss] George who cannot help joining in a laugh . . . Mrs Siddons's sleeping scene [is] we think the greatest act that has in our memory adorned the stage" (Public Advertiser, 24 Feb.). Receipts: #279 6s. 6d. (250/0/0; 28/9/0; 0/10/0; tickets not come in: 0/7/6)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Too Civil by Half

2149
08 March 1785 @ Covent Garden

Event Comment: Benefit for Henderson. Part of the Pit will be laid into the Boxes. Mainpiece [1st time; T 5, by Richard Cumberland. Text, which assigns no parts, 1st published in his Posthumous Dramatic Works, Vol. II (1813), under the title of Alcanor]. Public Advertiser, 5 Mar.: Tickets to be had of Henderson at his house in Buckingham-street, York-buildings

Performances

Mainpiece Title: The Arab

Afterpiece Title: Rosina

Dance: As17841116

2150
12 March 1785 @ Covent Garden

Event Comment: Benefit for Mrs Bannister. Public Advertiser, 10 Mar.: Tickets to be had of Mrs Bannister, No. 29, Bow-street, Covent Garden

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: Midas