SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9641 matches on Event Comments, 3145 matches on Performance Comments, 1214 matches on Performance Title, 30 matches on Author, and 0 matches on Roles/Actors.
Event Comment: See Egmont, Diary, I, 257. Daily Advertiser, 18 April: Last Night there was a Rehearsal of...Flavius...at which were present a great Number of the Nobility

Performances

Mainpiece Title: Flavius

Performance Comment: A public rehearsal.
Event Comment: DDaily Advertiser, 1 Nov.: A Rehearsal...before a very numerous Audience of the Nobility and Gentry; who were pleased to express a very great Satisfaction from the Performance, and no less Applause of the Performers

Performances

Mainpiece Title: Cato

Performance Comment: Rehearsed in public.
Event Comment: Mainpiece: By Particular desire. Afterpiece: Never Acted Before. [The Farce by Fielding is a sequel to The Virgin Unmasked.] Forbidden soon by the Lord Chamberlain. It being supposed that a particular man of quality was pointed at in one of the characters. The prohibition short of duration (Genest, III, 652). See A Letter to a Noble Lord to whom it alone belongs, occasioned by a representation at Drury Lane of a Farce call'd Miss Lucy in Town (1742), [a 20 page pamphlet criticizing the Lord Chamberlain for allowing this farce. Author gives a scene by scene account emphasizing the bawdry and discounting the pious conclusion. He concludes with remarks on theatrical dancing]: As to Dances, I think your province of prohibition does not extend; so the Public cannot owe their gratitude to you for several. I appeal to those who have been on the coast of Malabar and the banks of the Ganges whether we have not had some that have exceeded on posture, or anything of that kind so common amongst the polite Indians of Indostan. Afterpiece: Mrs Clive mimics the Muscovita admirably, and Beard Amorevoli intolerably (H. Walpole to H. Mann, 26 May).-Horace Walpole Correspondence with Sir Horace Mann, I, 435. Receipts: #70

Performances

Mainpiece Title: Othello

Afterpiece Title: Miss Lucy in Town

Performance Comment: Lucy-Mrs Clive; Zorobabel-Macklin; Signor Cantileno-Beard; Ballad-Ray; Thomas-Neale; Lord Bawble-Cross; Goodwill-Taswell; Mrs Haycock-Mrs Macklin; Tawdry-Mrs Bennet[from edition of 1742, but listed in the order of the actors' names given in London Daily Post and General Advertiser].from edition of 1742, but listed in the order of the actors' names given in London Daily Post and General Advertiser].
Event Comment: Mainpiece: By Particular Desire. [Cross suggests Contrivances for the afterpiece, but the Public Advertiser advertised Damon and Phillida.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Damon and Phillida

Dance: GGrand Scots Ballet, as17521216

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: Harlequin Skeleton

Performance Comment: See17521228. [No Public Advertiser.]
Event Comment: [No Public Advertiser today.] Receipts: #200 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Event Comment: Ladies are desired to send servants by 3 o'clock. On Saturday Night last a New Scene, representing a fountain, was introduced in the Entertainment of Harlequin Sorcerer, at Covent Garden, which for elegance of Design, Beauty of Paintings, and ingenious invention in the Mechanism, was received by the numerous Spectators with universal applause (Public Advertiser)

Performances

Mainpiece Title: The Refusal

Afterpiece Title: Harlequin Sorcerer

Event Comment: Benefit for Mrs Pritchard. Tickets of Mrs Pritchard in Great Queen St. Lincoln's Inn-Fields, and at Stage Door. Part of the Pit will be taken into the Boxes, and servants will be admitted to keep places on the stage. [A Complaint of the Tragic Poets, addressed to Dr Young appeared in the Public Advertiser, praising him on the Brothers: "And your last efforts prove your strength divine."] Receipts: #250 (Cross)

Performances

Mainpiece Title: Merope

Afterpiece Title: The Chaplet

Dance: As17521201

Event Comment: Mainpiece: By Particular Desire. [Cross suggests The Country Wife this night, but the Public Advertiser indicates The Miser. The Country Wife had been advertised on the advance notice.

Performances

Mainpiece Title: The Miser

Afterpiece Title: Harlequin Sorcerer

Dance: IIl Pastore, as17521219; Les Sabotiers Tyrolese, as17521028

Event Comment: Benefit for Mrs Elmy. [The Public Advertiser included a full-column quotation from Henry VIII, Act V, scene iii, as a "true and lively image of Conscious Virtue' injuriously attacked." Cranmer: I humbly thank your highness...along with a paragraph of praise of Shakespeare.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Flora

Song: IV: Smiling Dawn out of Jeptha-Mrs Chambers

Dance: GGrand Scots Ballet, as17521216

Event Comment: [C$Cross again suggests Lottery as afterpiece, against advertisements in the Public Advertiser.

Performances

Mainpiece Title: The Country Lasses

Afterpiece Title: Harlequin Sorcerer

Event Comment: A new Woman (one Gregory) did Hermione , -Great Applause (Cross). [See Gray's Inn Journal (folio) No 16 for Murphy's praise of her, and Public Advertiser 19 Jan.: Verses on the Young Lady who acted Hermione.'

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: Harlequin Skeleton

Dance: GGipsey Tambourine, as17531012

Event Comment: Benefit for Sga Passerini. [From charges and countercharges published in great length in the Public Advertiser, it appears that Sga Frasi had earlier arranged to produce Samson at the King's on this night for her benefit. Learning that the subscribers to the opera season could enter on their own tickets on this night she decided to change nights to avoid any losses, only to find that her singers were engaged at one theatre or another on other nights. Meanwhile, Signor Passerini got permission to have this night scheduled at King's for his wife's benefit, and Sga Frasi lost out all around. Passerini asserted that the charge for renting the Great Room, Dean St. Soho was 5 guineas for a night.

Performances

Mainpiece Title: Didone

Event Comment: Benefit for Blakes. The Performance will not be interrupted by any building on the stage. Neither piece acted this season. Mainpiece: By particular desire for the first and only time of performing it this season. Tickets of Blakes at his house in Duke's Court, Bow St., Covent Garden. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Miss in Her Teens

Performance Comment: Fribble-Garrick; Capt. Loveit-Palmer; Puff-Yates; Tag-Mrs Clive; Miss Biddy-Miss Minors; Flash-Woodward (playbill) but Tag-Mrs Bennet (playbill and Public Advertiser).

Dance: IV: The Country Amusements-Devisse, Mlle Auretti

Event Comment: On Saturday next will be publish'd in The Westminster Journal, (over and above the Essay as usual) No 1 of The Theatrical Kalander. In which not only will be kept an accurate register of all the plays, farces, and Entertainments exhibited as both Theatres Royal, but the respective merits of the performances, as well as performers, will be critically and impartially considered. To be continued weekly during the season. Note This is the first thing of its kind attempted in England, and it is humbly presumed, that it will have something still more than Novelty to recommend it (Public Advertiser). [See numbers 4 May 1754 and 17 Oct. 1755 of this magazine.

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17541001, but Richard-Garrick; Catesby-Usher (playbill). Catesby-$Marr (Public Advertiser).

Afterpiece Title: The Anatomist

Event Comment: Benefit for the Lying-In Hospital for Married Women, in Brownlow Street, Long Acre. [On 18 Jan. appeared in the Public Advertiser the Occasional Epilogue]: @After this bounteous, well-intentioned play@You think I'm come to banter all away;@To mock the soft compassion in the breast,@And turn at once all charity to jest...@Tir'd of such arts, I'm now so serious grown@I mean to speak plain sentiments alone.@ [Then addressing each part of the house, with appropriate comment--and a good deal of banter--she praises marriage as an institution, and this hospital as an aid.] @Methinks I spy some amorous pairs above [to upper gallery]@Drawn here by tender flames of mutual love.@Close pack'd they sit,-and woo with secret squeeze,@With conscious elbows, sympathetic knees.@Go on my friends,-true to connubial law,@And leave to us the Women in the straw.

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Cheats of Scapin

Event Comment: [Subscription period for next season announced in the Public Advertiser.

Performances

Mainpiece Title: Siroe

Event Comment: A New Opera. [The first performance in England; text by Metastasio. The Musick composed by Sg Hasse (by Perez according to the Public Advertiser of 26 April).

Performances

Mainpiece Title: Ezio

Dance: new Dew Dances-

Event Comment: Benefit for Ridout. No Building on Stage. [The printer of the Public Advertiser seems to have kept his form for the old notices of the cast for the mainpiece, for although changing Bayes to Shuter, with the appropriate remark about his first appearance in the character, he also lists Gentleman Usher as Shuter.

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Lottery

Dance: IItalian Peasants-Granier, Mrs Granier

Event Comment: Benefit for Jefferson, Phebe, Dennison, and Morris (Cross); for Jefferson, Dennison, Mrs Toogood, Miss Hippisley (Public Advertiser). [Cross's Phebe seems to refer to Miss Hippisley who played the part in As You Like It.] Receipts: #104 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Miss in Her Teens

Song: I: Hooly and Fairly-Beard; IV: Miss Thomas

Dance: II: A Hornpipe-the Little Swiss; V: Louvre, Minuet-Dennison, Mrs Addison

Event Comment: Last night the Prince of Wales, Prince Edward, Prince Henry, Prince Frederick, and Princess Augusta were at Covent Garden to see The Merry Wives of Windsor and The What D'ye Call It (Public Advertiser)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Devil to Pay

Dance: As17551101

Event Comment: [W+Winston MS 8 lists the mainpiece as All for Love. But Love for Love appears in the Public Advertiser and in Rich's Register.

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Englishman Return'd from Paris

Dance: As17551101

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17551106, but Shore-Ross (Playbill); Havard (Public Advertiser); Catesby-Mozeen; Alicia-Miss Haughton.

Afterpiece Title: Catherine and Petruchio

Cast
Role: Peter Actor: Ackman

Dance: IV: New Dance-

Song: Anniversary Ode in Commemoration of Shakespeare, as17560401

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Mock Doctor

Performance Comment: [The Mock Orators] The Public Advertiser list Mock Orators as the afterpiece, but gives cast for Mock Doctor: Doctor-Yates; Leander-Jefferson; Charlotte-Miss Minors; Jasper-Clough; Dorcas-Mrs Macklin.