SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 9643 matches on Event Comments, 3145 matches on Performance Comments, 1214 matches on Performance Title, 30 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Gentleman's Journal, November 16@2: In my first Journal I gave you a large account of the Musick Feast on St Cecilia's day; So, to avoid repetitions, I shall onely tell you that the last was no ways inferiour to the former....The following Ode was admirably set to Music by Mr Henry Purcell and perform'd twice with universal applause, particularly the second Stanza, which was sung with incredible Graces by Mr Purcell himself. [See Purcell's Works, Purcell Society, VIII, and Orpheus Britannicus, 1702, 1706, 1711. The Ode appears to have been written by Nicholas Brady.

Performances

Mainpiece Title: Concert

Performance Comment: An Ode on St Cecilia's Day-.
Cast
Role: An Ode on St Cecilia's Day Actor: .
Event Comment: Benefit for Johnstone. 3rd piece [1st time; F 2, by Thomas Knight; incidental music by William Reeve]: Partly taken from The Committee [by Sir Robert Howard]. Morning Herald, 21 June 1797: This Day is published [by G. Cawthorn] The Honest Thieves (1s.). True Briton, 25 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-Garden. Receipts: #434 7s. 6d. (210.4.0; 11.18.0; tickets: 212.5.6)

Performances

Mainpiece Title: Inkle And Yarico

Performance Comment: Inkle-Johnstone; Sir Christopher Curry-Quick; Campley (with additional songs, and for that night only)-Incledon; Medium-Powel; Mate (with an additional song)-Townsend; Trudge-Fawcett; Wowski-Mrs Martyr; Narcissa-Mrs Mountain; Patty-Mrs Fawcett; Yarico (for that Night only, with additional Songs, Hope told a flattering tale, accompanied on the Harp by Weippert)-Mrs Ferguson.

Afterpiece Title: British Fortitude or An Escape from France

Afterpiece Title: The Honest Thieves or The Faithful Irishman

Performance Comment: Teague (with a Planxty in character, The Tight Irish Boy)-Johnstone; Abel-Knight; Colonel Careless-Macready; Capt. Manly-Middleton; Justice Day-Powel; Mr Story-Claremont; Servant-Abbot; Bailiffs-Wilde, Hawtin [in text: Thompson]; Obadiah-Munden; Coachman-Ledger [added by text]; Ruth-Mrs Knight; Arabella-Miss Mansel; Mrs Day-Mrs Davenport.
Cast
Role: Justice Day Actor: Powel
Role: Mrs Day Actor: Mrs Davenport.

Song: In course 2nd piece: I was call'd knowing Joey-Munden; At dawn of Life our Vows were plighted-Mrs Mountain; The Storm-Incledon; The turban'd Turk who scorns the World-; Hospitality; or, The Land of Potatoes-Johnstone; End 2nd piece: Old Towler-Incledon

Event Comment: The Play of Henry IV oblig'd to be deferr'd on account of the Indisposition of a principal performer (General Advertiser). Paid Mr Bedwell in part of a note #50. Receipts: #34

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Duke and no Duke

Performances

Mainpiece Title: Blue Devils

Afterpiece Title: The Jew and the Doctor

Afterpiece Title: Obi or Three Fingerd Jack

Event Comment: The United Company. There is uncertainty concerning this date; it appears on Luttrell's copy (Huntington Library) of the separately printed Prologue and Epilogue, and the date may represent the time of his purchase rather than a date of performance. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 141-45. Downes (Roscius Anglicanus, pp. 39-40): All the preceding Plays, being the chief that were Acted in Dorset-Garden, from November 1671, to the Year 1682; at which time the Patentees of each Company United Patents; and by so Incorporating the Duke's Company were made the King's Company, and immediately remov'd to the Theatre Royal in Drury-Lane. Upon this Union, Mr Hart being the Heart of the Company under Mr Killigrew's Patent never Acted more, by reason of his Malady; being Afflicted with the Stone and Gravel, of which he Dy'd some time after: Having a Sallary of 40 Shillings a Week to the Day of his Death. But the Remnant of that Company; as, Major Mohun, Mr Cartwright, Mr Kynaston, Mr Griffin, Mr Goodman, Mr Duke Watson, Mr Powel, Sr, Mr Wiltshire, Mrs Corey, Mrs Bowtell, Mrs Cook, Mrs Montfort. [Joined the new company]. Note, now Mr Monfort and Mr Carlile, were grown to the Maturity of good Actors. The mixt Company then Reviv'd the several old and Modern Plays, that were the Propriety of Mr Killigrew, as Rule a Wife, and have a Wife: Mr Betterton Acting Michael Perez; Don Leon, Mr Smith, Cacofogo, Mr Cartwright: Margaretta, Mrs Barry: Estiphania, Mrs Cook. Next, @The Scornful Lady.@The Plain Dealer.@The Mock Astrologer.@The Jovial Crew.@The Beggars Bush.@Bartholomew-Fair.@The Moor of Venice.@Rollo.@The Humorous Lieutenant.@The Double Marriage.@ With divers others. George Powell, Preface to The Treacherous Brothers (1690): The Time was, upon the uniting of the Two Theatres, that the Reviveing of the old stock of Plays, so ingrost the study of the House, that the Poets lay dorment; and a new Play cou'd hardly get admittance, amongst the more precious pieces of Antiquity, that then waited to walk the Stage. Cibber, Apology, ed. Lowe, I, 95-96): I shall content myself with telling you that Mohun and Hart now growing old [for, above thirty Years before this Time, they had severally born the King's Commission of Major and Captain in the Civil Wars), and the younger Actors, as Goodman, Clark, and others, being impatient to get into their Parts, and growing intractable, the Audiences too of both Houses then falling off, the Patentees of each, by the King's Advice, which perhaps amounted to a Command, united their Interests and both Companies into one, exclusive of all others in the Year 1682. This Union was, however, so much in favour of the Duke's Company, that Hart left the Stage upon it, and Mohun survived not long after

Performances

Mainpiece Title: Title Unknown

Event Comment: [The following notice appeared in the Public Advertiser]: Whereas a very unjustifiable disturbance happened last night at this theatre; the managers think it incumbent upon them to acquaint the Publick that when the Opera of Artaxerxes was in rehearsal it was determined that no expence should be spared to render the performance as elegant as the nature of so peculiar an Entertainment would admit. This desire occasioned so considerable an increase of the nightly charge 'twas thought by many disinterested persons would justify additional prices; but to avoid giving the least umbrage, and in gratitude for the Public indulgence on other occasions, no such advance was attempted. When it is known that the extraordinary nightly expence attending this performance amounts to upwards of Fifty Pounds it is humbly apprehended no persons of justice and candour will think the Full Price an exorbitant gratification for such unusual disbursements. The Management therefore flatter themselves that a resolution to oppose the arbitrary and illegal demands of a particular set of persons, contrary to the general sense of audience, will not be deemed arrogant or unreasonable, especially when those demands are enforced by means subversive to Private Property, and in violation of that decorum which is due to all public assemblies

Performances

Mainpiece Title: Occasional Oratorio

Event Comment: Sga Sestini thinks it her Duty to assure, in this Public Manner, the English Nobility Gentry and Public, of her unfeign'd Gratitude for their numerous appearance on Thursday Night 28 March at her Benefit as she looks upon it as the most convincing Proof of their honouring her with the continuance of their kind Indulgence and Protection, which she will always use her utmost Endeavour to deserve as long as she shall continue in England, and retain the most grateful Rembrance of wherever her Profession may call her (Public Advertiser)

Performances

Mainpiece Title: La Vestale

Dance: I: Les Deux Soeurs, as17760203; II: La Fete du Village, as17760224

Ballet: III: Astolphe. As17760312

Event Comment: Receipts: #151 18s. Paid Mr Dallon on acct of salary omitted 15th inst. #1 10s. and salary for 22 inst. #1 10s.; Paid Mr Whitefield (assistant in the wardrobe) 3 months salary due 24th inst. #7 10s.; J. Rich on acct #21; Paid Stephen Gom at Uxbridge in full #38 5s

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: As See17591124, but only Townly-Ross; Manly-Sparks; Sir Francis-Shuter; Basset-Dyer; Lady Grace-Mrs Elmy; Lady Townly-Mrs Hamilton.
Cast
Role: only Townly Actor: Ross

Afterpiece Title: The Fair

Event Comment: Receipts: #127. Paid Mrs Lee for playing Dorinda in The Stratagem the 20th inst., #5 5s. Paid Mr Weller for extra attendance in getting The Fair ready #2 2s. Paid Mr Kemp 13 nights from the 1st to 15th inst. at #1 12s. per night, #20 16s

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Fair

Event Comment: Benefit for Hopkins (prompter) and Mrs Hopkins. Charges #64 17s. [Profit to the Hopkins family #30 19s. plus Tickets.] Tickets delivered by Philips will be taken. Paid B. Johnson's Head bill #1 2s. 3d.; Paid Mr J. Johnston, by order #21; Rec'd Mr Pope's rent 1 year at #30 minus King's Tax of #3 8s.: Total #26 12s. receiv'd. Paid Mr Pope's bill #13 9s. 6d. (Treasurer's Book). Before 4 dined behind St Clements, and went to ye First Gallery to see the Distressed Mother....We had the Capricious Lovers, Lisetta by Mrs Clive, who took off the ridiculous sing-song at ye Opera House charmingly (Neville MS Diary). Receipts: #95 16s. (Treasurer's Book)

Performances

Mainpiece Title: The Distressed Mother

Afterpiece Title: The Capricious Lovers

Dance: IV: The Irish Lilt, as17670430 End: Linco's Travels, by Particular Desire-King as17670406

Event Comment: N.B. Mr King Being indisposed, Mr Vernon has obligingly undertaken (at a short notice) to play his part in the Masque this evening. Paid Garter Supers, 10 nights #46 3s.; Paid Mr Weston's note to Glascot, paid to Greenwood #9 10s. (Treasurer's Book). Receipts: #132 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Institution of the Garter

Event Comment: Benefit for Mrs Kemble. 3rd piece [1st time; MF 1, by Robert Benson; music by Dr Arnold]: The Piece to conclude with a representation of the late Grand Naval Review [held at Portsmouth, in honor of George III's visit to that place, 28 June]. The Machinery, &c., entirely new for the occasion. Books of the Entertainment to be had at the Theatre. Morning Herald, 21 Aug. 1794: This Day is published BRITAIN's GLORY (price not listed). Morning Chronicle, 18 Aug.: Tickets to be had of Mrs Kemble, No. 24, Haymarket

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: THE GAMESTER

Performance Comment: Beverley-Barrymore; Lewson-Bensley; Jarvis-Aiclcin; Bates-Pindar; Dawson-Palmer Jun.; Stukely-Palmer//Charlotte-Mrs Kemble; Lucy-Mrs Heard; Mrs Beverley (for that night only)-Mrs Siddons .

Afterpiece Title: BRITAINS GLORY or A Trip to Portsmouth

Event Comment: 2nd piece [1st time; MD 3, by Thomas Morton]: With new Scenery, Dresses and Decorations. The Overture, Chorusses, and new Musick by Dr Arnold. The new Scenery by Rooker, Marinari, &c. Books of the Songs to be had at the Theatre. Morning Chronicle, 1 July 1795: This Day is published Zorinski (2s.)

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: Zorinski

Event Comment: Benefit for Palmer. [1st piece originally acted in 1767 as Dido. Prologue by David Garrick.] 3rd piece [1st time; INT 1, consisting of 3 tales in verse inserted into a continuous verse narrative]: As intended for Representation at the Theatre Royal, Hay-market, by George Colman Ynger. Morning Herald, 3 Apr. 1797: This Day is Published My Nightgown and Slippers (2s. 6d.). True Briton, 25 Apr.: Tickets to be had of Palmer, No. 39, Great Pulteney-street, Golden-square. Receipts: #491 16s. (152.3; 77.16; 11.16; tickets: 250.1) (charge: #232 18s. 6d.)

Performances

Mainpiece Title: The Queen Of Carthage

Afterpiece Title: The Spoild Child

Afterpiece Title: My Nightgown and Slippers

Ballet: The Scotch Ghost. As17970105

Event Comment: 2nd piece [1st time; MD 3, by James Boaden]: With new Musick, Scenery, Dresses, and Decorations. The Overture and Musick by Dr Arnold. The Scenery by Marinari, Rooker, &c. Morning Herald, 26 Aug. 1797: This Day is published The Italian Monk (2s.)

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: The Italian Monk

Song: 2nd piece: General Chorus [of Assassins and Nuns (text)]-Linton, Brown, Lyons, Aylmer, Little, Willoughby, Dibble, Kenrick, Caulfield Jun., Mrs Andrews, Miss Menage, Mrs Butler, Mrs Brown, Mrs Benson, Mrs Masters, Mrs Norton, Mrs Gaudry, Miss Leserve

Event Comment: Mainpiece [1st time; D 5, by Thomas Holcroft, based on Diego und Leonore, by Johann Christoph Unzer. Prologue and Epilogue by Francis Godolphin Waldron (Thomas Holcroft, Life, ed. Elbridge Colby, 1925, II, 125)]: With new Scenes, Dresses, and Decorations. The Scenery by Marinari. [Johnston was from cg.] Times, 12 July 1798: This Day is published The Inquisitor (2s.)

Performances

Mainpiece Title: The Inquisitor

Performance Comment: Characters by Johnston (1st appearance on this stage), Barrymore, Aickin, C. Kemble, R. Palmer, Trueman, Caulfield, Abbot, Miss Heard, Mrs Harlowe, Miss DeCamp. Cast from text (G. G. and J. Robinson, 1798): Alberto-Johnston; Francisco-Barrymore; The Patriarch-Aickin; Fernando-C. Kemble; Lelio-R. Palmer; Don Manuel-Trueman; Alguazil-Caulfield; Servant-Abbot; Violante-Miss Heard; Licia-Mrs Harlowe; Leonora-Miss DeCamp; Prologue-C. Kemble; Epilogue-Mrs Harlowe.

Afterpiece Title: The Flitch of Bacon

Event Comment: 2nd piece [1st time; MD 3, by James Boaden; some of the songs written by George Colman, ynger]: With new Musick, Scenes, Dresses, and Decorations. The new Musick by Dr Arnold. With an appropriate Overture, accompanied by two Pedal Harps and the Union Pipes, by Weippert, C. Jones, and Murphy. The Scenery by Marinari. The Dresses and Decorations designed by A. Johnston, and executed by him and Mrs Egan. Books of the Songs to be had at the Theatre. "Any exertion of impartial criticism to check the prevalent taste for the marvellous and the horrific which so wantonly conjures up the spirit (it was once thought had been for ever laid) of gross superstition and Gothic barbarism must, we fear, prove at present unavailing" (Times, 23 July). Morning Chronicle, 30 July 1798: This Day is published Cambro-Britons (2s.)

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: Cambro Britons

Event Comment: Mainpiece [1st time; MD 3, by George Moultrie]: The Overture and Musick by Dr Arnold. Books of the Songs, &c. to be had at the Theatre. Morning Herald, 25 Aug. 1798: This Day is published False and True (2s.)

Performances

Mainpiece Title: False And True

Afterpiece Title: Two Strings to Your Bow

Song: In: Chorusses-Linton, Aylmer, Brown, Dibble, Kenrick, Little, Caulfield Jun., Walker, Willoughby, Ms Edward, Ms Menage, Ms Hale, Ms Gawdry, Ms Butler, Ms Masters, Ms Norton, Ms Benson, Ms Leserve

Event Comment: Benefit for Blakes. Tickets and places of Blakes at his house in Cranbourne Alley, Leicester Fields, and of Hobson at the stage door. Les Messieurs & Dames peuvent laisser Diner leurs Domestiques car a quatre Heur sera assez a bonne heur de les Envoyer pour Gardez les places dans les loges. M. Fanfaron (General Advertiser). [The General Advertiser this day also included the first announcement of Mrs Macklin's benefit to be held on 22 April, at which would be perform'd the Lover's Melancholy, "Not acted these Hundred years," together with a new farce (never acted) called The Club of Fortune Hunters. The notice ran again several times, followed by the letters to the author of the General Advertiser noted on 19 and 23 April.] Receipts: #111 (Cross); house charges, #63 (Powel); cash, #58 6s.; tickets, #52 15s. (Clay MS)

Performances

Mainpiece Title: She Woud And She Woud Not

Afterpiece Title: The Double Disappointment

Dance: II: Dutch Dance, as17471128; IV: Savoyards, as17471215; V: Pastoral Dance, as17480326 Sailor's Rendezvous, as17471117

Song: SSailor's Rendezvous, as17471117

Event Comment: Benefit the Author of the Farce. [Author not known. Apparently not published.] N.B. Mr Marforio hopes those who have paid a Visit to his Brother Pasquin, will not refuse him the same Favour. His Clothes are as old, and the Jokes somewhat more New. Receipts: money #100 14s.; tickets #68 8s

Performances

Mainpiece Title: All For Love

Afterpiece Title: Marfor1o being a Comi Tragical Farce called The Critick of Taste or A Tale of a Tub with Characters of Singlewit Drawcansir Modern Dapper Buskin Prompter the Great Mogul Dunceada Prince Prettyman Common Sense the Embryo of Common Sense Lord Haranguewell Falarini Signior Tweedledum Signior Tweedledee Prologues Senators Patriots Courtiers Fidlers Eunucks Gentleman Usher Ghosts and Chorus of Ghosts

Dance: Tambourine by Miss Rogers. Peasants by Lalauze, Mlle D'Hervigni, &c. Harlequine by Mlle De L'Isle

Event Comment: 1 By His Majesty's Command. Present The King and Princess Amelia. Paid Mr Arthur a Bill for glass Lustres &c #7 15s. 2d. Receipts: #177 11s. 6d

Performances

Mainpiece Title: 1 Henry Iv

Event Comment: Books of the Songs, Chorusses, &c. to be had at the Theatre. Paid Mr Jenkins Ext. Trumpet 8 nights in Alfred #4 4s.; Chorus 2 nights (This incl.) #3 11s.; Taylor's bill for dinners for men #3 9s. 11d. (Treasurer's Book). Receipts: #155 1s. 6d. (Treasurer's Book)

Performances

Afterpiece Title: The Deuce Is in Him

Event Comment: By His Majesty's Command. A New Oratorio in English. Composed by Mr Handel. And to be perform'd by a great Number of the best Voices and Instruments. The House to be fitted up and illuminated in a new and particular manner. Tickets One Guinea. Gallery Half a Guinea. [Text by Samuel Humphreys. Their Majesties, Prince, and three eldest Princesses present.] Daily Advertiser, 20 March: An Entertainment, perhaps, the most magnificent that has ever been exhibited on an English Theatre....The Composition of the Musick is by no means inferior to the most finish'd of that Gentleman's Works; but the Disposition of the Performers was in a Taste beyond what has been attempted. There was a very great Number of Instruments by the best Hands, and such as would properly accompany three Organs. The Pit and Orchestre were cover'd as at an Assembly, and the whole House Illuminated in a new and most beautiful manner. [See also Lady A. Irwin to Lord Carlisle, in Deutsch, Handel, pp. 309-10.

Performances

Mainpiece Title: Deborah

Performance Comment: Edition of 1733 does not list performers' names, but Daily Advertiser, 20 March, states: Wherein Principal Parts-Signor Senosini, Signora Strada, Signora Gismundi, Signora Bertoldi, Signor Montagnana, Miss Young, Miss Arne, Mrs Wright, Mr Swartzs[, perform'd the principal Parts. [See also Deutsch, Handel, p. 308, and Dean, Handel's Dramatic Oratorios, p. 236.], perform'd the principal Parts. [See also Deutsch, Handel, p. 308, and Dean, Handel's Dramatic Oratorios, p. 236.]
Event Comment: Benefit for Mrs Kemble, being the last Time of her Appearing on the Stage. 1st piece [1st time; T 2, by John Philip Kemble, altered from the same by Philip Massinger. Larpent MS 1040: not published]: In Act I the Triumphal Entry of Domitian into the Capitolv. 2nd piece [1st time; C 3, by John Philip Kemble, altered from The Comical Lovers, by John Dryden and Colley Cibber. Larpent MS 1133: not published. Genest, VII, 243: C. Kemble on being asked, in 1821, if the above cast was right, said that he believed it was, but that he was ill and did not act]. [Address by Bertie Greatheed (European Magazine, June 1796, p. 397).] Morning Herald, 10 May: Tickets to be had of Mrs Kemble, No. 13, Caroline-street, Bedford-square. Account-Book: Paid H. S. Hargraves, Box No. 95, his Servant being turn'd out by Force, #1 4s. Receipts: #190 9s. 6d. (130.9.0; 59.10.0; 0.10.0; tickets: none listed; odd money: 0.0.6) (charge: #216 17s.)

Performances

Mainpiece Title: The Roman Actor

Afterpiece Title: Celadon and Florimel or The Happy Counterplot

Afterpiece Title: No Song No Supper

Entertainment: Monologue.End 2nd piece: an Address-Mrs Kemble on the Occasion of her Retiring from the Stage

Event Comment: The Duke's Company. The date of the premiere is uncertain. This play is on the L. C. list, 5@142, p. 81: King and Queene at Alcibiades and a box for the Mayds of Honor. See also Nicoll, Restoration Drama, p. 348. The item on the L. C. list is ambiguously dated; it follows an entry for 28 Sept. 1675 and bears only the figure "22." It is possible that the play was given on 22 Sept. 1675, but the order of the L. C. listing, the sequence of known performance on 24, 25, and 28 Sept., and the fact that most of the cast are principals in the company suggest a late September or early October production rather than an early September one

Performances

Mainpiece Title: Alcibiades