Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
13706 results for: Keyword - Ackman</i> (<i>Public Advertiser</i>). This day only. Paid $Mr C. <span class=
We found 9643 matches on Event Comments, 3145 matches on Performance Comments, 1214 matches on Performance Title, 30 matches on Author, and 0 matches on Roles/Actors.

8901
23 May 1792 @ Drury Lane at King's Theatre

Event Comment: Mainpiece [1st time; DO 3, by Prince Hoare, based on Didone Abbandonata, by Pietro Metastasio]: The Musick is chiefly new, and composed by Storace. The Selections are made from the most celebrated works of Salieri, Paer, Rampini, Sacchini, Sarti, Giordani, Cimarosa, Schuster, Andreozzi. The Scenery and Machinery designed by Greenwood and executed by himself and his Pupils. The Dresses of the Tyrians, Trojans and Africans entirely new, and taken from the most accurate descriptions of the Habits of their respective Nations. [Both Miss Barclay and Master Welsh had 1st appeared at the king's oratorios, 24 Feb.]. "A procession was introduced in which an Ostrich, a Dromedary and an Elephant marched to slow music. The Masque, which concluded the opera, was some insipid stuff about Neptune and Nereids, with a representation of the Temple of Neptune. Young Welsh sang prettily in this said Masque" (Morning Herald, 24 May). "[Mara] retained only one song of her Didone [see king's, 14 Feb. 1786]; the brilliant bravura, Son Regina, of Sacchini" (Mount-Edgcumbe, 80). Morning Herald, 28 May 1792: This Day is published Dido (price not listed). Receipts: #244 8s. 6d(213.14.5; 28.15.0; 1.19.0)

Performances

Mainpiece Title: Dido Queen Of Carthage

Monologue: To Conclude Masque, Neptune's Prophecy. Tritons, Neriads-the full Chorus of the Theatre; Neptune-Bannister; Ascanius-Master Welsh (1st appearance on any stage [see 24 Feb.]); Venus-Miss Collins; The Graces-Miss DeCamp, Miss Jacobs, Miss Heard

Afterpiece Title: The Miller of Mansfield

8902
07 July 1792 @ Haymarket Theatre

Event Comment: 3rd piece [1st time; INT 1, by Walley Chamberlain Oulton]. Morning Herald, 21 July 1792: This Day is published All in Good Humour (1s)

Performances

Mainpiece Title: Poor Old Hay market

Afterpiece Title: The Suicide

Afterpiece Title: All in Good Humour

8903
21 November 1792 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Larpent MS 961; not published; synopsis of plot in Universal Magazine, Nov. 1792, p. 393]: The Scenes entirely new, designed and executed by Greenwood. With new Dresses and Decorations. The Music composed principally by Storace, with a few Pieces selected from Anfossi, Bianchi and [La Bella Pescatrice, by] Guglielmi. Books of the Songs to be had at the Theatre. The Doors to be opened at 5:15. To begin at 6:15 [see 15 Apr. 1793]. "The dialogue of operas now a days is thought of little consequence, and in this instance, the author has certainly strictly adhered to that opinion; however, by the aid of Painter, Composer, Taylor and Performers [The Pirates] will certainly long continue to attract admiration" (Thespian Magazine, Jan. 1793, p. 169). Receipts: #359 10s. 6d. (336.6.6; 23.0.0; 0.4.0)

Performances

Mainpiece Title: At Kings The Pirates

Afterpiece Title: Katharine and Petruchio

Dance: The Dances (composed by D'Egville)-Hamoir, D'Egville, Master D'Egville, Miss Prevot, Miss Menage, Miss Phillips, the Miss D'Egvilles. [These were danced, as here assigned, in all subsequent performances until 8 Apr. 1793.

8904
24 January 1793 @ Drury Lane Theatre

Event Comment: Genest, VII, 88: On this evening there was not any play performed, from respect to the memory of the unfortunate monarch, Louis 16th, who was murdered in Paris on that day [sic] -Kemble, without consulting Sheridan, closed the theatre -Sheridan, who was out of town, arrived late that evening, and finding there was no play, was highly incensed at the shutting up of the theatre upon such an occasion; for, he said, it was an invariable maxim with him, that neither politics nor religion should be taken notice of in his playhouse, yet no man deplored the tragical event more sincerely than he did. (Kelly, Reminiscences, II, 37). [The playbill of 23 Jan. advertises Cymon and The Ghost for this present evening.

Performances

Mainpiece Title: At Kings None

8905
28 February 1793 @ Drury Lane Theatre

Event Comment: Anna [advertised on playbill of 26 Feb.] is deferred for a few Days, at the Request of the Authoress, in order to amend those passages which prevented the Piece from receiving throughout that unanimous Applause with which the Audience honoured the Four First Acts. [But Anna was not repeated.] Receipts: #316 12s. (253.16; 56.12; 5.18; tickets not come in: 0.6)

Performances

Mainpiece Title: At Kings The Country Girl

Afterpiece Title: Richard Coeur de Lion

8906
18 March 1793 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Siddons. Mainpiece [1st time; T 5, by Arthur Murphy. Prologue by John Philip Kemble (see text). Author of Epilogue unknown; European Magazine, Apr. 1793, p. 306, prints two Epilogues: the one spoken by Mrs Siddons, and the one "as originally written by Thomas? Vaughan"]. Morning Herald, 20 Mar. 1793: This day is published The Rival Sisters (1s. 6d.). Morning Herald, 25 Feb.: Tickets to be had of Mrs Siddons, No. 49, Great Marlborough-street. Receipts: #451 6s. 6d. (243.1.0; 21.18.0; 1.18.0; tickets: 184.9.6) (charge: #154 9s. 8d.)

Performances

Mainpiece Title: At Kings The Rival Sisters

Afterpiece Title: The Prisoner

8907
03 May 1793 @ Covent Garden

Event Comment: Benefit for Munden. 2nd piece [1st time; M.INT 1, by Thomas Hurlstone, Published by J. Debrett, 1793; in 1795 acted at cg as The British Recruit; or, Who's Afraid?]: The Overture and Music (a Glee and Air excepted) entirely new, by Shield, Giordani and Dr Stevenson of Dublin. To conclude with a Representation of the Grand Fleet under Sail. Books of the Interlude to be had at the Theatre. Morning Herald, 3 May 1793: This Day, at Noon, will be published To Arms (6d.). Morning Herald, 15 Apr.: Tickets to be had of Munden at his house, No. 6, Frith-street, Soho. Receipts: #448 17s. 6d

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: To Arms or The British Recruit

Afterpiece Title: Two Strings to Your Bow

Dance: In 2nd piece: Byrn, Mme Rossi

Song: End 2nd piece: The Sea Storm-Incledon

Entertainment: Monologue. As17930410

8908
10 July 1793 @ Haymarket Theatre

Event Comment: To prevent future disturbances in the Theatre, the Publick is most respectfully informed that nothing can be represented which is not included in the Entertainments regularly announced in the Bills of the Day

Performances

Mainpiece Title: Piety In Pattens

Afterpiece Title: The London Hermit

Afterpiece Title: Peeping Tom

8909
13 November 1793 @ Covent Garden

Event Comment: 1st piece [1st time; T 4, by Edward Jerningham. Prologue and Epilogue by the author (see text)): With new Scenery, Dresses and Decorations. Times, 24 Dec. 1793: This day is published THE SIEGE OF BERWICK (1s. 6d.). Receipts: #284 6s. 6d. (258/10/6; 25/16/0)

Performances

Mainpiece Title: The Siege Of Berwick

Afterpiece Title: ANNETTE AND LUBIN

Afterpiece Title: THE SCHOOL FOR ARROGANCE

8910
27 November 1793 @ Covent Garden

Event Comment: The Follies of a Day. As 29 Oct. 1st piece: Altered from The Winter's Tale of Shakespeare [2nd piece in place of Love a-la-Mode, advertised on playbill of 26 Nov.] Receipts: #171 2s. 6d. (160.5.6; 10.17.0)

Performances

Mainpiece Title: Florizel And Perdita

Afterpiece Title: A Divertisement

Dance: As17931123

8911
08 February 1794 @ Haymarket Theatre

Event Comment: 3rd piece [Ist time; MD 1, by John Cartwright Cross]. The Overture and Musick by Reeve. Books of the Songs to be had at the Theatre. Morning Herald, 24 Feb. 1794: This Day is published THE PURSE (1s.)

Performances

Mainpiece Title: The Quaker

Afterpiece Title: HEIGHO FOR A HUSBAND

Afterpiece Title: THE PURSE or Benevolent Tar

8912
10 February 1794 @ Haymarket Theatre

Event Comment: [In 1st and 3rd pieces the playbill retains Wewitzer, but "Previous to the drawing up of the curtain Bannister Jun. solicited the indulgence of the audience for Benson, who had in the course of the day studied two characters for which Wewitzer (who was indisposed) was announced in the bills" (Thespian Magazine, Feb. 1794, p. 88).)

Performances

Mainpiece Title: My Grandmother

Afterpiece Title: THE CHILDREN IN THE WOOD

Afterpiece Title: HARLEQUIN PEASANT

8913
21 March 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940314but omitted: Harrison, Miller. Leader as17940312ART I. Overture (ESTHER). Awake the Trumpet; Honour and Arms (SAMSON). Lord to thee (THEODORA). Total Eclipse; O first created Beam (SAMSON). Every day ([CHANDOS] ANTHEMS). Fell rage (SAUL). Fix'd in his everlasting seat (SAMSON). PART II. How excellent (SAUL). Who trusts in God; Prophetic Vision (OCCASIONAL ORATORIO). Shall I in Mamre's (JOSHUA). The smiling dawn (JEPHTHA). Shake the Dome (SOLOMON). Concerto on the violin by Giornovichi. I'll proclaim [ESTHER]. Holy! Holy! (REDEMPTION). From the Censer (SOLOMON). PART III. When his loud Voice (JEPHTHA). From mighty Kings; Sound an Alarm; We hear (JUDAS MACCABAEUS). Fair Rosalie (composed by Dignum). As from the power (DRYDEN'S ODE) .

8914
25 March 1794 @ Covent Garden

Event Comment: Mainpiece [1st time; MD 5, by James Boaden. Prologue and Epilogue by the author (see text). In 1796 acted at CG reduced by the author to 4 acts]: With new Scenes and Dresses. Morning Herald, 14 Apr. 1794: This Day is published FONTAINVILLE FOREST (1s. 6d.). [Afterpiece in place of THE HIGHLAND REEL, advertised on playbill of 24 Mar.] Receipts: #263 19s. 6d. (251/5/6; 12/14/0)

Performances

Mainpiece Title: Fontainville Forest

Performance Comment: Principal Characters by Pope, Farren, Middleton, Hull, Powel, Thompson, Claremont, Campbell, Abbot//Miss Morris, Mrs Pope. [Cast from text (Hookham and Carpenter, 1794): Lamotte-Pope; Marquis of Montault-Farren; Louis-Middleton; Peter-Hull; Nemours-Powel; Jaques-Claremont; Laval-Campbell [in text: Blurton]; Phantom-Abbot [in text: Follett]//Hortensia Lamotte-Miss Morris; Adeline-Mrs Pope. Thompson is unassigned.] Prologue spoken by Middleton. Epilogue spoken by Mrs Pope. [These were spoken, as here assigned, at the 1st 10 performances only (see17940503).] hathi. Prologue spoken by Middleton. Epilogue spoken by Mrs Pope. [These were spoken, as here assigned, at the 1st 10 performances only (see17940503).] hathi.

Afterpiece Title: THE POOR SOLDIER

8915
26 March 1794 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Overture (BERENICE). Come ever smiling (JUDAS MACCABAEUS). Tears such as tender (DEBORAH). For unto us a child (THE MESSIAH). Grateful hearts (NABAL). Sweep the strings; Music spread thy Voice (SOLOMON). Every day will I ([CHANDOS] ANTHEMS). For joys so vast; Happy they (JEPHTHA). From the censer (SOLOMO). PART II. Fourth Organ Concerto. Together let us range ([SOLOMON] by Boyce). The trumpet's loud; The double beat (DRYDEN'S ODE). He was eyes [SIROE]. He led tbrm thro' (ISRAEL IN EGYPT). Ye sons of Israel [JOSHUA]. Weep, Israel, weep; Go, baffled coward (SAMSON). For the Lord (THE MESSIAH). PART III. Fifth Grand Concerto. O liberty (JUDAS MACCABAEUS). Let the bright; Awake the trumpets (SAMSON). O beauteous Queen (ESTHER). Mad Bess by Mme Mara (Purcell). How willing (SAMSON). But bright Cecilia; As from; The dead shall live (DRYDEN'S ODE). To conclude with God save Great George our King and Rule Britannia .

Music: End of Part II concerto on the organ by J. Ashley

8916
10 April 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption A Sacred Oratorio Selected From The Great And Favourite Works Of Handel

Performance Comment: Principal Vocal Performers as17940319but added: Fisher. Leader as17940312ART I. Overture (OCCASIONAL ORATORIO). When the Earth by Dignum. O! First created beam by Chorus. He measur'd the waters and He layeth the beams by Meredith. When his loud voice by Chorus. Now heaven in all and Lord what is Man! by Mrs Crouch. How excellent thy name by Chorus. These are thy glorious works and Speak ye who best can tel1 by Kelly. Abraham believed in God and Abraham, enough by Mrs Bland. Now when Joseph was sold and Jehovah is my shield and glory by Miss Leak. When Joseph by Dignum. Blest be the man by Chorus. When Joseph was dead and Pious orgies by Sga Storace. Then sent he Moses by Dignum. He gave them hailstones by Double Chorus. The Lord is a man of war by Fisher and Meredith. Moses and the children of Israel by Sga Storace and Double Chorus. PART II. Now after the death by Dignum. Ye sons of Israel by Chorus. Oh Joshua! and Oh had I Jubal's lyre! by Mrs Bland. When Joshua by Dignum. Now Deborah and Angels ever bright and fair by Master Welsh. Jehovah crown'd by Meredith and Chorus. Now the elders by Dignum. Welcome, welcome mighty King by Chorus. Again the Philistines and In Sweetest harmony by Sga Storace and Chorus. Their bodies are buried in peace by Chorus. Dead March (SAUL). And the men of Judah and Lord remember David by Kelly. Gird on thy Sword by Chorus. Blest be the Lord and The Sword that's drawn by Meredith. When King David by Dignum. Coronation Anthem by Chorus: God save the King. PART III. Now when the fullness of time and Where is this stupendous stranger by Mrs Crouch. In the days of Herod and There beneath a lovely shade by Dignum. And Jesus went about and He was eyes unto the blind by Kelly. When the time drew near by Mrs Bland. Hosannah to the son of David by Chorus. The people of Jerusalem and He was brought as a lamb by Meredith. Behold it is Christ by Dignum. He sitteth at the right hand by Chorus. Holy, holy by Sga Storace. For as much as Christ by Meredith. Glory be to the Father by Chorus .

Music: As17940409

8917
19 May 1794 @ Covent Garden

Event Comment: 2nd piece [1st time; T 3, by Henry James Pye. Authors of Prologue and Epilogue unknown]: With new Scenes, Dresses and Decorations. Morning Chronicle, IO June 1794: This day is published THE SIEGE OF MEAUX (1s. 6d.). Receipts: #125 9s. (117/2; 8/7)

Performances

Mainpiece Title: The Death Of Captain Cook

Afterpiece Title: THE SIEGE OF MEAUX

Afterpiece Title: NETLEY ABBEY

8918
16 October 1794 @ Drury Lane Theatre

Event Comment: Powell, 15 Oct.: Chaplet rehearsed at 10 [but this play was not acted this season]; Emilia Galotti at 11; 16 Oct.: Henry VIII rehearsed at 10; Lodoiska at 12 (Floreski's and Ithorak's scenes); Wedding Day read at 12. Receipts: #453 1s. 6d. (335.1.0; 94.0.0; 4.0.6)

Performances

Mainpiece Title: The Jew

Afterpiece Title: Lodoiska

8919
21 October 1794 @ Drury Lane Theatre

Event Comment: Powell: Mountaineers rehearsed at 10; Country Girl at 12; Wedding Day at 1:30. Receipts: #328 1s. (263.3; 61.11; 3.7)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: No Song No Supper

8920
23 October 1794 @ Drury Lane Theatre

Event Comment: [In afterpiece the playbill omits Sebastian and Michael, but "Bland and Fairbrother being Ill, Benson doubled Fairbrother's business [with that of his own part, Casimir], and a Supernumerary supplied the place of Bland" (Powell).] Powell: Wedding Day rehearsed at 11. Receipts: #291 2s. (246.0; 37.17; 7.5)

Performances

Mainpiece Title: The Jew

Afterpiece Title: Lodoiska

8921
25 October 1794 @ Drury Lane Theatre

Event Comment: Powell, 24 Oct.: Wedding Day rehearsed at 10; Emilia Galotti at 11; Distressed Mother at 1; 25 Oct.: Emilia Galotti rehearsed at 10; Pirates at 12. Receipts: #393 14s. (294.9; 96.0; 3.5)

Performances

Mainpiece Title: The Distressd Mother

Afterpiece Title: Lodoiska

8922
27 October 1794 @ Drury Lane Theatre

Event Comment: Mainpiece: The Music composed principally by Storace, with a few pieces selected from Anfossi, Bianchi, and Guglielmi. Powell: Emilia Galotti rehearsed at 10; Wedding Day at 12; Sultan at 1. Receipts: #304 (245.14; 58.2; 0.4)

Performances

Mainpiece Title: The Pirates

Afterpiece Title: The Sultan

Dance: In: Dances (composed by D'Egville)-G. D'Egville, Master D'Egville, Miss Menage, Miss Phillips, the Miss D'Egvilles

8923
30 October 1794 @ Covent Garden

Event Comment: [1st piece: Epilogue by Miles Peter Andrews.] 2nd piece [1st time; MF 2, by William Pearce. In 1796 acted at cg, reduced to 1 act]: Scenery entirely new, consisting of several Views taken from the Spot, and executed by Richards. The Music selected and composed by Shield. Books of the Songs to be had at the Theatre. Morning Chronicle, 16 Nov. 1794: This Day is published Arrived at Portsmouth (1s.). The Doors to be opened at 5:15. To begin at 6:15 [see 22 Apr. 1795]. Receipts: #203 5s. (200.1; 3.4)

Performances

Mainpiece Title: The Child Of Nature

Performance Comment: Count Valencia-Lewis; Marquis Almanza-Farren; Alberto-Harley; Granada-Macready; Duke Mercia-Powel; Seville-Davenport; Marchioness Merida-Mrs Mattocks; Amanthis (with an Epilogue)-Miss Wallis.
Cast
Role: Amanthis Actor: Miss Wallis.

Afterpiece Title: Arrived at Portsmouth

Afterpiece Title: Two Strings to Your Bow

8924
31 October 1794 @ Drury Lane Theatre

Event Comment: Mainpiece: The Overture, Chorusses and new Musick by Dr Arnold, The Dresses, Scenes and Decorations entirely new. The Scenes painted by Greenwood, Marinari, and their Assistants. Powell: Mountaineers rehearsed at 10; Wedding Day at 12. [Fialon and Aumer were from king's.] Receipts: #185 (131.17.6; 49.16.0; 3.6.6)

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: No Song No Supper

Dance: End II: a New Dance by J. D'Egville, in which-Fialon, Aumer will make their 1st appearance on this stage

Performance Comment: D'Egville=, in which-Fialon, Aumer will make their 1st appearance on this stage.
Cast
Role: in which Actor: Fialon, Aumer will make their 1st appearance on this stage.

8925
15 November 1794 @ Drury Lane Theatre

Event Comment: [Mrs Siddons's 1st appearance as Horatia was at York, 10 May 1777. Afterpiece in place of The Wedding Day, advertised on playbill of 14 Nov.] Receipts: #350 11s. (270.10.6; 72.3.0; 7.17.6)

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: The Devil to Pay

Song: In V: Triumphal Entry of Publius into Rome-; Chorus of Youths and Virgins [composed by Boyce]-Dignum, Master Welsh, Master Gregson, Cooke, Danby, Evans, Lyons, Welsh, Fisher, Annereau, Atkins, Aylmer, Boyce, Bardoleau, Brown, Cook, Denman, Dixon, Dorion, Dorion Jun., Mrs Bland, Miss Leak, Mrs Boimaison, Mrs Bramwell, Mrs Butler, Miss Chatterley, Miss Gawdry, Miss Granger, Miss Menage, Miss Redhead, Miss Stageldoir, Mrs Maddocks