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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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12591 results for: Keyword - Ackman</i> (<i>Public Advertiser</i>). This day only. Paid $Mr C. <span class=
We found 9641 matches on Event Comments, 3145 matches on Performance Comments, 1214 matches on Performance Title, 30 matches on Author, and 0 matches on Roles/Actors.

626
01 May 1756 @ Drury Lane Theatre

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Devil to Pay

Song:

Dance: [As express'd in the Bills of the Day (playbill). Advance notice.]

627
01 June 1775 @ Covent Garden

Event Comment: Benefit for Macklin. Last time of performing this season. Doors open half past 5. To Begin at half past 6 o'clock. Tickets to be had of Macklin, James St., Covent Garden, and of Mr Sarjant at the stage Door where places for the Boxes may be taken

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: St Patrick's Day

Dance: End: The Irish Lilt, as17741202

628
15 February 1776 @ Drury Lane Theatre

Event Comment: Mainpiece: Never performed before. New Scenes and Dresses. This Comedy is a first production of Mrs Cowley--It was receiv'd with very great Applause-Indeed the performers play'd very well and deserv'd it--the Prologue was written by the Author of the Play dull and Mr Gar. wrote a most Excellent Epilogue quite Local--which was received with uncommon Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly. Mainpiece reviewed in the Westminster Magazine for Feb.: "As we have lately been much afflicted with the melancholy fate of theatrical authors, we have a pleasure more than common in the great sucess of this piece."] Receipts: #256 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: May Day

629
16 November 1795 @ Covent Garden

Performances

Mainpiece Title: Speculation

Afterpiece Title: Lord Mayor's Day

Performance Comment: Act I. Scene I. A View in Laplandv; The Death and Renovation of the Elk-; Harlequin-Farley; Whalebone-Follett; Ulan Shmolinski Czernsdorff [, the Gynosophist-Thompson; Columbine-Mlle St.Amand; Aerial Spirit-Mrs Martyr; [Scene II. Cornhillv-Mr Deputy Gobble's Housev; The False Step-O'Flanagan's Blunders-The Desponding Maiden-The Sailor's Return-Gobble's Disaster-with a Triumphal Procession of English Amazonians. Captain O'Flanagan-Johnstone; Sailor-Townsend; Polly-Mrs Mountain (with the Duetto, Oh! welcome home, my dearest Jack, composed by Shield); English Amazonians-Mrs Platt, Miss Logan, Miss Walcup, Mrs Blurton, Mrs Crowe, Mrs Cranfield, Miss Kirton, Miss Cox, Miss Coombs, Mrs Norton, Mrs Rowson; [Scene III. Inside of Gobble's Housev. The Widow Bewitched-How to restore a Deputy Common Council-Man. Scene IV. Outside of Dancing, Shaving and Hair-dressing Academyv; Scene V. Inside of Dancing Academyv; In which The Long Minuet-(Taken from the Caricature Print [see17951109]); Principal Dancers-Cranfield, King, Bayzand, Jackson, Coombs, Price, Rayner, Noble, Mrs Watts, Mrs Follett, Miss Ives, Mrs Castelle, Mrs Masters, Miss Webb, Miss Smith, Mrs Bayzand; Dancing Master-Simmons; [Scene VI. Inside of Hair-dressing Academyv; Shaving made easy to the meanest Capacity. Master of the Academy-Wilde; Irish Song-Johnstone; [To conclude with a Dance of Block Heads-; [Act II. Scene I. Cornhillv; Lord Mayor's Coach returning to Guildhall. I sup with Gobble, My names's O'Flanagan-Johnstone?; [Scene II. A Streetv; A Balcony on each side of the Stage. The Lover's Leap-Harlequin's Flight across the Theatre. Scene III. Inside of Gobble's Housev; The Power of Harmony. Music hath Charms-O'Flanagan's performance on the Violin-Water parted from the Sea-The Lads of the Village-Come sing round my favorite Tree-and Stoney Batter, all the same to O'Flanagan. Scene IV. A Tavernv; A Meeting of the Council-Men. Most Learned Debates!!-The Magical Nosegay-with the Crying, Laughing, Sneezing, Yawning, Dancing and Whistling Glee, by Shield-Carriage for the Company-Running without Horses-and on one Wheel only. Common Council@men-Davenport, Rees, Williamson, Wilde, Thompson, Abbot; [Scene the Last. A View of Londonv; taken from the Surrey Shorev, with an exact Representation of the Lord Mayor's Show on the Water. To conclude with a Dance-; a Finale-[composed by Shield.composed by Shield.
Cast
Role: A Meeting of the Council Actor: Men. Most Learned Debates!!-The Magical Nosegay-with the Crying, Laughing, Sneezing, Yawning, Dancing and Whistling Glee, by Shield-Carriage for the Company-Running without Horses-and on one Wheel only. Common Council@men-Davenport, Rees, Williamson, Wilde, Thompson, Abbot
Role: ! Actor: The Magical Nosegay-with the Crying, Laughing, Sneezing, Yawning, Dancing and Whistling Glee, by Shield-Carriage for the Company-Running without Horses-and on one Wheel only. Common Council@men-Davenport, Rees, Williamson, Wilde, Thompson, Abbot
Role: The Magical Nosegay Actor: with the Crying, Laughing, Sneezing, Yawning, Dancing and Whistling Glee, by Shield-Carriage for the Company-Running without Horses-and on one Wheel only. Common Council@men-Davenport, Rees, Williamson, Wilde, Thompson, Abbot
Role: by Shield Actor: Carriage for the Company-Running without Horses-and on one Wheel only. Common Council@men-Davenport, Rees, Williamson, Wilde, Thompson, Abbot
Role: Carriage for the Company Actor: Running without Horses-and on one Wheel only. Common Council@men-Davenport, Rees, Williamson, Wilde, Thompson, Abbot
Role: Running without Horses Actor: and on one Wheel only. Common Council@men-Davenport, Rees, Williamson, Wilde, Thompson, Abbot

630
23 April 1799 @ Covent Garden

Event Comment: Benefit for H. Johnston. Mainpiece: 1st time at this Theatre; by Permission of Mr Colman. Morning Chronicle, 9 Apr.: Tickets to be had of H. Johnston, No. 47, Great Queen-street, Lincoln's Inn Fields. Receipts: #334 3s. 6d. (174.7.6; 1.14.0; tickets: 158.2.0)

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: The Follies of a Day

Dance: End: a new Scotch Ballet, The Highland Lovers (under the direction of Bologna Jun.)-Bologna Jun., Hawtin, King, Mrs Watts, Miss Brugier (1st appearance)

Song: In course Evening: Sally in our Alley-Incledon

631
15 May 1742 @ Drury Lane Theatre

Performances

Mainpiece Title: Comus

Afterpiece Title: The Mock Doctor

Dance: I: Running Footman's Dance-Phillips; III: The Drunken Peasant-Phillips

Entertainment: AA Lesson on the Welch Harp-Mr Jones

632
18 May 1762 @ Drury Lane Theatre

Event Comment: Benefit for several: Master Cape, C. Roberts, West, Tomlinson, Mortimer. Tickets deliver'd for This Night will be taken. [Tomlinson's Epilogue in Larpent MS 213.] The mute speaks again, and mimics tragedians and comedians [See 20 May.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The King and the Miller

Dance: II: Hornpipe-Master Cape (Scholar to Walker); IV: Hearts of Oak, as17620421

Song: III: If o'er the Cruel Tyrant Love, as17620513

Entertainment: New Sketch of his own picture drawn from the life by way of Epilogue-Mr Tomlinson, his second time of attempting to speak on the Stage

633
28 October 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Deception

Afterpiece Title: The Padlock

Dance: End of Act IV of mainpiece a New Dance incident to the Piece by Mr and Miss Hamoir

634
20 January 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Caldron; or, Pantomimical Olio

Dance: In afterpiece, by Mr and Miss Hamoir, Mills, Miss Stageldoir. [The dances were included, as here assigned, in all subsequent performances.]

635
26 December 1791 @ Haymarket Theatre

Performances

Mainpiece Title: King Henry Ii; Or, The Death Of Fair Rosamond

Afterpiece Title: The Humours of Sir John Brute

Performance Comment: Sir John Brute (for that night only)-Wilkinson; Constant-Frodsham; Heartfree-Rundell; Taylor-Nicholls; Col. Bully (with songs)-Upton; Dermot O'Whiskey-Hopton; Lord Rake (with Hippisley's Drunken Man)-Doggett; Lady Brute-Mrs Hunter; Lovewell-Miss Barnes;Belinda-A Young Lady (1st appearance [unidentified]).unidentified]).

Entertainment: Monologue End: The Monody on the Death of Mr Henderson (3rd time at this theatre)-Baker

636
11 September 1770 @ Mary-le-Bone Gardens

Event Comment: marly Benefit for Hook. Price 3s. Vocals in Concert by Mas. Cheney, Two Young Ladies who never appeared in public, and Mrs Barthelemon

Performances

Mainpiece Title: La Serva Padrona

Music: marly First Violin and Solo by Fisher; Concerto on Organ by Hook ; Concerto on French Horn by the celebrated Mr Cohen, musician to the Stadtholder, being the 1st time of his performing since his arriving in England

637
20 April 1758 @ Covent Garden

Event Comment: Benefit for Miss Hillyard. Receipts: #46 17s. Charges: #63. Deficiency cover'd by tickets, #105 9s. (boxes 170; pit 279; gallery 211). Rec'd from John Rich, #100, being part of the sum paid to Mr Finny on account of the New Building (Account Book)

Performances

Mainpiece Title: Coriolanus

Afterpiece Title: The Knights

Dance: II: Prussian Sailors-Master Settree, Miss Twist (Scholars to Mr Settree); III: Comic Dance-Master Settree, Miss Twist; IV: Roast Beef of Old England or The Antigallican-Leppie, Miss Hilliard; V: A Grotesque Minuet-Leppie, Miss Hilliard

638
11 February 1703 @ Drury Lane Theatre

Event Comment: At the Desire of several Persons of Quality, for one day. The Boxes to be kept entire for the Ladies, as at a Play. Admission into Pit or Boxes by Printed Tickets only, not exceeding 400 in number, with 100 for the Front Boxes at 6s. and 300 for the Pit and Side Boxes at 4s

Performances

Mainpiece Title: Concert

Afterpiece Title: Mar`iage a la Mode

Music: The best Masters; several Songs in Italian and English-Mr Pate (having recover'd his Voice); Singing-Leveridge, Hughes; accompanied-Bannister; several of Corelli's Sonatas-Gasperini; accompanied-Dupar

Dance: As17030123

639
24 May 1703 @ Drury Lane Theatre

Event Comment: At the Desire of some Persons of Quality who are going out of Town. [Volpone, intended for this day, is deferred to 25 May.

Performances

Mainpiece Title: Timon Of Athens; Or, The Man-hater

Music: A Mask set to Musick by the late Mr Henry Purcell-; Italian Sonatas-Gasperini

640
27 November 1703 @ Drury Lane Theatre

Event Comment: [This performance, following the Great Storm of 1703, aroused the wrath of the reformers, typified by Jeremy Collier's remark in his Dissuasive from the Play-House: "But Stupidity under that Convulsion was not the worst of our Case: No, that dreadful Hurricane, the Voice of an angry Heaven, and Terrour of Earth and Sea, was it seems a Jest at the Play House: Macbeth with his Lightning and Thunder the Entertainment of the Day, and the Mention of Chimnies blown down, clapt by the Audience with an unusual Length of Pleasure and Approbation" (p. 18).

Performances

Mainpiece Title: Macbeth

Music: All the Musick being compos'd-Mr Leveridge, wherein he performs his own parts

Song: As17031125

Dance: Several comical Dances-

641
01 February 1704 @ Lincoln's Inn Fields

Event Comment: By Subscription. The music for The Judgment of Paris composed by Weldon. [Note that both duRuel and Mrs Mayers are advertised to appear at both theaters this day.

Performances

Mainpiece Title: Concert

Afterpiece Title: The Judgment of Paris

Music: With several Songs in Italian and English-Mrs Tofts; With several other select pieces of Musick- compos'd by the late Mr Henry Purcell

Dance: l'Abbe, duRuell, Cherrier, Mrs Elford, Mrs Campion, Mrs Mayers

642
27 September 1705 @ Drury Lane Theatre

Event Comment: [In Daily Courant, 26 Sept., The Royal Merchant had been announced for this day.

Performances

Mainpiece Title: Tunbridge Walks; Or, The Yeoman Of Kent

Song: As17050922; Particularly a two/Part Song compos'd by the late Mr Henry Purcell-

Dance: Cherrier

643
08 September 1711 @ Greenwich

Event Comment: Benefit Teno and Rainton. That Celebrated Comedy... As it was perform'd before her Majesty on her Birth Day at St. James's

Performances

Mainpiece Title: The Jew Of Venice; Or, The Female Lawyer

Song: Between the Acts: With several Songs and Dialogues-Teno, Rainton, a Gentlewoman from London, who never perform'd there before; particularly that Celebrated Dialogue of Tell Me Why My Charming Fair by the late famous Mr Henry Purcell-; Mad Dialogue by him-; Also several Opera Songs with Instruments-

644
28 March 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: The Monody to the Memory of Mr Garrick; Dryden's Ode for St

Performance Comment: Cecelia's Day. As17810302but The Recitation-Miss Farren.

Music: As17810307

Song: In Oratorio: Verdi Prati-a Young Gentleman (1st appearance in public [unidentified])

645
19 April 1760 @ Covent Garden

Event Comment: Benefit for Saunders and Mrs Lee. Receipts: #34 14s. 6d. in cash. Deficit (Charges #64 5s.) to each beneficiary, #14 15s. 3d., cover'd by income from tickets: Saunders #18 11s. (Boxes 7; Pit 68; Gallery 66); Mrs Lee, #49 19s. (Boxes 97; Pit 124; Gallery 71). Total income, #103 4s. 6d. Paid Kemp #9 12s; Shane (upholsterer) #41 11s. 6d

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Miller of Mansfield

Dance: II: By Particular Desire, Mr Parry will play on the Harp

Entertainment: Several New Equilibres on the Wire-Saunders Particularly he will balance two straws, one across the other with an egg in the center; he will Ring 6 Bells on the Wire, and play on Divers Instruments of Music, particularly, (by Desire) the Guitar, while balancing the Straw

646
03 December 1766 @ Drury Lane Theatre

Event Comment: For the Author of the Cunning Man. House charges #84. [Profit to author #92 2s.] Paid chorus singers 2 nights #5 1s. (Treasprer's Book). Receipts: #176 2s. (Treasurer's Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Cunning Man

Music: II: A Concerto on the Harpsichord-Mr Burney Jr from Worcester

647
01 January 1767 @ Drury Lane Theatre

Event Comment: By Command of their Majesties. Paid Pointer's 2 Bills #16 14s. (Treasurer's Book). [This year were published The Theatrical Campaign (44 pp.), an examen of productions this season; The Stage the High Road to Hell (43 pp.); Theatrical Entertainments Consistent with Society, Morality and Religion: or, A Letter to the Author of the "Stage the High Road to Hell," shewing that writer's arguments to be fallacious, his principals enthusiastic, and his authorities (particularly from the ancients) misconstrued and perverted.] Receipts: #176 4s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Queen Mab

Cast
Role: Clod Actor: Ackman

Music: II: A Concerto on the Harpsichord-Mr Burney Jr

648
30 March 1770 @ Covent Garden

Event Comment: [Usual note about servants and sale of Books of performance.] Paid Bensley's Balance (Account Book). Charges: #35

Performances

Mainpiece Title: The Resurrection

Music: FFirst Violin, Solo-Giardini; Solo on Violincello-Mr Crusdile

649
14 February 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Lucinda Actor: Miss Holliday

Afterpiece Title: Harlequin Restor'd

Music: In II: Violin Solo by Charke

Dance: I: English Maggot by Villeneuve, Mrs Walter, &c. II: The Rover by Essex, Mrs Walter, Miss Mann, &c. III: New Serious Dance by Denoyer, Mlle Anne Roland, &c. IV: Revellers by Essex, Mrs Walter, &c

650
11 October 1798 @ Covent Garden

Event Comment: Mainpiece [1st time; D 5, by Elizabeth Inchbald, adapted from Das Kind der Liebe, by August Friedrich Ferdinand von Kotzebue. Prologue by John Taylor; Epilogue by Thomas Palmer (see text)]. Afterpiece [1st time; MF 2, by Charles Smith]: The Music composed by Attwood. The Overture accompanied on the Harp by Weippert. Morning Herald, 28 Nov. 1798: This Day is published Lovers' Vows [sic] (2s.). Times, 26 Oct. 1798: This Day is published A Day at Rome (1s.). Receipts: #197 15s. 6d. (194.3.6; 3.12.0)

Performances

Mainpiece Title: Lover's Vows

Performance Comment: Principal Characters by Pope, Munden, H. Johnston, Knight, Murray, Powel, Thompson, Rees, Curties, Mrs Johnson, Mrs Davenport, Miss Leserve, Mrs H. Johnston. [Cast from text (G. G. and J. Robinson, 1798): Frederick-Pope; Verdun the Butler-Munden; Anhalt-H. Johnston; Count Cassel-Knight; Baron Wildenhaim-Murray; Cottager-Powel [in text: Davenport (see17981022)]; Landlord-Thompson; Farmer-Rees; Countryman-Curties [in text: Dyke]; Agatha Friburg-Mrs Johnson; Cottager's Wife-Mrs Davenport; Country Girl-Miss Leserve; Amelia Wildenhaim-Mrs H. Johnston; Prologue-Murray; [This was spoken, as here assigned, at the 1st 9 performances only (see17981029).] Epilogue-Munden. [This was spoken, as here assigned, at all subsequent performances, except on 22 Nov. and on 12 June 1799.]This was spoken, as here assigned, at all subsequent performances, except on 22 Nov. and on 12 June 1799.]

Afterpiece Title: A Day at Rome