SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9641 matches on Event Comments, 3145 matches on Performance Comments, 1214 matches on Performance Title, 30 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Old Maid

Afterpiece Title: Every One has His Fault

Performance Comment: As17960420, but Edward (for that night only)-A Young Lady (1st appearance on this stage [Miss Hay]); Lady Eleanor Irwin-Mrs Pope.

Afterpiece Title: Cymon

Dance: Conclude 3rd piece: Dance-

Song: End: Black@Ey'd Susan-Incledon; End 2nd piece: The Group of Lovers-Munden

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Olympus in an Uproar

Event Comment: [In mainpiece the playbill retains Aickin and Miss DeCamp, but "This was a singularly disastrous evening. Mrs Gibbs read Miss DeCamp's character...Aickin was taken suddenly ill after the first act, and the remainder of his part was read by Davenport." In afterpiece "Palmer, having gone through a scene of the Guardian, made an apology to the audience, and read the remainder of Heartly" (Monthly Mirror, Sept. 1797, p. 182). Miss Stuart was from dl.

Performances

Mainpiece Title: The Italian Monk

Afterpiece Title: The Guardian

Performance Comment: Mr Heartly-Palmer; Sir Charles Clackit-Suett; Mr Clackit-R. Palmer; Harriet-Miss Stuart (1st appearance on this stage); Lucy-Mrs Gibbs.

Song: As17970816

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Poor Soldier

Performances

Mainpiece Title: False And True

Afterpiece Title: The Guardian

Afterpiece Title: The Shipwreck

Performances

Mainpiece Title: What A Blunder

Afterpiece Title: The Guardian

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Polite Conversation: Morning, or Tea-chat; Noon, or Table-Talk a-la-mode

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: A Will and No Will

Dance: II: Tambourine-Anne Auretti; III: Comic Dance, as17480314 III: Dutch Dance, as17471128

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Election

Afterpiece Title: The Elopement

Cast
Role: Parts Actor:
Role: Prompter Actor: Ackman

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Harlequin's Jacket; or, The New Year's Gift

Event Comment: Mr Garrick's last time of performing Hamlet . Benefit towards encreasing a Fund, for the relief of those who from their infirmities shall be oblig'd to retire from the stage. Pit and Boxes are laid together, and no admittance into the Pit or Boxes without Tickets. Ladies and Gentlemen urged to come early. Servants must be at the theatre by 5 o'clock to keep places. Doors will be opened at half past Five. Play to begin at half past Six. On Saturday Mr Garrick will perform a principal part in a Comedy. Pit and Boxes put together, most of the tickets were sold for a Guinea a piece, very few under half a Guinea and the whole quantity Sold in about Two hours (Hopkins Diary). [Kemble's note briefer.] Receipts: #85 8s. 6d. Charges: #23 4s. 1d. [See 10 June.] (Treasurer's Book)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Deuce Is in Him

Dance: End: The Grand Garland Dance, as17760410

Event Comment: Epilogue by David Garrick. Second Ballet: with New Scenes [by deLoutherbourg] and Dresses [by Lupini]. Two new Grand Ballets, composed by Gallet, were introduced in this Piece (The Maid of the Oaks) in which Gallet and Mlle Dupre made their first Appearance upon the Eng. Stage--the first Dance, which was to be in the 2nd Act, was obliged to be deferred till the end of the 3rd Act, as Lupini, who made the Dancers Dresses, had not brought them to the House--this put us all into great Confusion, and Dodd made an Apology to the Audience, that an unforseen Accident had prevented the Dance being done in the proper Place. At the beginning of the 3rd Act most of the Dresses were brought, but not all, and some of the Dancers were obliged to put on what Dresses could be got for them--They were all very much confused--the Music also was not perfect. Gallet went on, and spoke in French to the Audience, and told the Band that he wished they had any Heads. In the first Dance Mlle Dupre fell down, and a little after Gallet fell down, but (they) did not hurt themselves, and the Dance went on--and even with all these Disadvantages was much applauded (Hopkins Diary). Receipts: #181 19s. 6d

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: Dupely-Dodd; Oldworth-Aickin; Sir Harry Groveby-Brereton; Druid-Bannister; Hurry-Parsons; Painter-Moody; Architect-Fawcett; Old Groveby-Baddeley; Maria-Miss P. Hopkins; Lady Bab Lardoon-Mrs Abington; The last new Epilogue-Mrs Abington. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Polly Honeycomb

Dance: In II: [but postponed until end of Act III (see following note)]a new grand Ballet, Demie Caractere, composed by Gallet, The Double Festival-Gallet, Mlle Dupre (their 1st appearance upon the English stage), Helme, Slingsby, Sga Vidini, Sga Crespi, Sga Ricci; In V: [a new grand serious Ballet, composed by Gallet, The Triumph of Love-Gallet, Helme, Sga Crespi, Miss Armstrong, Mlle Dupre

Song: In: a Fete Champetre[. The vocal parts-Vernon, Davies, Miss Abrams, Mrs Scott, Mrs Wrighten. [This was included, as here assigned (except on 20 Feb. 1777), in all subsequent performances.

Performance Comment: The vocal parts-Vernon, Davies, Miss Abrams, Mrs Scott, Mrs Wrighten. [This was included, as here assigned (except on 20 Feb. 1777), in all subsequent performances.]This was included, as here assigned (except on 20 Feb. 1777), in all subsequent performances.]

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: As17770611 but Antonio-Hull (of cg; 1st appearance [at this theatre]). 1st appearance [at this theatre]).

Afterpiece Title: Polly Honeycombe

Dance: As17770611

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Polly Honeycombe

Dance: As17780529

Performances

Mainpiece Title: Annette And Lubin

Afterpiece Title: King Richard the Third

Afterpiece Title: Polly Honeycombe

Performances

Mainpiece Title: The Times

Afterpiece Title: o's The Dupe

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Grecian Daughter

Afterpiece Title: Polly Honeycombe

Performances

Mainpiece Title: Love In A Village

Performance Comment: Hawthorn-Vernon; Justice Woodcock-Parsons; Sir William Meadows-Aickin; Eustace-Lamash; Hodge-Moody; Young Meadows-Du-Bellamy (1st appearance upon this stage); Margery-Mrs Wrighten; Deborah Woodcock-Mrs Love; Lucinda-Miss Collett; Rosetta-Mrs Cargill.

Afterpiece Title: Who's the Dupe

Dance: I: Country Dance- incident to the piece; [This was included in all subsequent performances.] End II: The Butterfly, as17800921; End I afterpiece: Minuet de la Cour, as17800919

Event Comment: Places for the Boxes to be taken of Fosbrook at the Stage-door. No Money to be taken at the Stage-door, nor any Money returned after the Curtain is drawn up. The Doors will be opened at 5:30. To begin at 6:30 [see 4 Nov.]. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] Monologue [1st time, probably by Thomas King. MS: Larpent 602; synopsis in London Magazine, Sept. 1782, 437]. Receipts: #200 4s. (170/14/0; 29/7/6; 0/2/6)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Who's the Dupe

Dance: End of Act I of afterpiece The Minuet de la Cour by the Miss Stageldoirs

Monologue: 1782 09 17 End of Act I of mainpiece a Dramatic Oglio by King

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Brett; Hawthorn-Reinhold; Sir William Meadows-Fearon; Eustace-Davies; Hodge-Doyle; Justice Woodcock-Quick; Deborah-Mrs Pitt; Margery-Mrs Wilson; Luanda-Mrs Morton; Rosetta-Mrs Johnstone (from the Theatre Royal, Dublin; 1st appearance on this stage) . 1st appearance on this stage) .

Afterpiece Title: Tristram Shandy

Dance: End of Act II of mainpiece The Belle of the Village by Harris and Miss Matthews

Performances

Mainpiece Title: Edward The Black Prince

Afterpiece Title: Who's the Dupe

Dance: As17831020

Performances

Mainpiece Title: Two To One

Afterpiece Title: Polly Honeycombe

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Guardian

Performance Comment: Mr Heartly-Williamson; Young Clackit-probably Riley; Sir Charles Clackit-Parsons; Lucy-Mrs Lloyd; Harriet-Miss Kemble (1st appearance on this stage) .

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Rosina

Song: End of mainpiece Edwin's favorite song in The Castle of Andalusia, A Master I have, by Master Sestini