SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Abraham Stanyan"/1) | (@(roleclean,performerclean) "Abraham Stanyan")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 55 matches on Author, 24 matches on Event Comments, 17 matches on Performance Comments, 1 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Lover His Own Rival

Related Works
Related Work: The Lover His Own Rival Author(s): Abraham Langford

Dance: LLes Paisans Gallants, as17551203

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Lover His Own Rival

Related Works
Related Work: The Lover His Own Rival Author(s): Abraham Langford

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: The Lover His Own Rival

Related Works
Related Work: The Lover His Own Rival Author(s): Abraham Langford

Dance: As17561217

Performances

Mainpiece Title: The Indiscreet Lover

Related Works
Related Work: The Indiscreet Lover Author(s): Abraham Portal

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Cady of Bagdad

Related Works
Related Work: The Cady of Bagdad Author(s): Abraham Portal

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Cady of Bagdad

Related Works
Related Work: The Cady of Bagdad Author(s): Abraham Portal

Performances

Mainpiece Title: Rebecca

Performance Comment: Abraham's Servant-; Isaac-; Laban-; Bethuel-; Abraham-; Rebecca-; Chorus of Canaanitish Men-; Chorus of Chaldean Women-(Larpent MS 186).
Cast
Role: Abraham's Servant Actor:
Role: Abraham Actor:

Music: As17610206

Performances

Mainpiece Title: First Love

Afterpiece Title: A Much Admired Scene from Harlequin's Invasion

Performance Comment: Abraham-Waldron; Mrs Snip-Mrs Hopkins; Dolly Snip-Miss Pope.
Cast
Role: Abraham Actor: Waldron

Afterpiece Title: The Virgin Unmask'd

Entertainment: Monologue.End: Paraphrase on Shakespeare's Seven Ages, as17960429

Performances

Mainpiece Title: Sighs

Afterpiece Title: Tars at Torbay; or, Sailors on Saturday Night

Afterpiece Title: The Castle of Sorrento

Song: End 1st piece: Crazy Jane (composed by Miss Abrahams [recte Abrams])-Mrs Bland

Event Comment: For an account of the play, see John Wilson's The Cheats, ed. Milton C. Nahm (Oxford, 1935). It was licensed on 6 March (p. 124), acted, then forbade on 22 March in an order: Letter to Mr Tho. Killigrew: Signifying the Ks Pleasure that the New Play called the Cheates be no more represented till it be reuiewed by Sir Jo. Denham & Mr Waller. 22 March. 1662-3 (p. 130). Abraham Hill to John Brooke, 28 March 1663: P.S. The new play, called The Cheats, has been attempted on the Stage; but it is so scandalous, that it is forbidden (Familiar Letters of? Abraham Hill, [London, 1717], p. 103. Downes (Roscius Anglicanus, p. 16) concerning Lacy: @For his just Acting, all gave him due Praise,@His Part in the Cheats, Jony Thump, Teg and Bayes,@In these Four Excelling, The Court gave him the Bays.

Performances

Mainpiece Title: The Cheats

Performances

Mainpiece Title: The Country Innocence; Or, The Chamber-maid Turn'd Quaker

Performance Comment: Edition of 1677: Prologue-Mr Clark; Sir Oliver Bellingham-Lydell; Sir Robert Malory-Coysh; Captain Mullineux-Goodman; Plush-Wiltshire; Rash-Griffin; Gregory Dwindle-Haynes; Mr William-Powell; Old Thrashard-Watson; Abraham-Styles; Lady Lovely-Mrs Marshal; Lady Malory-Mrs Rutter; Margaret-Mrs Baker; Gillian-Sarah Cook; Barbara-Mrs Knep; Old Gentlewoman-Perrin; Epilogue-.
Cast
Role: Abraham Actor: Styles

Performances

Mainpiece Title: The City Ramble; Or, The Humours Of The Comptors

Performance Comment: Edition of 1715 lists: Sir Humphrey Halfwit-Schoolding; Justice Hardhead-Hall; Ezekiel Prim-Griffin; Abraham-Pack; Mordecai-Knap; Rachel-Mrs Hunt; 1st Whore-Leigh; 2d Whore-Churchman; 3d Whore-Walker; 4th Whore-Mrs Stockdale; Twang-Bullock; Prologue, Epilogue-Bullock.
Cast
Role: Abraham Actor: Pack

Afterpiece Title: The Country House

Afterpiece Title: Hob

Dance: As17150512

Performances

Mainpiece Title: Abra Mule; Or, Love And Empire

Afterpiece Title: A City Ramble; or, The Humours of the Compter

Performance Comment: In which will be introduced the Song ofJoan and her Maid to the Compter were sent. Hardhead-Hippisley; Sir Humphrey-Mullart; Ezekiel Prim-Bridgwater; Abraham-Paget; Gentlemen-Ridout, A. Ryan; Constables-M. Stoppelaer, Boaman; Mordecai-James; Watchmen-Houghton, Littleton; Rachel-Mrs Mullart; Women-Bencraft, Smith, Mrs Browne; Newswoman-W. Hallam; Toby Twang-Chapman; Strip-Clarke; Skin'em-Todd; Bounce-Jones .
Cast
Role: Abraham Actor: Paget

Music: Handel's Water Musick

Dance: Clown by Nivelon. French Peasants by Lalauze and Mlle D'Hervigni. Sailors (from Orestes), as17360302

Song: A Mock Italian Song by E. Roberts

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Barry; Escalus-Winstone; Capulet-Berry; Paris-Lee; Benvolio-Usher; Tybalt-Blakes; Friar Lawrence-Havard; Old Capulet-Wright; Friar John-Champness; Gregory-Taswell; Sampson-James; Balthasar-Bransby; Abraham-Marr; Mercutio-Woodward; Apothecary-Simpson; Peter-Vaughan; Page-Mas Cross; Guards-Raftor, Gray, Ray; Lady Capulet-Mrs Bennet; Nurse-Mrs James; Juliet-Mrs Cibber; with a new dance proper to the play-Cooke, Miss Janneton Auretti.
Cast
Role: Abraham Actor: Marr

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17481202, but Old Capulet-_; Montague-_; Gregory-_; Sampson-_; Balthasar-_; Abraham-_.
Cast
Role: Abraham Actor: Marr

Afterpiece Title: The Triumph of Peace

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17541026, but Nurse-Mrs Macklin; [Old Capulet-Johnston; Friar John-Jefferson; Balthazar-Ackman; Gregory-W. Vaughan; Sampson-Clough; Abraham-Marr (Hogan from 1763 acting edition).]
Cast
Role: Abraham Actor: Marr

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Barry; Capulet-Aickin; Montague-Murden; Benvolio-Davis; Tibalt-M'George; Mercutio-Shuter; Escalus-Palmer; Paris-Keen; Balthazar-Lewis; Fryar Lawrence-Hurst; Peter-Weston; Fryar John-Nelson; Old Capulet-Pierce; Apothecary-Castle; Gregory-Hamilton; Abraham-Quick; Lady Capulet-Mrs Burden; Nurse-Mrs Worley; Juliet-Mrs Dancer.
Cast
Role: Abraham Actor: Quick

Performances

Mainpiece Title: Abimelech

Performance Comment: Parts were: Abraham-; King Abimelech-; Phocal-; Sarah-; Hagar-; Queen of Gerar-; Officers-; Soldiers-; attendants-.
Cast
Role: Abraham Actor:

Music: End Part I: Solo on Violincello, as17720311 End II: New Concerto on Violin by Cirri, as17720320(Theatrical Review, p. 219)

Performances

Mainpiece Title: Redemption: A Sacred Oratorio Selected From The Great And Favourite Works Of Handel

Performance Comment: Principal Vocal Performers as17940319but added: Fisher. Leader as17940312ART I. Overture (OCCASIONAL ORATORIO). When the Earth by Dignum. O! First created beam by Chorus. He measur'd the waters and He layeth the beams by Meredith. When his loud voice by Chorus. Now heaven in all and Lord what is Man! by Mrs Crouch. How excellent thy name by Chorus. These are thy glorious works and Speak ye who best can tel1 by Kelly. Abraham believed in God and Abraham, enough by Mrs Bland. Now when Joseph was sold and Jehovah is my shield and glory by Miss Leak. When Joseph by Dignum. Blest be the man by Chorus. When Joseph was dead and Pious orgies by Sga Storace. Then sent he Moses by Dignum. He gave them hailstones by Double Chorus. The Lord is a man of war by Fisher and Meredith. Moses and the children of Israel by Sga Storace and Double Chorus. PART II. Now after the death by Dignum. Ye sons of Israel by Chorus. Oh Joshua! and Oh had I Jubal's lyre! by Mrs Bland. When Joshua by Dignum. Now Deborah and Angels ever bright and fair by Master Welsh. Jehovah crown'd by Meredith and Chorus. Now the elders by Dignum. Welcome, welcome mighty King by Chorus. Again the Philistines and In Sweetest harmony by Sga Storace and Chorus. Their bodies are buried in peace by Chorus. Dead March (SAUL). And the men of Judah and Lord remember David by Kelly. Gird on thy Sword by Chorus. Blest be the Lord and The Sword that's drawn by Meredith. When King David by Dignum. Coronation Anthem by Chorus: God save the King. PART III. Now when the fullness of time and Where is this stupendous stranger by Mrs Crouch. In the days of Herod and There beneath a lovely shade by Dignum. And Jesus went about and He was eyes unto the blind by Kelly. When the time drew near by Mrs Bland. Hosannah to the son of David by Chorus. The people of Jerusalem and He was brought as a lamb by Meredith. Behold it is Christ by Dignum. He sitteth at the right hand by Chorus. Holy, holy by Sga Storace. For as much as Christ by Meredith. Glory be to the Father by Chorus .

Music: As17940409

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Edition of 1672: Prologue-; Epilogue-. In spite of the fame of this work, the actors (with a few exceptions) associated with the principal roles are not known. Buckingham, however, taught John Lacy how to act Bayes in ridicule of John Dryden. According to A Key to the Rehearsal (1704), Anna Reeves acted Amaryllis. Several actors are named in the text: Abraham Ivory (an old actor who possibly did not play in the work); William Wintershall; Joseph Haines, William Cartwright, and George? Shirley. John Littlewood (along with Joseph Haines) is referred to in a poem on the play--see16711214--as though he performed in it. William Wintershall; Joseph Haines, William Cartwright, and George? Shirley. John Littlewood (along with Joseph Haines) is referred to in a poem on the play--see16711214--as though he performed in it.
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81: At the Virtuoso. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 407. The Diary of Robert Hooke, 25 May 1676: Mr Abraham Hill gave J. Hoskins, Aubery and I an account of Vertuoso play. A song, How retched is the slave to love, the music by Francis Forcer, is in Choice Ayres and Songs, The Second Book, 1679. Downes (Roscius Anglicanus, p. 37): The Libertine and Virtuoso: Both Wrote by Mr Shadwell; they were both very well Acted, and got the company great Reputation

Performances

Mainpiece Title: The Virtuoso

Event Comment: Evelyn, Diary: Came to my house some German strangers, & Signor Pietro Reggio a famous Musitian, who had ben long in Sweden in Queene Christina s Court: he sung admirably to a Guittar & has a perfect good tenor & base: & had set to Italian composure, many of Abraham Cowleys Pieces which shew'd extremely well

Performances

Mainpiece Title: Concert

Event Comment: Not Acted these Thirty Years [but see 5 Oct. 1702]. Written by Abraham Cowley. Receipts: #35 16s

Performances

Mainpiece Title: Cutter Of Coleman Street

Related Works
Related Work: The Cutter of Coleman Street Author(s): Abraham Cowley
Related Work: The Guardian Author(s): Abraham Cowley

Dance:

Event Comment: Written by Abraham Cowley. Receipts: #21 19s

Performances

Mainpiece Title: Cutter Of Coleman Street

Related Works
Related Work: The Cutter of Coleman Street Author(s): Abraham Cowley
Related Work: The Guardian Author(s): Abraham Cowley
Event Comment: Mainpiece: Written by Abraham Cowley. Receipts: #28

Performances

Mainpiece Title: Cutter Of Coleman Street

Related Works
Related Work: The Cutter of Coleman Street Author(s): Abraham Cowley
Related Work: The Guardian Author(s): Abraham Cowley

Afterpiece Title: The Magician