SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Aaron Hill"/1) | (@(roleclean,performerclean) "Aaron Hill")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 247 matches on Author, 187 matches on Performance Comments, 123 matches on Event Comments, 42 matches on Performance Title, and 16 matches on Roles/Actors.
Event Comment: Next week will be publish'd the Hilliad, Book the First, written by Mr Smart. [Another document in the Woodward-Hill feud.] Receipts: #170 (Cross)

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Genii

Event Comment: The Dr New Dress'd & in a New Manner with a Prologue by ye old Dr to introduce the New by the Author of the Hilliad. The Prologue was forbid by the Licencer, & struck out of the bills, but by Mistake was left in ye News; a great noise for it, Woodward said; as he had face to study, he had not time to do it--more Noise--I went on--& told 'em the Prologue was forbid--Noise still--Woodward went on & said it was forbid by L@or@d Chamberlain--it cool'd a little but when he came on dress'd like Dr Hill, it began again, & so ye farce ended (Cross). Benefit for Mr Woodward. Part of Pit laid into Boxes, and Stage commodiously built in form of an Amphitheatre. Boxes and Stage 5s. Ladies send servants by 3. Tickets to be had of Woodward in Great Piazza, Covent Garden; and at Stage Door. This day publish'd The Chaplet at 6d. a Musical entertainment as performed at Drury Lane. Receipts: #330 (Cross)

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: The Mock Doctor

Dance: Devisse, Ferrere, Mlle Auretti

Event Comment: Benefit for a Gentlewoman, who hath a large Family in great Distress, being kept out of a good Fortune (Cross). Tickets to be had at Mrs Brown's, Milliner, in Martin's-Church-Yard; Mr Leeson, Haberdasher, near the New Church in the Strand; Mrs Kelly's, the Rainbow Coffee House, Ludgate Hill; Mr Walker's, an Oilman in Catherine St., and of Varney at the Stage Door (playbill). Receipts: #30 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Devil to Pay

Dance: II: L'Entree de Flore- see17531123; IV: Hornpipe-the Little Swiss; V: New Dutch Dance, as17531117

Song: III: Beard

Event Comment: Mainpiece: By Beaumont and Fletcher, acted but once these 15 years. Afterpiece: At the particular Desire of several persons of Quality. Benefit for my Self & Wife (Cross). [See The Spouter; or, The Triple Revenge, farce in two acts attributed to Mr Murphy, satirizing John Hill, Theophilus Cibber, Samuel Foote. Discussed by Genest, IV, 459-61.] Receipts: #214 (Cross)

Performances

Mainpiece Title: Rule A Wife

Afterpiece Title: The Apprentice

Dance: NNew Sailor's Dance, as17560217

Event Comment: [This month published Observations on the Use of Theatres, their present regulations and possible improvements. Price 1s. Printed for Cooper. See review in Gentleman's Magazine (p. 232). Proposal is that the "conduct of theatrical entertainments be for the future taken under the care of the goverment, and a person of judgment and integrity appointed by the name of comptroller, or conductor of the stage, who alone shall determine what old plays shall be acted, and what new ones received; and who shall take charge of the money received, and defray the necessary expenses, accounting for the remainder to the public. The author seemingly Dr John Hill, lately (see 21 Dec. 1758) upset by the failure of his farce, The Rout. (Winston MS 8). Receipts: #108 (Cross); #122 6d. (Winston MS 8)

Performances

Mainpiece Title: The Orphan Of China

Event Comment: Great Applause to the Farce (Hopkins Diary).Benefit for Mrs Abington. Mainpiece: By Particular Desire. Tickets delivered for The Tender Husband will be taken. Send Servants by Four to prevent Confusion. [Sir Joshua Reynolds had procured forty places in the front boxes this night. Boswell and Dr Johnson were among his guests. Johnson could see and hear little, but sat out the performance, commenting on Garrick's excellence as a writer of Prologues. See Boswell's Life of Johnson, ed. G. B. Hill, II, 324ff.] Receipts: #287 9s. 6d. Charges: #64 4s. Profits to Mrs Abington: #223, 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: Bon Ton

Event Comment: [The play was not allowed to conclude, nor was the afterpiece, All the World's a Stage, performed. "Yesterday evening, during the representation of...A Bold Stroke for a Wife, at China Hall, Rotherhithe, a party of the inhabitants, who had laid an information against the performers, rushed into the theatre, behind the scenes, and seized Mr Russell (who played the character of Colonel Feignwell), and carried him, in his stage dress, before Justice Smith, at the Rotation-Office, St Bennet's-hill, who committed him to the House of Correction, for further examination this morning" (Morning Chronicle, 24 July). What happened to Russell is not known, but because of this occurrence the theatre did not re-open until the following season, on 25 May 1778. See my article on the history of this unlucky playhouse, Theatre Notebook, VIII, 76-80.

Performances

Mainpiece Title: A Bold Stroke For A Wife

Event Comment: Benefit for Dumay, Holloway & Harris. Tickets delivered for Know Your Own Mind will be taken. Public Advertiser, 9 May: Tickets to be had of Dumay, Sand-hill, Lamb's Conduit Fields, behind the Foundling Hospital; of Holloway, Great Maddox-street, Hanover-square; of Harris, No. 12, Duke's-court, Bow-street, Covent Garden. Receipts: #251 15s. (56.11; tickets: 195.4) (charge: #105)

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: Poor Vulcan

Cast
Role: Guage Actor: Battishill

Dance: End II: New Dance-; in which the Minuet de la Cour, Gavot-Harris, Miss Valois; End IV: Le Minuet a Quatre-Dumay, Holloway, Miss Matthews, Miss Ross; with a variety of new Quadrilles-

Ballet: End: The Sailors' Revels at Portsmouth. As17780502

Event Comment: Benefit for Dumay, Harris & Holloway. [For Wright see 13 May. Mrs Sutton was from dl.] Public Advertiser, 7 May: Tickets to be had of Dumay, Sand-hill, behind the Foundling Hospital; of Harris, No. 42, Wells-street, Cavendish-square; of Holloway, Newington Butts

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Liverpool Prize

Dance: End II: Minuet-Dumay, Miss Dagueville; and the Minuet de la Cour-Holloway, Miss Besford; End I afterpiece: New Dance-Harris, Mrs Sutton (1st appearance on that stage); with a New Allemande-

Ballet: End: The Humours of Newmarket. As17790503, but Jockeys-Holloway; Ladies-Miss +Besford

Event Comment: Mainpiece [1st time; T 5, by Robert Jephson. Prologue by the author (Gentleman's Magazine, Jan, 1782, p. 36). Another Prologue, by the Right Hon. Luke Gardiner, "not arriving in London time enough for the first exhibition of the Count of Narbonne, was not spoken" (ibid.). Epilogue by Richard Josceline Goodenough, but beginning with 20 Nov. it was superseded by a new Epilogue written by Edmond Malone (see text)]: With new Scenery and Dresses. Public Advertiser, 1 Nov.: The Management of The Count of Narbonne is . . . under very good Care: Mr Horace Walpole, with a Fondness nothing less than fatherly, directs that part of the Affair which respects the Scenes and Dresses, while Henderson takes Charge of the Rehearsals and the casting of inferior Parts... [Henderson] is to wear a Dress which is lent him from among the Antiquities at Strawberry Hill. "I have been at the theatre, and compromised the affair of the epilogues: one is to be spoken to-morrow, the friend's on the author's night. I have been tumbling into trap-doors, seeing dresses tried on in the green-room, and directing armour in the painting-room" (Walpole [16 Nov. 1781], XII, 95). "I never saw a more unprejudiced audience, nor more attention. There was not the slightest symptom of disapprobation to any part ... It is impossible to say how much justice Miss Younge did to your writing. She has shown herself a great mistress of her profession, mistress of dignity, passion, and of all the sentiments you have put into her hands. The applause given to her description of Raymond's death lasted some minutes, and recommenced; and her scene in the fourth act, after the Count's ill-usage, was played in the highest perfection. Mr Henderson was far better than I excepted from his weakness, and from his rehearsal yesterday, with which he was much discontented himself. Mr Wroughton was very animated, and played the part of the Count much better than any man now on the stage would have done. I wish I could say Mr Lewis satisfied me; and that poor child Miss Satchell was very inferior to what she appeared at the rehearsals, where the total silence and our nearness deceived us. Her voice has no strength, nor is she yet at all mistress of the stage. I have begged Miss Younge to try what she can do with her by Monday. However, there is no danger to your play: it is fully established" (Walpole [to the author, 18 Nov. 1781], XII, 95-96). Public Advertiser, 28 Nov. 1781: This Day is published The Count of Narbonne (price not listed). Receipts: #164 10s. 6d. (163/0/6; 1/10/0)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Deaf Lover

Event Comment: Tickets delivered by Green, Jackson, Varley, Hill, Doyle, R. Ledger, Bott, Akery, W. Ansell will be admitted (Account-Book). Receipts: #278 1s. 6d. (21/1/6; 6/12/0; tickets: 250/8/0)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Poor Vulcan

Dance: End of mainpiece Rural Merriment by Jackson and Mrs Ratchford

Event Comment: Tickets delivered for The Merry Wives of Windsor will be admitted. Account-Book: Tickets delivered by Bourrelier, Shuter, Simmons, Strahan, Luxmore, Walker, Saby, Atkins, Young, Curteen, Hall [box-keeper], Hill, Combes, Heathcot, W. Ansell will be admitted. Receipts: #349 15s. (57.6; 5.16; tickets: 286.13)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Highland Reel

Event Comment: Account-Book: Tickets delivered by Shuter, Simmons, Strahan, Luxmore, Walker, Saby, Atkins, Young, Curteen, Hall [box-keeper], Hill, Combs, Heathcot, Widow Ansell, Keys, Berecloth, Egan will be admitted. Receipts: #376 12s. 6d. (29.17.6; 2.12.0; tickets: 344.3.0)

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: Robin Hood

Event Comment: The Last Night of the Company's Performing. Account-Book: Tickets delivered by Green, Harris, Doe, Iredale, Savery, Wilkins, Wyat, Hall [carpenter], Robson [music porter], Mott, Rolls, Mrs Rock, Finley, Dosel, Sturgeon will be admitted. Account-Book, 18 June: Paid Hill, Waxchandler, in full, #143 2s. Receipts: #405 4s. 6d. (39.14.6; after-money: none listed; tickets: 365.10.0)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Farmer

Dance: As17901204

Event Comment: Mainpiece: Not acted these 5 years [acted 16 Jan. 1789]. Afterpiece [1st time at a public theatre (1st acted at Lord Barrymore's private theatre at Wargrave, 13 Apr. 1791); P 2, by Carlo Antonio Delpini. Not published]: With entire new Music, Scenery, Machinery, Dresses, and Decorations. The Music composed by Baumgarten. The Scenes painted by Richards, Hodgins, Pugh, Walmsley, and other assistants. Books of the Songs [W. Woodfall, 1791] to be had at the Theatre. Nothing under Full Price will be taken. "The Piece was last night very incorrectly exhibited...The scenes of the destruction of the cottage by fire, the view of Strawberry-hill, and Blue Beard's infernal palace...are worthy of commendation. The last scene was not grand enough: the wings were by no means in unison" (Public Advertiser, 22 Dec.). Receipts: #279 13s. (249.19; 29.14)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Blue Beard; or, The Flight of Harlequin

Dance: see17920111

Event Comment: Account-Book: Tickets delivered by Shuter, Simmons, Strahan, Walker, Saby, Green, Young, Hall, Coombes, Keys, Heathcot, Hill, Wyatt, Street, Hall will be admitted. Receipts: #448 1s. (48.19.6; 3.10.6; tickets: 395.11.0)

Performances

Mainpiece Title: A Day In Turkey

Afterpiece Title: Rosina

Event Comment: By Permission of the Lord Chamberlain. Benefit for Silvester. Mainpiece: Written by Congreve. The Doors to be opened at 5:00. To begin at 6:00. Tickets to be had of Silvester, No. 50, Brewer-street, Golden-square, and at No. 25, North Audley-street, Grosvenor-square; of Massey, No. 18, Snow-hill; of Frith, No. 39, King-street, West Smithfield; and of Blandford, Pea-Hen, Bishopsgate-street

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Apprentice

Dance: After 2nd song: A Pas Seul-Mons Symone

Song: End IV: Tippy Bob-C. Stanley; End: Poor Jack in character-Mrs Kennedy

Entertainment: Monologue After Dancing: The Monody on the Death of the late D. Garrick Esq. (Written by R. B. Sheridan, Esq.)-the Lady who performs Zara

Performances

Mainpiece Title: Don Sebastian

Afterpiece Title: THE NEW DIVERTISEMENT

Performance Comment: Cast not listed. [Larpent MS lists the parts: Palate, Fieldtree, Ensign Hardy//Patty, Jenny.] Written to introduce the following favorite Songs: Mary's Dream, The moon had climbed the highest hill (composed by Ralph [recte Relfe]), by Miss Poole; The Vestry Dinner, Churchwarden I have been (written by Cross, composed by Reeve), by Rees; The High Mettled Racer, See the course throng'd with gazers (composed by Dibdin), by Incledon (1st time); The Gipsey Ballad, A wand'ring Gipsey, Sir, am I (words and melody by Peter Pindar, Esq. [pseud. for John Wolcot], accompaniments by Shield), by Mrs Clendining; Kitty Grogan, Tho' I'm no Dancing Master (written by Collins, composed by Reeve), by Johnstone; The Storm, Cease, rude Boreas (written by George Alexander Stevens), by Incledon; [Auld] Robin Gray, Young Jamie lov'd me well, by Mrs Clendining; From morn till night I take my glass, by Incledon and Johnstone; Vo sol cando (composed by Vinci), by Miss Poole; The Triumph of Wine, What tho' from Venus Cupid sprung (composed by Dibdin), by Johnstone; Father, Mother and Suke (composed by Dibdin), by Fawcett. To conclude with the following Selection of Catches and Glees from Harrison and Knyvett's Vocal Concert: as17940523, but God preserve his Majesty in place of Water parted from the sea .

Afterpiece Title: THE SHIPWRECK; or, French Ingratitude

Music: End of Act II of 1st piece a Solo on the Union Pipes by Courtney; In the course of the Evening a Duetto on the Union Pipes and Harp by Courtney and Weippert

Event Comment: Account-Book: Tickets delivered by Brandon, Hill, Ratchford, Abbot, Simmons, Barnes, Coates, Standen, Bent will be admitted. Receipts: #404 12s. 6d. (64/1/0; 2/18/0; tickets: 337/13/6)

Performances

Mainpiece Title: The Siege Of Meaux

Afterpiece Title: NETLEY ABBEY

Afterpiece Title: THE SICILIAN ROMANCE

Dance: End of 1st piece The Wapping Landlady by Blurton, Mrs Ratchford, &c

Event Comment: Account-Book: Tickets delivered by W. Wilde, Curteen, Jackson, Gillet, Goostree, Mrs Masters, Miss Hill, Mrs Norton, Finley, Ashwin, Standen, Burton, Goodwin, Coates will be admitted. Receipts: #394 19s. (43.11.6; 4.12.6; tickets: 346.15.0)

Performances

Mainpiece Title: The World In A Village

Afterpiece Title: The Farmer

Dance: End: The Irish Lilt-

Event Comment: Paid Messrs Hill, wax-chandlers, #191 2s. Receipts: #271 17s. 6d. (270.0.6; 1.17.0)

Performances

Mainpiece Title: King Lear

Afterpiece Title: Rosina

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: A Melocosmiotes

Performance Comment: Scene I. A Valley. The Primrose Girl (near bowery Richmond's) by Spofforth-Mrs Clendining; Scene II. A Kitchen. Fat Dolly the Cook-Munden; Scene III. A Landscape and Cottage. The Sportsman's snug little Cot (At the dawn of Aurora) by Shield-Incledon; Scene IV. A View in Ireland. The Heart of Steel (from The Lad of the Hills) by Shield-Bowden; Scene V. A Cathedral, with the Statue of Shakespeare. An Ode selected from Ben Jonson, in honor of Shakespeare, composed for Two Choirs by Shield expressly for the Evening's Performance,-Incledon, Bowden, Townsend, Richardson, Linton, Spofforth, Mrs Martyr, Mrs Mountain, Mrs Clendining, Mrs Serres, Chorus; To conclude with The Barber's Petition-Fawcett; Wigs-Fawcett, as17960506.

Afterpiece Title: Oscar and Malvina

Song: End II of 1st piece: The Sea Storm-Incledon; In 3rd piece: I am a jolly gay Pedlar-Townsend; Come every jovial Fellow-Rees, Mrs Martyr, Mrs Mountain; O ever in my bosom live-Mrs Martyr, Mrs Mountain

Event Comment: [Account-Book: Tickets delivered by Brandon, Hill, Mrs Masters, Gillet, Mrs Norton, Finley, Ashwin, Simmons will be admitted.] Receipts: #447 4s. (55.7.6; 6.16.0; tickets: 385.0.6)

Performances

Mainpiece Title: The Mysteries Of The Castle

Afterpiece Title: The Farmer

Event Comment: Account-Book: Tickets delivered by Mrs Hall (b[ox-keeper]), Warwhick, Robson (p[it door-keeper]), W. Ansell, W. Linton, West, Purkins, Standen, Ashwin, Hill, Morris will be admitted. Receipts: #334 0s. 6d. (35.18.0; 3.13.0; tickets: 294.9.6)

Performances

Mainpiece Title: The Travellers In Switzerland

Afterpiece Title: Two Strings to Your Bow

Song: End: The Little Farthing Rushlight-Young Standen

Event Comment: Account-Book: Tickets delivered by Paskin, Hall (carpenter), Furkins (ditto), Robson (music porter), Strahan, Haseler, Goodwin, Hill, Ledger, Hall (box-keeper) will be admitted. Receipts: #434 15s. 6d. (24.4.0; 2.18.0; tickets: 407.13.6)

Performances

Mainpiece Title: The Rivals

Related Works
Related Work: The Rival Captains; or, The Impostor Unmask'd Author(s): Thomas Phillips

Afterpiece Title: The Raft

Cast
Role: Scaramouchillo Actor: Follett
Role: Maritornes Actor: Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: where an injured Inca and his Son had taken refuge Actor: the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: to attempt the re Actor: obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and has betrothed her to the Knight Errant of La M Actor: to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: the Magic Arm appearing to guard him in the Actor: they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and re Actor: appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England

Afterpiece Title: Reformed in Time