SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "A Murphy Esq"/1) | (@(roleclean,performerclean) "A Murphy Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1322 matches on Author, 348 matches on Event Comments, 52 matches on Performance Comments, 9 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: JJohn Rich Esq</a>, Master and Patentee of the TRCG, died Thursday 26 Nov. 1761, about six o'clock in the evening, at his house adjoining to the Theatre Royal in Covent Garden, in the seventieth year of his age. Mrs Priscilla Rich sole executrix of the Will of John Rich Esq, deceas'd. Mr John Rich was buried in Hillingdon Churchyard. (See his Epitaph, Lysons's Middlesex Parishes, p. 162) Dec. 4, 1761. ibid p. 173 (Hopkins MS Notes). Income from Boxes #85 5s. Rec'd of John Condill on acct of Fruit #20. Expenses #46 3s. 8d. [The balance brought forward to this date for this season was #2007 9s. 1d. From this was subtracted the #1291 19s. 4d. necessary for starting the season (see 9 Sept.), which left Beard a favorable balance of #715 9s. 9d. with which to carry on. The Winston Theatrical Record ceases on this date.

Performances

Mainpiece Title: King Henry V

Afterpiece Title: The Coronation

Event Comment: Mainpiece: By Particular Desire. Paid Mr Vincent for 3 sets of Abels Symphonies #2 5s. (Account Book). Receipts: #116 11s. (Account Book). This was the last time Mr Beard appeared on the stage. John Beard Esq</a> Buried in the vault (at Hampton) 12 Feb. 1791. This celebrated actor was bred up at the King's Chapel, and was afterwards one of the singers at the Duke of Chandos's Chapel at Canons, where he took a part in Handel's Oratorio of Hester. His first appearance on the stage was 30 August 1737, in the character of Sir John Loverule [Devil to Pay], at Drury Lane. In 1739 he married Lady Henrietta Herbert, daughter of James, Earl of Waldegrave, and Widow of Lord Edward Herbert. Upon this event he quitted the Stage. After a few years he returned to it again, and continued to be a great favourite with the public both as an actor and a vocal performer till 1767, when he finally retired from the theatre. Lady Henrietta Beard died in 1753; and in 1759 Mr Beard married a Daughter of John Rich Esq</a> Patentee of Covent Garden Theatre. On this occasion he removed a second time to that theatre, where he had acted from 1744 to 1748; and on the death of his father-in-law in 1761, was appointed Manager. Mr Beard, who was as much esteem'd in private life as he was admired on the stage, was for many years an Inhabitant of Hampton. See Lysons's Middlesex Parishes, p. 89 and 80. Mr Beard died 4 Feb. 1791, aged 74 years. See his Epitaph, ibidem. See Lady Beard's Epitaph in St Pancreas Churchyard (Hopkins MS Notes)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Perseus and Andromeda

Performances

Mainpiece Title: The West Indian

Performance Comment: Parts-King, Aickin, Packer, Parsons, J. Aickin, Wheeler, Moody, Cautherly, Baddeley, Wright, Watkins, Mrs Baddeley, Mrs Hopkins, Mrs Egerton, Mrs Love, Mrs Bradshaw, Mrs Abington. Prologue-Reddish; Epilogue-Mrs Abington; Stockwell-Aickin; Belcour-King; Capt. Dudley-Packer; Charles Dudley-Cautherly; Major O'Flaherty-Moody; Stukeley-J. Aickin; Palmer-Baddeley; Varland-Parsons; Servant-Wheeler; Lady Rusport-Mrs Hopkins; Charlotte-Mrs Abington; Louisa-Mrs Baddeley; Mrs Fulmer-Mrs Egerton; Lucy-Mrs Love; Housekeeper-Mrs Bradshaw. Epilogue written by David Garrick Esq</a> (Edition of 1771).
Event Comment: Benefit for Dodd. Afterpiece: Not acted these 9 years. [See 26 March 1763.] Married at Marylebone Church-W. Lacy, Esq one of managers of Drury Lane to Miss Orpen, daughter of an eminent hatter (Winston MS 10). Married: Willoughby Lacy, Esq</a> to Miss Orpen of St Mary-le-bon (Gentleman's Magazine, 1744, p. 141). Receipts: #166 16s. Charges: #64 12s. Profits to Dodd: #102 4s. (Treasurer's Book)

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The School Boy

Entertainment: Bucks Have at ye All-Dodd

Performances

Mainpiece Title: Lord Russel

Performance Comment: Characters are as follows: King Charles II, James Duke of York, Earl of Bedford, Lord Russel, Algernon Sidney, Lord Howard, Sir George Jefferies, Father Peters, Hubert, Lieutenant of the Tower; Lady Russel. Which are kindly undertaken to be represented by Ladies and Gentlemen, who never performed on any Stage. [Cast from text (no pub. [c. 1794]): King Charles II-Capt. Harriett (of the Navy); James Duke of York-Hyanson (a Yorkshire Attorney, Brother to Mrs McNally); Earl of Bedford-Laurence [sic] (Father to the celebrated Painter); Lord Russel-Horne (of the Temple); Algernon Sidney-another Laurence (not the Painter); Lord Howard of Eserick-Supple; Sir George Jefferies-A Young Lawyer of the Temple; Father Peters-Major Sykes; Hubert, Preceptor to Lord Russel-Henry Lucas, Esq. (Son of the late celebrated Dr Lucas) (who also wrote and spoke the Prologue); Kirk, Lieutenant of the Tower-Elliot; Lady Russel-Mrs Batiere (who also wrote and spoke the Epilogue).] Before the Play an occasional Address, written and to be spoken in Character, by a Gentleman who performs a principal Part [Lucas]. A Prologue, written by the Author [speaker unknown]. An Epilogue, written and to be spoken by the Lady who performs the Character of Lady Russel [Mrs Batiere]. No afterpiece performed on this night, or on 25, 27, 28 Aug . Before the Play an occasional Address, written and to be spoken in Character, by a Gentleman who performs a principal Part [Lucas]. A Prologue, written by the Author [speaker unknown]. An Epilogue, written and to be spoken by the Lady who performs the Character of Lady Russel [Mrs Batiere]. No afterpiece performed on this night, or on 25, 27, 28 Aug .
Event Comment: Benefit for Wild. 1st Piece: 1st Time at this Theatre, and with Permission of G. Colman, Esq. [owner of the copyright]; written by Joseph Atkinson, Esq. [i.e. altered from his The Mutual Deception (see hay, 29 Aug. 1786)]. 2nd piece: Not acted these 2 years. 3rd piece: Not acted these 7 years [acted 23 May 1783]. Receipts: #225 0s. 6d. (113.0.6; 5.5.0; tickets: 106.15.0)

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: The Nunnery

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Song: End I 1st piece: Oh say Bonny Lass will you carry a Wallet?-Mrs Kennedy, Mrs Martyr

Entertainment: Monologue. End II 1st piece: A Description of the Curiosities in the Tower-Edwin

Event Comment: Benefit for Johnstone. 1st piece [1st time; M. INT 1, by John Cartwright Cross. Text Q. Roach, 1794). For music see 1 May]. 2nd piece: For that night only, by Permission of George Colman, Esq. Jun.; Never (previously] performed here. 3rd piece: For this night only, by Permission of George Colman, Esq. Jun. [holder of copyright of both pieces]. Morning Chronicle, 7 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent Garden. Receipts: #333 8s. 6d. (146/2/0; 5/17/6; tickets: 181/9/0)

Performances

Mainpiece Title: British Fortitude And Hibernian Friendship; Or, An Escape From France

Afterpiece Title: THE LONDON HERMIT; or, Rambles in Dorsetshire

Afterpiece Title: THE SON-IN-LAW

Performances

Mainpiece Title: Hartford Bridge

Afterpiece Title: THE FOLLIES OF A DAY

Afterpiece Title: LOVE AND HONOR; or, Britannia in Full Glory at Spithead

Performance Comment: William-Incledon; Dick-Blanchard; Grapple-Townsend; Lieutenant Capstem-Johnstone//Mary-Mrs Martyr. [European Magazine, May 1794, p. 388, adds: Farmer Ploughfield-Thompson; Clodpole-Rees; Hobnail-Abbot.] In which: The Wand'ring Tar, the Words taken from the Epilogue to THE RIVALS, by R. B. Sheridan, Esq., new composed by Shield, sung by Incledon. A Sea Storm by Incledon, for the 1st Time in Public. The British Salute, new composed by Reeve, by Johnstone. The Sailor's Lullaby, the Words new, adapted to the original Lullaby composed by Storace. A Doun at the Gangway, new composed by W. Parke, by Blanchard. The Pride of the Sea, new composed by W. Parke, by Townsend. I'll bless my King and cheerly sing, new composed by Shield, by Mrs Martyr in the character of a Sailor Boy. Maidens listen, new composed by W. Parke, by Mrs Martyr. Rule Britannia by Incledon, Johnstone, Mrs Martyr. To conclude with a beautiful representation of a Grand Naval Review, with a display of the Firing and Manoeuvring of the Spanish and English Fleets at Spithead . In which: The Wand'ring Tar, the Words taken from the Epilogue to THE RIVALS, by R. B. Sheridan, Esq., new composed by Shield, sung by Incledon. A Sea Storm by Incledon, for the 1st Time in Public. The British Salute, new composed by Reeve, by Johnstone. The Sailor's Lullaby, the Words new, adapted to the original Lullaby composed by Storace. A Doun at the Gangway, new composed by W. Parke, by Blanchard. The Pride of the Sea, new composed by W. Parke, by Townsend. I'll bless my King and cheerly sing, new composed by Shield, by Mrs Martyr in the character of a Sailor Boy. Maidens listen, new composed by W. Parke, by Mrs Martyr. Rule Britannia by Incledon, Johnstone, Mrs Martyr. To conclude with a beautiful representation of a Grand Naval Review, with a display of the Firing and Manoeuvring of the Spanish and English Fleets at Spithead .

Afterpiece Title: THE PRISONER AT LARGE

Dance: In 1st piece The Lucky Escape, as17930916, but omitted: Mrs Watts; In 3rd piece, by Byrn, Holland, Mme Rossi, &c

Song: In the course of the Evening Water parted from the Sea by Incledon, after the manner of a celebrated Italian Opera Singer; End of Act I of 4th piece Sally in our Alley by Incledon

Event Comment: Two days ago a Letter [price 1s.] came out to Miss Nossiter in which Mrs Cibber is abu'd & tother greatly extoll'd. The Author has also fell foul upon Mr Murphy author of Gray's Inn Journal. It is wrote by one Morgan an Irish Gent: High words has pass'd at ye Bedford Coff. H. between him and Murphy & 'tis thought a Duel will be ye Consequence (Cross). [See The Authorship of a Letter to Miss Nossiter, Shakespeare Quarterly, January 1952, p. 69.

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: Harlequin Sorcerer

Event Comment: The contending Parties [i.e., Murphy and MacNamara Morgan] Met again on Fryday at the Bedford, in order to accomodate Matters, but words arising, because Mr Murphy did not ack[nowledge] pardon and cried enough, as Mr Morgan said, some blows past & swords out-but no mischief. Morgan denies the letter (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Lottery

Dance: DDutch Dance, as17531018

Performances

Mainpiece Title: Othello

Performance Comment: As17541018, but Othello-Murphy (being the fourth time of his appearing on any stage).

Afterpiece Title: The Contrivances

Performances

Mainpiece Title: Venice Preserv'd; Or A Plot Discovered

Performance Comment: Pierre-Sheridan; Priuli-Gibson; Bedamar-Anderson; Jaffier-Murphy; Duke-Marten; Renault-Ridout; Belvidera-Mrs Bellamy.

Afterpiece Title: The Schoolboy

Dance: Granier, Madam Camargo

Performances

Mainpiece Title: Alzira

Performance Comment: Zamor-Murphy; Alvarez-Sparks; Carlos-Dyer; Ezmont-Ridout; Alzira-Mrs Bellamy.

Afterpiece Title: Taste

Dance: Comic Entertainment-Poitier, Mlle Capdeville

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Murphy first time; Myrtle-Smith; Sir John-Gibson; Sealand-Sparks; Tom (with a song in character)-Dyer; Phillis-Mrs Woffington; Cimberton-Arthur; Mrs Sealand-Mrs Griffiths; Lucinda-Mrs Baker; Humphrey-Anderson; Isabella-Miss Ferguson; Daniel-Collins; Indiana-Mrs Bellamy.

Afterpiece Title: The Irishman in London

Song: Lowe

Dance: As17541203

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Murphy first time; Aimwell-Ridout; Sullen-Sparks; Foigard-Barrington; Cherry-Mrs Green; Mrs Sullen-Mrs Woffington; Gibbet-Shuter; Scrub-Cibber; Boniface-Marten; Sir Charles-Anderson; Dorinda-Mrs Barrington.

Afterpiece Title: The Press Gang; or, Love in Low Life

Song: II: Ellen a Roon-Mrs Donaldson (late Miss Falkner); IV: The Lady's Lesson a Cantata-Arne Jr

Dance: Granier, Mrs Granier

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17541114, but Queen-Mrs Elmy; Richard-Murphy (first time); Lady Anne-Mrs Woffington.

Afterpiece Title: The Schoolboy

Dance: Granier and Mrs Granier

Performances

Mainpiece Title: The Fatal Marriage; Or, Innocent Adultery

Performance Comment: Biron-Murphy; Villeroy-Smith; Count Baldwin-Gibson; Carlos-Ridout; Frederick-Anderson; Fabian-Cushing; Fernando-Arthur; Jaqueline-Shuter; Sampson-Marten; Nurse-Mrs Pitt; Julia-Mrs Barrington; Victoria-Mrs Vincent; Isabella-Mrs Woffington.

Afterpiece Title: The Schoolboy

Dance: I: New Comic Dance-Granier, Mlle Capdeville; III: Comic Dance-Lucas, Lepie; V: New Comic Dance-Poitier Jr, Mlle Capdeville

Performances

Mainpiece Title: Macbeth

Performance Comment: As17541116, but Macbeth-Murphy first time.

Afterpiece Title: Lady Moore; or, The Dragoness

Entertainment: CCries of London-Shuter

Dance: As17550430

Performances

Mainpiece Title: The Earl Of Essex

Performance Comment: Essex-Murphy; Southampton-Havard; Queen-Mrs Pritchard; Rutland-Mrs Cibber; Nottingham-Mrs Cowper; Lord Cecil-Burton; Raleigh-Bransby; Lieut.-Walker.

Afterpiece Title: Lethe

Dance: IV: As17550930

Performances

Mainpiece Title: Tamerlane

Performance Comment: Bajazet-Murphy, first time; Moneses-Ross; Axalla-Palmer; Prince of Tanais-Blakes; Omar-Burton; Dervisse-Bransby; Stratocles-Walker; Hali-Simson; Tamerlane-Havard; Arpasia-Mrs Pritchard; Selima-Mrs Davies; Usual Prologue-; in Act IV, the Original Song of O! Gentle Sleep-Beard.
Cast
Role: Bajazet Actor: Murphy, first time

Afterpiece Title: The Englishman in Paris

Related Works
Related Work: The Englishman from Paris Author(s): Arthur Murphy

Dance: LLilliputian Sailors-the Little Pietro, Miss Noverre, others; New Dance-Baletti, Lauchery, Mrs Vernon, Miss Noverre

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17551023, but Richard-Murphy.

Afterpiece Title: The Genii

Dance: II: New Pantomime Dance-Children, as17551203

Performances

Mainpiece Title: Barbarossa

Performance Comment: Barbarossa-Murphy, first time; Othman-Havard; Sadi-Davies; Achmet-Garrick; Aladin-Usher; Irene-Miss Macklin; Slave-Miss Minors; Zaphira-Mrs Cibber.
Cast
Role: Barbarossa Actor: Murphy, first time

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: As17560109, but Osmyn-Murphy; Garcia-Walker; Selim-_.

Afterpiece Title: Lethe

Dance: HHornpipe-Atkins

Event Comment: Mainpiece [1st time; T 5, by Frances Brooke, based on the anonymous libretto of Sarti's opera Mitridate a Sinope. Prologue by the Rev. William? Collier (see text). Epilogue by Arthur Murphy (Murphy, Works, 1786, VII, 54)]: With New Scenes, Dresses, &c. Public Advertiser, 8 Feb. 1781: This Day at Noon will be published The Siege of Sinope. (1s. 6d.). Receipts:#231 5s. (228.10; 2.15)

Performances

Mainpiece Title: The Siege Of Sinope

Afterpiece Title: Harlequin Free-Mason

Event Comment: Mainpiece [1st time; T 5, by John Delap, based on the Suppliants, by Aeschylus, and the Haraclidae, by Euripides. Prologue by Hester Lynch Thrale (Thraliana, I, 484-85). Epilogue by Arthur Murphy (Murphy, Works, 1786, VII, 57)]: With New Dresses and Decorations. Public Advertiser, 1 Mar. 1781: This Day is published The Royal Suppliants (1s. 6d.). Receipts: #181 10s. 6d. (158.0.0; 22.2.0; 1.8.6)

Performances

Mainpiece Title: The Royal Suppliants

Afterpiece Title: The Deuce is in Him