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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "He Woud be a Soldier" | "He Would be a Soldier" | "He Woud Be A Soldier" | "The Magic Cavern" | "Virtues Triumph" | "The Invasion" | "A Trip to Brighthelmstone" | "The Invasion" | "The Invasion or A Trip to Brighthelmstone" | "The Liverpool Prize" | "Illumination" | "The Glaziers Conspiracy" | "Illumination Or The Glaziers Conspiracy" | "The Device" | "The Deaf Doctor" | "The Device or The Deaf Doctor" | "The Deaf Lover" | "A Gazette Extraordinary" | "The Illumination" | "The Siege of Gibraltar" | "The Siege Of Gibraltar" | "The Humours of an Election" | "Thelypthora" | "More Wives than One" | "The Fair American" | "Aerostation" | "The Templars Stratagem" | "Aerostation" | "Aerostation or The Templars Stratagem" | "Barataria" | "Sancho Turnd Governor" | "Barataria" | "Sancho turned Governour" | "Barataria or Sancho Turnd Governor" | "Alls Well that Ends Well" | "Alls Well That Ends Well" | "The Device" | "Illumination")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION

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5352 results for: Author - Frederick Pilon
Results not only include performances of plays known to be by 'Frederick Pilon', but also performances of associated titles, including adaptations.

801
21 February 1782 @ King's Theatre

Performances

Mainpiece Title: I Vlaggiatori Felici

Dance: End of Act I New Divertisement Dance, as17820216; End of Act II Les King's Peeks Mens, as17811211, but added: Bournonville, Raymond; omitted: Mme Simonet, Slingsby, Sga Crespi

802
23 February 1782 @ King's Theatre

Performances

Mainpiece Title: I Vlaggiatori Felici

Dance: End of Act I Pastoral Dance, as17811128; End of Act II a new Pantomime Ballet (composed by Noverre), Rinaldo and Armida, by Gardel, Mme Simonet, Nivelon, Mlle Theodore, Mlle Baccelli, Simonet, Leger, Sga Crespi, &c

803
26 February 1782 @ King's Theatre

Performances

Mainpiece Title: Junius Brutus

Dance: End of Act I New Divertisement Dance, as17820216; End of Act II Rinaldo and Armida, as17820223

804
02 March 1782 @ King's Theatre

Performances

Mainpiece Title: La Contadina In Corte

Dance: End of Act I New Divertisement Dance, as17820214; End of Act II Le Triomphe de l'Amour Conjugal, as17820110

805
09 March 1782 @ King's Theatre

Performances

Mainpiece Title: La Contadina In Corte

Dance: End of Act I New Divertisement Dance, as17820216; End of Act II Les Amans Reunis, as17811117, but Leger in place of Slingsby; omitted: Mlle Dumont

806
12 March 1782 @ King's Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I New Divertisement Dance, as17820216; End of Opera Le Triomphe de l'Amour Conjugal, as17820110, but omitted: Mme Simonet

807
14 March 1782 @ King's Theatre

Performances

Mainpiece Title: Quinto Fabio

Dance: End of Act I New Divertisement Dance (performers not listed, but probably as17820216), with The Emperor's Cossac, as17820129; End of Act II Rinaldo and Armida, as17820223

808
19 March 1782 @ King's Theatre

Performances

Mainpiece Title: La Contadina In Corte

Dance: In the Masquerade Scene a Minuet by Mlle Theodore and Nivelon; End of Act I Le Triomphe de l'Amour Conjugal, as17820110; End of Act II a new Ballet (composed by Noverre), La Rosihe de Salency, by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Leger, Henry, Bournonville, Olivier, Miss Simonet, Sga Crespi

809
21 March 1782 @ King's Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I New Divertisement Dance, as17820216; End of Act II La Rosiere de Salency, as17820319athi

810
06 April 1782 @ King's Theatre

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act II le Triomphe de l'Amour Conjugal, as17820110; End of Opera Rinaldo and Armida, as17820223

811
20 April 1782 @ King's Theatre

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I Pastoral Dance, as17820129; End of Act II Divertisement Dance, as17820307End of Opera Adela of Pontbieu, as II Apr

812
25 April 1782 @ King's Theatre

Performances

Mainpiece Title: I Vlaggiatori Felici

Dance: End of Act I Le Triomphe de l'Amour Conjugal, as17820110; End of Opera Medea and Jason, as17820411

813
27 April 1782 @ King's Theatre

Performances

Mainpiece Title: La Contadina In Corte

Dance: End of Act I Le Triomphe de l'Amour Conjugal, as17820110; End of Opera Adela of Pontbieu, as17820411

814
01 June 1782 @ King's Theatre

Performances

Mainpiece Title: La Contadina In Corte

Dance: End of Act I Divertisement Dance, as17820525; End of Opera Apollon et les Muses, as17820502, but omitted: Mme Simonet, Mlle Baccelli

815
25 June 1782 @ King's Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Apollon et les Muses, as17820601 End of Opera Medea and Jason, as17820411

816
13 February 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I Le Tuteur Trompe, as17830111, with two Pas de Deux, in a stile entirely new, called Pas de Lapons; or, Laplanders' Dance, by Slingsby and Mlle Theodore; End of Act II a new Pastoral Ballet by the principal Dancers, with a variety of Pas Seuls and a Pas de Deux by Slingsby and Mlle Theodore, and to conclude with a Grand Allemande by Lepicq, Mme Rossi, Slingsby, Mlle Theodore

817
30 April 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Fryar

Dance: End of Act I a new pantomimical, operatical, farcical interlude, The Peasant Metamorphosed; or, Delpini's Voyage from Dublin in an Air Balloon, in which Delpini will introduce a specimen of singing in French, Italian and English, and which will conclude with a new Hornpipe by the celebrated Blake (by permission of the Managers of the Opera-house; his 1st appearance on that stage); End of Act II a comic pantomime dance, The Country Squabble, by Delpini, Mrs Dagville, Miss Parish, Duquesney Jun.; End of play a new pantomimical dance, The Rival Clowns, by Delpini, Blake, &c, in which the famous rondo of Orpheo, in Italian, by Delpini, and to conclude with an Allemande in a new comic stile

Song: End of Acts II and III, by a Young Gentlewoman (1st appearance on any stage [unidentified])

818
21 May 1784 @ Covent Garden

Performances

Mainpiece Title: A Bold Stroke For A Husband

Afterpiece Title: The Flitch of Bacon

Dance: End of Act III of mainpiece a New Divertissement (composed by Harris) in which the Minuet de la Cour and a new Pas de Deux by Harris and Mme Bithmere; End of Act IV a new Pantomime Ballet (composed by Harris) The Charms of a Camp; or, The Female Volunteer by Harris, Byrn, Mrs Ratchford, Mrs Davenett, Mrs Goodwin, &c.; End of mainpiece, The Rival Nymphs, as17840318but Mrs Ratchford in place of Miss Matthews

819
17 September 1784 @ Haymarket Theatre

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Apprentice

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

820
18 June 1785 @ King's Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I an entirely New Divertissement (1st time; composed by Simonet) by Lepicq, Mme Rossi, Sg and Sga Angiolini, Zuchelli, Mme Bithmer, Duquesney, Miss Harvey, Frederic, Nivelon, Mlle Dorival; End of Opera The Deserter, as17850614

821
02 August 1785 @ Haymarket Theatre

Performances

Mainpiece Title: Nature Will Prevail

Afterpiece Title: Rosina

Afterpiece Title: Gretna Green

Song: End of 1st piece The Soldier tir'd of War's Alarms; End of Act I of 2nd piece Colin cur'd of roving, both by Miss George. duologue. End of 2nd piece A New Lecture on Heads by the two Miss Vernells (their 1st appearance on any stage)

822
21 March 1786 @ King's Theatre

Performances

Mainpiece Title: Perseo

Dance: End of Act I Divertissement Villageois, as17860218; End of Act II Dance incidental to the Opera by Henry, Duquesney Qun.], the two Mlles Simonet; End of Opera New Divertissement, as17860311athi

823
28 May 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Double Disguise

Song: End III: song-Miss Barnes; End IV: O! Nanny wilt thou go with me (composed by Carter)-Dignum; End: Bright Phoebus has mounted the Chariot of Day-Miss Barnes

824
31 May 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Who's the Dupe

Dance: End I: a Hornpipe-Bourk; End III: Minuet de la Cour-Brigg, Miss J. Stageldoir; End: Highland Reel-Bourk, the Miss Stageldoirs

825
12 June 1790 @ Haymarket Theatre

Performances

Mainpiece Title: La Generosita D'alessandro

Dance: End I: La Bergere des Alpes, as17900525; End Opera: Les Mariages Flamands, as17900227