The London Stage Database team will be retiring the Legacy Search on May 1, 2025. Please take a moment before that date to reproduce any pre-2021 searches and export any resulting datasets you may wish to preserve for future use. We are making this change in order to free up computational resources for new features and data, currently in development with support from the National Endowment for the Humanities. Watch this space for more updates and, coming soon, new ways to keep up with the latest project developments!
SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Lionel and Clarissa" | "Lionel And Clarissa" | "The Padlock" | "The Cobler" | "The Cobler" | "A Wife in Ten Thousand" | "The Two Misers" | "The Metamorphoses" | "The Romp" | "The Jubilee" | "The Institution of the Garter" | "Arthurs Round Table Restored" | "The Institution of the Garter or Arthurs Round Table Restored" | "Lionel and Clarissa" | "The School for Fathers" | "Lionel And Clarissa Or The School For Fathers" | "The Sultan" | "A Peep into the Seraglio" | "The Sultan or A Peep into the Seraglio" | "The Shepherds Artifice" | "The Captive" | "The Ephesian Matron" | "The Ephesian Matron" | "The Widow�s Tears" | "He Would if He Could" | "An Old Fool Worse than Any" | "He Would if He Could or An Old Fool Worse than Any" | "The Wedding Ring" | "The Deserter" | "The Deserter" | "The Humours of the Navy" | "A Christmas Tale" | "The Waterman" | "The First of August" | "The Waterman" | "The Waterman or The First of August" | "The Quaker" | "The Seraglio" | "Poor Vulcan" | "The Gipsies" | "The Wives Revenged" | "Rose and Colin" | "Rose And Colin" | "Annette and Lubin" | "Annette And Lubin" | "The Medley" | "Harlequin At All" | "The Medley or Harlequin At All" | "The Touchstone" | "Harlequin Traveller" | "The Touchstone" | "The Touchstone or Harlequin Traveller" | "The Chelsea Pensioner" | "Plymouth in an Uproar" | "Plymouth In An Uproar" | "The Mirror" | "Harlequin Every where" | "The Mirror or Harlequin Every where" | "The Shepherdess of the Alps" | "The Shepherdess Of The Alps" | "The Islanders" | "Harlequin Free Mason" | "The Marriage Act" | "Jupiter and Alcmena" | "None Are So Blind as Those Who Wont See" | "None are so Blind as Those Who Wont See" | "Liberty Hall" | "The Test of Good Fellowship" | "Liberty Hall or The Test of Good Fellowship" | "Harvest Home" | "A Divertisement" | "A Cure for a Coxcomb" | "The Beau Bedevild" | "A Cure for a Coxcomb" | "The Beau Bedeviled" | "A Cure for a Coxcomb or The Beau Bedevild" | "A Loyal Effusion" | "A LOYAL EFFUSION" | "Hannah Hewit" | "The Female Crusoe" | "Hannah Hewit Or The Female Crusoe")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION
Results not only include performances of plays known to be by 'Charles Dibdin', but also performances of associated titles, including adaptations.

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Harlequin Teague

Dance: AS 26 Aug

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Harlequin Teague

Dance: End of Act II of mainpiece, as17820606 In afterpiece, as17820826

Performances

Mainpiece Title: The Suicide

Afterpiece Title: Harlequin Teague

Dance: As17820826

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: Harlequin Teague

Dance: End of Act I of mainpiece, as17820606 In afterpiece, as17820826

Performances

Mainpiece Title: Nature Will Prevail

Afterpiece Title: The Agreeable Surprise

Afterpiece Title: Harlequin Teague

Dance: As17820826

Performances

Mainpiece Title: Nature Will Prevail

Afterpiece Title: The Agreeable Surprise

Afterpiece Title: Harlequin Teague

Dance: As17820826

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Barber

Afterpiece Title: Harlequin Teague

Dance: As17820826

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: Harlequin Teague

Dance: As17820826

Performances

Mainpiece Title: Nature Will Prevail

Afterpiece Title: THE AGREEABLE SURPRISE

Afterpiece Title: Harlequin Teague

Dance: As17820826

Performances

Mainpiece Title: Amusement

Afterpiece Title: Harlequin Teague

Dance: End of Act I of mainpiece, as17820606 In afterpiece, as17820826

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: THE AGREEABLE Surprise

Afterpiece Title: Harlequin Teague

Dance: As17820826

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin Teague

Dance: In Act III of mainpiece a Hornpipe [performer not listed]; In afterpiece, as17820826

Song: In afterpiece The Tobacco Box by Brett and Miss Morris

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Harlequin Teague

Dance: As17820826

Song: As17820918

Performances

Mainpiece Title: The Agreeable Surprise

Afterpiece Title: Harlequin Teague

Dance: As17820826

Performances

Mainpiece Title: Zara

Afterpiece Title: The Choice of Harlequin; or, The Indian Chief

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: Nature Will Prevail

Afterpiece Title: Comus

Afterpiece Title: Harlequin Teague

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Harlequin Teague

Dance: End of Act I of mainpiece, as17830702 In Act V a Dance of Foresters by Byrne, &c

Related Works
Related Work: Friar Bacon; or, Harlequin's Adventures in Lilliput, Brobdignag, &c Author(s): Charles Bonnor