SELECT * FROM london_stages WHERE eventid IN (43087, 43096, 43102, 43111, 43116, 43125, 43131, 43135, 43139, 43144, 43153, 43159, 43164, 43168, 43201, 43225, 43230, 43245, 43266, 43275, 43281, 43286, 43296, 43301, 43306, 43320, 43324, 43328, 43331, 43338, 43341, 43345, 43348, 43351, 43354, 43359, 43362, 43367, 44329, 44579, 44583, 44585, 48591, 48616, 48652, 48666, 48690, 48696, 48700, 48716, 48720, 48726, 48736, 48738, 48740, 48748, 48750, 48760, 48762, 48768, 48770, 48772, 48776, 48778, 48780, 48782, 48784, 48786, 48788, 48790, 48792, 48794, 48797, 48799, 48802, 48804, 48806, 48808, 48811, 48813, 48816, 48818, 48820, 48822, 48825, 48827, 48829, 48831, 48833, 48836, 48838, 48841, 48843, 48845, 48847, 48850, 48852, 48855, 48857, 48859, 48861, 48864, 48866, 48869, 48871, 48873, 48875, 48878, 48880, 48883, 48885, 48888, 48891, 48893, 48897, 48900, 48903, 48905, 48910, 48914, 48917, 48919, 48924, 48928, 48931, 48934, 48939, 48946, 48948, 48953, 48957, 48960, 48962, 49030, 49096, 49116, 49117, 49119, 49120, 49122, 49123, 49127, 49128, 49130, 49131, 49133, 49134, 49135, 49136, 49137, 49138, 49140, 49141, 49142, 49143, 49144, 49145, 49146, 49148, 49149, 49150, 49152, 49154, 49155, 49157, 49159, 49160, 49161, 49162, 49164, 49165, 49166, 49167, 49168, 49170, 49171, 49172, 49173, 49174, 49175, 49176, 49177, 49178, 49179, 49180, 49181, 49182, 49183) GROUP BY eventid ORDER BY eventdate ASC OPTION

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Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I The Pastimes of Terpsycore, as17831227; End of Opera an entirely new Anacreontic Ballet (1st time), composed by D'Auberval, Le Reveil du Bonheur, by Slingsby, Vestris [Jun.], Mme Rossi, Mme Theodore, Mme Simonet, and Cupid-Miss De Camp. The Music of both dances by Barthelemon

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a Divertissement (composed by D'Aubcrval; the music by Barthelemon) by Vestris [Jun.], Mme Rossi, Mme Theodore, Mme Simonet; with a Cossack by Vestris [Jun.] and Mme Theodore; End of Opera Le Reveil du Bonheur, as17840203

Performances

Mainpiece Title: I Rivali Delusi

Dance: As17840207 throughout

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Divertissement, as17840207, but Henry in place of Mme Simonet, and omitted: Cossack; End of Opera L'Amitie conduite a L'Amour by Vestris [Jun.], Mme Rossi, Mme Theodore [and see17831206]

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act II Divertissement, as17840214; End of Opera Le RJveil du Bonheur, as17840203

Performances

Mainpiece Title: L'eroe Cinese

Dance: As17840217 throughout

Performances

Mainpiece Title: La Schiava

Dance: As17840217 throughout

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203; End of Opera an entirely new ballet in the Rural Stile, composed by D'Auberval, founded on the much admired Burletta of the celebrated Favart, Le Coca du Pillage; ou, La Lotterie Ingenieuse, in which a Pastoral Minuet, never exhibited but at the Opera in Paris, by Vestris fJun.J and Mme Theodore, the other parts by Blake, Slingsby, Mme Rossi, Miss De Camp, Mme Simonet. The Music selected from Sacchini, Piccinni, and other eminent Performers

Performances

Mainpiece Title: L'eroe Cinese

Dance: As17840217 throughout

Performances

Mainpiece Title: La Schiava

Dance: End of Act I Divertissement, as17840214; End of Opera Le Cocq du Village, as17840226, but added: the much-admired Marlbro' Dance by Slingsby and Mme Rossi

Performances

Mainpiece Title: Demofoonte

Dance: End of Act II Friendship leads to Love, as17840214; End of Opera an entirely new Grand Ballet, composed by D'Auberval, Orpheo. Orpheo-Lepicq; Silenus-Blake; Adonis-Vestris Dun.]; Evohe, Priestess of Bacchus-Mme Rossi; Egle-Mme Theodore. The Music by Barthelemon

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Cocq du Village, as17840302End of Opera Orpheo, as17840306athi

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

Performances

Mainpiece Title: Demofoonte

Dance: As17840309hroughout

Performances

Mainpiece Title: Demofoonte

Dance: End of Act II Le Riveil du Bonheur, as17840203; End of Opera he Cocq du Village, as17840302athi

Performances

Mainpiece Title: Le Gelosie Villane

Dance: End of Act I Le Reveil du Bonheur, as17840203; End of Opera Divertissement, in which a Pas de Deux, as17831216, and to conclude with the favourite Caledonian Pas de Trois, as17831129

Performances

Mainpiece Title: Le Gelosie Villane

Dance: As17840415 throughout

Performances

Mainpiece Title: Demofoonte

Dance: End of Act II an entirely New Divertissement in the Serious and Demi Character, composed by D'Auberval, by Lepicq, Mme Rossi, Vestris [Jun.], Mme Theodore, Mme Simonet; End of Opera Divertissement, as17840415

Performances

Mainpiece Title: Le Gelosie Villane

Dance: As17840424 throughout

Performances

Mainpiece Title: Issipile

Dance: End of Act I New Divertissement, as17840424; End of Opera Le Tuteur Trompe, as17840325athi

Performances

Mainpiece Title: Issipile

Dance: End of Act I New Divertissement, as17840424; End of Opera Le Tuteur Trompe, as17840325but Pas Seul by Henry in place of Slingsby

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

Performances

Mainpiece Title: I Rivali Delusi

Dance: As17840511 throughout

Performances

Mainpiece Title: Demofoonte

Dance: End of Act II a Grand Heroic Pantomime Ballet (1st time; composed by Lepicq), Semiramis (the subject taken from the well-known tragedy of that name). Assures-Pitrot (some years ago Ballet-Master and 1st Dancer at this Theatre); Arsaces or Ninias-Lepicq; Semiramis-Mme Rossi; Azema-Mme Simonet; other Principal Dancers-Henry, Vestris [Jun.], Mme Theodore; End of Opera Le Deserteur, as17840513, but omitted: Henry, Zuchelli

Performances

Mainpiece Title: Issipile

Dance: End of Act I New Divertissement, as17840424; End of Opera Le Deserteur, as17840520