*p1776 02 23 dl Acis and Galatea, with Dryden's <i>Ode</i>. Parts were: Acis-; Polyphemus-; Damon-; Galatea-; Chorus of Shepherds and Shepherdesses-(<i>Larpent MS</i>).*m1776 02 23 dl <i>Concerto on Organ</i>-Stanley.*c1776 02 23 dl By Command of $their Majesties=. Tickets to be had and places for the Boxes to be taken of $Mr Fosbrooke= at the Stage Door of the Theatre, at Half a guinea each. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. Doors to be opened at Half past Five. To begin at Half past Six. N.B. Those ladies who have had boxes for the Oratorios and who intend continuing them are humbly requested to give notice to Mr Fosbrooke at the Stage Door. Rec'd Stoppages #1 1s. (Treasurer's Book). [The <i>Westminster Magazine</i>, Feb., p. 75, contained an article on the "Origin of Oratorios," followed by one on the Musical Powers of $Handel=, particularly relating to his Oratorios. The <i>Morning Chronicle</i> for 24 Feb. commented as follows on Miss Linley's performance in <i>Acis and Galatea</i>: "$Miss Linley=...gave every delight that the ear, the heart, or understanding could receive from Music...Miss Linley's manner of delivering Recitative is peculiarly distinct and sensible; a circumstance of infinite importance in a performance of this nature. Her voice is clear and melodious, and capable of truest expression as was peculiarly evident in the song of '<i>Must I my Acis still bemoan?</i>'...Their Majesties' presence and apparent satisfaction lead us to hope that the Royal countenance and encouragement will never again be withdrawn to grace the innovations of foreigners on the only musical ground which is left for <i>English genius</i> to take root and flourish"( (Quoted in <i>Hampden, Journal</i>).].