*p1774 12 10 cg Much Ado about Nothing. ^As17741108^.*a1774 12 10 cg The Druids. ^As17741121^.*c1774 12 10 cg A drunken man and a livery servant were both very troublesome in the first gallery [according to an account in the <i>Morning Chronicle</i>, 11 Dec., which continued]: It is a very great insult to respectable citizens and gentlemen of moderate fortunes, who from principles of economy choose to sit in the first gallery, that they admit too men in liveries. Their prices of admission have been raised within these thirty years, and every art practised for interest of the managers; and in these times, when every necessary and convenience of life is considerably enhanced, it is a matter of prudence in persons of the middle rank of life to prefer the gallery to the pit. But this is no reason why livery servants should be allowed to place themselves by the wives and daughters of private gentlemen and reputable tradesmen, to whom they often behave with great insolence and indecency. [It is desirable] to know why a constable does not make his appearance in the back row of the first, as well as the second, gallery, being frequently as much wanted in the one as the other (<i>John Hampden Diary</i>, p. 122).