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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Three Weeks After Marriage"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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1255 results for: Title - Three Weeks After Marriage

101
21 January 1717 @ Drury Lane Theatre

Performances

Mainpiece Title: Three Hours After Marriage

102
22 January 1717 @ Drury Lane Theatre

Performances

Mainpiece Title: Three Hours After Marriage

103
23 January 1717 @ Drury Lane Theatre

Performances

Mainpiece Title: Three Hours After Marriage

104
20 March 1723 @ Drury Lane Theatre

Performances

Mainpiece Title: Concert

Music: Overture for French Horns, Hautboys, and Violins by Gasperini-; Three Airs-Mrs Robinson; Concerto by Corelli-Castrucci, Claudio, Pepo; Three Airs-Mrs Robinson; Solo for Hautboy-Kytch; Cantata by Handel-Mrs Robinson; New Concerto with French Horns by Handel-; Three Airs-Mrs Robinson

105
05 August 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Three Hours After Marriage

Afterpiece Title: The Mock Doctor

Dance: Tench, Villeneuve, Miss Oates

106
09 August 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Three Hours After Marriage

Afterpiece Title: The Mock Doctor

Dance: JJe ne scai quoi-Tench, Villeneuve, Miss Oates

107
13 March 1746 @ Drury Lane Theatre

Performances

Mainpiece Title: The She Gallant; Or, Once A Lover And Always A Lover

Afterpiece Title: Three Hours after Marriage

Dance: Muilment, the Mechels

108
15 March 1746 @ Drury Lane Theatre

Performances

Mainpiece Title: The Comical Lovers

Afterpiece Title: Three Hours after Marriage

Song: III: Lowe

109
10 April 1746 @ Drury Lane Theatre

Performances

Mainpiece Title: The Lady's Last Stake; Or, The Wife's Resentment

Afterpiece Title: Three Hours after Marriage

Song: I: Cantata-Lowe; III: Scotch Dialogue, as17460310 V: My Faith and Truth, as17460104

Dance: IV: Italian Peasants, as17460206; III: Scotch Dialogue, as17460310

110
06 September 1718 @ Southwark Fair

Performances

Mainpiece Title: Jepthah's Rash Vow; Or, The Virgin Sacrifice

Entertainment: And to give a general Satisfaction to the Town, Mr Penkethman has hir'd Dance after the New French Mode-the Dancing-Dogs lately arriv'd from France, which have been receiv'd both at Hampton-Court and at Richmond, as well as at most Courts of Europe, with wonderful Applause, to perform on his Stage; their Dresses as well as their Dances being entirely after the New French Mode, and only, at the common Prices of the Droll

111
27 March 1724 @ York Buildings

Performances

Mainpiece Title: Concert

Music: Overture to Radamistus-; Three songs out of Julius Caesar-Kytch; Three Violin Concertoes-Johnson; The Cuckoo-Johnson; Concerto for Two French Horns by Handel-; Trumpet Piece-

112
26 November 1726 @ King's Theatre

Performances

Mainpiece Title: Il Matriomonio Disturbato; Or, Pantalon's Marriage Disturbed By The Different Humours Of The Ladies: Nane Gonolier And Brighella Co-rivals In Their Amours With Argentina, And Their Challente, Together With Entertainments Of Masquerades, Serenades, Risings, Songs And Dances After The Ventetian Manner

Dance: Poictiers

113
22 August 1727 @ Bartholomew Fair

Performances

Mainpiece Title: The True And Ancient History Of The Unnatural Parents; Or, The Fair Maid Of The West: Giving An Account How They Had Two Daughters, One Of Which They Fondly Lov'd, And The Other They Could Not Endure; So By Their Barbarity She Was Forced To Leave Her Father's House And Seek Her Fortune: With The Comical Humours Of Trusty, Her Father's Man, That Was Sent In Pursuit After Her, Who, In His Travels, Met With Three Witches That Hoisted Him Upon A Distaff, And Sent Him Flying Home Over The Houses

Dance: DDance-Wild Cats of the Woods

114
30 April 1733 @ Covent Garden

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Devil to Pay

Dance: I: Musette-LeSac, Miss Baston; II: The Mattelot (new)-Dupre, Miss Latour; III: Sicilian-Glover, Mrs Pelling; IV: Hornpipe-Jones, Mrs Ogden; V: Scottish Dance-Young Weeks, Scholar to Dupre; Clown-Nivelon; Before Farce: Shepherd-Young Weeks; End: La Mariee, Minuet-Dupre, Miss LaTour

115
14 May 1733 @ Goodman's Fields

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Mock Doctor

Dance: I: Scotch Dance-Young Weeks, Scholar to Dupre; III: Masquerade Dance-; IV: Shepherd's Dance-Young Weeks

Song: a G Gentleman for his Diversion; A song, called Goodman's Fields Theatre address'd to the Merchants of the City of London-Excell , written by the Author of Bacchus one day gaily striding

116
18 March 1755 @ King's Theatre

Performances

Mainpiece Title: Ricimero

Dance: Three several entertainments of Dancing: A New Pantomime Dance-Sga Bugiani in men's clothes; after which Minuet-Maranesi, Sga Bugiani

117
14 January 1764 @ King's Theatre

Performances

Mainpiece Title: Leucippo

Dance: I: The Turkish Coffee House, as17640110; after II: A new Dance, as17640110; Le Matellot Provencalle, as17640110; after III: A New Dance, as17640110

118
03 August 1771 @ Mary-le-Bone Gardens

Performances

Mainpiece Title: A Cure For Dotage

Entertainment: Singing-Miss Catley; Medley Cantata-Reinhold, By Particular Desire after the first part; Musical Imitations-Bannister; Song (By Desire) Water Parted from the Sea, after the manner of the original-Miss Catley; Concerto on Organ-Reinhold; Solo on Violin-Reeves

119
04 May 1773 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Elopement

Dance: Pantomime to conclude (after the Waterfall) with: a New Grand Dance call'd The Marriage Feast-Daigville, Atkins, Grimaldi, Sga Daigville, Sga Vidini

120
09 March 1774 @ Haymarket Theatre

Performances

Mainpiece Title: Omnipotence

Music: After Part I: Solo on Violincello-Cirri; After Part II: Solo on Violin-Barthelemon

121
18 March 1774 @ Haymarket Theatre

Performances

Mainpiece Title: The Messiah

Music: After Part I: Concerto on Flute-Tacet; After Part II: Concerto on Violin-Barthelemon

122
04 April 1774 @ The Pantheon

Performances

Mainpiece Title: The Resurrection

Music: After Part I: Concerto on Clarinet-Mahoon; After Part II: Violin Solo-Giordini

123
16 February 1775 @ Haymarket Theatre

Performances

Mainpiece Title: The Sot

Song: Catches and Glees-; Diana's Chace-Miss Jameson

Music: After Comic piece: two Ariettas on the Octave Flute in the Polonese taste-a new performer from that country; After Part II Catches and Glees: Concerto on Clarinet with variations on the Wanton God-Mahon

124
02 October 1793 @ Covent Garden

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: Harlequin's Chaplet

Entertainment: Afterpiece: [To conclude with Three Entire New Scenes, representing the Town and Harbour of Toulon; with a View of the Manoeuvring of the British, Spanish, and French Fleets, after the Surrender of the Town and Fortifications to the English] on the Twenty-ninth of August [1793]. In which, When in War on the Ocean-Davies; an Entire New Song [composed by Shield,-Incledon; The Music- [Selected by Shaw from Pepusch, Dr Arne, Arnold, Fisher, [Michael] Arne, Vincent, Dibdin, Reeve, Shield; The Dances-Byrn, Holland[; The Scenery-Hodgins, Walmsley, Phillips

125
27 May 1800 @ Covent Garden

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: The Deserter of Naples

Dance: After Singing at end: A New Dance- (By Permission of the Proprietors of the Royal Circus) composed by Byrne, in which Mr Byrne, Mrs Byrne, will make their 1st appearance on this stage these 4 years, assisted by the three Miss Adams', Master Byrne (Their 1st appearance on this stage), Blurton, Platt, Wilde, L. Bologna, Lewiss, Klanert, Mrs Watts, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Miss Dibdin

Song: End II: Black Ey'd Susan-Incledon; End IV: The Anchor Smiths-Townsend; End: Boxing the Compass-Fawcett; Old Towler-Incledon