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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "The Restoration; or Right Will Take Place"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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86 results for: Title - The Restoration; or, Right Will Take Place

1
February 1683 @ Drury Lane Theatre or Dorset Garden Theatre

Performances

Mainpiece Title: The Restoration; Or, Right Will Take Place

2
14 May 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: Dissipation

Afterpiece Title: Robinson Crusoe

Dance: End: The Dutch Quaker, as17810312but Sga Crespi in place of Sga _Tantini, Miss Armstrong in place of Sga Crespi

3
13 May 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

4
25 March 1786 @ Covent Garden

Performances

Mainpiece Title: Werter

Afterpiece Title: Love in a Camp

Song: As17860314but Brett in place of Cubitt [and Public Advertiser: Johnstone in place of Darley]

5
March 1674 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Amorous Old Woman; Or, 'tis Well If It Take

6
April 1693 @ Drury Lane Theatre

Performances

Mainpiece Title: The Richmond Heiress; Or, A Woman Once In The Right

7
20 August 1702 @ Drury Lane Theatre

Performances

Mainpiece Title: The London Cuckolds

Dance: Tollet's Ground-Essex, Mrs Lucas; Scotch Dance-Mrs Bignell; Dame Ragondes and her 8 Children-Nevelong, 8 more; The Right Irish Trot-Goodwin

8
23 August 1703 @ Bartholomew Fair

Performances

Mainpiece Title: Entertainments

Dance: Dancing on the Ropes , after the French and Italian Fashion-a Company of the finest Performers that ever yet have been seen in the whole World; For in the same Booth will be seen the two Famous French Maidens , so much admir'd in all Places and Countries where ever they come, (especially in May-Fair last) where they gain'd the highest Applause from all the Nobility and Gentry, for their wonderful Performance on the Rope, both with and without a Pole....To which is added; Vaulting on the High/Rope-; Tumbling on the Stage-; As also Vaulting on two Horses, on the great Stage, at once-

9
04 January 1704 @ Drury Lane Theatre

Performances

Mainpiece Title: Concert

Music: Wherein several Songs in Italian and English-Mrs Tofts; With several select Pieces of Musick- (compos'd by the late famous Mr Henry Purcell) taken out of the Operas of The Fairy Queen, King Arthur, Dioclesian, and Bonduca; And an Ode upon the Happy Accession of Her Majesty to the Throne- set to Musick by Mr Daniel Purcell, never perform'd before

Dance: L'Abbe, DuRuell, Cherrier, Mrs Elford, Mrs Campion, Devonshire Girl

10
25 January 1705 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Like Master Like Man

Song: That celebrated Dialogue-Boman, Pack, A Drunken Officer and a Town Miss, originally performed in The Mad Lover; A Country Dialogue-Mrs Willis, Short; A new Trumpet Song composed by Eccles-Davis

Dance: The last new Entry-Firbank, Firbank's Scholar; Blowsabella-Prince, Mrs Clark; Comic dances-Prince, others; A Right Irish Trot-a child of five years

11
26 July 1710 @ Queen's Theatre

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Song: Hold John E're You Leave Me-Dogget, Leveridge; Several Celebrated Songs taken out of the Operas,-Mr Ramondon , it being the first time of his Singing Italian on the Stage

12
23 September 1710 @ Greenwich

Performances

Mainpiece Title: Country Innocence; Or, The Maid In The Mill

Afterpiece Title: The Stage Coach

Entertainment: Care will be taken that there be a good Consort of Musick-; and several diverting Entertainments of Singing and Dancing-

13
14 May 1712 @ Stationer's Hall

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music, in the Opera of Dioclesian, with several Additions composed by the Immortal Henry Purcel, which, for the Beauty of Expression, Excellency of Harmony, and Grandeur of Contrivance, gives a first Place to no Musical Opera in Europe-; Several Entertainments on the Irish Harp-the famous Mr Morphy

14
29 January 1713 @ Clothworker's Hall

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; with all the Celebrated Songs and Pieces of Musick taken out of the last New Operas-the best Masters

15
02 March 1714 @ Drury Lane Theatre

Performances

Mainpiece Title: The Richmond Heiress; Or, A Woman Once In The Right

16
28 May 1715 @ York Buildings

Performances

Mainpiece Title: Entertainments

Entertainment: It consisted of Pyramids-; of all manner of Sweetmeats, the most generous Wines, Burgundy, Champaign, and was usher'd in by a Prologue-Mrs Younger; written by Mr Tickel, under Secretary to Mr Addison, and concluded by an Epilogue-Mr Wilks; written by himself; which was very merry and free with his own Character; after which, a large Table that was in th Area of the Consort-House, was taken away to make Room for the Company to Dance Country-Dances...We are likewise to acquaint the Reader, that an Ode of Horace-; was set to Musick and sung upon the Occasion, with several other very particular Songs and Performances, both Vocal and Instrumental Music- and that Mrs Younger spoke the Prologue, and Mr Wilks the Epilogue, which, after Sir Richard's Way, was extremely Diverting (Weekly Packet, 4 June)

17
28 February 1719 @ Lincoln's Inn Fields

Performances

Mainpiece Title: 'tis Well If It Takes

18
02 March 1719 @ Lincoln's Inn Fields

Performances

Mainpiece Title: 'tis Well If It Takes

19
03 March 1719 @ Lincoln's Inn Fields

Performances

Mainpiece Title: 'tis Well If It Takes

20
07 March 1719 @ Lincoln's Inn Fields

Performances

Mainpiece Title: 'tis Well If It Takes

Afterpiece Title: 'Venus and Adonis (First Interlude)

21
03 April 1719 @ Lincoln's Inn Fields

Performances

Mainpiece Title: 'tis Well If It Takes

Dance: 'Moreau, Mrs Moreau, Mrs Bullock, Miss Schoolding, delaGarde's Two Sons

Song: 'Cantata-Mr Armstrong; accompanied on the Harpsichord-Mr Babel

22
05 October 1726 @ King's Theatre

Performances

Mainpiece Title: Arlequin Prince By Enchantment; With His Comical Cavalcade And Taken Up In The Air By Daemons; Or, The Loves Of Pantalon And Argentine, His Imprisonment And Condemnation To The Gallies

Dance: As17260928

23
21 April 1727 @ Drury Lane Theatre

Performances

Mainpiece Title: The Relapse

Afterpiece Title: Harlequin's Triumph; or, The Miser and Pierot Taken Prisoner by the Lilliputians

Dance: LLa Pieraite-Roger, Mrs Brett

Ballet: TThe Cobler's Jealous Wife (new). Cobler-Boval; Wife-Roger; Two Peasant-Essex, Haughton; Wives-Mrs Brett, Miss Tenoe

24
22 May 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: The Man Of Taste

Afterpiece Title: The Intriguing Chambermaid

Dance: II: Dutchman and his Frow by Phillips and Miss Brett. IV: English Maggot by Villeneuve and Miss Brett

Entertainment: A new Entertainment after the manner of Spring-Garden, Vauxhall: With a New Scene, representing the Place, with a Grand Overture, and select Pieces of Musick, compos'd by Mr Handell, intermix'd with Dances, particularly The Russian Sailor by Denoyer's Apprentice. A Concerto on the French Horn by Mr Winch. The Revellers by Essex, Mrs Walter, &c. Concluding with Mr Handel's Water Musick

25
03 March 1738 @ Drury Lane Theatre

Performances

Mainpiece Title: Concert

Music: Consisting of several Select Pieces by Mr Handel and other Eminent Masters, and taken from the most favourite Operas-; The Vocal Parts-Mr Beard, Mrs Clive; being several Favourite Songs in Italian and English-Mr Beard, Mrs Clive; A Preamble on the Kettle@Drums-Master Ferg; with two New Minuets-; Chorus out of Atalanta for French@Horns and Trumpets-, the two French-Horns two little Negro-Boys (Scholars to Mr Charles, who never perform'd before); Concluding with the Anthem, God save the King-

Dance: WWooden Shoe Dance-Master Ferg; Shepherd's Mount (a ballet)-