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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Loves Labyrinth; or The Royal Shepherdess"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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3491 results for: Title - Loves Labyrinth; or, The Royal Shepherdess

3476
21 January 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Feudal Times

3477
29 January 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: End I: Peggy's Love, as17981211; End Opera: Les Deux Jumelles; ou, La Meprise-["The pas de deux of Didelot and Rose was particulary admired, and Madames Laborie and Hilligsberg, who appeared as the Twin Sisters, were most happily successful" (Morning Chronicle, 30 Jan.)]

3478
30 April 1799 @ Covent Garden

Performances

Mainpiece Title: False And True

Afterpiece Title: The Son-in-Law

Afterpiece Title: The Paradox; or, Maid, Wife and Widow

Dance: III: a Characteristic Dance and Masquerade as at the Venetian Carnival-

Song: In course Evening: a new Sea Ballad, composed for his Royal Highness the Prince of Wales, Tomorrow[; or, the Mars, Capt. Connor (the words by the Author of the Castle Spectre [Matthew Gregory Lewis]; the music by Kelly)-Incledon; A Touch at old Times-Munden; In my Father's Mud Cabin-Johnstone

3479
18 May 1799 @ Covent Garden

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: Catherine and Petruchio

Afterpiece Title: Tell Truth and Shame the Devil

Song: End: Mad Tom-Betts (1st appearance on the stage); Young William-Incledon; The Golden Days-Munden; The Tight Little Island-Townsend; The Wind blew fresh and fair-Townsend

Music: End I 1st piece: Concerto Clarionet-Orsato (of the Theatre Royal Venice; 1st appearance in this Metropolis); a duetto solo by means of the Pression and Repercussion of the Air-Orsato This his curious Discovery has received the greatest Applause in most of the Courts

3480
29 June 1799 @ King's Theatre

Performances

Mainpiece Title: I Due Svizzeri

Afterpiece Title: La Serva Padrona

Dance: End: Peggy's Love, as17981211; End 2nd piece: Telemaque, as17990330

3481
31 October 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: The Prize

3482
23 November 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Blue-Beard

3483
02 December 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The Will

Afterpiece Title: Blue-Beard

Ballet: End: The Scotch Ghost; or, Little Fanny's Love. Jamie-Gheri (1st appearance); Glaude-Grimaldi; Saundy-Master Chatterley; Donald-Whitmell; Elpsa-Mrs Brooker; Fanny (with a Hornpipe)-Sga Bossi DelCaro

3484
03 December 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Shipwreck

3485
06 January 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Lodoiska

3486
21 January 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: The Stranger

Afterpiece Title: The Ring; or, Love Me for Myself

Music: As17991127

Dance: As17991127

3487
29 April 1800 @ Covent Garden

Performances

Mainpiece Title: Douglas

Afterpiece Title: Lovers' Quarrels

Afterpiece Title: The Deserter of Naples

Entertainment: Vaudeville In course Evening: an entire New Song, The Seaman's Lamentation for the Loss of the Royal Charlotte (The Words by G. S. Carey, and composed by Mazzinghi)-Incledon; Dancing-Mr and Master Michell (from the Theatre Royal, Edinburgh; 1st appearance)

3488
24 May 1800 @ Covent Garden

Performances

Mainpiece Title: Ramah Droog

Afterpiece Title: The Ghost

Afterpiece Title: The Poor Soldier

Song: In course of Evening: Love thou maddening Power-Mrs Trevor; Old Towler-Incledon

3489
27 May 1800 @ Covent Garden

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: The Deserter of Naples

Dance: After Singing at end: A New Dance- (By Permission of the Proprietors of the Royal Circus) composed by Byrne, in which Mr Byrne, Mrs Byrne, will make their 1st appearance on this stage these 4 years, assisted by the three Miss Adams', Master Byrne (Their 1st appearance on this stage), Blurton, Platt, Wilde, L. Bologna, Lewiss, Klanert, Mrs Watts, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Miss Dibdin

Song: End II: Black Ey'd Susan-Incledon; End IV: The Anchor Smiths-Townsend; End: Boxing the Compass-Fawcett; Old Towler-Incledon

3490
30 May 1800 @ Covent Garden

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

Song: End I: The Sailor's Journal-Incledon; In course Evening: Young William was a seaman true-Incledon; All get drunk together-Townsend; United Englishmen-Munden; The Anchor Smiths-Townsend

3491
13 June 1800 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Sultan

Dance: End I: Hornpipe-Miss Rogers (2nd appearance on any stage see18000611); In course Evening: by Permission of the Proprietors of the Royal Circus, a new Anacreontic Pantomimical Ballet, composed by Byrne, The Animated Statue Principal Characters-Byrne, Mrs Byrne, Platt, Mrs Watts, the three Miss Adams', Master Byrne

Song: End: Laughing Song-Dighton

Entertainment: After Singing: Imitations-Rees (positively his last appearance on any stage)