SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston has some Requisites may in Time be a tolerable Actor in low Comedy "/1) | (@(roleclean,performerclean) "Weston has some Requisites may in Time be a tolerable Actor in low Comedy ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4810 matches on Event Comments, 3422 matches on Performance Comments, 607 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Dignum. Morning Chronicle, 28 May: Tickets to be had of Dignum, No. 23, New North-street, Red Lion-square. Receipts: #628 0s. 6d. (92.5.6; 41.1.6; 8.11.0; tickets: 486.2.6) (charge: #70 7s. 11d.)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Devil to Pay

Event Comment: Benefit for Miss Stephens. Morning Chronicle, 21 May: Tickets to be had of Miss Stephens, No. 85, Park-street, Grosvenor-square. Receipts: #326 18s. 6d. (63.5.0; 51.10.6; 0.15.0; tickets: 211.8.0) (charge: #212 0s. 4d.)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: Rosina

Song: End II: a new Musical Address (composed by Horn)-; In course Evening: The Soldier tir'd of War's alarms-Miss Stephens; and an entire New Ballad-Miss Stephens

Event Comment: The King's Company. An edition, undated but possibly issued about this time, refers to its being acted at Vere Street. The edition has no cast, no prologue, no epilouge. Pepys, Diary: Sir W. Pen and his daughter and I and my wife to the Theatre, and there saw Father's own Son, a very good play, and the first time I ever saw it

Performances

Mainpiece Title: Fathers Own Son

Event Comment: The King's Company. Pepys, Diary: So my wife and I abroad to the King's playhouse, she giving me her time of the last month, she having not seen any then; so my vowe is not broke at all, it costing me no more money than it would have done upon her had she gone both her times that were due to her. Here we saw Flora's Figarys. I never saw it before, and by the most ingenuous performance of the young Jade Flora, it seemed as pretty a pleasant play as ever I saw in my life

Performances

Mainpiece Title: Floras Vagaries

Event Comment: The Duke's Company, presumably. Evelyn, Diary: This night was acted my Lord Brahals Tragedy cal'd Mustapha before their Majesties &c: at Court: at which I was present, very seldom at any time, going to the publique Theaters, for Women now (& never 'til now) permitted to appeare & act, which inflaming severall young noble-men & gallants, became their whores, & to some their Wives, wittnesse the Earle of Oxford, Sir R. Howard, Pr. Rupert, the E. of Dorset, & another greater person than any of these, who fell into their snares, to the reproch of their noble families, & ruine both of body & Soule: I was invited to see this Tragedie, exceedingly well writ, by my Lord Chamberlain, though in my mind, I did not approve of any such passe time, in a season of such Judgements & Calamitie. Pepys, Diary: Here my Lord Bruncker proffered to carry me and my wife into a play at court to-night, and to lend me his coach home, which tempted me much; but I shall not do it

Performances

Mainpiece Title: Mustapha

Event Comment: The Duke's Company. Pepys, Diary: With my Lord Bruncker to the Duke's playhouse (telling my wife so at the 'Change, where I left her), and there saw Sir Martin Marr-all again, which I have now seen three times, and it hath been acted but four times, and still find it a very ingenious play, and full of variety

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

Event Comment: Lady Mary Bertie to Katherine Noel, 16 Feb. 1670@1: Here is no newes but that the grand Ballett is not to be danced till Shrove-Munday (HMC, 12th Report, Part V, Vol. II, p. 22). The Bulstrode Papers, 20 Feb. 1670@1: This evening was danced over the grand ballet at Whitehall, wherein the Court appeared in their greatest gallantry imaginable, and the time spent in songs, the chiefest dances and musicke the town could afford (I, 173). Lady Mary Bertie, 23 Feb. 1670@1: I was on Munday atcourt to see the grane ballett danced. It was so hard to get room that wee were forced to goe by four a clocke, though it did not begin till nine or ten. The [they (?)] were very richly [dressed] and danced very finely, and shifted their clothes three times. There was also fine musickes and excelent sing some new song made purpose for it (HMC, 12th Appendix, Part V, Vol. II, p. 22)

Performances

Event Comment: The Duke's Company. The date of the first performance is not known, but the Preface suggests that it was given first in the summer; the fact that part of the Duke's Company was at Oxford in July makes June a probable time. Preface: It had the misfortune to be brought into the world in a time, when the Dog-star was near his Reign, and my Judges sat in a hot Bath, rather than a Theatre, and were doubly persecuted by the heat of the weather, and the Impertinence of the Poet; and which was the worst mishap, when the most candid, as well as the most Illustrious Judges (I mean the Court) were absent. A song, Lo behold a sea of tears, with music by John Bannister, for this play, is Choice Ayres and Songs, The First Book, 1673

Performances

Mainpiece Title: Juliana Or The Princess Of Poland

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68: The King and Queene & a Box for ye Maydes of Honor at the Opera. See also Nicoll, Restoration Drama, p. 350, and 1 Jan. 1684@5. The opera was certainly given on 3 June, probably on 10 June, and probably on 13 June, the day that the news of the Duke of Monmouth's landing reached London; as Downes states that it was acted six times, there were three additional performances between 3 and 13 June 1685. Downes (Roscius Anglicanus, p. 40): In Anno 1685. The Opera of Albion and Albanius was perform'd; wrote by Mr Dryden, and Compos'd by Monsieur Grabue: This being perform'd on a very Unlucky Day, being the Day the Duke of Monmouth, Landed in the West: The Nation being in a great Consternation, it was perform'd but Six times, which not Answering half the Charge they were at, Involv'd the Company very much in Debt. Roger North: The first full opera that was made and prepared for the stage, was the Albanio of Mr Grabue, in English, but of a French genius. It is printed in full score, but proved the ruin of the poor man, for the King's death supplanted all his hopes, and so it dyed (Roger North on Music, ed. John Wilson [London, 1959], p. 311). The Prologue and Epilogue, published separately, are reprinted in Wiley, Rare Prologues and Epilogues, pp. 244-46. The score and the libretto were published in 1687 (licensing date of 15 March 1686@7): Albion and Albanius; An Opera; Or, Representation in Musick. Set by Lewis Grabu, Esq; Master of His late Majesty's Musick

Performances

Mainpiece Title: Albion And Albanius

Event Comment: Not acted these 25 years. As it was several times presented at court by persons of Quality, for the Entertainment of his late Majesty King Charles the 2d. The Company will continue Acting three times a week, during the term of Bartholomew Fair. [No further performances at Drury Lane during the summer are known.

Performances

Mainpiece Title: The Empress Of Morocco

Music: With the original Mask set to new Musick-

Performances

Mainpiece Title: Loves Last Shift Or The Fool In Fashion

Performance Comment: Sir William-Johnson; Loveless-Wilks; Sir Novelty-Cibber; Elder Worthy-Booth; Young Worthy-Mills; Snap-Norris; Sly-Bullock; Narcissi-Mrs Oldfield; Hillaria-Mrs Bradshaw; Flareit-Mrs Saunders; Amanda-Mrs Rogers, being the first time of her appearance on that stage.

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Performance Comment: Hamlet-Thurmond, being the first time of his performing it in England; King-Keene; Laertes-Powell; Horatio-Husband; Polonius-Cross; Gravedigger-Johnson; Fop-Thurmond Jr; Queen-Mrs Powell; Ophelia-Mrs Bradshaw.

Performances

Mainpiece Title: The Spanish Fryar Or The Double Discovery

Performance Comment: Elvira-Mrs Oldfield, being the first time of her Acting since June last; Torrismond-Thurmond; Lorenzo-Bickerstaffe; Raymond-Keene; Gomez-Johnson; Dominic-Leigh; Leonora-Mrs Knight; Teresa-Mrs Finch.

Performances

Mainpiece Title: Sir Courtly Nice Or It Cannot Be

Performance Comment: Sir Courtly-Cibber, being the first time of his Acting this Season; Surly-Keene; Testimony-Johnson; Hothead-Bullock; Crack-Leigh; Merchant-Fairbank; Leonora-Mrs Oldfield; Violante-Mrs Bradshaw; Aunt-Mrs Powell.

Performances

Mainpiece Title: Love For Love

Performance Comment: Prue-Miss Santlow, being the first time of her appearance on the Stage as an Actress; Sir Sampson-Leigh; Valentine-Booth; Scandal-Keene; Foresight-Norris; Tattle-Pack; Ben-Bickerstaff; Jeremy-Miller; Angelica-Mrs Bradshaw; Frail-Mrs Knight; Mrs Foresight-Mrs Moor.
Event Comment: At the Desire of several Persons of Quality. It being the Time of Bartholomew-Fair. Written by the Famous Ben Johnson. It being the last Time of acting this Season

Performances

Mainpiece Title: Bartholomew Fair

Dance: Morrice Dance, as17120805

Performances

Mainpiece Title: Valentinian

Performance Comment: Valentinian-Thurmond being the first Time of his Acting since his Arrival from Ireland; AEtius-Keene; Maximus-Smith; Pontius-Husband; Comic Parts-Bullock Sr, Knap, Hild. Bullock; Lucina-Mrs Rogers; Eunuch-Mrs Garnet.

Song: As17150521; Dialogue-Leveridge, Pack

Dance: Grand Spanish Entry-duPre, Moreau, Boval, Mrs Bullock; Entry, Dutch Skipper-delaGarde, Mrs Bullock; A new Chacone-Mrs Bullock

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Laetitia-Mrs Oldfield, being the first time of her performing this Season.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The School of Folly

Performance Comment: Professor-Gautier , the first time of his appearing upon the English Stage.

Dance: Dances for the afterpiece composed by DuPre-DuPre, Boval, Cook, Pelling, Cook Jr, Newhouse, Mlle Gautier, Mrs Schoolding, Mlle Corail, Miss Schoolding Jr

Performances

Mainpiece Title: Julius Caesar

Performance Comment: Cassius-Ryan, being the first time of his performing on that Stage; Antony-Quin; Caska-Corey; Julius@Caesar-J. Leigh; Portia-Mrs Rogers; Calphurnia-Mrs Knight; Brutus-Keene.

Song: As17171226

Dance: Moreau, Mrs Bullock, Miss Smith

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: As17171118, but Rose-Miss Tenoe, the first Time of her acting on the Stage; Ballance-Thurmond; Melinda-Mrs Porter.

Afterpiece Title: Hob

Dance: Shaw, Topham, Mrs Younger, Miss Lindar

Performances

Mainpiece Title: The Fair Quaker Of Deal

Performance Comment: As17181003, but Flip-Spiller; Fair Quaker-Mrs Mountfort, it being the first time of her appearance on this Stage; Cribbidge-_; Sailors-_.

Song: Leveridge, Mrs Barbier

Dance: Wedding Dance-Moreau, Mrs Moreau

Performances

Mainpiece Title: The Maids Tragedy

Performance Comment: King-Mills; Melantius-Booth; Amintor-Wilks; Calianax-Penkethman; Evadne-Mrs Porter; Aspatia-Mrs Thurmond, being the first Time of her Appearance on this Stage.

Afterpiece Title: The Loves of Mars and Venus

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Performance Comment: Hamlet-Ryan, being the first time of his performing it.

Song: As17181006

Dance: As17181024

Performances

Mainpiece Title: The Careless Husband

Performance Comment: See17190124, but Sir Charles-Wilks being the first time of his Acting since his late Indisposition.

Dance: As17190423