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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston has some Requisites may in Time be a tolerable Actor in low Comedy "/1) | (@(roleclean,performerclean) "Weston has some Requisites may in Time be a tolerable Actor in low Comedy ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7799 results for: Keyword - Weston</i>, has some Requisites, may in Time be a tolerable Actor in low Comedy--<span class=
We found 4810 matches on Event Comments, 3422 matches on Performance Comments, 607 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.

4151
24 November 1797 @ Drury Lane Theatre

Event Comment: [Mrs Siddons's 1st appearance as Julia was at Bath, 6 Jan. 1780.] Afterpiece: Not acted these 6 years [acted 27 May 1795]. Receipts: #235 4s. (183.15.0; 50.13.6; 0.15.6)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Comus

4152
09 February 1798 @ Covent Garden

Event Comment: Benefit for the Voluntary Contribution now open at the Bank, for the Defence of our Country. Boxes 10s. 6d. Pit 5s. Gallery 2s. Upper Gallery 1s. Tickets to be had and Places to be taken of Brandon, at the Stage-Door in Hart-street. Tickets also to be had at the Bar of Lloyd's Coffee-House. [Prologue by William Boscawen (Monthly Mirror, Mar. 1798, p. 178. Author of Address unknown.] "A subscription was set on foot behind the scenes," to which most of the performers contributed #10 apiece (Monthly Mirror, ibid). Account-Book, 12 May: Paid into the Bank of England in aid of the Voluntary Contribution #394 15s. Receipts: #518 8s. (280.9; 12.2; tickets: 225.17) [the difference of #123 13s. appears to have been the house charge]

Performances

Mainpiece Title: England Preservd

Afterpiece Title: The Poor Sailor or Little Bob and Little Ben

Dance: In afterpiece: Triple Hornpipe-Blurton, Mrs Watts, Mlle St.Amand

Song: End: Interlude of Songs, Glees, and Chorusses: With a jolly full Bottle, Great Britain still her Charter boasts, The Wooden Walls, Queen Betty was a famous Queen, To arms to arms-Incledon, Johnstone, Townsend, Linton, Gray, Street, Lee, Curties, Blurton, Wilde

Entertainment: Monologues. Preceding: An Occasional Prologue-Holman; Preceding singing: An Address to the Audience (instead of Epilogue)-Pope

4153
16 April 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Stranger

Performance Comment: As17980326but Prologue-_; Epilogue-_ [and thereafter, except Epilogue again on 15 May].and thereafter, except Epilogue again on 15 May].

Afterpiece Title: Blue Beard

Cast
Role: Hassan Actor: Hollingsworth.
Role: Female Slaves Actor: Ms Brooker, Ms Daniels, Ms Brigg, Ms Haskey, Ms Illingham, Ms Byrne, Ms Willis, Ms Vining.

4154
25 April 1798 @ Covent Garden

Event Comment: [The mainpiece may have been changed. The Account-Book gives The Duenna.] Receipts: #110 10s. 6d. (100.5.0; 10.5.6)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Raymond and Agnes

Dance: As17971012

4155
02 May 1798 @ Covent Garden

Event Comment: The Eccentric Lover [advertised on playbill of 1 May] is obliged to be postponed on account of Quick's indisposition. [But it was not again acted. 3rd piece in place of Rosina, advertised as above.] Receipts: #99 17s. 6d. (94.10.6; 5.7.0)

Performances

Mainpiece Title: The Raft

Afterpiece Title: Rule a Wife and Have a Wife

Cast
Role: Maritornes Actor: Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: where an injured Inca and his Son had taken refuge Actor: the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: to attempt the re Actor: obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and has betrothed her to the Knight Errant of La M Actor: to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: Clown Actor: Follett
Role: Laugh or Sleep those living objects it is employed Actor: Escaped from the Witch, he has to contend with her Power-the Genius attendant on the Talismanic Influence of his Sword rises, promises assistance, and transforming him to the motley Hero, brings to his View his beloved Columbine-from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley
Role: he has to contend with her Power Actor: the Genius attendant on the Talismanic Influence of his Sword rises, promises assistance, and transforming him to the motley Hero, brings to his View his beloved Columbine-from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley
Role: brings to his View his beloved Columbine Actor: from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley
Role: Harlequin and Columbine in jeopardy Actor: make their Pursuers dance to some tune. Landscape leading to the Pottery. Come buy my earthenware-Mrs Clendining
Role: Hither haste the young and gay Actor: Mrs Martyr changes the Scene to The Bower of Constancy

Afterpiece Title: Raymond and Agnes

Dance: 3rd piece to conclude: as17980430

4156
04 May 1798 @ Covent Garden

Event Comment: [Mainpiece in place of Love in a Village, advertised on playbill of 3 May.] Receipts: #90 6s. (86.13.6; 3.12.6)

Performances

Mainpiece Title: King Richard The Third

Cast
Role: Lord Mayor Actor: Powel

Afterpiece Title: The Maid of the Mill

4157
07 May 1798 @ Covent Garden

Event Comment: [Mainpiece in place of England Preserv'd; afterpiece of A Day in Rome (recte At) and Raymond and Agnes, all advertised on playbill of 5 May.] Receipts: #100 17s. (98.0; 2.17)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Cymon

Song: As17971102

4158
08 May 1798 @ Drury Lane Theatre

Event Comment: [In mainpiece the playbill retains Mrs Goodall, but she "was taken suddenly ill yesterday, in consequence of which the part of the Countess was performed by Miss Biggs, at a very short notice, who acquitted herself with considerable ability" (Morning Herald, 9 May).] Receipts: #202 14s. 6d. (162.19.0; 38.15.6; 1.0.0)

Performances

Mainpiece Title: The Stranger

Afterpiece Title: The Pannel

4159
10 May 1798 @ Covent Garden

Event Comment: Mainpiece: Not acted these 6 years. [Afterpiece in place of Botheration, advertised on playbill of 9 May.] Receipts: #97 10s. (87.10.6; 9.19.6)

Performances

Mainpiece Title: Lionel And Clarissa

Performance Comment: Lionel-Incledon; Col. Oldboy-Munden; Sir John Flowerdale-Murray; Jessamy-Betterton; Harman-Clarke; Jenkins-Townsend; Diana-Mrs Mountain; Lady Oldboy-Mrs Davenport; Jenny-Mrs Martyr; Clarissa (with new songs)-Mme Mara (1st appearance in that character).
Cast
Role: Sir John Flowerdale Actor: Murray

Afterpiece Title: Raymond and Agnes

Dance: As17980430

4160
11 May 1798 @ Covent Garden

Event Comment: The new Piece of A Day in Rome [advertised on playbill of 10 May] is obliged to be withdrawn till next season [see 11 Oct. 1798], on account of Fawcett's illness. [3rd piece in place of Botheration, advertised as above.] Receipts: #59 0s. 6d. (36.15.0; 22.5.6)

Performances

Mainpiece Title: England Preservd

Afterpiece Title: The Maid of the Mill

Afterpiece Title: A Divertisement

Dance: In 3rd piece: Ballet, as17971013

Entertainment: Monologue. End 1st piece: An Address to the Audience, as17980209

4161
15 May 1798 @ Drury Lane Theatre

Event Comment: Benefit for Suett. Morning Herald, 5 May: Tickets to be had of Suett, No. 18, Clement's Inn. Receipts: #516 16s. 6d. (240.12.0; 63.9.6; 2.8.6; tickets: 210.6.6) (charge: none listed)

Performances

Mainpiece Title: The Stranger

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: Blue Beard

Cast
Role: Hassan Actor: Hollingsworth.
Role: Female Slaves Actor: Ms Brooker, Ms Daniels, Ms Brigg, Ms Haskey, Ms Illingham, Ms Byrne, Ms Willis, Ms Vining.

4162
13 June 1798 @ Drury Lane Theatre

Event Comment: Account-Book: Tickets delivered by Dale Sen., Palmer Jun., Stokes, Chippendale, Wentworth, Gibbon, Miss Tidswell. Mrs Phillimore will be admitted. 4th piece: To conclude as 11 May. Receipts: #441 13s. (21.1; 35.8; 0.12; tickets: 384.12)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Eleventh of June

Cast
Role: Hassan Actor: Hollingsworth.
Role: Female Slaves Actor: Ms Brooker, Ms Daniels, Ms Brigg, Ms Haskey, Ms Illingham, Ms Byrne, Ms Willis, Ms Vining.

Afterpiece Title: Don Juan

4163
15 September 1798 @ Drury Lane Theatre

Event Comment: Benefit for Palmer's Orphan Family [see dl, 18 June 1798]. The Doors to be opened at 5:30. To begin at 6:30 [see 27 Nov.]. Boxes 6s. Second Price 3s. Pit 3s. 6d. Second Price 2s. Gallery 2s. Second Price 1s. Upper Gallery 1s. Second Price 6d. No Money to be returned. Tickets may be had at Lloyd's Coffee House [for this night only]; and of Fosbrook, at the Box Office, Little Russel Street, where, only, Places for the Boxes can be taken. The Public are respectfully informed that Mr Aickin is appointed Manager. Printed by C. Lowndes next the Stage-Door. Receipts: #571 15s. (519.8.6; 45.17.6; 1.16.0; tickets: none listed; Sundry Sums left at Door: 4.13.0) (charge: free)

Performances

Mainpiece Title: The Stranger

Afterpiece Title: The Citizen

Music: Vocal Parts-Mrs Bland, Miss Leak; their songs: To welcome mirth and harmless glee-Mrs Bland, Miss Leak; I have a silent sorrow here-Mrs Bland

Dance: Principal Dancer-Sga Bossi DelCaro

4164
09 November 1798 @ Covent Garden

Event Comment: 2nd piece: Not acted these 10 years [acted 3 May 1791]. Receipts: #263 13s. (260.14; 2.19)

Performances

Mainpiece Title: Lovers Vows

Afterpiece Title: The Intriguing Chambermaid

Afterpiece Title: The Mouth of the Nile

4165
17 December 1798 @ Haymarket Theatre

Event Comment: By Authority of the Lord Chamberlain. Benefit for Lacy, formerly of the Theatre Royal, Drury-Lane. Tickets to be had of Fosbrook, at the Box Office of the Drury Lane Theatre, and Rice, at the Box Office of the Theatre-Royal, Haymarket, where Places for the Boxes may be taken. [Address by John Taylor (Monthly Mirror, Dec. 1798, p. 370). On this night the following appeared both at dl and at the hay: Hollingsworth, Caulfield, Bannister Jun., Suett, Miss Pope, Mrs Bland.

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Between II and III of the aboveSylvester Daggerwood

Afterpiece Title: High Life below Stairs

Dance: In II 3rd piece: A Mock Minuet-R. Palmer, Miss Pope

Song: End I 1st piece: Little Taffline-Mrs Bland

Entertainment: MonologuePrevious 1st piece: Occasional Address-Lacy

4166
09 April 1799 @ King's Theatre

Performances

Mainpiece Title: Il Matrimonio Segreto

Performance Comment: Mme Allegranti (1st appearance in England [since 13 May 1783]). See17990413 [Cast adjusted from libretto (E. Jackson [1798]): Il Conte Robinson-Morelli; Geronimo-Rovedino; Paolino-Benelli; Carolina-Mme Allegranti; Elisetta-Sga Pastorelli; Fidalma-Sga Rovedino.]

Dance: As17990330

4167
17 April 1799 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for an Infant Orphan Family. Tickets to be had at No. 17, Tufton-street, Westminster; of Appleby, Hosier, Parliament-street; Mrs Cleaver, Cannon-row, Parliament-street; Newcomb, Confectioner, Bridge-street, Westminster; Taylor, Linen-draper, Whitehall; Thomas, Butcher, Charing-cross; Medhurst, Pastry Cook, Russel-court, Drury-lane; Rice, at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Portia-Mrs Sumbel (late Mrs Wells; who has generously volunteered her services for that Evening); Nerissa-A Young Lady (1st appearance on the stage [unidentified]). The rest of the characters by Ladies and Gentlemen who, actuated by movies of humanity, have made a voluntary offer of their respective services.unidentified]). The rest of the characters by Ladies and Gentlemen who, actuated by movies of humanity, have made a voluntary offer of their respective services.

Afterpiece Title: The Irishman in London

Entertainment: End: Her much admired Imitations-Mrs Sumbel

4168
04 May 1799 @ King's Theatre

Event Comment: [2nd ballet in place of Tarare et Irza, advertised in Morning Chronicle, 3 May.

Performances

Mainpiece Title: Elfrida

Dance: End I: A New Divertissement, as17990326End Opera: Telemaque, as17990330

4169
08 May 1799 @ Drury Lane Theatre

Event Comment: Benefit for Kelly. Opera: Not acted these 2 years [acted 9 June 1798]. 2nd ballet: Under the darections of J. D'Egville. With appropriate Scenery, Machinery, Dresses and Decorations. Morning Chronicle, 4 May: Tickets to be had of Kelly, No. 9, New Lisle-street, Leicester-square. Receipts: #697 4s. 6d (347.5.0; 48.11.6; 0.19.0; odd money: 5.0.6; tickets: 295.8.6) (charge: #213 4s. 9d.)

Performances

Mainpiece Title: The Siege Of Belgrade

Dance: End I: an entire New Ballet (composed by J. D'Egville), Les Vendangeurs-by the Dancers from the king's Theatre (by permission of the Proprietor): Didelot, Laborie, Mme Rose Didelot, Mme Laborie, Mme Hilligsberg; in which the Pas de Trois of La Fille Mal Gardee-; Minuet of Four, Honi Soit qui mal y Pense-

Ballet: End Opera: Telemaque. Telemachus-Didelot; Mentor-D'Egville; Calypso-Mme Rose Didelot; Venus-Mme Laborie; Zelie-Mme D'Egville; Cupid-Master Menage; Clytie-Miss J. Hilligsberg; Eucharis-Mme Hilligsberg; Nymphs, Attendants on Calypso-The Corps de Ballet , from the Opera House

4170
17 May 1799 @ Drury Lane Theatre

Event Comment: Benefit for Dignum. Morning Chronicle, 11 May: Tickets to be had of Dignum, No. 23, New North-street, Red Lion-square. Receipts: #713 9s. (87.10.6; 34.1.6; 2.8.0; odd money: 11.3.0; tickets: 578.6.0) (charge: #212 7s. 5d.)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: No Song No Supper

Song: End I: Sweet Lillies of the Valley-Dignum; End IV: My Friend is the Man I'd copy through Life (written by Miles Peter Andrews, Esq., composed by Hook)-Dignum; V: a song, as17990214

4171
18 May 1799 @ Drury Lane Theatre

Event Comment: Benefit for Miss Mellon. Morning Chronicle, 17 May: Tickets to be had of Miss Mellon, No. 17, Little Russell-Street, Covent Garden. Receipts: #122 2s. 6d. (71.17.6; 48.17.6; 0.19.0; odd money: 0.8.6; tickets: Miss Mellon to pay a Moiety over #50 [total of tickets not listed]) (charge: none listed)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: High Life below Stairs

Dance: As17990309

4172
21 May 1799 @ Drury Lane Theatre

Event Comment: [Afterpiece in place of The Deserter, advertised on playbill of 20 May. Account-Book: Tickets delivered by Miss Arne will be admitted.] Receipts: #328 (205.7.6; 67.2.0; 2.15.6; odd money: 1.4.6; tickets: 51.10.6)

Performances

Mainpiece Title: The Castle spectre

Cast
Role: Hassan Actor: Dowton

Afterpiece Title: The Shipwreck

Song: End: the Fishing Duet from Don Juan-Miss Arne, Miss Wentworth

4173
22 May 1799 @ Drury Lane Theatre

Event Comment: "I did not act this Night, being at Home to receive the 4th & 5th Acts of my Part in the new Play [see 24 May]" (Kemble Mem). Tickets delivered [Account-Book: by Miss Briggs, Miss Clarke, Rhodes] for Thursday will be admitted. Receipts: #187 13s. 6d. (123.12.6; 62.10.0; 1.11.0; tickets: none listed)

Performances

Mainpiece Title: The Castle Of Montval

Afterpiece Title: The Adopted Child

4174
23 May 1799 @ Drury Lane Theatre

Event Comment: Notice on playbill of 22 May: The Necessity of using the Stage for the Scenery of the New Play of Pizarro will prevynt any Performance at this Theatre Tomorrow Evening

Performances

Mainpiece Title: None

4175
24 May 1799 @ Covent Garden

Event Comment: Benefit for Miss Waters. Afterpiece: By permission of the Proprietors of the Theatre-Royal, Drury Lane. Morning Chronicle, 3 May: Tickets to be had of Miss Waters, No. 43, Conduit-street, Hanover-square. Receipts: #461 0s. 6d. (172.11.0; 5.1.0; tickets: 283.8.6)

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: No Song No Supper

Song: End II: a song [Rosalie (Monthly Mirror, Aug. 1799, p. 109)]-Miss Waters; End III: The Death of Admiral Benbow-Incledon; End IV: a favorite duet-Incledon, Miss Waters; End: Old Towler-Incledon