Event Comment: Benefit for Mrs Crouch. Public Advertiser, 30 Mar.: Tickets to be had of Mrs Crouch, No. 56, Tichfield-street, Oxford-street. Mainpiece: Not acted these 3 years.The original Music composed by William? Jackson, and several additional songs. Afterpiece: Not acted these 3 years [not acted since 14 May 1783]. Receipts: #226 9s. 6d. (76.14.0; 24.9.0; 2.11.6; tickets: 122.15:0) (charge: #109 12s. 5d.)

Event Comment: Benefit for Aickin. [Meredith is identified in European Magazine, May 1789, p. 410, which also states address was written by a Mr Vardill.] Mainpiece: End of Act II the Grand Triumphal Entry of Alexander into Babylon. Public Advertiser, 24 Apr.: Tickets to be had of Aickin at his house, No. 5, Gower-street, Bedford-square. Receipts: #228 4s. 6d. (155.17.6; 8.2.0; tickets 64.5.0)

Event Comment: Sga Giuliani being very much indisposed, the Comic Opera is unavoidably obliged to be substituted for Il Disertore [advertised in World, 1 May]

Event Comment: Benefit for Miss Fontenelle. Public Advertiser, 14 Apr.: Tickets to be had of Miss Fontenelle at her house, No. 271, Holbourn. 2nd piece: Compressed into 3 short Acts. "Miss Fontenelle...is the best Romp we ever saw, Mrs Jordan alone excepted...We were sorry to see [her] fall over the groove of the scene; but as practice is more forcible than precept, we hope it will teach her the truth of Friar Lawrence's caution, 'they stumble who run fast'" (Diary, 4 May). Receipts: #219 19s. (133.14.6; 6.8.6; tickets: 79.16.0)

Event Comment: On Account of Mrs Siddons's Indisposition her Benefit is deferred 'till Monday the 11th Instant. [Afterpiece in place of The Pannel, advertised on playbill of 2 May.] Receipts: #249 4s. (122.7.0; 23.17.6; 2.19.6)

Event Comment: [Opera in place of L'Olimpiade, advertised in World, 4 May.

Event Comment: Benefit for Mrs Martyr. Afterpiece: The Music composed by Dibdin. Public Advertiser, 4 May: Tickets to be had of Mrs Martyr, No. 13, King-street, Covent Garden. Receipts: #314 18s. 6d. (167.15.0; 12.7.6; tickets: 134.16.0)

Event Comment: Benefit for Macklin. [This was his last appearance on the stage; his 1st was c. 1716. In the middle of his first scene his memory failed him, and Ryder, who had been asked by the manager to be prepared for this eventuality, finished the part (Public Advertiser, 9 May; William W. Appleton, Charles Macklin, 1960, 225-27).

Event Comment: A new Comic Opera (never performed [in London; 1st performed at Florence, 1778]); the Music by Gazzaniga [with additions by Storace, Posi, Trachi (World, 11 May)], under the direction of Mazzinghi. At the London production of La Vendemmia, the duet (Count-Susanna) Crudel perche finora from Mozart's Le Nozze di Figaro was sung by Benucci and Anna Storace; probably the first piece of any Mozart opera which was heard on the London stage" (Loewenberg, 364). [In June 1789 it was published by Birchall and Andrews, as "A favorite duett...sung in...La Vendemmia...by Sg Benucci and Sga Storace". See Illustration

Event Comment: Benefit for Pope. Mainpiece: Grand Triumphal Entryv, as 28 Apr. Public Advertiser, 9 May: Tickets to be had of Pope, Half-moon-street, Piccadilly. For the remainder of the Season the Doors to be opened at 5:30, and to begin at 6:30. Receipts: #138 18s. (80.18.6; 9.4.6; tickets: 48.15.0)

Event Comment: [Afterpiece in place of The Pannel, advertised on playbill of 13 May.] Receipts: #97 5s. (77.11.0; 18.9.6; 1.4.6)

Event Comment: Benefit for Mlle Saulnier. The Gentlemen of the Orchestra are requested to attend at twelve o'clock the Rehearsal of the new Ballet for this Evening. World, 12 May: Tickets to be had of Mlle Saulnier, No. 34, Suffolk-street, Charing-cross

Event Comment: [3rd piece in place of The Cheats of Scapin, advertised on playbill of 15 May.] Receipts: #150 4s. (141.3; 9.1)

Event Comment: Benefit for Miss Brunton. Mainpiece: Not acted these 4 years [not acted since 18 May 1784]. Receipts: #138 9s. 6d. (85.14.0; 5.3.6; tickets: 47.12.0)

Event Comment: [Opera in place of Il Disertore, advertised in World, 18 May.

Event Comment: Benefit for Mrs Billington. Public Advertiser, 9 May: Tickets to be had of Mrs Billington, No. 53, Poland-street. Receipts: #290 16s. 6d. (196.14.6; 4.10.0; tickets: 89.12.0)

Event Comment: Benefit for Noverre. World, 19 May: Tickets, 10s. 6d. each, to be had of Noverre, No. 40, Great Marlborough-street

Event Comment: Benefit for R. Palmer. Afterpiece: Never performed there. [Follett was from the Royal Circus.] Public Advertiser, 20 May: Tickets to be had of R. Palmer, No. 14, East Place, Lambeth. Receipts: #232 19s. (74.17.0; 26.10.6; 1.10.6; tickets: 131.1.0) (charge: #111 17s.)

Event Comment: [Mainpiece in place of The Romp, advertised on playbill of 20 May.

Event Comment: Benefit for Booth. Public Advertiser, 28 May: Tickets to be had of Booth, No. 18, Broad-court, Bow-street. Receipts: #176 17s. 6d. (52.19.6; 6.18.0; tickets: 117.0.0)

Event Comment: Benefit for Fearon. Public Advertiser, 22 May: Tickets to be had of Fearon, No. 1, Broad-court, Bow-street. Receipts: #146 7s. (81.19; 5.0; tickets: 59.8)

Event Comment: From the late unfortunate calamity at the King's Theatre [see 16 June], the Subscribers are respectfully acquainted that as many Operas will be represented at this Theatre as can from this Evening to the 11th of July, the day on which most of the Performers' Contracts expire. Mr Gallini humbly requests it may be observed that on account of there not being Boxes enough to accomodate the Subscribers, as at the late Opera House, in order to avoid partiality, no particular Places or Boxes can be allotted to the respective Subscribers. The Entrance into the Theatre will be from Covent-Garden and Hart-street only, the doors from Bow-street will, from necessity, be shut up. Pit and Boxes 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. "Covent--Garden, on Saturday night, had the honour of entertaining this noble Foreigner--but by some accident they did not agree...The Gallery, only, was filled" (World, 29 June)

Event Comment: [Mainpiece in place of The Provok'd Husband, advertised on playbill of 12 Sept. In it the playbill assigns Millamant to Miss Farren, but "Miss Farren ill, Mrs Goodall played Millamant" (Kemble Mem.). Miss Hagley's 1st appearance was at this theatre, 28 May 1789.] Receipts: #112 16s. 6d. (70.15.0; 39.13.6; 2.8.0)

Event Comment: The Doors to be opened at 5:15. To begin at 6:15 [see 3 May 1790]. Paid Say for Tallow Candles last Season #88 6s. 3d. "That beautiful and best drawn character that the world ever saw, Sir John Falstaff, was mangled by Ryder. He substitutes savageness to jollity, and stiff mimicry to the natural debauchery that should hang as easily on Sir John as the Roomy mantle he moves in...Lewis gave us more the manner of the pretty man of fashion than of a dissipated hero" (Prompter, 4 Nov.). Receipts: #168 1s. 6d. (164.12.6; 3.9.0)