SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston has some Requisites may in Time be a tolerable Actor in low Comedy "/1) | (@(roleclean,performerclean) "Weston has some Requisites may in Time be a tolerable Actor in low Comedy ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4810 matches on Event Comments, 3422 matches on Performance Comments, 607 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Not acted these two years. [See 9 May 1767.] Receipts: #74 12s. 6d. (Account Book)

Performances

Mainpiece Title: The Miser

Afterpiece Title: Thomasand Sally

Dance: End: The Merry Sailors, as17680920

Event Comment: MMr Aickin hissed for being imperfect.--This night was introduced at the end of the Pantomime a Grand Masquerade in imitation of that given by the King of Denmark at the Opera House, and lighted up after the same manner--Every performer belonging to the House was on, even Mr Garrick and his brother.--The dresses were very elegant, and the whole very striking,--and gave pleasure to the Audience (Hopkins Diary). [The masquerade remained a part of Queen Mab and was also attached to Fortunatus. It evoked the following verse in Lloyd's Evening Post, Nov. 21-23]: One night last week a merry blade,@Who'd seen the Royal Masquerade,@And paid ten guineas for admission,@Began to damn the imposition;@His friend reply'd, "You may complain,@For I last Night at Drury Lane,@Saw full as much for eighteen pence,@As you got at such vast expence."-- G.S. C y

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: Queen Mab

Event Comment: Mainpiece: Not acted these 6 years. [See 11 May 1762.] Douglas by a Young Gent, first Appearance. Mr Anon (Cross Diary)

Performances

Mainpiece Title: Douglas

Afterpiece Title: Queen Mab

Event Comment: Afterpiece: Not acted these 2 years. [See 15 May 1766.] With alterations and the addition of the Masquerade and the New Allemande which had been added to Queen Mab. [See 5 Dec.

Performances

Mainpiece Title: Artaxerxes

Related Works
Related Work: Artaxerxes Author(s): J.A. Hasse

Afterpiece Title: Fortunatus

Performance Comment: Harlequin-Rooker; Clown-Ackman; Farmer-Johnston; Witch-Moody; Squire-J. Burton; Farmer's Daughters-Mrs King, Miss Tetley; to Conclude with a Masquerade-(with Additions); a New Allemande-.
Cast
Role: Clown Actor: Ackman

Dance: I: A New Pantomime Dance, as17681116

Event Comment: Benefit for Condell, Potter (box-keepers) and Eddis. Tickets sold at the door will not be admitted. Tickets deliver'd for the Conscious Lovers will be taken. Charges #83 11s. 6d. Deficit to beneficiaries #27 10s., covered by income from tickets: Condell #84 7s. (Box 225; Pit 140; Gallery 71); Potter #60 7s. (Box 142; Pit 93; Gallery 109); Eddis #52 9s. (Box 118; Pit 153) (Account Book). Paid Miss Morris in Full for her performance this season #50 (Account Book). [But see note 1 May.] Receipts; #56 1s. 6d. (Account Book)

Performances

Mainpiece Title: Cymbeline

Cast
Role: Imogen Actor: Mrs Bulkley, 1st time.

Afterpiece Title: The Citizen

Dance: III: A Pantomime Dance-Fishar, Miss Capon

Event Comment: Account Book: @Receiv'd of Vincent for Music Forfeits this season #21 11s. 10d.@Rece'v'd for stage forfeits this season #14 4s. 2d.@Receiv'd of Mrs Carne for ends of Candles & Oyl #70 6s. 7d.@Receiv'd of Proprietors of Public Advertiser #50@Receiv'd of Proprietors of Daily Gazetteer #50@Paid Vincent for Music Books #4 5s. 2d.@9 June@Rec'd Assurance on 50 Renter's Old Shares at 4s. 10d. each #12 1s. 8d.@Rec'd Assurance on 50 Renter's New Shares at 2s. 6d. each #6 5s.@15 July@Rec'd of His Majesty by Mr Mathias #40@Rec'd of Madam Schellenbergen by Ditto #9@Total Income 1768-69: #30,759 16s. 2 1!2d.@Total Expense 1768-69: #24,035 8s. 3d.@31 May: Paid Arnold Composer #50 13s.@2 June: Paid Kirkman for tuning #20@

Performances

Mainpiece Title: None

Event Comment: Mainpiece: Not acted in 4 years. [See 17 May 1765.

Performances

Mainpiece Title: The Confederacy

Event Comment: Mainpiece: Not acted in 6 years. [See 7 May 1763.] Ode, Mr Garrick (Cross Diary)

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Ode

Dance: IV: The Rabbit Seller, as17691228

Event Comment: MMas. Lyon played under that name at close of season, 29 May, in Full #10 10s. (Account Book). Receipts: #243 8s

Performances

Mainpiece Title: The Provokd Husband

Cast
Role: Townly Actor: Smith, first time

Afterpiece Title: Harlequins Jubilee

Event Comment: Benefit for Woodward. Mainpiece: Not acted these 5 years. [See 7 May 1766.] Charges #74 4s. Balance to Woodward #82 7s. plus income from 190 Box tickets, #47 10s.; Paid Williams 3 nights performing the Bells, #1 2s. 6d., and Gard & Singleton 3 nights for perfoming in the Lyon 7s. 6d. each (Account Book). Receipts: #156 11s

Performances

Mainpiece Title: The Relapse Or Virtue In Danger

Afterpiece Title: Harlequins Jubilee

Event Comment: Benefit for Moody. Mainpiece: Not acted these 4 years. [See 3 May 1766.] Tickets deliver'd for the 18th ofApril will be taken

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Padlock

Song: III: Moody will introduce the Celebrated song in Love a@la@Mode-Moody

Dance: End: As17700428

Event Comment: Post Season Accounts. Receiv'd from Vincent for Music Forfeits #24 8s. 4d. Expended: To Fisher for Music for Harlequin's Jubilee #26 5s. 30 May: Paid to Foulis for writing out Music #34 9s. 2 June: Paid to Shove for paper for Music #7 1s. Paid to Arnold for composing #61 19s. 15 June: Paid Kirkman for tuning Harpsichord #19 12s. Paid Simpson (hautboy) for special performances #67 4s

Performances

Mainpiece Title: None

Event Comment: Afterpiece: By particular Desire. Juliet by Mrs Morland from the Norwich Theater a thin small figure too long a waist--wants power has a small impediment in her Speech she may be useful but never Capital--Pretty well receiv'd (Hopkins Diary). Mrs Morland the late Miss Westray (O. Smith) (Winston MS 10)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequins Invasion

Event Comment: Leon, Mr Garrick (Cross Diary). Mr Garrick never Played better (MacMillan). Garrick from ill health did not act till 24 May (Winston MS 10)

Performances

Mainpiece Title: Rule A Wife

Afterpiece Title: The Devil to Pay

Dance: New Comic Dance-Daigueville, Mrs King, Sga Daigueville, Miss Ross

Event Comment: Benefit for Love. Afterpiece: Not acted in 8 years [see 17 May 1762]; written by Dr Smollett

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Reprisals or The Tars of Old England

Dance: I: Comic Dance, as17701025

Event Comment: Benefit for Keen and Wright. Tickets deliver'd by Philips will be taken. [For Philips' first dance, see 7 May 1754.

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: Harlequins Invasion

Dance: V: A Clown's Dance, in which will be introduc'd a mock Minuet-Philips

Ballet: II: The Drunken Peasant. Drunken Peasant-Philips (The Original); Clown-Wright

Performance Comment: Drunken Peasant-Philips (The Original); Clown-Wright.
Cast
Role: Clown Actor: Wright.
Event Comment: Places may be had of Mr Johnston Stage Door Keeper. No money will be taken at the Stage Door or returned after the Curtain is Drawn up. Paid Mr Fitzgerald on note #10 10s. (Treasurer's Book). Receipts: #202 15s. (Treasurer's Book)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Institution of the Garter

Event Comment: Mainpiece: Not acted in 2 years. [See 21 May 1770.] Paid Printer's Bill #9 6s.; 8 extra trumpets 6 nights 20th incl. #18 (Treasurer's Book). Receipts: #160 15s. (Treasurer's Book)

Performances

Mainpiece Title: Jane Shore

Performance Comment: Hastings-Barry; Shore-Reddish; Gloster-Love; Belmour-Packer; Catesby-Wright; Ratcliffe-Ackman; Derby-Hurst; Jane Shore-Miss Younge; Alicia-Mrs Barry.
Cast
Role: Hastings Actor: Barry

Afterpiece Title: The Institution of the Garter

Event Comment: Alterations and additions to the afterpiece in form of a Trip to Naplesv. Includes two views of the eruption of Vesuviusv [a display used afterwards in Harlequin's Invasionv 19 March]. Theatrical Review, 26 Dec.: The Witches; or a Trip to Naples,...one of those Mummeries, in which the carpenters, painters and taylors belong1ng to the theatre are the principal projectors; who torture dull brains to furnish out most contemptible pieces of entertainment...the disgrace of the English stage. This what-shall-we-call-it...now reviv'd with alterations and the addition of two new scenes, viz. two views of Mount Vesuviusv: the first of which represents a Vulcano burning at a distance, and is reflected by the water in the bay of Naplesv. The second is a nearer land view of the Mounts, and represents the manner in which the Lava is thrown out whenever an eruption happens; the torrents of the lava, like a river of liquid fire, falling into a cascade from a rock. As far as carpenters and painters are concerned, these additional scenes seem to be well executed, but whether the resemblance is exact, we cannot pretend to say; though we suppose it is. Be this as it may we cannot help thinking, the terrific ideas these scenes naturally raise in the mind, must defeat every intention of giving pleasure, and consequently afford less satisfaction to curiosity than a written account of that Vulcano, or any descriptive drawing of it. Paid Printer's Bill #9 6d. Receipts: #235 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Afterpiece Title: The Witches or A Trip to Naples

Performance Comment: Harlequin-Rooker; Witches-Vernon, Johnston; Miser's Servant-Messink; Old Miser-Parsons; Pantaloon-Grimaldi; Clown-Ackman; Fryars-Kear, Griffith, Lings, Mortimer; Fidler-J. Burton; Bridemaids-Mrs Scott, Mrs Dorman; Colombine-Mrs King; The Dances-Daigville, Atkins, Giorgi, Sga Vidini, Sga Giorgi.
Cast
Role: Clown Actor: Ackman
Role: Fryars Actor: Kear, Griffith, Lings, Mortimer
Event Comment: Paid Messrs Cropley and Hart for men's cloaths, #13 2s. 6d. (Treasurer's Book). [Kemble Diary notes this as Burton's last performance. He died in May.] Receipts: #220 (Treasurer's Book)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Witches

Cast
Role: Clown Actor: Ackman
Role: Fryars Actor: Kear, Griffith, Lings, Mortimer
Event Comment: Mainpiece: Not acted these 5 years. [See 8 May 1767.] Receipts: #109 11s. 6d. (Account Book)

Performances

Mainpiece Title: Loves Last Shift Or The Fool In Fashion

Afterpiece Title: The Commissary

Dance: End: A Comic Dance, as17711031

Event Comment: The Afterpiece: Not acted these 2 years. [See 11 May 1770.] Receipts: #126 19s. 6d. (Account Book)

Performances

Mainpiece Title: Zobeide

Afterpiece Title: The Oxonian in Town

Event Comment: Mainpiece: A New Tragedy never performed before. This Tragedy was written by Mr Murphy & has great Merit, it is very carefully got up & well perform'd, & receiv'd uncommon Applause Mrs Barry Display great Tragick powers & receiv'd the vast Applause She merited--She will gain great Reputation in the part (Hopkins Diary). New Scenes, Dresses, Decorations. Theatrical Review, 26 Feb.: Mrs Barry rose beyond herself, if we may be allowed the expression, in the laborious Character of Euphrasia....The scenes and decorations were well adapted to the importance of the piece. The representation of the city of Syracusev, with a view of the sea; and the Temple scene, with the mausoleum, in particular are extremely well executed, and do credit to the theatre, and honor to the artists who designed and painted them. Paid two notes for Mr J. Aickin, per order #12 1s. 8d. (Treasurer's Book). Receipts: #251 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Thomasand Sally

Event Comment: By Command of Their Majesties. Tickets and places to be taken of Mr Johnston at the Stage Door of the Theatre at Half a Guinea. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. Doors to be opened at Five o'clock. To begin at Half past Six. Theatrical Review (London, 1772), appendix, pp. 207-8: The Oratorios performed at this House were conducted by Messrs. Stanley and Smith, for their own emolument; the Managers of the theatre having had no Share of the profit arising from these performances, nor any advantage, except a premium for the use of the house. Mr Stanley's musical abilities are well known. Mr Smith, was, if we are not mistaken, a pupil of the celebrated Mr Handel's; and, we believe, that Gentleman left Mr Smith the greatest part of his music, if not his whole library; so that Mr Smith may with great propriety claim the right of succeeding Mr Handel in the exhibition and conduct of his Oratorios, which he has undertaken (in conjunction with Mr Stanley) every since Mr Handel's death. Their band was composed of some of the most capital performers in this kingdom, and was led by Mr Ximenes. The vocal performers (exclusive of Chorus singers) were Mr Norris, well known to all lovers of Music, for his taste and delicacy of execution. Mr Parry (a Bass voice) from the Cathedral Church of Salisbury. This gentleman, though very young, has an extensive compass, and a great power of voice, and acquits himself with considerable reputation. Mrs Weichsel and Mrs Scott, of whom it would be superfluous and unnecessary to say anything, since their abilities are generally known. And lastly Signora Grassi, a performer of great merit. Theatrical Review, 6 March: This is Mr Dryden's celebrated Ode on St Cecelia's Day, and not an Oratorio, but performed as such...It contains many beauties and such as are worthy of Mr Handel's genius...Being much shorter than the usual length of oratorios, Mr Handel's celebrated Coronation Anthems were added in order to make the evening's entertainment of a proper length. Also a Solo on the Violincello by Mr Janson...lately arrived from Paris, said to have been a pupil of Mr Duport's but, though his taste and excution is very astonishing, we cannot give him the preference of his master. [See 13 April 1773.Charge seems to have been #28 per night plus expenses for oil, candles &c.

Performances

Mainpiece Title: Alexanders Feast With Coronation Anthems

Music: First Violin-Mr Ximene; with a Solo on the Violincello-Mr Janson, lately arrived from Paris, (Who has never performed in Public in England)

Event Comment: By Command of their Majesties. Theatrical Review, 11 March: Written by the celebrated Milton when he was very young...it would have been sufficient had he never produced anthing more considerable, to have transmitted his fame to the latest posterity. It is inimitable set to music by Mr Handel...not strictly an Oratorio, tho' perform'd as such, the subject not being taken from Holy Writ. To which was added the celebrated Te Deum, composed by Mr Handel for the peace of Utrecht...a very grand masterly piece. End of Act I, a Concerto on the French Horn by Mr Ponta, musician to his Serene Highness, the Elector of Mentz, lately arrived in England. What this gentleman executes with the horn is very surprising, but, not being suited to the genius of the instrument, it is not productive of any good effect, when considered musically; as a matter of novelty it may surprise and please, on which account it is worthy the notice of the curious

Performances

Mainpiece Title: Lallegro Ed Il Penseroso With Handels te Deum

Music: Concerto on French Horn-Ponta (Musician to his Serene Highness the Elector of Mentz); Solo on Violincello-Janson, his 2nd performance in England