SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston has some Requisites may in Time be a tolerable Actor in "/1) | (@(roleclean,performerclean) "Weston has some Requisites may in Time be a tolerable Actor in ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4446 matches on Event Comments, 3385 matches on Performance Comments, 508 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Loves Last Shift Or The Fool In Fashion

Performance Comment: Sir Novelty-Woodward; Loveless-Havard; Sir William-James; Elder Worthy-Bridges; Young Worthy-Cross; Snap-Yates; Sly-Shuter; Lawyer-Vaughan; Amanda-Mrs Ward; Hillaria-Mrs Mills; Flareit-Mrs Green; Narcissa-Mrs Clive; Occasional Prologue- (by desire) and for the last time.

Afterpiece Title: The Devil to Pay

Event Comment: Mainpiece: By particualr Desire. To begin exactly at Six o'clock. [The notice of the time for the curtain is continued throughout the season and will not be mentioned further.] Receipts: #140 (Cross)

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: A Duke and no Duke

Dance: II: A New Running Footman's Dance-Mathews, McNeil

Event Comment: Receipts: #40 (Cross). [The Epilogue Occasioned by the Two Occasional Prologues published in the General Advertiser. Fifty-one lines ending: @"No more shall either rack his brains to teaze ye@But let the Contest be who most shall please ye." [In the form of a story, mocking Garrick and Berry]: "Once on a time two boys were throwing dirt@A gentle youth was one, and one was somewhat pert.@Each to his Master with his tale retreated,@Who gravely heard their different parts repeated,@How Tom was rude, and Jack poor lad ill treated."

Performances

Mainpiece Title: The Funeral Or Grief A la mode

Afterpiece Title: Lethe

Dance: III: New Running Footmen's Dance, as17501020; IV: Hornpipe-Mathews, the Little Swiss

Event Comment: Mainpiece: By Particular Desire. Tomorrow (not acted this season) The Busy Body, with Entertainments of Dancing by M Devisse, being the 1st time of his appearing in England, and Mad Auretti. Receipts: #160 (Cross)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Virgin Unmaskd

Event Comment: Kite by Mr Layfield from Dublin (Cross). Last night Mons Devisse perform'd (for the 1st time) at Drury Lane, and was receiv'd with general applause (General Advertiser). Receipts: #80 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: A Duke and no Duke

Dance: CCountry Amusements, as17501102; Pigmalion, as17501102

Event Comment: This day is publish'd, neatly printed in a pocket volume, (price bound 3s.) The History of the Life of Tamerlane the Great from the time of his being made Regent of Sachetay, till his death. Originally written in Arabic. By Alhacen a learned Arabian. Translated, abridg'd and methodized from the French of Jean DuBec@Abbot@of@Mortimer. With political notes. Printed for W. Owen, at Homer's Head near Temple Bar

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Mock Doctor

Event Comment: Mainpiece: By Desire. Tickets deliver'd out by Mr Oswald will be taken (General Advertiser). Mr Oswald ye Music had some Tickets (Cross). [Queen Mab played thirty-two times consecutively at full prices.] A. Betson, Miscellaneous Dissertations: Historical, Critical, and Moral, on the Origin and Antiquity of Masquerades, Plays, Poetry, and several other heathenish customs. Printed. (Register of Books, Gentleman's Magazine, Feb. 1751, p. 95). Receipts: #140 (Cross)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Queen Mab

Event Comment: Benefit for ye Author (no more Noise) (Cross). Tickets as of 5 Feb. Tickets deliver'd out for the third and sixth Nights will be taken. Receipts: #140 (Cross). Gentleman's Magazine, Feb. 1751, pp. 77-78, concerning Gil Blas: To animadvert upon a piece which is almost universally condemned is unneccessary, and to defend this is impossible. There is not one elegant expression or moral sentiment in the dialogue; nor indeed one character in the drama, from which either could be expected. It is however, to be wished that the Town, which opposed this play with so much zeal, would exclude from the theatre every other in which there is not more merit; for partiality and prejudice will be suspected in the treatment of new plays, while such pieces as the London Cuckolds, and the City Wives Confederacy, are suffered to waste time and debauch the morals of society....Upon the whole the Author appears to have intended rather entertainment than instruction, and to have disgusted the Pit by adapting his comedy to the taste of the Galleries....Perhaps the ill success of this comedy is chiefly the effect of the author's having so widely mistaken the character of Gil Blas whom he has degraded from a man of sense, discernment, true humor, and great knowledge of mankind...to an impertinent silly, conceited coxcomb, a mere Lying Valet, with all the affectation of a Fop, and all the insolence of a coward. [Thomas Gray wrote to Horace Walpole 3 March 1751, "Gil Blas is the Lying Valet in five acts. The fine lady has half-a-dozen good lines dispersed in it."

Performances

Mainpiece Title: Gil Blas

Performances

Mainpiece Title: Zara

Performance Comment: Osman-Barry (1st time); Lusignan-Sparks; Nerestan-Dyer; Chatillon-Lacey; Orasmyn-Ridout; Selim-Mrs Elmy; Zara-Mrs Cibber.

Dance: As17500926

Event Comment: Mainpiece: By Particular Desire. Acted there but once. Being the last time of performing it this season

Performances

Mainpiece Title: Zara

Afterpiece Title: Merlins Cave

Cast
Role: Chasseur Royale Actor: Lowe
Event Comment: Benefit for Beard. No part of pit will be rail'd into the Boxes. Servants allow'd to keep Places on the stage. Tickets and Places to be had of Beard at his House in North St., Red-Lion Square, and at the Sta ge Door. Tickets deliver'd out for the 21st of March will be taken. Last time of performing the mainpiece this season. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Devil to Pay

Dance: Devisse, Mad Auretti, Mathews, Mad Camargo, the Little Swiss

Song: A Cantata set by Dr Boyce-Beard

Entertainment: End Cantata: the Parody of Shakespeare's Stages of Life-Garrick

Event Comment: Benefit for Devisse. Tickets to be had of Devisse at the Distiller's, the corner of the little Piazza, Covent Garden, and at the Stage Door. Tickets deliver'd for the 28th of March will be taken. Being positively the last time of performing the mainpiece this season. Receipts: #80 (Cross)

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: The Anatomist

Dance: I: New Dance-; III: Provencal Dance-; IV: Hornpipe-Mathews; V: Louvre, Minuet, as17510411

Music: II: Concerto on German Flute-Mr L'Cler

Event Comment: Benefit for Mrs Green-This House was hurt by Mr Handel's Music at ye Foundling Hospt (Cross). Tickets of Mrs Green at Broad Court, Bow St., Covent Garden and at Stage Door. Tickets deliver'd for the 10th will be taken. Last time of acting the mainpiece this season. Receipts: #130 (Cross)

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: Miss in Her Teens

Dance: Devisse, Mad Auretti

Event Comment: Benefit for Palmer and Shuter. Last time of acting mainpiece this season. Tickets of Hobson at the stage Door. At Sadler's Wells near Islington will this day be opened a Concert of Vocal and Instrumental Music, divided into two parts; the vocal parts to be perform'd by Hemskirk, Bell, Mrs Yates, and Mrs Hooper. Between the two parts of the concert will be introduced several curious Performances, among which will be a fine representation of the Italian Shadows, which have not been performed in England these 30 years. The whole to conclude with a Grand piece of Fireworks, decorated with machinery and paintings entirely new, Each person to be admitted for a pint of Wine. To begin at 5 o'clock (General Advertiser). Receipts: #170 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Anatomist

Dance: Mathews, Mad Camargo, the Little Swiss

Event Comment: Benefit for White (Treasurer). Mainpiece: Acted for last time this season

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Dragon of Wantly

Dance: III: La Paisane, as17510426 Grand Scots Ballet, as17500926

Event Comment: Mainpiece: By particular desire. Being the last time of its being performed this season. Receipts: #220 (Cross)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Lethe

Event Comment: Benefit for Driscol, Banks, Barnard, Miss Davis, and Trott (Lobby Doorkeeper). Tickets deliver'd by Mlle Huette, Mrs Hanmeuze, Mrs Griffith will be taken. Tomorrow the Fair Penitent and on Friday Romeo and Juliet, being the last time of the Company's performing this season

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The King and Miller

Dance: As17510511

Event Comment: Mainpiece: By Desire. Being the last time of performing it this season. Receipts: #180 (Cross)

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: Queen Mab

Event Comment: Mainpiece: By particular desire. Last time of performing this season (General Advertiser). Mr Garrick set out for Paris next Day (Cross). Receipts: #80 (Cross)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Queen Mab

Dance: Devisse, Mad Auretti

Event Comment: Benefit for the Widow Reinhold and her four small children in great distress. Tickets at Mrs Reinhold's at his house, the Green Door in Little Chapel St., and of Hobson at the stage ooor. Being posivitively the last time of performing this season. A Gift Day for ye Wid: Reinhold & 4 Small Children (Cross). Receipts: #101 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Queen Mab

Dance: Devisse, Mad Auretti

Event Comment: At the Great Tiled Booth, Bowling Green, Southwark, A Diverting Droll, By a Company of Comedians. To begin each day at 12 and end at 10 at Night during the time of the Fair

Performances

Mainpiece Title: King Edward Iv Or The Lives Of Robin Hood And Little John With The Comical Humours Of The Pindar Of Wakefield

Entertainment: EEquilibres on a small wire-Cooke

Event Comment: Afterpiece: A Musical Entertainment in two Interludes. Someday this week, Mr Ross, will perform the part of Young Bevil in the Conscious Lovers, at Drury Lane, being the first time of his appearance on the English Stage. Receipts: #180 (Cross)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Chaplet

Event Comment: Never were the theatres more in Estimation than at present, nor was there ever a time at which so much pains appear to have been taken, in order to continue them upon a good footing. We owe our thanks to Mr Garrick for engaging in the expence of such a number of additional performers, but we owe him also our applause for the success with which they have played (Inspector No 203, in Daily Advertiser and London Gazette). Receipts: #110 (Cross)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Devil to Pay

Song: IV: Mattocks

Performances

Mainpiece Title: Jane Shore

Performance Comment: Jane Shore-Miss Macklin(, 1st time); Gloster-Sparks; Dumont-Ryan; Hastings-Barry; Belmour-Gibson; Catesby-Anderson; Ratcliff-Usher; Alicia-Mrs Cibber; Occasional Prologue-Macklin.
Cast
Role: Hastings Actor: Barry

Afterpiece Title: The King and Miller

Dance: GGrand Dutch Dance, as17511021

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Sowdon; Bajazet-Mossop (for the first time); Axalla-Lee; Selima-Miss Bellamy; Arpasia-Mrs Pritchard; Moneses-Havard; Hal-Simson; Dervisse-Winstone; Stratocles-Mozeen; Omar-Burton; Prince of Tanais-Blakes; With the Usual Prologue-.

Afterpiece Title: The Lottery

Song: IV: O Gentle Sleep-Beard