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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Thomas Lewis O\'Beirne"/1) | (@(roleclean,performerclean) "Thomas Lewis O\'Beirne")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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10344 results for: Keyword - Thomas Lewis O'Beirne
We found 6692 matches on Author, 2064 matches on Performance Comments, 541 matches on Event Comments, 169 matches on Performance Title, and 0 matches on Roles/Actors.

8626
26 September 1783 @ Covent Garden

Event Comment: She Wou'd and She Wou'd Not [announced on playbill of 24 Sept.] is obliged to be deferred on account of the Indisposition of a Principal Performer [Lewis (Public Advertiser, 27 Sept.)]. Receipts: #178 2s. 6d. (174/2/0; 4/0/6)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Tom Thumb

Related Works
Related Work: The Opera of Operas; or Tom Thumb the Great Author(s): Thomas Arne

8627
24 May 1784 @ Drury Lane Theatre

Event Comment: Tickets delivered by Alfred, Stageldoir, Dale, Daglish, Gibson, Blandy, Miss Hale, Miss Tidswell, Mrs Lewis, Miss Barnes will be taken. Receipts: #231 1s. 6d. (15/3/0; 6/9/0; 0/1/6; tickets: 209/8/0)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: All the Worlds a Stage

Song: End of Act II of mainpiece The Merry Roundelay, by Miss Barnes

8628
23 May 1785 @ Drury Lane Theatre

Event Comment: Tickets delivered by Alfred, Stageldoir, Dale, Daglish, Gibson, Blandy, Mrs Lewis, Miss Hale will be admitted. Receipts: #229 13s. (28/12/0; 13/13/6; 1/1/6; tickets: 186/6/0)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Englishman in Paris

Dance: End of Act II of mainpiece Hornpipe by Mills; In afterpiece the Minuet de la Cour, as17850111

8629
26 May 1786 @ Covent Garden

Performances

Mainpiece Title: A Bold Stroke For A Husband

Performance Comment: Don Julio Lewis; Don Caesar-Quick; Don Vincentio-Edwin; Gasper (1st time)-Kennedy; Don Garcia-Davies; Don Vasques-Fearon; Pedro-Stevens; Don Carlos-Wroughton; Victoria-Mrs Bates; Minette-Mrs Martyr (1st appearance in that character); Laura-Mrs Inchbald; Inis-Miss Platt; Sanchia-Mrs Davenett; Marcella-Miss Rowson; Olivia-Mrs Warren (1st appearance in that character) .

Afterpiece Title: Love in a Camp

Dance: As17851112

8630
29 May 1786 @ Drury Lane Theatre

Event Comment: Tickets delivered by Lyon, Sherratt, Gardner, Daglish, Gibson, Gilles, Finney, Barthrope, Aberdein, Purser, Blandy, Mrs Haskey, Mrs Lewis will be admitted. Receipts: #230 7s. (20/5; 3/17; 0/9; tickets: 205/16)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Waterman

Related Works
Related Work: London's Resurrection to Joy and Triumph: Celebrious to the much-meriting Magistrate Sir George Waterman Knight, Lord Mayor of the City of London Author(s): Thomas Jordan

8631
25 July 1786 @ Haymarket Theatre

Performances

Mainpiece Title: The Devil In The Wine cellar

Afterpiece Title: Ill Tell You What

Afterpiece Title: The Minor

Song: In 1st piece a favourite glee [singers not listed]. imitations. In the course of 3rd piece various Imitations [of Edwin, Quick, Macklin, Smith, Lewis, Wroughton, Wood, Davies, Robson, Waldron (Public Advertiser, 26 July)] by Bannister Jun

Performance Comment: imitations. In the course of 3rd piece various Imitations [of Edwin, Quick, Macklin, Smith, Lewis, Wroughton, Wood, Davies, Robson, Waldron (Public Advertiser, 26 July)] by Bannister Jun .

8632
04 June 1787 @ Drury Lane Theatre

Event Comment: Tickets delivered by Sherratt, Gibson, Gilles, W. Purser, Lyon, Pilsbury, Brady, Dowglas, Street, Gardner, Bayne, Standen, Mrs Brigg, Mrs Finney, Mrs Lewis will be admitted. Receipts: #284 19s. 6d. (36.2.0; 7.19.6; 0.15.0; tickets: 240.3.0)

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Thomas Shadwell
Related Work: The Mock-Tempest; or, The Enchanted Castle Author(s): Thomas Duffett

Afterpiece Title: The Humourist

Cast
Role: Thomas Actor: Phillimore

Dance: As17861205; End: Minuet and Cotillion-Master Warburton, Miss Taylor, others

Song: As17861205

8633
06 June 1788 @ Drury Lane Theatre

Event Comment: Tickets delivered for this Evening [Account-Book: by Appleby, Bayne, Dale Jun., Daglish, Douglas, Gardiner, Gillis, Kirk, Lyon, Standen, Pilsbury, Mrs Lewis] will be admitted. Receipts: #192 1s. (7.11.0; 2.14.6; 0.15.6; tickets: 181.0.0)

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The First Floor

Dance: End: Minuet de la Cour and Allemande-Kirk, Miss J. Stageldoir

8634
15 December 1790 @ Covent Garden

Event Comment: [The playbill announces The Suspicious Husband, but "The performance at this house was changed yesterday evening in consequence of the indisposition of Lewis, and Rose and Colin with The German Hotel were substituted for The Suspicious Husband"(Diary, 16 Dec.).] Receipts: #145 14s. 6d. (135.4.6; 10.10.0)

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The German Hotel

Afterpiece Title: Robin Hood

8635
11 May 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Hue and Cry

Performance Comment: Characters-Whitfield Hollingsworth, Bland, Bannister Jun., Burton, Suett, Phillimore, Williames, Maddocks, Lyons, Alfred, Webb, Miss Collins, Mrs Williames; Larpent MS lists the parts: Count Abeville, Don Lewis, Don Juan, Perroquet, Fabio, Sanchez, Corregidore, Jailor, Grim, Donna Leonora, Inis. Prologue-Bannister Jun.
Related Works
Related Work: The Chimera; or, An Hue and Cry to Change Alley Author(s): Thomas Odell

8636
25 November 1794 @ Covent Garden

Event Comment: [In mainpiece the playbill retains Lewis, but he "was prevented, by a cold and hoarseness, from performing the part of Gingham" (Morning Herald 27 Nov.). The name of his subsitute is not mentioned.] Receipts: #308 2s. (294.14; 13.8)

Performances

Mainpiece Title: The Rage

Afterpiece Title: Hercules and Omphale

8637
10 January 1795 @ Covent Garden

Event Comment: [as mainpiece the playbill announces The Dramatist, but "In consequence of the indisposition of Lewis, The Dramatist was obliged to be postponed...The Comedy of Errors was the substitute" (Morning Post, 12 Jan.).] Receipts: #220 2s. (190.0; 30.2),

Performances

Mainpiece Title: The Comedy Of Errors

Related Works
Related Work: The Twins; or, A Comedy of Errors Author(s): Thomas Hull
Related Work: The Comedy of Errors Author(s): Thomas Hull

Afterpiece Title: Hercules and Omphale

8638
08 April 1799 @ Drury Lane Theatre

Event Comment: Benefit for Bannister Jun. Mainpiece: Not acted these 2 years. Afterpiece [1st time; F 2, probably based on Die Zwillingsbruder, by Friedrich Ludwig Schroder]: Written by the Author of The Castle-Spectre [Matthew Gregory Lewis]. With Songs [composer unknown. Larpent MS 1245; not published]. Morning Chronicle, 3 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford-square. Receipts: #599 3s. 6d. (315.3.6; 63.4.0; 0.1.0; odd money: 4.2.0; tickets: 216.13.0) (charge: #211 1s. 8d.)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Twins or Is It He or his Brother

Related Works
Related Work: The Twins; or, Is It He, or his Brother? Author(s): Matthew Gregory Lewis
Related Work: The Loyal Brother; or, The Persian Prince Author(s): Thomas Southerne
Related Work: The Perfidious Brother Author(s): Lewis Theobald
Related Work: The Twins; or, A Comedy of Errors Author(s): Thomas Hull

Song: By permission of Dibdin End I: Advice; or, Old Mary and John-Bannister Jun; End II: The Country Club-Bannister Jun; III: Tom Tough-Bannister Jun

8639
22 April 1799 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Jordan. Mainpiece [1st time; C 5, based partly on Die Indianer in England, by August Friedrich Ferdinand von Kotzebue. Prologue, Epilogue by the author (see text)]: Written by the Author of The Castle-Spectre [Matthew Gregory Lewis]. Receipts: #706 5s. 6d. (350.16.6; 42.4.0; odd and after-money: 7.4.6; tickets: 306.0.6) (charge: free)

Performances

Mainpiece Title: The East Indian

Related Works
Related Work: The East Indian Author(s): Matthew Gregory Lewis

Afterpiece Title: The Romp

8640
30 April 1799 @ Covent Garden

Performances

Mainpiece Title: False And True

Afterpiece Title: The Son in Law

Afterpiece Title: The Paradox or Maid Wife and Widow

Dance: III: a Characteristic Dance and Masquerade as at the Venetian Carnival-

Song: In course Evening: a new Sea Ballad, composed for his Royal Highness the Prince of Wales, Tomorrow[; or, the Mars, Capt. Connor (the words by the Author of the Castle Spectre [Matthew Gregory Lewis]; the music by Kelly)-Incledon; A Touch at old Times-Munden; In my Father's Mud Cabin-Johnstone

Performance Comment: Connor (the words by the Author of the Castle Spectre [Matthew Gregory Lewis]; the music by Kelly)-Incledon; A Touch at old Times-Munden; In my Father's Mud Cabin-Johnstone.

8641
07 December 1799 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by the Author of The Castle-Spectre [Matthew Gregory Lewis, also the author of Prologue and Epilogue (see text)]. "The Epilogue was spoken by Bannister Jun. in the character of Queen Elizabeth, who ascends from a trap in the middle of the stage, and who is supposed to have obtained the permission of Pluto to revisit her kingdom, in order to witness the representation of the East Indianv" (Monthly Mirror, Dec. 1799, p. 367). Receipts: #200 13s. 6d. (131.11.0; 67.9.6; 1.13.0)

Performances

Mainpiece Title: The East Indian

Related Works
Related Work: The East Indian Author(s): Matthew Gregory Lewis

Afterpiece Title: The Prize

8642
30 May 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Shipwreck

Related Works
Related Work: Perseus and Andromeda; or, The Spaniard Outwitted Author(s): Lewis Theobald

Song: In: The Blue Bell of Scotland, as18000512; accompanied on the Lute, as18000512; In course Evening: Crazy Jane-Mrs Bland; In 3rd piece: a new ballad, The Fisherman and the River Queen (Written and Composed by M. G. Lewis, Esq, M. P., Author of Crazy Jane.)-Mrs Bland

Performance Comment: G. Lewis, Esq=, M. P., Author of Crazy Jane.)-Mrs Bland.

8643
29 October 1659 @ The City, London

Event Comment: The Lord Mayor's Show. By John Tatham. The author mentions as his assistants: Andrew Dakers and William Lightfoot, painters; Thomas Whiting, joyner; and Richard Clear, carver

Performances

Mainpiece Title: Londons Tryumph

Performance Comment: Celebrated the Nine and Twentieth day of October, in the Year 1659. In Honour of the much Honoured ThomasAllen, Lord Mayor of the said City. Presented and personated by an Europian, an Egyptian, and a Persian. And done at the Costs and Charges of the ever to be Honoured Company of Grocers.

8644
13 April 1660 @ Fishmonger's Hall

Event Comment: The Diurnal of Thomas Rugg, ed. Sachse, p. 71: 13 April 1660: His Excellency [Monk] with the Councill of State dined att on of the Halls in London [Fishmongers], and now by this time haveing dined att 9 of the cheifest Halls in London; and att every Hall theire were after diner a kind of a stage play and many prety anticks, som the citizan and soldier, others the country Tom and citty Dick [see 28 March 1660], att many Halls were dancing and singing, many shapes and ghostes and the like

Performances

8645
23 April 1660 @ no theater listed

Event Comment: On this date General Monk and the Council of State issued an order forbidding stage plays. (See Hotson, Commonwealth and Restoration Stage, p. 196, and The Diurnal of Thomas Rugg, ed. Sachse, pp. 61, 67.)

Performances

8646
23 June 1660 @ The Red Bull Theatre

Event Comment: This performance is known by the Prologue and Epilogue printed in Thomas Jordan's A Nursery of Novelities or Variety of Poetry. The Prologue is dated 24 June 1660, but as this date falls on Sunday, the performance has been entered as Saturday 23 June 1660, for in this same work (p. 19) Jordan mentions: A Speech by way of Epilogue to those that would rise out of the Pit at the Red Bull in the last Scene, and disturb the conclusion by going on the Stage, June 23d 1660. [The Prologue and Epilogue have been reprinted in the Shakespeare Society Papers, IV (1849), 140-42, and in Sprague, Beaumont and Fletcher on the Restoration Stage, pp. 9-10. See also the list at the beginning of the season 1659-1660.

Performances

Mainpiece Title: The Tamer Tamed

8647
05 July 1660 @ The City, London

Event Comment: According to Robert Withington (English Pageantry, An Historical Outline, Cambridge, Mass., 1918, I, 242n), the expense of the entertainment came to #7888 2s. 6d. (See also Pepys, Diary, and other accounts.) The Diurnal of Thomas Rugg, ed. Sachse, pp. 98-99: A lane [was] made in the Citty, made by the livery men of several companyes; and many pageants in the streets...Att Cheap sid his Majesty beheld a famous pagien, and staid there for som littl space, where were speeches made by the lady paganetts. Evelyn, Diary: I saw his Majestie go with as much pompe & splendor as any Earthly prince could do to the greate Citty feast...but the exceeding raine which fell all that day, much eclips'd its luster:...the streets adorn'd with Pageants &c: at immense cost

Performances

Mainpiece Title: Londons Glory Represented By Time Truth And Fame

8648
16 August 1660 @ Whitehall or St. James's

Event Comment: In Thomas Jordan's Royal Arbour of Loyal Poesie (p. 12) is a piece entitled: A Prologue to the King, August 16, 1660

Performances

8649
29 October 1660 @ The City, London

Event Comment: Edition of 1660: The Royal Oake, with Other various and delightfull Scenes presented on the Water and the Land, Celebrated in Honour of the deservedly Honoured Sir Richard Brown, Bar. Lord Mayor of the City of London, The 29th day of October...and performed at the Costs and Charges of the Right Worshipfull Company of Merchant-Taylors. [Tatham refers to Dyamond, a Lightfoot, Paynter; Thomas Whitein, Joyner; and Richard Cleere, Carver.] Pepys, Diary: And I...at the Key in Cheapside; where there was a company of fine ladies, and we were very civilly treated, and had a very good place to see the pageants, which were many, and I believe good, for such kind of things, but in themselves but poor and absurd. Evelyn, Diary: My Lord Majors shew stop'd me in cheape-side: one of the Pageants represented a greate Wood, with the royal Oake, & historie of his Majesties miraculous escape at Bosco-bell &c

Performances

Mainpiece Title: The Royal Oake

8650
November 1660 @ no theater listed

Event Comment: The Diurnal of Thomas Rugg, ed. Sachse, p. 127: Playes much in reques and great resort to them

Performances